Dame de Pique

“Here’s what I know: if someone’s much better than you at something, they probably try much harder. You probably underestimate how much harder they try. I’m not saying that talent isn’t a meaningful differentiator, because it certainly is, but I think people generally underestimate how effort needs to be poured into talent in order to develop it. So much of getting good at anything is just pure labor: figuring out how to try and then offering up the hours. If you’re doing it wrong you can do it a thousand times and not produce any particularly interesting results. So you have to make sure you’re trying the right way. […] I’m curious about the ugliness of trying, the years and years of wanting and hoping and working. I don’t know why I’m so fascinated by craft. I think it’s because it requires such a sustained tenacity. Like Michelangelo saying that he just chips away at everything that didn’t look like David: a hundred thousand little motions to reveal the underlying beauty. I think a lot of people want to be but they don’t want to do. They want to have written a book, but they don’t want to write the book. They want to be fit, but they don’t want the tedium of working out. They’re ashamed of rejection and they’re ashamed of imperfection. I might want lots of people to subscribe to this Substack, but do I want to workshop a post every day? Donna Tartt once said in an interview that if the writer’s not having fun the reader isn’t either. I think people make the best things when they love the process, when they willingly shoulder the inherent uncertainty and pain that comes with it. It’s almost like a form of prayer: you offer up what you can even though the reward is uncertain. You do it out of love.”

“She reminded me of the sea; the way she came dancing towards you, wild and beautiful, and just when she was almost close enough to touch she’d rush away again.”