Some Aziraphale and Crowley doodles from Season 2

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@crowleys-conscience
Some Aziraphale and Crowley doodles from Season 2

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In case you hadn’t heard, Michael Ralph, the production designer for all episodes of Good Omens, said this when asked about the significance of the snow globe in the finale:
Rob Wilkins came to me and asked me if I would invite in the final dress...there was no episode significance..I believe it was Rob who created the snow globe concept and manufacture of it as a piece of merchandise for the shop in London…...that's what I always thought...
I never designed it or used the concept of it in any of the episodes....people gave read into it and thought it has more significance, that's always been in everyone's imagination..I didn't correct their superstitions..
Include..not invite!!
I’m not saying the snow globe didn’t have any additional significance to Rob, but he definitely wants to sell them and that is what the Terry Pratchett estate started doing - before the finale aired and after he knew how it ended.
Bsky
Because of some recent discourse 😅
[edited to add because obviously there’s some occasional issues with reading sarcasm, good omens is a comedy, not a cosmic horror. One of the few things I agree with Amazon about.]
The original:
Oh yeah there was no kiss because they wanted to represent us asexuals, 100%, no doubt.
It’s not like the show is being produced by a billion dollar conservative corporation that has a habit of censoring queer people.
So tired of hearing the excuses for this. Did they need to kiss? From a screenwriting standpoint? Absolutely they did. For a few reasons.
The most important reason being that in the FF of S2, Aziraphale and Crowley showed us that They Want To Kiss.
Pronounce the capital letters.
This.
The point isn't that there is the need to see a kiss to know they're in love.
The point is that THEY felt the need to kiss. And it is written all over their faces in s3 as well.
✨ vavoom ✨⛈
• prints!

