Snippet from the short story “Carry-On” by Saint John writer Andrea Kikuchi, to appear in the zine coming out soon!
Project made with/for @kpeditingservices
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Snippet from the short story “Carry-On” by Saint John writer Andrea Kikuchi, to appear in the zine coming out soon!
Project made with/for @kpeditingservices

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you guys know what’s super important?
bee butts
Extremely Important™
How to Take Constructive Criticism
Yes, it can hurt sometimes, but YES, it can be incredibly helpful, if keep some things in mind:
You never, ever, ever have to do what they say. They’re making suggestions. Even if 50 beta readers say “I really hate this scene, it’s pointless and odd and you should take it out,” you are under no legal, moral, or spiritual obligations to do so. Just know that if you put it out to the public, they’re probably going to have the same opinion. But that’s a choice you get to make.
Ask for clarity. If you get feedback like “I didn’t like this line” don’t be afraid to ask why. What makes the main character come off as bland and unlikable? Why did you think this chapter was boring? Where did you start losing interest? Ask them to elaborate, just make sure that you’re doing so without getting defensive.
Don’t argue with them. Everything they say is their opinion: by definition, their opinion can’t be wrong. If they make a note that they don’t have a good image of the setting, don’t point them to the paragraph where you described it. It means either the paragraph wasn’t noticeable or interesting enough to hold their attention, or you didn’t describe enough for them. Or it means they were speed reading, which brings us to the next point…
Have more than one person look at it. Sometimes people are in a rush and are skimming. Sometimes people have wildly different senses of humor. Sometimes they have a vendetta against a particular trope, and it just so happens to be the one that you built your whole book around. It happens! Getting more people to look at your work helps you tell the difference between a general opinion and a singular, stray opinion. All of them are good to think about, all of them can be ignored, but the number of people who agree with something can help give weight to your decision to change or cut something.
Think about the person who’s giving feedback. Did you give your middle grade dragon action adventure to your conservative, non-fiction loving mother? Then maybe take her opinion with a grain of salt. If the person telling you to completely rewrite your work from scratch isn’t part of your demographic, if they don’t read or write in your genre, or if they just seem like an angry, bitter person, their suggestions shouldn’t dictate your actions. Let them roll off of you like waves on the beach, and pay attention to the young adults who are obsessed with Eragon and the dragon prince and other works in your wheelhouse.
Most importantly, no matter what kind of feedback you get, don’t let it stop you from writing if this really is your passion. Go, put your creative children into the world, and good luck!
Excellent advice! Feedback is possibly one of the most valuable parts of pulling a story together, but it’s also one of the hardest parts for the writer (especially if your feedback comes from someone who is inexperienced at providing it).
Listen. I'm old and I've been doing this a long damn time. Writing is not a science. Are you someone who can write on a deadline? Someone who word counts and sprints and has goals and tracks their progress? Good for you, you funky lil star.
Are you someone who writes when the mood takes them? Who flies out of bed in the middle of the night to jot down a scene? Who can go weeks writing nothing and then spew out 10k of glorious beauty in three hours? Way to go, you fucking gem.
Don't let the culture of writing stop you from writing. Don't let people tell you the 'right way' to write.
Defend your art and the way you do it.
Premiering in the Fall 2019 Zine being produced by Dark Attic for @kpeditingservices is Honey & Marigolds by the amazing Rachel Friars.
The full booklet, titled Pieces of Us, hosts works from talented Canadian writers and artists, and will launch at the Saint John International Culture Fest in October.
More snippets to come from this exciting project!

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We need to know the basics of literature when we read and write. Literature includes fiction, memoir, drama, and poetry. We use certain terms to describe the structure of literary works.
We have to know these terms if we are studying literary works or writing book reviews. It is good to know them in order to read critically. When we write, it becomes easier to plan and finish a work, if we understand the parts.
The nine terms below are certainly ones you need to know in literature:
Tea Facts
Black tea
Think black tea makes you feel good? You’re right. It’s been proven to help you de-stress fast. It also helps eliminate bad breath. Plus medical research indicates that it lowers the risk of heart attacks and strokes, and reduces bad cholesterol.
Green tea
Want to stay slim, trim and beautiful? The antioxidants in green tea just might slow signs of aging, prevent the flu and raise your metabolism. More dramatically, it’s being shown to prevent and slow cancer, and help with arthritis and bad cholesterol too.
Oolong tea
This one’s known as a fat-buster in China, and science is indicating that it does indeed speed up your metabolism, burn fat and block fat absorption! Use it to fight expanding waistlines, high blood pressure, diabetes and heart disease.
White tea
Science is saying that white tea might be more effective than even green tea at preventing cell damage, shrinking cancerous tumours and stopping the growth of cancer cells. Plus it’s becoming the new cosmetic fix for aging skin. Beautiful!
Pu’erh tea
Traditional Chinese medicine prizes Pu’erh as a wonder tea. It’s said to aid digestion, cleanse the blood and help with weight loss. Studies in Europe are also saying it busts cholesterol as effectively as some medications.
