DIVINE CREATIVITY

The Witch of Rage. One who actively manipulates and changes anger, fear, and falsehoods on a massive scale. 

Say hello to the adrenaline junkie. 

Witch- extremely active manipulators. Witches will redefine their aspect in a major way closer to end-game. 

Rage- major themes of anger, fear, falsehoods, pain, and negative emotions. Minor themes of temper, spite, and base instincts.

Abilities 

Manifested Malice

The Witch of Rage manipulates and alters anger and fear. This is in every way. Metaphorically, the Witch is capable of supporting and rallying negative emotions, being toxic or marking their enemies as scapegoats for unchecked aggression. Literally, the Witch is capable of weaving spells to literally, physically, grasp and distill negative emotions. Negative emotions are a physical substance, acting as miasma or ichor, harboring the literal manifestation of blinding hate, abject misery, sheer terror, etc. 

At lower levels this power remains largely metaphorical, or at the very least, less flashy and more subtle. The Witch of Rage would excel at directing anger and fear, shifting their target. For allies, this would grant increased focus and dedication. Against enemies, this may manifest as hexes that cloud the mind, amplifying and overwhelming them, causing them to panic, either lashing out against their allies or to flee for their life. The Witch of Rage triggers the ingrained fight/flight response, dialing it as they please.

As the Witch progresses this manipulation becomes more fine tuned, turning less from suggestions and closer to outright control. The Witch could mute the anger and amplify the fear of enemies, causing them to doubt, to falter, or in extreme cases, even become pacified. For allies, this could allow them to become fearless, possibly even sparking a berserker-like battle fury.

At medium levels the Witch of Rage has begun tampering with Rage as an actual, physical material. The twists they create, the rising and diminishing, the intensity at their control is so real, so material and ingrained, it is a physical object. The chills down a spine, a wave of anger spreading, is all real, physical material. Enemies overwhelmed with emotion literally drowning in hate, fear so intense it is literally heavy, clouding the air and creating an intense weight on its victims. Disgust and disdain manifested as a thick miasma, choking its victims.

(The Boar God from Princes Mononoke, infected with hate after being shot with a ball of iron)

By higher levels, the Witch can use these physical substances and are able to draw so deeply to all but control their enemies, creating rage-fueled puppets to toy with and mad berserkers to string around and lure to the slaughter. 

(The Gray Legion from Legends of Runeterra is an army of undead, forced to relive as rage fueled zombies. Plenty of wonderful art for inspiration)

These substances can be manifested in such great amounts and to such quantities to be akin to natural disasters, literally raging across the battlefield as the embodiments of nature’s wrath. A raging storm of anger, a flood of overwhelming fear, a thick fog of guilt and shame. The Witch steers not just the Rage in others hearts, but the heart of the universe itself. 

Renewal of Disbelief

Perhaps better known as Nightmare Dimension to everyone but the Witch.

At some point in the session a Witch will redefine the role their aspect has played in the session, introducing a new element to how it can be interacted with. For Feferi as Witch of Life, the dream bubbles to allow characters to live after death and introduce branching paths. For Jade as Witch of Space, her interaction with the Green Sun and fenestrated planes. For a Witch of Rage, this is a session-wide alteration/invocation of anger, fear, doubt, and rejection.

Sburb is a system where the powers, themes, and aesthetics are one and the same. Vriska is a thief of light taking up attention, forcing herself to be relevant. Gamzee is a clown sowing discord, he won’t die no matter how much you want him to, as an annoying gag. In this way, the Witch of Rage is capable of shifting the genre and tone of the session around them, dismissing hope, idealism, and faith. The area around the Witch, perhaps the entire session, becomes more grim and gritty, taking on an R movie rating, M video game rating, and a parental advisory music warning. Knowing Sburb, these just might be literal settings on the session they can control.