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there are a lot of Extremely Married moments in good omens, but I maintain that the Most Married moment is when crowley says out of nowhere, “ducks! they’re what water slides off.” and aziraphale heaves a deeply put-upon sigh and says, “….just drive the car.”
a close runner up is when Aziraphale wants to do magic at Warlock’s birthday party and Crowley just goes, “Make you disappear”, and Aziraphale’s not put out in the slightest
and third place goes to “Oh Lord, heal this bike”
“Not you, I know what you smell like.”
I’m sorry, but the Most Married Moment is the compromise:
A: “You lost the child.” C: “We lost the child.” A: “A child has been lost.”
For me it’s always the bit on the airfield where Aziraphale is going “I was technically on apple tree duty–” and setting up for a very long explanation akd Crowley just looks at him and makes a little gesture and shakes his head a bit with “Sweetheart this is really not the time” written all over him.
I feel like at some point this post will have just listed every exchange they have
forever and always and @ashfae put it so well “sweetheart this is really not the time”
About GO3, because apparently I'm still not over it
So, before I even start, I haven't tagged this anti go3, and that's deliberate. I don't think this post is 'anti', but it will include some of my rambling thoughts about how the finale didn't work for me, but could have. That said, I don't want to piss in anyone's chips, so if alternate endings are not what you want to read, scroll on.
Anyway.
Its been said a million times before, but I'll say it again, what we needed was more of Aziraphale and Crowley in accord, working together, on their own side once again. But how could this have made the finale less tragic (for me personally) without changing the fundamentals of what happened at the end?
Well, what if we had the same ending, but it wasn't tragic? What if it was defiant? Anarchistic? What if Aziraphale and Crowley made the decision to end the Universe together, completely in accordance, not out of despair, but out of gleeful, manic fucking RAGE? With the same energy as Crowley refusing to let the Bentley burn on the M25? You think you've won, God? You haven't, we win again! We found the lady, here you are, and you're giving us a choice. Damn straight we're using that choice. You think we could never exist again? Oh, we're not so sure of that. We'll pop up again, no doubt.
I want them defiant in the face of tragedy, joyful in the loophole they've found. And most importantly, making that decision TOGETHER. Preferably with Joshua and Adam too.
There's even a line from the book they could have borrowed that would have been perfect. Nice knowing you, Aziraphale says to Crowley, here's to the next time, Crowley responds. Kiss/hug here optional, universe explodes. Sad.
But then, when we see Asa and Anthony, we KNOW its them. Not just lookalikes. Them, here, just as they knew they would be. Because they won, of course.
That's exactly what I've been saying from the moment I saw it! I hate the become-human trope, but what hurts way more was that they never reconciled, there was no care, understanding or softness between them!
TV Crowley’s Aging Rock Star Shtick is fun, but if you want to take Book Crowley's Vibe to our modern day, I think there's an argument for, okay... here me out... the Vibe I always got from Book Crowley is that he projects out a very ‘Rich Douchebag’ image, not necessarily in the sense that he is a douchebag (I’d call him more of Lovable Lil’ Shit) but in the sense that he goes to great lengths to cultivate the exact image in the time and culture he lives in of a ‘Rich Douchebag’. Like, he’d always make sure he’s up to date to all the current societal standards and norms and all the current fashion trends so that he is always trendy and sooo cool… but deliberately in the specific way that’ll make humans look at him and go “man, what an asshole.” And that’s what makes ‘blending in with the humans’ feel like a job well done to him.
In the late 80’s-very early 90’s era that the book takes place in that meant coding him as a Yuppie, thinking about his stock options as soon as Armageddon comes up, his sleek lifeless showroom flat, the dedication to always having the most modern tech (even when he finds it to actually be pretty crappy or otherwise useless to him, it’s necessary for ‘the kind of Human he’s trying to be’)….
So, thinking about what’s up with Book Crowley in the current day, and if he's maybe trying to update to fit our current image of what a Yuppie-like Rich Douchebag is.... So, like, I’m not making a statement on whatever or not Book Crowley would use Crypto in the 2020’s, even for one of his schemes, but... I think there is an argument to be made that if you met Book Crowley in the current day, you’d take one look at the guy (gender neutral) and immediately get the Vibe that he uses Crypto. And Crowley would just be like “Great! I am getting a good grade in seeming like an absolute sleazebag, something that is both normal to want and possible to achieve! :D”
"NFTs, angel!"
Crowley threw back his head and cackled. Aziraphale eyed him, from the side. Some things were simply too absurd to be considered.
Don’t save him. He’s exactly where he wants to be.
In fact he’ll be angry if you try to help
I have a genuine question for people who liked the ending of the good omens finale. I wont be snarky in the comments or anything and i encourage everyone else to be civil too. Im just confused and havent seen any answers to this and want to hear someone elses reasoning.
First: what evidence was there that humans didnt have free will in the original universe,
Second: How did you interpret the following in a way that they arent evidence that humans did have free will:
- Adam choosing not to end the world and to not be the antichrist
- Anathema burning the second book of prophecies because she didnt want to know/have to follow a set path
- god/satan making a bet about what Job would do, meaning they didnt know what he would do
- Aziraphale and Crowley couldnt miracle Nina and Maggie to be in love, despite their best efforts
and then the same thing but for angels and demons:
- Aziraphale giving away his sword and lying to god about it
- Aziraphale and Crowley saving Jobs kids and lying to heaven/hell about it
- Aziraphale and Crowley opposing armageddon
- Gabriel and opposing armageddon
- Gabriel and Beelzebub running away together
Again, i dont mean this as a gotcha or anything, i just dont understand and havent seen anyone address this topic when talking about the finale in a positive light
I’m more ambivalent than fully positive about season 3, but I have spent a lot of time thinking about this. I’m going to try to explain what I think the story was trying to say about free will and why it went wrong, but this is going to be long and a little rambling. I am still putting all my thoughts together, so I’m going to do my best to stay on this one aspect of Good Omens, and not bring in any of the other Season 3 issues.
To start with, the humans absolutely had free will in the original universe, and all the evidence you list does indicate this. However, there is an aspect of “lacking free will” brought up in the book and reiterated in seasons 1 and 2, which is that angels and demons in general (and Aziraphale and Crowley in particular) have been “messing around” with human lives, screwing things up just by their presence. It’s a limitation, not a removal or negation, but it means humans are not completely free to control their own lives.
Biggest example is Wee Morag, who would have been fine and alive if Aziraphale hadn’t decided it was his duty to interfere with the body snatching, and then to “help” with the next attempt. Next biggest would be all the little ways their shenanigans in season 2 affected the people of Berwick Street, from Crowley accidentally locking Nina and Maggie in the coffee shop for hours because he had a mini tantrum to Aziraphale mind-whammying everyone into acting out his Jane Austen Ball fantasy.
None of this is meant as an attack on Aziraphale or Crowley. These are largely unintended consequences, but they show how much influence they have even without trying. Meanwhile the other season 2 mini-stories show the effects of Heaven or Hell taking a direct interest in particular humans; Job loses everything including (nearly) his children, and that shit is TRAUMATIC even if it’s all restored; and Furfur rather carelessly unleashes a trio of Nazi zombies on London, and no one seems to the death and chaos this might cause. It’s not the “Ineffable Plan” of God, but it is the result of humanity running into the ineffable.
Now, does any of this negate free will? No, it does not. But it does DEVALUE it somewhat if your choices or actions can be overridden by any angel or demon, or if all your plans and life work can be destroyed by a supernatural entity that wants to make a point. Part of the Good Omens message is that humans can’t properly BE humans if higher (or lower) powers keep sticking their fingers in and shifting things to suit them.
You are free to pick any of the three cards before you, but whether or not you find the lady is up to the dealer, not you.
Does season 3 address this well? It really doesn’t. This needed to be a central focus of the season if it was going to be essential to the conclusion. We get a few hints that Aziraphale leaving led to the death of his neighborhood, but nothing concrete. We get the three-card-Monte metaphor but it doesn’t quite tie back to anything. We see Jesus finally start to connect with his new community and maybe have an effect, only to have everything destroyed in an instant by Michael—this could have been a poignant reminder of the powerlessness of humanity but instead just feels like a weird anticlimax.
There was maybe a chance to pull it all together in the conversation with God, but by introducing the authorial mandate explanation (that people only ultimately do what God wants them to), the whole conversation shifts. We’re back to talking about the Ineffable Plan, and not the effect of the ineffable.
To use the three-card-Monte explanation again, we were talking about the dealer manipulating the cards so that your choice didn’t matter; but now instead we’re talking about the dealer manipulating you into picking the card they want, or just planting your decision directly into your head, inception-style.
Add to that Crowley bringing up the problem of evil, the threat of punishment or reward after death, the ways God harms humanity through the way the world is designed, or through inaction that allows the world to evolve in harmful ways—all this broadly ties back to “supernatural interference fucks with humanity’s ability to make the most of free will” but now it’s just completely muddled.
Maybe if they’d had a full hour long episode to pick through it they could have addressed all of these points in a way that makes sense. Instead, we get an extended Crowley rant where every sentence is making an entirely different point, and while that’s very ADHD of him, it does nothing to shape a coherent problem that needs solving.
All the nuance is lost. More importantly, the focus is lost. We aren’t looking anymore at a specific and demonstrable way angels and demons have messed with humanity and limited their freedom, we’ve stepped back to the broad and undefined topic of “free will.”
So when God asks if Crowley wants everything back the way it was… Sure? Seems fine? We as an audience have just been subjected to a fire hose of philosophical and theological questions with no answer and very little bearing on the previous 60 minutes of television. It’s pretty easy to read this as “Yes, put everything back to how it was before Michael started fucking around, we can figure out the rest as we go.”
When what we should be thinking is “No, we need a version of the world where humans can use their free will and not worry about some angel coming along and kicking apart their sandcastle.”
[I have slightly lost the thread of my metaphors here, but I hope you’re still following.]
While this doesn’t HAVE to be solved by destroying the universe and creating a new one, it DOES at least give us a problem where the solution “God, the Devil, Heaven, and Hell are no longer allowed to interfere with humanity” makes sense. Had the story kept this focus, I think we’d all be at least somewhat on the same page about the ending.
As it stands, with no firm groundwork laid, our interpretation of the ending is going to depend on our individual understanding of free will as a broad concept and how well the many points Crowley says map onto both this understanding and our preferred interpretation of Good Omens and its themes.
So in conclusion:
No, I am not going to argue humans didn’t have free will. They did, that’s the whole point of eating the fruit in the Garden of Eden, and Season 1 is all about humans exercising that free will.
The point of Season 3 should have been that that free will is devalued or harmed when the supernatural can keep butting in and overriding decisions or knocking things off course.
Season 2, I feel, is setting us up for this. We see a lot more of Aziraphale and Crowley, Heaven and Hell, interacting directly with humans and making a mess. Nina and Maggie give Crowley the “you need to step back and let us figure out ourselves” speech.
And then Season 3 doesn’t so much drop the ball as launch it into the sun, leaving us all to make sense of the ending based on our pre-existing theology/philosophy, our personal understanding of the show, and vibes.
If anyone who really loved the ending wants to contradict this or build off my explanation, please do so. I’ve been working away at this ending like a Rubicks Cube for weeks and I still don’t think I’m anywhere near making full sense of it.

