Incredible and gorgeous 17th century Ottoman tent from the Dresden State Art Collections.
Today's Document

Janaina Medeiros

romaâ

Origami Around

Discoholic đȘ©

blake kathryn

if i look back, i am lost
Not today Justin
todays bird
YOU ARE THE REASON
cherry valley forever
Monterey Bay Aquarium
occasionally subtle

ç„æ„ / Permanent Vacation
trying on a metaphor

PR's Tumblrdome
Keni

ellievsbear
noise dept.
Alisa U Zemlji Chuda

seen from Italy
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@cyanstains
Incredible and gorgeous 17th century Ottoman tent from the Dresden State Art Collections.

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The Goblin magazine, Canada, April 1929
By juliedillon // Support the artist
WOW I LOVE THIS
Bandon Beach, Oregon by Clay Banks
It was April when you came The first time to me, And my first look in your eyes Was like my first look at the sea.
We have been together Four Aprils now Watching for the green On the swaying willow bough;
Yet whenever I turn To your gray eyes over me, It is as though I looked For the first time at the sea.
Gray Eyes by Sara Teasdale

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ANNIE STEGG
https://www.instagram.com/anniestegg
What moon will gather up your sorrow of lime and oleander?
Federico Garcia Lorca, Collected Poems (via liquidlightandrunningtrees)
MUSE IN BLACK
https://www.deviantart.com/museinblack
What shall I say about poetry? What shall I say about those clouds or about the sky? Look; look at them; look at it! And nothing more. Donât you understand that a poet canât say anything about poetry? Leave that to the critics and professors. For neither you, nor I, nor any poet knows what poetry is.
Federico Garcia Lorca (via causeries-litteraires)
Werner Bischof :: Dancer Anjali Hora Preparing for a Performance, Bombay, India, 1951 - via kvetchlandia

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My mind is a wishbone drying. I hold it taut & pull to break.
Emily Skaja, from âHow to Mend a Faucet Dripping Thread,â Brute (via lifeinpoetry)
Les Misérables c.1888 and authentic Hugo letter
The Rules
There will be no starsâthe poem has had enough of them. I think we
   can agree we no longer believe there is anyone in any poem who is just now
   realizing
they are dead, so letâs stop talking about it. The skies of this poem are teeming with winged things, and not a single innominate bird.
Youâre welcome. Here, no monarchs, no moths, no cicadas doing
   whatever they do in the trees. If this poem is in summer, punctuating the blueâ
   forgive me,
I forgot, there is no blue in this poemâyouâll find the occasional pelecinid wasp, proposals vaporized and exorbitant, angels looking
as they should. If winter, unsentimental sleet. This poem does not take
   place at dawn or dusk or noon or the witching hour or the crescendoing
   moment
of our own remarkable birth, it is 2:53 in this poem, a Tuesday, and    everyone in it is still at work. This poem has no children; it is trying
to be taken seriously. This poem has no shards, no kittens, no myths or
   fairy tales,
no pomegranates or rainbows, no ex-boyfriends or manifest lovers, Â Â Â no mothersâGod,
no mothersâno God, about which the poem must admit itâs relieved, there is no heart in this poem, no bodily secretions, no
   body
referred to as the body, no one dies or is dead in this poem, everyone in this poem is alive and pretty
okay with it. This poem will not use the word beautiful for it resists calling a thing what it is. So what
if Iâd like to tell you how I walked last night, glad, truly glad, for the
   first time in a year, to be breathing, in the cold dark, to see them. The stars, I
   mean. Oh hell, before
something stops meâI nearly wept on the sidewalk at the sight of them
   all. - Leila Chatti
wait for what draws near. for what draws the lips to drip. when the sea swallows us wholeâwhich will be soonâi will learn to swallow the whole sea.
â Marlin M. Jenkins, from âpoem without desire,â published in The Offing
Show me the window I keep looking for. Trust me, I can open it myself. I will rend open the sun & eat its core, if thatâs what it takes to escape the cold that creeps
at a glacial pace up out of my pores and in to yours.
â Faizan Syed, from âSepsis,â published in Cosmonauts Avenue

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There are times when everything evaporates and we are left in a desert of pearly grey, rose, and dead silver.
At night our flesh aches from so many stars, and we grow drunk on breeze and water.
Federico GarcĂa Lorca, from a letter of Adolfo Salazar
Halina PoĆwiatowska, tr. by Maya Peretz, from âI Am Full Of Your Secrets,â