This often violent and nightmarish tone shift can manifest in any number of ways depending on the Witch’s themes. It starts as aesthetics, but it quickly radiates to the actual themes and what the world is capable of. This tone shift is based around any of the facets of the Rage aspect: cynicism, bitterness, anger, dismissal, disbelief, cynicism, spite, difficulty, outright edginess, etc.The power of friendship is fake, violence is the only option, etc. There are no lucky breaks,  you never win a high stakes gamble, there are no glimmers of hope, etc. 

Nothing but the cold, hard, crushing reality that the Witch enforces. 

This is the world now. There is no alternative. In simple terms, 

“This isn’t that type of story”

For gritty detective novels and movies, the world can become black and white with jazz in the background, things naturally spiraling into tragedy. 

For something like Warhammer 40k/Absolute DC/Berserk/Bloodborne/Dark Souls levels of grimdark and ultraviolence, the world can be forced to run off of blood, sweat, and tears. Bleeding more blood than anyone has in their body, pushing forward through broken bodies with sheer anger and hate, guns that never seem to run out of ammunition or jam unless to inspire dread, etc. 

The restrictions and enforcement may not always be ironclad, able to be twisted by a clever individual or overpowered by an especially annoying/stubborn/foolhardy person. With the Witch setting the tone, it may even be hijacked by someone entirely willing and able to engage in these rules. By completely giving up and giving in to the reality the Witch made, anyone is able to benefit from the rules of that fiction, even enemies. 

This would start as a localized effect, a temporary claim to the surrounding area. It could be akin to a domain expansion from Jujutsu Kaisen, temporarily dragging the surrounding area into a pocket dimension that plays by their rules. 

As the Witch of Rage progresses, this effect begins to linger, spreading outwards with repeated use and mastery. With time, this effect may consume the land they are on and eventually, the Incipisphere, or even beyond into a more 4th wall breaking, metatextual space. This may create permanent zones of the Witch’s nightmare realm, areas scarred and marked and altered. It may also take the form of things rising out of them, like demons or cursed objects that are able to impose that tone shift on unaffected areas. 

While the session has always been about snatching victory from the jaws of defeat, the Witch of Rage is raging a very literal ideological war over the heart, mind, and very soul of the session.

Skills 

Word of the Demons- through cunning, guile, ragebating, or outright toxicity, you are able to subtly inflict a negative emotion on a creature. If the creature is already affected by this emotion, this may even spiral into an outright stat debuff or condition

Wrought- your feelings of anger and fear have physical interactions with the source of that anger and fear. What makes your blood boil becomes hot, that which you are scared of becomes larger, what does not scare you at all becomes weaker, etc.

Potential Lands

The Land of Music and Smoke

Potential inspiration

CAIN the ttrpg! Which is in turn inspired by things like Jujutsu Kaisen and Chainsaw Man. Psychic exorcists hunt down and wipe out Sins, manifestations of humanity’s fear, hate, greed, etc. Each exorcist uses abilities known as Blasphemies. Each Sin creates an extradimensional Palace where they are that serves as their lair

Personally I think just about anything stolen from CAIN works perfectly for a Witch of Rage, particularly on the Sin side of things

Also: Geto from JJK, consumes and commands and cursed spirits. His constant summons based around negative emotions of people is an interesting way to show Manifested Malice, less as a raw physical material but instead the creation of totemic spirits. Could be neat!

Theme songs

Sticks and Stones by the Pierces

Though I can’t find the post right now (which is incredibly frustrating and I will be trying to find it again later), I did write on this some time ago. From my very vague recollection of how I think it worked best…

It’s entirely dependent, I think, on what will benefit the Player most: to be nourished by the welcoming, gentle nature of Prospit, or to be challenged by the harsh, cutthroat nature of Derse. 

Think, for instance, if Jade would have thrived on Derse. While she probably would have made friends with the Dersites, the Black King and Queen, the Agents, and needless to say the Horrorterrors might have been too much for her. She’s terrified of the Horrorterrors; what if her only source of information had been them from the start? Would she have been able to commune with them in order to learn the truth of their session, to keep paradoxes stable, as she does in Homestuck? Or would she have rejected them entirely, tried to stop herself from sleeping as much as possible, etc, etc. 

