patron sketch request:
Hades meeting Hua Cheng.
my oc Hades being a big introvert…using pet defense when meeting stranger🐶

ellievsbear
he wasn't even looking at me and he found me
h

gracie abrams
noise dept.
One Nice Bug Per Day
sheepfilms

Game of Thrones Daily
Claire Keane
Not today Justin
The Bowery Presents
TVSTRANGERTHINGS
Noah Kahan

Kiana Khansmith

blake kathryn
🪼

if i look back, i am lost

seen from Russia
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@csockets
patron sketch request:
Hades meeting Hua Cheng.
my oc Hades being a big introvert…using pet defense when meeting stranger🐶

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花城 : 哥哥看哪裡呢~?(笑)
謝憐:沒.....沒有~(羞)
那些飾品刻死我了...終於畫完了XD~
:D
hoho
servamp here i come
Temples are built for gods. Knowing this a farmer builds a small temple to see what kind of god turns up.
Arepo built a temple in his field, a humble thing, some stones stacked up to make a cairn, and two days later a god moved in.
“Hope you’re a harvest god,” Arepo said, and set up an altar and burnt two stalks of wheat. “It’d be nice, you know.” He looked down at the ash smeared on the stone, the rocks all laid askew, and coughed and scratched his head. “I know it’s not much,” he said, his straw hat in his hands. “But - I’ll do what I can. It’d be nice to think there’s a god looking after me.”
The next day he left a pair of figs, the day after that he spent ten minutes of his morning seated by the temple in prayer. On the third day, the god spoke up.
“You should go to a temple in the city,” the god said. Its voice was like the rustling of the wheat, like the squeaks of fieldmice running through the grass. “A real temple. A good one. Get some real gods to bless you. I’m no one much myself, but I might be able to put in a good word?” It plucked a leaf from a tree and sighed. “I mean, not to be rude. I like this temple. It’s cozy enough. The worship’s been nice. But you can’t honestly believe that any of this is going to bring you anything.”
“This is more than I was expecting when I built it,” Arepo said, laying down his scythe and lowering himself to the ground. “Tell me, what sort of god are you anyway?”
“I’m of the fallen leaves,” it said. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth. I’m a god of a dozen different nothings, scraps that lead to rot, momentary glimpses. A change in the air, and then it’s gone.”
The god heaved another sigh. “There’s no point in worship in that, not like War, or the Harvest, or the Storm. Save your prayers for the things beyond your control, good farmer. You’re so tiny in the world. So vulnerable. Best to pray to a greater thing than me.”
Arepo plucked a stalk of wheat and flattened it between his teeth. “I like this sort of worship fine,” he said. “So if you don’t mind, I think I’ll continue.”
“Do what you will,” said the god, and withdrew deeper into the stones. “But don’t say I never warned you otherwise.”
Arepo would say a prayer before the morning’s work, and he and the god contemplated the trees in silence. Days passed like that, and weeks, and then the Storm rolled in, black and bold and blustering. It flooded Arepo’s fields, shook the tiles from his roof, smote his olive tree and set it to cinder. The next day, Arepo and his sons walked among the wheat, salvaging what they could. The little temple had been strewn across the field, and so when the work was done for the day, Arepo gathered the stones and pieced them back together.
“Useless work,” the god whispered, but came creeping back inside the temple regardless. “There wasn’t a thing I could do to spare you this.”
“We’ll be fine,” Arepo said. “The storm’s blown over. We’ll rebuild. Don’t have much of an offering for today,” he said, and laid down some ruined wheat, “but I think I’ll shore up this thing’s foundations tomorrow, how about that?”
The god rattled around in the temple and sighed.
A year passed, and then another. The temple had layered walls of stones, a roof of woven twigs. Arepo’s neighbors chuckled as they passed it. Some of their children left fruit and flowers. And then the Harvest failed, the gods withdrew their bounty. In Arepo’s field the wheat sprouted thin and brittle. People wailed and tore their robes, slaughtered lambs and spilled their blood, looked upon the ground with haunted eyes and went to bed hungry. Arepo came and sat by the temple, the flowers wilted now, the fruit shriveled nubs, Arepo’s ribs showing through his chest, his hands still shaking, and murmured out a prayer.
“There is nothing here for you,” said the god, hudding in the dark. “There is nothing I can do. There is nothing to be done.” It shivered, and spat out its words. “What is this temple but another burden to you?”
“We -” Arepo said, and his voice wavered. “So it’s a lean year,” he said. “We’ve gone through this before, we’ll get through this again. So we’re hungry,” he said. “We’ve still got each other, don’t we? And a lot of people prayed to other gods, but it didn’t protect them from this. No,” he said, and shook his head, and laid down some shriveled weeds on the altar. “No, I think I like our arrangement fine.”
“There will come worse,” said the god, from the hollows of the stone. “And there will be nothing I can do to save you.”
The years passed. Arepo rested a wrinkled hand upon the temple of stone and some days spent an hour there, lost in contemplation with the god.
And one fateful day, from across the wine-dark seas, came War.
Arepo came stumbling to his temple now, his hand pressed against his gut, anointing the holy site with his blood. Behind him, his wheat fields burned, and the bones burned black in them. He came crawling on his knees to a temple of hewed stone, and the god rushed out to meet him.
“I could not save them,” said the god, its voice a low wail. “I am sorry. I am sorry. I am so so sorry.” The leaves fell burning from the trees, a soft slow rain of ash. “I have done nothing! All these years, and I have done nothing for you!”
“Shush,” Arepo said, tasting his own blood, his vision blurring. He propped himself up against the temple, forehead pressed against the stone in prayer. “Tell me,” he mumbled. “Tell me again. What sort of god are you?”
“I -” said the god, and reached out, cradling Arepo’s head, and closed its eyes and spoke.
“I’m of the fallen leaves,” it said, and conjured up the image of them. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth.” Arepo’s lips parted in a smile.
“I am the god of a dozen different nothings,” it said. “The petals in bloom that lead to rot, the momentary glimpses. A change in the air -” Its voice broke, and it wept. “Before it’s gone.”
“Beautiful,” Arepo said, his blood staining the stones, seeping into the earth. “All of them. They were all so beautiful.”
And as the fields burned and the smoke blotted out the sun, as men were trodden in the press and bloody War raged on, as the heavens let loose their wrath upon the earth, Arepo the sower lay down in his humble temple, his head sheltered by the stones, and returned home to his god.
currently not crying

