Oh hello little Ichi what are you doing on the middle of the street even! (WIP)
we're not kids anymore.
trying on a metaphor
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@da-janela-lateral
Oh hello little Ichi what are you doing on the middle of the street even! (WIP)

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Lil fashionista
Does anyone have they boiled the uncles it was a meaningless ritual PLEAZE
I actually recommend everyone write for a rarepair once because it completely changes your relationship with fandom. Engagement stops being numbers and starts being names. You know who's going to show up. You recognize usernames. Someone disappears for a while and then comes back and you're like “OH MY GOD WELCOME HOME.” It's incredibly wholesome. It is also deeply inconvenient when all six of you simultaneously get writer's block-
The Umeboshi House
The Spirits and Such crew are called to investigate a series of mysterious occurences that have been plaguing an old, decadent resort at the outskirts of Seasoning City. Since the problem doesn’t seem serious, Tome is allowed to come. However, as Serizawa detects a trail of heavy spiritual energy at the mouth of the forest, him and Reigen rush to investigate, letting Tome by herself at the hotel
She broods. This is so unfair! Until now, she has always been allowed to follow the exorcisms from a distance! And this one sounded like a big one. Damn it, Tome wants to see it so bad... At least she likes the room she has been in for the last 20 minutes; the bed is comfortable and the walls are covered in relics
It turns out the spirit is a red herring

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functionally suicidal character saying “I would die for you” to their significant other and its like. I get the sentiment, honey, but if a hot dog vendor told me he’d sell hot dogs for me, I wouldn’t feel very moved now would I
Now a functionally suicidal character saying “I will live for you”. Now that’s a dynamic I can sink my teeth into.
now how about a functionally suicidal character saying "I will sell hot dogs for you"
You all laugh but "I will sell hot dogs for you" was a actually a major character and relationship development point for the first main-character gay couple in a Brazilian telenovela (Amor à Vida, 2013)
Also it looked like this
He started the novela as a main antagonist. His nickname for his love is "my little lamb". Threw his baby sister in a dumpster. Expresses himself in gay blasphemy 50% of the time. Best character and best character development on Brazilian television to date.
Alright ive seen enough
Someone put a blanket over my cage.
9999 (determination.)
Everyone needs to stop saying death of the author when what they mean is separating the art from the artist. Like FR stop it.
I know it's mainly just ignorance of what the term means but I do wonder if this happens in part bcos 'death of the author' sounds so dramatic like oh this author is dead to me, I don't care about them anymore. Whereas 'separating the art from the artist' is a lot more neutral and well. In CERTAIN CASES it is kind of immediately apparent that you cannot.
TO REITERATE:
Death of the Author is a term coined by Roland Barthes for his essay of the same name in 1967.
In brief: death of the author is the concept that analysis of a work of art should not be focused on the artist's intent; the artist's intended reading of their own work is just A reading and no more valid than anyone else's.
A good straightforward example of this in practice is the response to Andy Weir and Project Hail Mary. Weir is adamant that his work contains no politics but I would say that PHM is pretty clearly a story about climate change.
You can apply death of the author to any work of fiction and it has nothing to do with whether the author is a good or bad person.

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some people read an awful lot, but don't read very well. deep reading is itself a skill. being able to untangle the threads of theme, subtext, characterization, narrative style, and more are all things that it takes time and intentional engagement to learn.
if you've ever watched a movie with your film buff friend and chatted about it afterwards, that friend might have pulled hours more of conversation out of the same 90 minutes of screentime, and wondered how the fuck they did that - it's not raw intelligence, it's a skill that's been honed. And I learned a lot about film from talking to friends who knew about film, and reading critique by film scholars
literature works exactly the same. so if you want to get more out of your reading, there are things you can do to train that. Find a book or short story you think you've got a pretty good grasp on, preferably from a widely read & respected author like Ursula K Le Guin or Ray Bradbury (if you're new at this don't swing for the Toni Morrison or the Samuel Beckett yet unless you feel very comfortable with the complexity of the text - the point is to develop a complicated new skill on good foundations). Then go to JSTOR, create a free account, and look up criticism on the story you've chosen. Find something that looks readable to you and at least somewhat interesting. Read that article, and look at what that writer got out of the same story you've read that you didn't get. Do you see the critic's points? Did they teach you something about the text? Go reread that story and see if the criticism has changed how you read it. Are you seeing more? Are you thinking about the implications of a line that you hadn't noticed before? Does the story feel richer now?
there are other more involved ways of finding criticism. Learning to use academic databases, going to your local library to do interlibrary loans, finding critical voices you appreciate; these are all useful subskills. Literacy isn't just being able to read words, it's being able to read words in context and think about what they tell you about the text, the author, or the time and culture in which the text was produced. Literacy is the skill of being able to look at the world with open eyes and think clearly about how its parts are connected. It'll change your life
this keeps getting shared around and ive seen some different tags responding differently so i just want to make some important clarifications and distillations
you don't have to read more deeply if you don't want to (but i'd recommend it, i genuinely think it makes you a better person)
if you want to learn to read more deeply, the resources are out there. try to find critical literature (that is, academic writing that analyzes the text) on works your familiar with so you can get a sense for how to do that analysis too
learning to deep read literature can help you deep read many areas of your life
writers tend to put a lot of work into their stories. if you learn to read that work you'll (probably) appreciate the stories you love even more. And if not, then you'll have developed your taste. This too is worth doing
important reminder that most people you follow online are significantly lamer than you think they are including me. and if you feel insecure comparing yourself to someone online: DON'T. theyre probably also lame and weird. most people on the internet are
reblog if you're also lame and weird.
Sometimes you just wanna draw evil spirits with ridiculously long legs, ya know?
alas, spirit long leg is about to be squi s h e d
teru:
me:
listen…you are still agreeing with me and that’s what matters

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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my submission for @mp100girls-zine!!
i liked the idea of mob and tsubomi rekindling their friendship after she moved, and it’s a shame that the comic ended before we saw more development from her.
i feel like she presents herself as someone who really doesnt care about external approval, but at the same time wonder if she cracks under pressure…
i just wanted to share my favorite part of Ritsu’s wiki page