Rooibos tea
It’s said that rooibos helps you recover from hangovers, and that it could slow dementia. Plus there’s evidence that it fights skin cancer and boosts the immune system. And it’s supposed to help with insomnia!
Yerba tea
Yerba mate is a fabulous stimulant, without the jitters. It’s also full of antioxidants, so there’s scientific speculation that it could have anti-cancer properties, help stimulate the immune system and protect against disease.
Herbal tea
Herbs, spices, fruits and flowers have long been used in traditional medicine to cure everything from headaches, stomach bugs and colds to stress and insomnia. The power of the tea depends on its ingredients.
Necessary book nerd information. As we all know- where the tea goes, the books follow.
Ten questions to ask a friend who just read your novel
Here are ten questions to ask that will not put your friend in a tough spot, but will still give you some useful input on your novel:
1. At what point did you feel like “Ah, now the story has really begun!” 2. What were the points where you found yourself skimming? 3. Which setting in the book was clearest to you as you were reading it? Which do you remember the best? 4. Which character would you most like to meet and get to know? 5. What was the most suspenseful moment in the book? 6. If you had to pick one character to get rid of, who would you axe? 7. Was there a situation in the novel that reminded you of something in your own life? 8. Where did you stop reading, the first time you cracked open the manuscript? (Can show you where your first dull part is, and help you fix your pacing.) 9. What was the last book you read, before this? And what did you think of it? (This can put their comments in context in surprising ways, when you find out what their general interests are. It might surprise you.) 10. Finish this sentence: “I kept reading because…”
Your friend is probably still going to tell you, “It was good!” However, if you can ask any specific questions, and read between the lines, you can still get some helpful information out of even the most well-meaning reader.
Source: Examiner
This is really useful advice, especially if the person you’ve shared your story with hasn’t had much/any experience critiquing.
It does a great job of asking for a balance of both positive and negative feedback in a way that’s comfortable for both the author and reader.
So. Good.
It can be frustrating and disappointing to send off your sweet baby child of a story and just get back “it was good”. Sure, it’s better than “it was bad”, but you want more! You can avoid a lot of the one line answers when you have a question list like this. Plus, it helps with comparing feedback from multiple readers.
Marine (Etrelley) has created a nearly complete set of glass weaponry in the same, breathtaking style. Visit their gallery for more great 3D artwork!
Previous post with more TES-inspired 3D artwork.
Glass weapons: highly impractical? Maybe. Heckin rad? Absolutely.

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11 stages of love in arabic.
1. الْهَوَى (hawa) = Attraction The beginning of love. This love can arise suddenly, but is transient, not yet firm in the heart. 2. الْعَلاقَةُ (‘alaqah) = Attachment Love that becomes attached to the heart, and loses the transitory property ofhawa. 3. الْكَلَفُ (kalaf) = Infatuation Love that begins to intensify and have a physical affect on the lover. 4. الْعِشْقُ (‘ishq) = Desire Love that engulfs the heart of the lover entirely, and takes it as its residence, such that love and the heart in which it resides become intimately familiar with one-another. This love blinds the lover to any faults in the beloved. 5. الشّعَفُ / اللَّوْعَةُ / اللعَاج (sha’af, law’ah, li’aj) = Passion Love that starts to burn, but at this stage, the love is still pleasurable in the heart. 6. الشّغَفُ (shaghaf) = Affliction Destructive, all-consuming love. The heart begins to be devoured by the love. 7. اَلْجَوَى (jawaa)= Grief Love that started with the outer covering of the heart. It takes over the entire heart, and results in an inner grief and sorrow. 8. التّيْمُ (taym) = Enslavement Love to the point where the heart is enslaved to the beloved. 9. التَّبْل (tabl) = Malady Love, which was once living pleasurably in the heart, having made it its home, now turns against the heart, and so overwhelms, confounds and bewilders it, that it is as though it were its enemy. 10. التَّدْلِيْه (tadleeh) = Disorder Love when the heart is thus being destroyed from within, and begins to lose all sense of balance and reason, it goes into a state of chaos and disorder. 11. الْهُيُوْمُ (huyum) = Insanity Love that comes to its conclusion.
Beautiful and also doubles as a plot line!
A Glossary of Publishing Terms: Vol 1.
Here’s the first volume in what will be an expanding glossary of publishing terminology. If you have any questions about any term defined in this list, feel free to let me know and I’ll create an expanded definition for you.
Acquisition: The process of a publisher buying the rights to a manuscript from an author or agent.
Agent: The person who represents an author’s work and interests, submits their manuscripts to editors for acquisition, and negotiates contracts.
ARC (Advanced Reader Copy)/Galley/Proof: A promotional copy of a novel distributed for marketing purposes before publication. ARCs are usually not-yet-finalized, paperback versions of the book, which may have: minor copy editing errors, missing dedication/acknowledgment pages, or no cover art. They’re distributed mainly to reviewers, librarians, booksellers, and other industry professionals, but also make appearances at various book/fan festivals.
Big Five: The biggest publishing houses: Penguin Random House, HarperCollins, Simon & Schuster, Hachette, and Macmillan. These five houses publish and sell the majority of books you see in stores and have a lot of sway in the industry.
