Can i request the miracles, Momoi, and Kagami tweeting thirst tweets about Kuroko?
yes! yes, you can đ. Kuroko simp club part ??
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Can i request the miracles, Momoi, and Kagami tweeting thirst tweets about Kuroko?
yes! yes, you can đ. Kuroko simp club part ??
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Thereâs been something weighing on my mind lately, and I feel like I should share it. As of late, there has been a lot of talk surrounding BTSâs music, their choices, and their path for their future. It was shocking to see how just 3 songs meant for the American/Global market could create such a sardonic rift within ARMY. Although I do agree that not every ARMY has to enjoy âDynamite,â âButter,â and âPermission to Dance,â I do believe that some things are being overlooked in regards to BTSâs ambitious plan to win a Grammy.
One of the first things I have noticed is that K-ARMY and I-ARMY reacted differently to the success of these 3 songs. Korea has been so proud of BTS, even sharing online how much they cried to see the boys top the Billboard Hot 100 again and again. They even trended on twitter multiple times their thanks to American ARMY, expressing their genuine gratitude for how hard the American fans are pushing for the boysâ success in the US. What I-ARMY is choosing to ignore is how much this means to K-ARMY, let alone Korea as a whole.
It has dawned on me why I-ARMY, predominantly those from America, Canada, and the UK, donât understand the push for BTS to make a stake in the American music industry, and ultimately a Grammy win. The reason is quite simple. To those I-ARMY from America, Canada, and the UK, you must realize that the American market and the Grammys have always, ALWAYS, been accessible to your artists. The biggest names in music history have won Grammys, but only because they all fit into the pretty box of European features and English lyrics. They didnât have to try to fit a mold. They didnât have to break into the market. They just walked right in, practically invited with the door wide open. It really wasnât until recent years that even African American artists were winning the biggest awards of the ceremony.
This is a MUCH bigger deal to Korean and Asian fans than it would be for western fans. I donât think others realize how much this means to us. People like us have been marginalized forever, and given little to no respect or recognition by the American market, let alone the Grammys. To Koreans, having one of our own be able to come as far as BTS, is truly inspiring and makes us feel validated in a way weâve never felt. The American market and the Grammys may not seem like a big deal to you guys, but for our people, this means the world. We feel proud. We feel accepted. We feel we finally have a place at the table. The Grammys may not seem to be worth much to you, but to Korean and Asian artists, it is the very pinnacle of recognition and respect in the music industry. This award has eluded our people for as long as itâs been handed out, and now there is hope. There is a chance. BTS is Koreaâs pride for a reason. Theyâve changed so much already for us. We hope for their success. Their success is OUR success. The respect they receive brings pride in our culture and our identity as Koreans, as Asians. It is more than you could ever imagine.
It breaks my heart how little people regard K-ARMY and Koreaâs reaction to all of what BTS has achieved in America when forming their opinions on BTSâs quest to be regarded as worthy artists for the biggest award in music history. You donât have to like their English songs. You donât have to like their approach. But just understand itâs not easy for them as a Korean boy band to be taken seriously. If these boys could, they would write their own English songs. But they canât. Itâs not as easy as you would think. Especially for rap line. The songs they are given are appreciated by BTS, and they are thankful for those who help them in a different language for a very different market. Theyâre saving their lyricism where they can get their full heart and message across â The Korean market. Meant for THEIR people, in THEIR language. If you are unhappy with the American singles, just hold on and believe in the boys. They know what theyâre doing.
For Korea, their dreams are OUR dreams.
Thanks for sharing this. I am not trying to change your mind or fight with you. In fact your perspective is pretty close to how I see things too,and I understand what you mean. I just want to throw in my dumb 2 cents too,as someone who reacted negatively to those three songs.
I understand why they are doing this,and how important it is to them. They are running towards their goal,and I watch them in awe,as usual. I understand that for them,this Grammy is the one confirmation they need that they have indeed achieved something big. They treat the Grammys like the college entrance exam. I think I only realized that in the nomination night video. When Jungkook said he could die happy now. When Jimin said,incredulously 'we're pretty ok after all?'
I don't know if I would feel the same if it was an artist from my irrelevant non-english speaking country breaking all these barriers and ending up on heights no one could ever dream of. Probably then I would feel exactly the same as Koreans. I would only want BTSÂ to keep paving the way for all of us. So I understand how you feel. But instead now I just worry that they will lose a big part of themselves in the process.
I know this is Korean culture. To care about the group or country before you care about yourself. To push yourself past breaking point and do anything it takes to win. BTS were always like this. K-pop is like this. It's not a kind or fair industry either and It's not like they only did what they wanted before,or had a lot of freedom. But I don't even know myself,why this type of sacrifice or compromise seems different than the others before. Maybe because the stakes are higher? But maybe I'm wrong and they prefer this era to their previous struggles. Only BTS knows.
