7 reasons why I love Utada Hikaru...
āTravelingā (2001) is one great example for an amazing music video of hers. The song is about creative energy and charting previously unknown territory. Directed by her then-husband Kazuaki Kiriya, it is one of many collaborations between the two that happened from 2001 to 2006 - basically the time of her most daring video creations. So colourful, aesthetic and energetic, the music becomes one with the visual experience in each song.Ā āSakura Dropsā (2002), taken from the same album (āDeep Riverā) asĀ āTravelingā, showcases a similarly breathtaking visual journey.
In myself, I see no dreams, like unpainted pictures
how many times must I fill this canvas?
Iāll abandon time as I hold a white flag overhead
I am your unknown color now -Ā COLORS
Thinking too much, donāt fall into desperation
A world that changes constantly feels like tricking a child
When people find themselves alone
They realize the meaning of love -Ā GOODBYE HAPPINESSĀ
If the key is too high, itās okay to lower it
the song has the strength not to change
distress is only one passing point
like a bracelet thatās too big, things will slide into place - WAIT & SEE (RISK)
Looking up the translations for the first time has been a revelation. She writes and composes her songs all by herself (and even produces nearly all of them), making them even more heartfelt. They are about real, complex emotions, far more challenging than the usualĀ āgirl meets boyā pop song formula.
She is able to perform live like no other. Her vocals sound exactly as amazing as on the CD and she is able to constantly deliver with an amazing energy throughout a whole concert. And most of all, she can transform a song into a live bomb! While I already like the studio version ofĀ āDevil Insideā (from her English-language 2004 albumĀ āExodusā), it is the live version that I definitely ADORE!
She is not afraid to venture into more experimental fields, producing songs likeĀ āPassionā (2005) (with another Kazuaki Kiriya music video) orĀ āKremlin Duskā (2004). She is a hugely successful artist and somehow also manages to fit these experimental tunes in her repertoire..
5. Her joyful melodies alongside saddening themes
Watch the live version ofĀ āGoodbye Happiness here
Sounding like quite a happy song with playful melodies,Ā āGoodbye Happinessā is actually about a saddening topic. And how she delivers this in one package makes it ultimately bittersweet in a way I could just cry with a smile on my face, singing along that catchy tune.
Oo all of creation goes āround and will go 'round
Oh oh oh darling, darling
No one can ever take your place
Only you
6. Her Evangelion theme songs
When the reboot film seriesĀ āRebuild of Evangelionā began in 2007, Utada was asked to provide a theme song to the first installmentĀ āEvangelion: 1.0 You Are (Not) Aloneā. Being a huge fan of the original Neon Genesis Evangelion anime series from the 90ā²s, she agreed and wrote the songĀ āBeautiful Worldā especially for this occasion. Lyrically very fitting to the franchise, it can be seen as another way of looking into the feelings of protagonist Shinji Hikari. Not being brave enough, yet still trying his best. The beautiful melody and atmosphere, the top-notch production, as well as the association with the anime made this my second favourite song of hers.
After a remix ofĀ āBeautiful Worldā served as the theme song to the second installmentĀ āEvangelion: 2.0 You Can (Not) Advanceā (2009), she was asked again to make a song for the third filmĀ āEvangelion: 3.0 You Can (Not) Redoā, released in 2012. āSakura nagashiā breaks my heart each time I listen to it. The sorrow, the pain that the death of a beloved one that come through in this song hurts like nothing else in this world. Yet, she can present all these emotions in such a grace and beauty. I cannot find many words that would do this masterpiece of a song justice, other than that it is one of a kind and one with the world and themes of Evangelion. My very favourite song of hers.
Just a few days ago, Hikki (how her fans affectionately call her) dropped a new song, along with a music video featuring herself dancing a contemporary choreography by acclaimed dancer and choreographer Fukiko Takase. What blows me away the most is how she manages to make her melodies even more interesting the older she gets. She explores so many different harmonies, especially on her latest albumĀ āFantĆ“meā. While she may not be among the avant-garde in terms of arrangement and production, she is definitely able to keep her music interesting. This is very much apparent in her newest songĀ āForevermoreā, which is carried by a string arrangement (something she has perfectioned recently) and her vocals, which together give us a mesmerizingly dreamy mix.
Still, there are many more reasons whyā¦
ā¦like her hauntingly beautiful smash-hit āFlavor Of Lifeā, her iconic debut single āAutomaticā, the bittersweet āFinal Distanceā or her ability to create an actually quite original Christmas song. The aforementioned seven at least give a good overview over why I love Utada Hikaru.