Draft: A specific version of your manuscript, used for describing the state your manuscript is currently in. You can have a current draft, a past draft, a first draft, a revised draft, a final draft, or a 38th draft.
Editor: The person at the publishing house who acquires and helps revise an author’s manuscript
Imprint: A publishing house within a publishing house, basically. An imprint is a division of a publishing house that tends to focus on a certain genre or style of book. A chart showing the imprints of the big five publishers.
Lead titles: The predetermined “bestsellers” on a season’s list, which get the most publicity and marketing for that season, and often receive the biggest advances.
Manuscript: Basically the best term for a book before it’s actually in print. When you carry your novel around in a binder or as a stack of pages, it’s a manuscript. When you carry your novel around bound in a pretty cover, it becomes a book.
Publisher: A company that acquires manuscripts and prepares them for sale
Query/-ing: n. the combination of a cover “query” letter and sample chapters of a manuscript to be submitted to literary agents in the hopes of acquiring representation; v. the process of submitting queries to literary agents
Revise and Resubmit (R&R): A response from an editor or agent in between an offer and a rejection, when they are interested in a book, but do not want to take it on in its current state. Agents and editors who request R&Rs will also often request first looks at the revised manuscripts as a professional courtesy in return for their editorial letters/guidance. R&Rs may result in an offer from an editor or agent, or they may result in a rejection.
Seasons: The publishing industry divides the year into three “seasons”: fall, winter, and spring/summer. For each season, publishers will produce catalogues showcasing the titles to be published in that calendar period. These seasons and catalogs can affect books’ publications. For example: titles may be pushed back in publication to fit a certain season (a novel about ghosts will generally be published in September, in the fall catalog where it is most salable). Titles may also not be acquired because there are already similar titles in certain catalogs, and the publishers may not want to publish competing books.
Starred Review: Trade reviews give “stars” to books of “exceptional merit.” Good reviews of upcoming publications are not always starred. Starred reviews can be influential when publishers are selling books to bookstores, libraries, and other institutions.
Submission (sub): The process of an agent sending a manuscript out to editors with a goal of acquisition.
The Slush Pile: Unsolicited manuscripts sent to 1) publishers without agents/requests from publishers, or 2) agents without requests (less common usage).
Trade Review: A review in a trade publication, ie. a publication meant for industry professionals instead of general consumers, such as Publishers Weekly.
You don’t have to memorize them all, but it’s definitely useful to familiarize yourself with them if you intend to work with publishers or literary agents or really- in the industry at all.
Not sure how to kill your character? Need to send a secret message? Looking for names of fantasy lands and eccentric characters? Flowers. Flowers are always the answer. The one-stop shop for your literary needs.
Resources For Writing Sketchy Topics
Medicine
A Study In Physical Injury
Comas
Medical Facts And Tips For Your Writing Needs
Broken Bones
Burns
Unconsciousness & Head Trauma
Blood Loss
Stab Wounds
Pain & Shock
All About Mechanical Injuries (Injuries Caused By Violence)
Writing Specific Characters
Portraying a kleptomaniac.
Playing a character with cancer.
How to portray a power driven character.
Playing the manipulative character.
Portraying a character with borderline personality disorder.
Playing a character with Orthorexia Nervosa.
Writing a character who lost someone important.
Playing the bullies.
Portraying the drug dealer.
Playing a rebellious character.
How to portray a sociopath.
How to write characters with PTSD.
Playing characters with memory loss.
Playing a pyromaniac.
How to write a mute character.
How to write a character with an OCD.
How to play a stoner.
Playing a character with an eating disorder.
Portraying a character who is anti-social.
Portraying a character who is depressed.
How to portray someone with dyslexia.
How to portray a character with bipolar disorder.
Portraying a character with severe depression.
How to play a serial killer.
Writing insane characters.
Playing a character under the influence of marijuana.
Tips on writing a drug addict.
How to write a character with HPD.
Writing a character with Nymphomania.
Writing a character with schizophrenia.
Writing a character with Dissociative Identity Disorder.
Writing a character with depression.
Writing a character who suffers from night terrors.
Writing a character with paranoid personality disorder.
How to play a victim of rape.
How to play a mentally ill/insane character.
Writing a character who self-harms.
Writing a character who is high on amphetamines.
How to play the stalker.
How to portray a character high on cocaine.
Playing a character with ADHD.
How to play a sexual assault victim.
Writing a compulsive gambler.
Playing a character who is faking a disorder.
Playing a prisoner.
Portraying an emotionally detached character.
How to play a character with social anxiety.
Portraying a character who is high.
Portraying characters who have secrets.
Portraying a recovering alcoholic.
Portraying a sex addict.
How to play someone creepy.
Portraying sexually/emotionally abused characters.
Playing a character under the influence of drugs.
Playing a character who struggles with Bulimia.