Still,I can't feel differently right now. I discovered them because of their music during HYYH so now it's hard to look at them gradually become basically Olympic athletes representing Korea,and not feel pain,too. They are amazing performers with clever songs and incredible depth of feeling and expressiveness. Will the US,or even Korea,allow them the freedom to actually express themselves through their songs again? Or will they always have to be representatives of some sort,always careful about politics and how they conduct themselves?That's a huge burden and a huge debt. Everyone wants a piece of them now,so that's why these English songs depress me so much.
I'm sorry for offending US fans,but the level of influence and control and coercion their country exerts over the rest of the world is something they don't see or understand. Is there even a way to enter the US music industry,as a foreigner,and maintain your cultural independence? Well,BTS might,actually,so I am staying hopeful. They have always made history,so maybe they will manage. But the US is a big country with no regards or respect for othersâ cultures,and I'm afraid it will take and take and then spit them out when it's had enough of them. And the fact that,despite already being the biggest band in the world,they had to change their language and their music just to be allowed at the big table US artists sit on,it honestly makes me so angry. People say these songs are Trojan horses. Not anymore. Dynamite was,and it fulfilled its purpose,but by now,Butter and PTD already feel like tributes. And there is nothing I can do about it,that's how the world works,you always have to make compromises to achieve your goals. But I still can't help feeling all this like a loss,not a culmination of all their efforts,I'm sorry.
I understand and agree with both your points of view. On one hand I have always supported BTS on principle, whether I liked their singles or not. First because they were treated so shabbily by their own Korean industry gatekeepers, and I was angry about the unfairness of it. I know kpoppers like to say all their boy bands work just as hard and are just as good. No. They really arenât. This group was beyond special, yet being bullied and treated like crap for no reason, in my Western opinion. Then later, when the xenophobic U.S. music gatekeepers reared their ugly heads, I found myself going above and beyond AGAIN. I know what the boys are doing, and Iâm cheering that they will succeed at it and toss all these racist fucks back on their asses, and free the U.S. from the grip of pompous fragile white men forever.Â
HOWEVER, part of me dreams that when they achieve the ungettable Grammy the boys will say, all right, we did it, fuck all this English crap and boring mainstream American beats, weâre going back to making the witty emotional fusion we used to make. My logical mind, though, tells me that if they achieve the peak with these awful English tracks, they will continue to pursue that path as the âcorrectâ one that will please the majority of their fans. Like, I HOPE they know many of us are not buying 40 digital tracks of the same song because we LIKE it, but because we are supporting their goals. As a Western fan, I glommed onto BTS because they were fresh, exciting, different, awe-inspiring performers. On top of being 100% lovable humans. They brought something new to my life and my musical library. I do not WANT boring American shit. I have an entire industry of boring American musicians to choose from; Had I been satisfied with that I wouldnât have had to look beyond my own borders.
 On the other hand, I also know that there are some unadventurous American mainstream fans who only know and love BTS from their tracks in English, and wonât those new fans be disappointed and turned off if they go back to singing solely in Korean? Do those fans matter less because they jumped on the bandwagon late in the game?
No. Of course not.
Which is why I have the sinking feeling that BTS will remain astride both markets for the foreseeable future. Theyâll be as commercial and bland as they need to be to satisfy the âmainstream,â and maybe Iâll get a track I like here and there in their albums or mixtapes before they go into the military and disappear for two years, then Iâll end up looking elsewhere for "different.â And that makes me sad. Because I can feel that my time with BTS is ending, even as Iâm cheering them on. What to do? Letâs go get that Grammy!
As an Indian, i would say that i agree with the statement that community sentiments flow with artists who break out in the West. For us, the western market is something that is always considered âsuperiorâ and thats how itâs promoted in my own country. We get to hear statements like âif you dont listen to x western artist then whats your taste in musicâ or âhow could you not listen to x artists, they have won so many grammysâ. And this circulates back to the agenda of how Western institutionalised awards are considered paramount practically anywhere in the world. This is in complete contrast to how people in India received BTS or any other asian groups/ artists. Heck, 1D is given more credibility here, and its not as if english is our native language, so if language is the only game, then how is Korean viewed as something inferior? When it comes to Indian musicians in western media, i think A R Rahman- who was the composer/ producer for the music in Slumdog Millionaire and went on to win many many awards. For me, thats was an actual moment if pride, because you really dont see Indians being received as artists- we are just the âintelligentâ company workers. But the entire zeal of celebration toned down over the years because once again we come in contact with the superiority of western ideals.
In a way, i understand what Koreans might feel with regards to BTS. I feel the same way for the Indian cricket team (lol). But honestly, itâs extremely mean to say that BTS are losing their Korean identity by releasing songs in English- especially if its the fans and the members themselves who proclaim that music has no boundaries. If you are here for the exoticism, then fucking leave because its demeaning.
Its impossible to like every song that an artist releases. I am not very fond of Dynamite but i did like Butter. In the same manner, i think Outro: Tear was an exceptional song but i could never completely listen to Skool Luv Affair and it was one of their âolderâ songs. People have different tastes, and thats expected. Tying down an artist because you think liking something non- english makes you better, then thats plain wrong.