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goodomensprime
David Tennant and Michael Sheen on the art of filming the very last scene in Good Omens 3.
goodomensprime
A special thank you to the fans of Good Omens from David Tennant and Michael Sheen
Aziraphale should have dipped Crowley into a deep and passionate kiss that was fueled by 6000 years of repression right before shooting God in the face with the holy Tommy gun he kept hidden in the hollowed out Bible he stowed under his bed
~ the prettiest star 💫~
inspired by this beautiful frame from the good omens s2 openning title sequence
❤️🩹
Folks, the unfortunate time has come. I'm stepping away from this blog. Not a decision I've made easily, but I've not truly been in the Good Omens fandom for a while and now need to be putting my energy elsewhere.
If anyone would like to pick up where I'm leaving off please send me a message @infinitevariety. It would be great if a few people were interested, because I can tell you it's a lot to manage on your own! I'm happy to be around for a handover, any ongoing questions, and help with tagging, etc. This has been my passion project for over five years now, I'd like to leave it in good hands.
- Mod D
Thank you for all your kind words, I appreciate the love so much 🤍🩶🖤 I have messages from several people and will be replying tomorrow when I have more time. The blog will keep going!
- Mod D

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GOOD OMENS | 2.02 The Clue
Just to let everyone know, the lights will never go out, the bookshop will never be closed and there’s an angel and demon waiting inside to have a drink with you.
It feels like they keep telling us it’s over, and while, yes, the series is done, that does not mean we have to stop creating. Good Omens has belonged to the fan for a long time and as long as we keep creating stories and art then Crowley and Aziraphale will never be gone.
I have some big writing projects in the works, but this damn heatwave is melting my brain and I have summer seasonal depression which has made things hard to focus.
Anyway, I know I have made posts like this before, but please don’t stop writing and making art about them.