Illegal Activity
Examining Mob Mentality
How Street Gangs Work
Domestic Abuse
Torture
Assault
Murder
Terrorism
Internet Fraud
Cyberwarfare
Computer Viruses
Corporate Crime
Political Corruption
Drug Trafficking
Human Trafficking
Sex Trafficking
Illegal Immigration
Contemporary Slavery
Black Market Prices & Profits
AK-47 prices on the black market
Bribes
Computer Hackers and Online Fraud
Contract Killing
Exotic Animals
Fake Diplomas
Fake ID Cards, Passports and Other Identity Documents
Human Smuggling Fees
Human Traffickers Prices
Kidney and Organ Trafficking Prices
Prostitution Prices
Cocaine Prices
Ecstasy Pills Prices
Heroin Prices
Marijuana Prices
Meth Prices
Earnings From Illegal Jobs
Countries In Order Of Largest To Smallest Risk
Forensics
arson
Asphyxia
Blood Analysis
Book Review
Cause & Manner of Death
Chemistry/Physics
Computers/Cell Phones/Electronics
Cool & Odd-Mostly Odd
Corpse Identification
Corpse Location
Crime and Science Radio
crime lab
Crime Scene
Cults and Religions
DNA
Document Examination
Fingerprints/Patterned Evidence
Firearms Analysis
Forensic Anthropology
Forensic Art
Forensic Dentistry
Forensic History
Forensic Psychiatry
General Forensics
Guest Blogger
High Tech Forensics
Interesting Cases
Interesting Places
Interviews
Medical History
Medical Issues
Misc
Multiple Murderers
On This Day
Poisons & Drugs
Police Procedure
Q&A
serial killers
Space Program
Stupid Criminals
Theft
Time of Death
Toxicology
Trauma
On how many watch lists did you end up after compiling all of this information, op? 😂
They made their sacrifice so we could all prosper.
For real though, as a publisher with a dark and mysterious name, we are often confused for a horror publisher but really we just want to publish honest works that are tuned into this human experience we all have to go through. Crime and pain and injury are a part of that, whether we like it or not, so we dig these tips for writing ‘sketchy’ topics. You don’t have to be afraid to incorporate the controversial, but make yourself aware of ways to write it well.
Organize your novel!
Word Processors and Writing Software:
Jarte**
AbiWord
Calligra
Celtx**
Open Office
Scrivener*
Final Draft*
Atlantis Nova
Zoho**
Lit Lift
Hiveword
Story Book**
Character Writer*
Write Room (mac only)
Dark Room
Q10
Liquid Story Binder*
Now Novel**
yWriter 5
Make a timeline of your plot:
Time Toast
Interactive Timeline
Timeline Maker*
Preceden
Tiki Toki**
Time Glider**
Timeline Maker
My Timeline
Timeline JS
Timeline Generator (this one makes up events for a fictional world)
X Timeline
Our Story**
Dipity
Timeline Software*
Timelines*
Meograph
Timeline Charts*
Family Tree Makers:
Family Echo
Genealogy
Legacy Family Tree Maker**
Family Tree Builder**
XY Family Tree
*Not free. May include free trial.
**Includes free and premium content.
It’s easy to get lost in the world you’ve created, the one that fills all the blank space of your brain and keeps you up at night with new scenes and characters. This list is so helpful for anyone needing a way to sift through all the information, especially if you’re stuck in the quicksand that is The Plot™.
Thank you, OP!

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38 Classic Polish Books You Should Know (About)
requested by anon
That’s a hell of a Buzzfeed title, wow! I focused solely on books, but you need to remember that poems play a HUGE part in Polish literature in general. Instead of doing a list of “classic Polish texts”, which would include full-on books, poems, dramas, everything, and would be probably 18637 positions long, I did only some of the most important books, dramas, and comic books. If you’d like me to tell you more about anything on this list, cover something more in detail, or make another list — shoot me an ask!
I ordered the list NOT by how much I like these books or how strongly I’d recommend them. The list is ordered from the easiest ones to the toughest ones – literarily, not linguistically.
Also, I know that the ask was about classical books, which I too included in this list.
Let’s start with something approachable — comic books and “normal” books that are so easy and pleasant to read. Except for the two books about war — they’re approachable but the topic doesn’t really make them pleasant.
Pan Samochodzik by Zbigniew Nienacki
A series of books about Pan Samochodzik, who’s an art historian and a detective, and his job is to solve theft, smuggling, and forgery cases. He’s basically a mix of Indiana Jones and Hercules Poirot. The background for the books is life in Polish People’s Republic, but it’s actually shown not as rough as it was in real life. Apart from that, they’re basically children’s books — very light, easy, and funny.
I’d definitely recommend them, I mean, who doesn’t like stories like that? Plus, you don’t need to be God knows how good with Polish to read them.
adaptations: There are 4 movies and a TV show based on the books, each based on a different book from the series.
Podróże z Herodotem by Ryszard Kapuściński
You can read it even when you’re like 10 because it’s a very nice, easy, pleasant story. An autobiography where the author describes his travels to Asia and Africa and compares them to the travels of Herodotus. Very interesting, often funny, it gives you a full view of different people and cultures and how rich the world is. It teaches you a little bit of history, it teaches you a little bit about the modern world (I think the story starts in the 1950s), and the comparison between these two — it’s really fascinating to see that, generally, the world hadn’t changed that much.