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setup and punchline
The artist is luo li rong
The statue doesn’t have big enough titties to have been made by a man.
I know I’ve reblogged this before but the schadenfreude is too delicious.
By the way, the statue is called La mélodie oubliée (The Forgotten Melody). Luo Li Rong also painted it:
And here she and the statue are in a more formal setting (museum or art show, I can’t tell):
“Dork ass losers”
That beautiful statue started from this:
Ms. Luo Lirong graduated from China Central Academy Of Fine Arts. She’s a very talented artist. More of her works:
Beautiful. Extraordinary talent
Follow her on Instagram luo_li_rong_art.
one, I’ve never seen it with paint and it’s somehow even better. As are her other works.
She’s back, and she’s beautiful.
YAS this post has grown since I saw it last! <3
The way she can make it look like a translucent piece of fabric draped over a female body is insanely skilled
reblog and put in the tags what fandom you joined tumblr for
it twas that but now i am out however, i sometime catch myself writing sdlfhsldfk
@joydoesathing I Really love Inner Sloth so I couldn’t resist drawing your fem design for her too! YOU DRAW THEM SO GORGEOUS!!!
*slurps water*
HI BABY I MISSED YOU YOU LOOKING HOT AS HELL
Just a teeny addition
Nat what the fuck is happening
My Google Doc for MDZS
Pages: 39 Words: 18,127 Characters: 100,966 Characters excluding spaces: 83,251

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on a sincere note though, you guys do know that 22 is not old and 30 is not ancient, right? like yeah by 30 you will hopefully have matured but hearing some of you talk like life ends at 30 is a little worrying. one day, not as far away as it may seem, you will be 30 and you will still be a person with value, you will probably still have a lot of the same interests, you will still use the internet, and you will still be you. you have your whole life ahead of you
*cackles* You think thirty is old???? Imagine being 90yrs old and looking back on life-- M M
Bold of you to put your header as that sexy beast of yours.
uwu Shadow deserves to be seen more lol
And she is FUCKIN BEAUTIFUL!! Very attractive indeed. Can 100% kick your ass
aww ily too sweetcheeks-- Yes, you should show off Shadow a lil more uwu
I havent been on Tumblr in like, 12000 years.
Wanted to draw some cute sloth pair with Kitty Kuro so here! I often forget Mahiru”s arm is still broken :(
Please explain your improvement thats increased by leaps and bounds--
More Beautiful After Being Broken
What this trite imagery misses out on is the fact that kintsukuroi requires a lot of work to repair a piece like that. It takes a lot of time, a lot of effort, a great deal of investment. Sometimes parts of the original are damaged beyond repair, and you have to instead painstakingly create entirely new ones. It’s still not the same. Maybe it’s something more beautiful. But it’s not the fact that it broke that makes it beautiful. It’s the work put into it. It’s the fact that people made the effort to salvage it, because it was worth salvaging, because it was important enough to salvage. It’s the care that makes the beauty. An apology can’t always fix what has been broken. That doesn’t mean it’s not irreparable, sometimes you can go on to rebuild and repair. But it won’t ever be the same as it was again.
I really appreciate this addition because I’ve always hated the “more beautiful for having been broken” thing. Being broken sucks and I hate all those tragic romantic sensitivities that try to make it what it’s not. These pieces are beautiful because they’re repaired with effort put in to making them shine.
That bowl is NOT more beautiful for having been broken. It’s more beautiful for having been very skillfully repaired.
D A Y U M

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happy birthday, hua cheng!
WHY IS HE SO HANDSOME IN HIS LITTLE BOOTIESS????
I've done a lot of art recently so here is something I've been working on for a while! Snake Jeje~!