The Inside of a Cement Kiln.

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The Inside of a Cement Kiln.

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Dai Dark [Volumes 1-5], Q Hayashida.
Zaha Hadid Architects: The Structural Symmetry of Leeza SOHO Designed by Zaha Hadid Architects, the Leeza SOHO tower in Beijing is a 207-meter masterclass in architectural problem-solving. Photographed during construction by ZHA project director Satoshi Ohashi, the images reveal a skeleton bisected by an underground subway tunnel. To navigate this, the tower rises as two separate halves that would independently buckle under their own weight; instead, they lean into one another for mutual stability.
These halves are unified by a 194.15-meter atrium—the world’s tallest—which rotates 45 degrees to realign the upper floors with the city’s urban grid. Four levels of structural ring trusses and skybridges bind the volumes into a single entity wrapped in a “fish-scale” glass curtain wall. The result is a “thermal chimney” that uses the massive central void to naturally ventilate the building’s core.
“Fazzoletto” low table entirely made in crystal glass, Italian manufacture from late 70’s.

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The brutal warmth of Q Hayashida’s Dorohedoro.
If you’ve spent enough time digging through the stranger corners of manga, sooner or later you end up at Q Hayashida’s Dorohedoro. And when you first open it, the immediate reaction is often confusion before admiration.
There’s very little known about Hayashida’s creative process as she strays away from media attention. But one thing is certain, she embraces a deliberately dirty visual texture through aggressive pen strokes. Part of this aesthetic comes from Hayashida’s background before entering manga. She studied oil painting and has stated she approaches manga more like painting.
At the same time, Hayashida balances this brutal style with a strange sense of warmth. The Hole feels eerily lived-in. Hanging out in the Hungry Bug, making gyoza together, Nikaido riding on Caiman’s shoulders while Natsuki clings to them, a cozy side you wouldn’t expect from its gritty visuals. The longer you spend with Hayashida’s pages, the more that contrast starts to cling to you.
Source: Scans from Q Hayashida’s art book ‘mud and sludge’.
Marilyn Manson & Nine Inch Nails. Old Japanese Ad.

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Humboldt University Berlin, by Max Dudler.

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