I would wholeheartedly recommend it to everyone.
W pustyni i w puszczy by Henryk Sienkiewicz
The only book I cried on and not because it was so beautiful, but because it was so painful to read. Okay, I was like 11 when I read it, but technically it’s a book for kids, so…
It’s a story about two kids who get lost in Africa and they hike through like 5 countries to find their fathers (who worked in Africa and just happened to forget to take their children one day I guess?). Really, it’s about friendship, dedication, love, all the important values in life. But that doesn’t change the fact that it’s painfully boring to read.
It’s a wonderful story, don’t get me wrong, and I loved it as a child — but the movie. The book I hated. So I do recommend it, but the movie.
adaptations: 2 TV shows and 2 movies (the one from 2001 being the most popular).
Tytus, Romek i A’Tomek by Henryk Jerzy Chmielewski
Comic books. Two friends try to humanize a monkey while traveling and exploring different areas of science and history. It’s funny, absurd, educational, and understandable for non-advanced learners of Polish.
Do I recommend? Absolutely.
adaptations: 2 episodes of a short TV show, a video game, and a movie from 2002 titled “Tytus, Romek i A’Tomek wśród złodziei marzeń” — but it’s not based on the comics, only on the characters.
Kajko i Kokosz by Janusz Christa
A series of comic books which is basically a Polish version of “Asterix”. It’s about two Slavic warriors who have all kinds of adventures and fights with Zbójcerze. It’s all fictional and to be honest, I don’t really remember much from the comics, but I know that I loved them as a child. There are also renewals of the old volumes as well as new stories based on the original story and they’re coming out even in 2018.
I wouldn’t say it’s something you absolutely have to read, but if you want to, then it’s worth your time.
adaptations: A TV show that’s still being made and a video game.
Zemsta by Aleksander Fredro
Language-wise, it is pure genius. Not too easy, though. The jokes, the phrases, the sayings — it is the base of common Polish language. Story-wise, it’s basically Polish Romeo and Juliet. Two families live in a castle and hate each other, a girl from one family is in love with a guy from the other family. We also get some more important side characters, they’re very nicely written, iconic even. The whole drama is hilarious, so yes I would calmly recommend it to people who are somewhat fluent in Polish.
adaptations: 2 movies (the one from 2002 being more popular).
Wiedźmin by Andrzej Sapkowski
I think it’s the definition of contemporary classic. It’s a series of short stories, later an actual book, later comics, and finally a movie and a video game. The book is about this witcher and a child of destiny who’s a witcher-in-training. The main character needs to protect her. The stories and comics, however — they’re obviously about the witcher, but I don’t know the details.
If I’m 100% frank, I have not read the stories, the book, the comics, nothing. So I can’t fully recommend it to you, but I can tell you this: everyone who’s into fantasy is crazy about it. I suppose if you like fantasy, Wiedźmin’s a must.
adaptations: A movie from 2001, a TV show from 2002, and a video game.
Solaris by Stanisław Lem
This one’s, on the other hand, is a must if you’re into sci-fi. It’s about contact: with aliens, other civilizations, the unknown — but it’s not specified, which actually makes the book so interesting.
It’s been translated into multiple languages, so I’d say it’s easy to get, and if you’re either into sci-fi or into modern Polish literature — do read it.
adaptations: 3 movies (in 2002 Soderbergh made it a movie, so I suppose it’s worth checking out, but I personally haven’t watched it).
Kamienie na szaniec by Aleksander Kamiński
A story of 3 boys who just graduated from high school when WW2 broke out. It’s an actual story of actual people and it is heartbreaking. If you want to read anything about the WW2 that isn’t very technical or boring, this book is definitely for you. It’s about normal lives in abnormal circumstances and you get very attached to the characters and their stories, and the book actually makes you feel things.
Would recommend.
adaptations: A movie from 1977 titled “Akcja pod Arsenałem”, which is based on the book, and a movie from 2014 under the same title as the book, also only based on it.
Medaliony by Zofia Nałkowska
An omnibus of short stories about WW2. Very short, very shocking, sometimes even disgusting. The stories are about people who survived the war and they are actual things that actually happened. I don’t think I get appalled easily, but those are horrifying, really.
A good recommendation for someone who wants to learn about the more (or less) humane side of the war. I would actually say it’s a must if you want to at least begin to understand the tragedy that WW2 was.
And now we’re moving onto some more… mature books. Those are usually compulsory readings in middle school and high school, and to get what they’re about, you need to have some common knowledge. Nothing too specific, though. And there’s a lot to them that you can enjoy even if you don’t know much about general Polish culture and history, so I would say giving them a shot is definitely worth it. Plus, you can learn a lot if you’re a careful reader.
Lalka by Bolesław Prus
Hands down my favorite Polish book of all times. The best thing they made me read in school and I swear this book made the 12 years of tears and pain that I spent in school worth it. Long story short, it’s about a dude from quite a poor family and he becomes rich for an aristocrat he loves very, very deeply. But she’s a total bitch and uses him like an old rag. Don’t get me wrong, I really don’t like romance but Lalka… I mean, the lengths he went for her, the things he did for her… I don’t want to spoil the book but it’s full of dramatic events, interesting characters, surprises, and most importantly — it’s absolutely exciting for the reader! It truly sucks you in. Not to mention the book in a phenomenal way shows how Polish society of the 1870s functioned and thought. And don’t even get me started on the psychology of single characters. I’ve read only a few books in my life that made me feel so passionate about their characters. Character-building-wise, Lalka is the peak of art.