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Iâve always wondered if people realise how Hybe (I wonât say BTS but âŠ) is manipulative in the content they release to keep fans engaged almost 24/7. Because they are! Obviously every brand can be manipulative to a certain extent. We are customers and they need to make money đ but some people really do seem naive. I donât know if itâs because Iâm a bit older than the average demographic and work in Marketing but yeah - sometimes it irks me the wrong yeah. I donât want to start drama on your blog so no need to post this if you donât want to đ
Hi @lololypopy ! Thanks for the Ask. And it's okay; if someone wants to start drama that's on them. We're gonna have a mature discussion.
These days, many people view marketing as manipulative because marketing is about persuading consumers they need whatever what the brand is selling: a service or a product. But many times brands are really selling ideas and values, too, and this is the case with Hybe, BH and BTS. [Hybe is the parent company, while BH is the record label and the specific brand (end product) is BTS.]
INSEAD says that marketing should be influencing not manipulation. They want marketers to make this distinction more clear, too. Manipulation for them is the use of deception or underhanded tactics to influence consumer behavior instead of using facts. Basically, if a consumer wouldn't choose a brand if they knew the truth about important aspects of the product or brand, then that is manipulation in marketing. A prime example is when Volkswagen fooled its customers into thinking its cars were more green than they were. That level of deception is also criminal.
The reason people find BH's marketing tactics manipulative is because of the false reality and social media addiction they create through their content. Content is delivered near-daily, and sometimes several times per day. This creates constant engagement, addiction and reliance on the brand as part of their consumer's daily lives. The normal and healthy boundaries between brand/consumer and artist/fan are blurred. Participation in activities related to the band becomes almost compulsive (hello, here we all are on Tumblr... lol).
It also heightens an already intense para-social relationship between consumer and brand, where the consumer becomes an object of love and appreciation of the brand ideologically (such as MOA or ARMY), which intensifies brand loyalty. There is a false sense of reciprocation there, and it is driven further through certain narratives. Being labelled as ARMY strips consumers of their identity, too. We become an unknowable collective instead of indivudals withour own needs and values. This is rather cultish, but that's a post for a different day. :D
In this type of setup, fans are made to believe they must act to defend the brand and help the brand achieve its vision. The brand's vision becomes the consumer's vision, which is genius or diabolical, depending on how you look at it.
Uh, maybe Iâm missing the point of your exercise because I already think everything you listed is true to an extent? What I do know is that HYBE is trying to replicate the conditions that gave rise to BTS with their new bands and it doesnât work. Iâve been watching Enhypen since the beginning, for example, and even if they make the boys sleep all together in the same room, itâs not the same. You can tell just by watching the boys that most of them are faking being great friends. Thereâs one boy in particular, that Iâm sure the rest of them canât stand and probably are actively shunning though they pretend otherwise. They are also pretending to be naive and wide-eyed in a way that doesnât feel genuine at all. Itâs actually a bit hilarious, but also prevents me from bonding with the group like I did with BTS because my eyes roll so much. I wouldnât be surprised if someone splits from that group earlier than expected. I am wondering though whether they will relax into their real personalities after years of coexistence or whether the pretense will continue. TXT, though I rarely watch them, also gives me the vibe that the boys canât stand each other. LOL. That said, all of the HYBE groups dance immaculately. Their performance training and artistic styles are top-notch.
Just adding to what @beautifulpersonpeach mentioned about renewing contracts, its very silly to think that BTS does not, in fact, have power in a company they essentially helped build. If they dont wanna be a part of the idol life, they have amassed enough name and fortune and- most importantly- respect, to work in a musical/ art field by themselves. Secondly, the questioning of BTSâs achievements and its credibility is an incredibly toxic thing. For an asian group to break out so widely in the West is a big deal. There is no way that people can or should discredit them in that.
Also, considering the pandemic situation, it is very hard for artists to earn money- even harder for huge entertainment companies to work their stuff- especially with the sort of budget that bh allocates for their releases. So, the newer products and the shoots etc, all them make up for their lost earnings. The âextravagantâ performances which some people seem to hate on- actually give employment to many people who work behind the scenes. This is something that is synonymous to ALL big corporations. To pick and choose because hybe is the most visible one is biased.
Next the member- member interactions. Can we know about those a 100 percent? No. Because the content we get in just a small glimpse. You cannot expect certain people to behave in a certain manner and then get snarky because they dont. Was the BE âessentialâ re- release a money grab? Yes. But in the same sense, the Evermore vinyl release worked in the same manner- it even charted. Did bts release a lot of remixes? Yes, they did. But so did Lil Nas X with his Old Town Road. The thing is, major artists do that, because its a part if the business too. Honestly, the way some people perceive them is like they have all the luxuries in the world and so the hatred, especially considering they are not western- is VERY VERY visible- is not present at all. People can ignore that because it doesnât fit their narrative of villainising bh, but again, thats just silly. Once again, wilful vilification of a company shouldnt translate to mocking the artist.
Lastly, fans have the freedom to buy what they want. Me purchasing something? That should completely be my responsibility. Im not being brain washed by hybe because at the end of the day, i should be mature enough to how to spend my money. And if people dont do that, then its their fault.
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