If you want to read only one book from this list, this is the one.
adaptations: Tons of plays, a movie (1968) and a TV show (1978). Pretty accurate, but I personally didn’t like them.
Potop by Henryk Sienkiewicz
There’s a trilogy: Ogniem i mieczem, Potop, Pan Wołodyjowski — and they tell the history of Poland in the 17th century. For some reason, only Potop is considered an absolute must, but if I’m honest I didn’t read it, so I personally can’t recommend it to you. Potop itself is about a guy who wants to marry this girl but she thinks he betrayed the country, so he needs to clear his name by fighting by the king’s side. It sounds very fairy-tale-like, but the background is actual history and the author himself operates incredibly well with the real and the imaginary.
The thing with Sienkiewicz’s historical books is that they are pretty damn good, so even if you’re not too much into that kinda stuff but there’s a tiny part of curiosity in you, I don’t think it’s a mistake to check it out.
adaptations: A movie from 1974.
Krzyżacy by Henryk Sienkiewicz
Basically when Poland was all… under occupation and non-existent, Sienkiewicz wrote this book to bitch about Germanization, as well as to remind the Polish people about their country. The book is about the great times of Poland, from 1399 all the way to the greatest battle of 1410 when Poland kicked Prussia’s ass. But we also get some romance, some schemes, some awful deaths… The full set if you will.
A lot of people say it’s a super ass boring book, but in my opinion, it’s absolutely fantastic. The details, the numerosity of threads (that somehow doesn’t confuse you at all), again the imaginary intwining with the real… I do recommend it not only to people who are into history, but to anyone looking for a good read that would explain a bit of Polish nature.
adaptations: A movie from 1960.
Quo vadis by Henryk Sienkiewicz
Honey is this one fantastic… It’s a story about a Christian girl in Nero’s Rome and a non-Christian guy who’s in love with her. Of course, at first it looks like a love story, which it is, but there’s so much to it. The book is a knockout of a description of what life was like in ancient Rome. Everything from history, through society, to things like the time of bathing of each social class — there’s everything. And, what’s even better, it’s not boring at all! Actually, the book is unbelievably well-balanced between eventful, not overwhelming, and detailed.
I would definitely, definitely recommend. It’s not exactly a must and if you want to read a Sienkiewicz historical book, then Krzyżacy or Potop would be a better idea since they’re about Poland, but Quo vadis would most definitely not be a waste of time.
adaptations: 6 movies (the one from 2001 is the most popular one), a TV show, and a ton of plays.
Ferdydurke by Witold Gombrowicz
A book you either love or hate. I personally love it, I’m kin with this book, whatever. While reading it, I agreed with every single sentence, with every single opinion, I felt like it was me who wrote it in my past life or something. Just. An. Extraordinary. Book. Remember when I said that Lalka was the reason why I didn’t hate school? It was, but Ferdydurke is the reason I’m alive, kids.
It’s about a 30-year-old man who’s a writer (kinda), but he can’t write. Suddenly, he turns into a kid and is forced to go to school again. That’s just the plot of the book, however, because the story is simple, absurd, inconsistent, weird, and you don’t really read the book for the story. It’s what the story stands for. It’s about how pointless society is. How society creates idiotic rules to standardize people and to take away any creativity or any will to live. How people need to protect themselves and their originality but they can’t because originality doesn’t exist. And our main character explores all those philosophies. It’s a fantastic criticism of society, school, systems, classes, life.
Language-wise, it’s also a very interesting book. Definitely not an easy one. Gombrowicz was the master of language, the words and phrases he came up with, the ideas he hid within them. The language of his books creates, not only describes, the world from the books. His language is a whole different, self-sufficient being. Rare, striking, awe-inspiring.
As I said, somewhat philosophical and very metaphorical. You need to feel from your very heart what Gombrowicz means to understand this book.
adaptations: A theater performance from 1985 that you can watch on Youtube and a movie from 1991. I wouldn’t recommend watching them, though.
Sklepy cynamonowe by Bruno Schulz
Weird, metaphorical, a bit… insane? I love it. It’s an omnibus of short stories that are a description of the adult world through a child’s eyes. It’s like a dream, it’s impossible, it’s very soft and delicate and magical, really. It’s unlike anything. You feel like you’re reading a description of some very sensual dream. The stories make you wonder about the way people think, the way childhood affects your future life, the way the world works, and they make you realize that you don’t understand anything ever. But if you’re not looking for a deeper meaning, you can read the stories just for pleasure because they are honestly so sensual, sexy (but not porny, more like seductive), fascinating, and just strange, you actually read the stories with all of your senses. Makes you enter a whole different world and I will not exaggerate when I say that it changes your perception of everything.
As I said, it’s unlike anything you’ll ever encounter in life. A million out of ten would recommend.
adaptations: There is a short film from 1986 based on one of the stories from the book. It’s called “Ulica krokodyli”.
Cudzoziemka by Maria Kuncewiczowa
One of my top 10. It is a story of the last day of a woman’s life. She knows she’s dying and she knows that all of her life she was in pain. So she recalls her entire life, all the big decisions she ever made, to find the source of her misery and to escape reality. It is a very sad book, but rather that depress the reader, it makes you think. It’s a story about alienation — the main character lived in a foreign country, never got to do what she actually wanted to do, never got to be with whoever she wanted to be with, and so everything she did, everywhere she went, everyone she spent time with, she felt out of place. The book was revolutionary in terms of composition and it explored the main character’s psychology very deeply. A fascinating, thought-provoking, original book.
Definitely would recommend.
adaptations: A movie from 1986.
And finally, books for the strong, books for the advanced, books for the masters. To get these, you actually need some strong background knowledge on Polish history and culture, especially society- and politics-wise. Don’t get me wrong, they’re not bad, they’re just… demanding.
Granica by Zofia Nałkowska
It is about… uhh… society, morality and the lengths a person can go to achieve what they want. Sounds complicated and serious, and it sort of is, but it’s also totally worth your time because it doesn’t really tire you as much as you could think it would. And it’s thought-provoking as well. It’s about this dude who has a wife, a career, and a lover, and he basically ruins his life and the lives of everyone around him — which is quite exciting and somewhat frightening to read. So if you’re into ambitious, psychological stuff, then I say yes! Go for it.
adaptations: A movie from 1938.
Chłopi by Władysław Reymont
It’s basically a longass description of one year in Polish countryside in the late 19th/early 20th century. Personally, I think it shows and defines the society of that time extremely well and it surely is admirable that someone wrote almost a thousand pages describing in detail things such as preparing cabbage for dinner or collecting crops. Reymont actually won the Nobel prize for this book.
Would recommend if you’re not looking for anything too thrilling. Even though the book has some iconic moments like taking away Jagna on a wheelbarrow cause she was a slut…
adaptations: A movie from 1922 and a TV show, which was later turned into a movie, from 1972.
Przedwiośnie by Stefan Żeromski
A Polish family in Russia (actually in Azerbaijan but before WW1 it was Russia, so). They live awesome lives until WW1 breaks out and the father has to leave the family. Then, the son goes a little nuts and joins communists and then there’s a revolution, the son gets traumatized and he runs away to Poland (where he’d never been before) where he’s looking for a prosperous life that his father had promised him. And Poland had just regained independence, so everyone hopes that it will be the oasis of prosperity and well-being once it’s renovated. The book is about how hope and gullibility (but mostly hope) are heartlessly crushed by reality. It is also a story about growing up because we follow the main character all the way from his careless youth through his war-and-revolution trauma to a point where he has to decide about his future. But most importantly, I think, it’s a historically important story. It was written when Poland was a new country and it was supposed to remind people that communism is bad and politics, in general, is crap, as well as propose some political solutions for the new country. That’s the general message but there are lighter moments like descriptions of Polish countryside, a lot of flirting with pretty girls, and even a murder.
It’s a good story, it’s a deep story — but not too complicated. And it’s actually very interesting, and I can promise you it’s not as heavy as I made it sound.
10/10 would recommend.
adaptations: Two movies — one from 1928 and one from 2001.
Pan Tadeusz by Adam Mickiewicz
It’s an epic that describes life in the countryside in the 19th century. It was mainly written to remind Poles who had emigrated to France what a wonderful country Poland originally was, even though it was entirely under occupation, completely wiped off of any map. Naturally, everything there is presented through rose-colored glasses but still, if you’re looking for the classic of the classics, I suppose Pan Tadeusz is the book for you. If anyone wants to understand Polish literature, this book is a must.
Would I recommend? Sure if you’re here to sink in Polish culture or if you like quite full of adventure and yet easy reading. Easy as in the story’s nice and pleasant, the language is rather tedious.
adaptations: A surprisingly good and accurate movie from 1999. And the script is actually the text of the epic.
Dziady by Adam Mickiewicz
I think every Polish student hates Dziady. I didn’t, though. It’s a drama, actually, there are 4 parts of the drama, the last one not quite finished. I think the problem with Dziady is that no one really knows what it’s about. It was written in the mid 19th century, so again — Poland’s out of every map. The tzar is a bitch and Adam Mickiewicz disses him in the wildest of ways, but it doesn’t make sense until someone explains it to you. If you asked me what Dziady were about, in my opinion, all 4 parts are about love. Love for your country, love for your lover, love for yourself, love for other people, love for your family — all possible kinds of love. Sounds nice, right? That’s because it is nice. The problem with Dziady is that if you don’t delve deep into it, you won’t get it at all. The words as you read seem just like random words in a random order, no point whatsoever, skipping from topic to topic, all four parts at first seem completely unrelated. But the deeper you dig, the more you see. It is a very rich drama, there’s something in it for literally everyone, but it requires a ton of commitment and probably someone to guide you well through it.
Add it to my recommendations only if you are desperate to read it and if you have all the things above, aka time, commitment, and help. And language skills. The 2nd part, however, is short and it’s the easiest one, so do check it out.
adaptations: “Lawa” from 1989 is based on the second (which, in order, is the first) part of Dziady.
Wesele by Stanisław Wyspiański
It is such a deep drama that you just don’t get it. Kind of like with Dziady, except this one is waaay shorter and basically just disses everyone. In Dziady, the main character’s idea to show people love was to take control of them. Wesele, however, was about motivating people to do stuff by offending them.
Personally, Wesele is one of my favorites because it is just so problematic. Wyspiański attended a wedding in 1900 and then described it. Each guest in the drama (and at the actual wedding) represented an attitude that the general of Polish society had towards the country’s situation (occupation). And after 105 years of occupation, it seemed that the society didn’t really care anymore and just accepted their fate. Wyspiański was very much against that attitude. So basically what he did was he publicly washed the society’s dirty linen by pinning it onto his real-life friends. When Wesele premiered, people were actually chasing Wyspiański down the streets because they hated him so much. Not to mention that in the drama the whole offending thing is actually pretty profound and harsh. So much so that actual real-life guests weren’t enough for him — Wyspiański needed to introduce ghosts from the past, people who played an important role in Poland’s history. Of course, that was the author’s idea of motivating people to fight for their freedom.
The drama is full of references to Polish literature, Polish culture, and Polish history, so unless you’re fluent in these three, I wouldn’t tell you to read it.
I love Wesele with all my heart. If you want to give it a shot, instead of reading the actual drama, I’d suggest reading the story behind it and the summary and interpretations. This way you can enjoy it, which I think anyone should, without knowing much of the background. If I’m honest, you can’t really get much out of the drama itself. But I definitely recommend spending some time on this book, it’s definitely worth it.
adaptations: From 1973, it’s pretty good and quite accurate, but just a bit tiring.
Szewcy by Witkacy
Oh boy. A grotesque, modernist drama about the future of society, where the author basically talks about how people are doomed and headed for inevitable self-destruction. There’s a lot about how mechanic and inhumane people have become and of course tons of criticism towards society, revolution, capitalism, communism, and fascism.
I didn’t like it, I wouldn’t recommend because I didn’t really understand the language. It was a pain in the ass reading this book and if I had read it earlier in life, I assure you that W pustyni i w puszczy wouldn’t be the only book that made me cry from pain.
adaptations: Tons of theater performances that you can watch on Youtube.
Tango by Stanisław Mrożek
It’s a drama about generation gap and some ideas to live by (like conformism or anarchy). Sounds complex, but it actually keeps it very simple and short, a kid would get it, really, and yet the story actually stays with you. It also makes you wonder about a place and meaning of an intellectualist in society. Not to mention the hilarious and absurd situations like convincing your grandma to just die already.
Personally, I enjoyed it. Even though it’s about quite serious stuff, it’s hilarious, so you do read it with pleasure.
adaptations: There are multiple theater performances available to watch on Youtube.
Balladyna by Juliusz Słowacki
The main idea behind the drama is how good and evil both function simultaneously in this world and the fight between the two. A nymph sends a prince to the main character’s house. The main character wants to marry the prince, so she does a lot of awful things. Basically. It’s a nice story, though strange. A story that you would read to a child, except the language of the drama is… complicated. Let’s be honest — it’s Romanticism after all.
I would recommend it, but I wouldn’t die to make someone read it.
adaptations: There is this absolutely awful movie from 2009 (English title: The Bait). It’s loosely based on Balladyna.
Kordian by Juliusz Słowacki
It’s about this guy who plans to kill the tzar. There was a deeper meaning too but don’t ask me about it, I just don’t remember. To be honest, it was surprisingly pleasant to read and sometimes quite funny (I don’t think it was supposed to be, though). But I wouldn’t recommend it unless you know a whole lot about Polish history and culture — or unless you’re dangerously interested in it. And I mean like, you’d kill and die for it.
Nie-Boska komedia by Zygmunt Krasiński
To be honest, it’s a weirdly good story and what surprises me most about it is that it’s actually understandable, even though it’s quite a typical romantic drama. Interesting, huh…
It’s about a man who is looking for his artistic self, leaves his family to pursue his art, and then there’s him trying to protect his country. It was actually written to criticize this romantic way of thinking and living, so there are a few moments where the author just dissed other authors of the time, but most importantly, the story is a comment on the current (current for them) political and sociological events, as well as religion, and a way for Krasiński to express his opinions.
Recommend? Meh. It’s a good read but it’s not a must and you gotta be in a mood for it. Also, a solid historical and literary background would make the reading way easier.
My advice if you’re planning on reading any of these? Check the time period of the action. I swear if you do that and you pretty much can tell what the background for Poland was at the time, even just like one basic piece of information, it will make reading the book possible.
I think that’s about it. There are hundreds of other great Polish books that I can go on and on about (I can also talk about these for at least a few hours), so again – if you have any questions, opinions, requests, anything, ask away.
I WANNA EAT READ EVERYTHING!