Conversely, what if she tried to start a rebellion on Derse? Jade is incredibly strong-willed, and tends to stick to her guns; if she thought the Dersites were under tyranic rule, would she really just sit there and let it happen, especially if she’s quite literally left in the dark? Would that be beneficial for the session, knowing that if she did this, either the Black Queen would try to take out Jade and John on Derse or the King and Queen would be prematurely defeated? What does that teach her as a Witch of Space?

In the same vein, if Rose had been a Prospitian, it… would have been much too easy for her. She’s a Seer of Light. If she was sleeping on the Moon that just threw prophetic clouds at her, what would she learn? She’d never have to seek out Light, never have to Learn from benefactors, because it’d all just be right there. It’d put her at a significant disadvantage, because then she’d never need a reason to - for instance - create the cue ball. Why bother doing that, thereby activating her powers as a Seer of Light, when she can more easily fall asleep?

Additionally, would Rose spend more of her time asleep if she were to wake up on Prospit and see the clouds? Would that actually benefit her, or the session, if she ended up spending more time staring at the clouds than putting her plans into motion, actively seeking out her information, when that’s such a significant part of her journey as a Seer?

You can see this pattern a lot in all of the characters throughout Homestuck. Why is Vriska a Prospit Dreamer? Because if she’d woken up earlier the kinder nature of Prospit would have encouraged her to be a much softer Player, and being on the same Moon as Terezi and Tavros might have likewise encouraged her to face past mistakes (and thereby go down the same growth path as (Vriska) did as a ghost). Meanwhile, Derse… might have made her worse. Encouraged her bad behaviours and the ideology that she needs to be violent and vicious and abrasive to survive, that it’s her against the world and she can’t reveal weakness. 

Why is Eridan a Derse Dreamer? Because he needs to see the negative effects of the societal structure that he’s trying to convince himself he holds so dear in a non-Alternian context. He needs to be in a position where he can Destroy Hope and benefit his team - not by Destroying the Hope of the Prospitians, who are so Hopeful and need to stay that way, but by Destroying the Hope of the Dersites to weaken them in the war. He needs to see that this is something he can do, that he’ll be treated positively for it.

I think, in some ways, it might also be a subconscious reflection of the Player’s general personality (think John or Jade, both sweet and peppy characters who definitely fit more in with the general vibe of Prospit), or of who they want to be - their Ideal Self (think Jane, who maybe needs to learn some of the positive Prospitial attributes to combat some of the negativities of Life). Sometimes, it’s what they think they deserve, and then becomes something that subverts their expectations (e.g. Dirk, who seems to fit well in Derse’s cutthroat environment, but who instead rises up with the people).

So in my mind there’s a lot more to which Moon a Player ends up on than just “Active vs Passive”, and admittedly I think a lot of this is because Hussie never really planned things out in advance. We know, for instance, that the trolls were an on-the-fly addition, as were the Classpects that came with them. It’s not far to assume, therefore, that when Hussie first introduced Prospit and Derse, they were centred more heavily around the HarleyBerts (positive, bright, happy, outgoing, naive) and Strilondes (darker, mysterious, more underhanded, reserved) than anything else - their family traits. 

Having to then shove 12 more characters into something he hadn’t fully fleshed out at first, and which was focused so exclusively on the four characters he’d actually planned for, can’t have been easy. Trying to then explain what the reasoning for these decisions were a decade later just makes things messy. 

To bring this back to the actual question about your OC - you essentially have to think about which Moon would most benefit your Player. Which are they going to thrive on, or will most positively affect them? Which will make them grow into a better person? Will the brightness of Prospit encourage or disillusion them? Will the severity of Derse challenge or terrify them? Which motives them more? Which will make them a better Player? 

You can also think about the other stuff I mentioned - which Moon most vibes with their personality or who they want to be, or what they think they deserve but ultimately subverts those expectations - but I recognise that can be very complicated, too, so you can skip that part. 

(source is hussie himself from the homestuck discord server)

i have strong doubts this is real tbh

no shade to you but hussie afaik has never been known to really openly interact with fans, much less do stuff like outright canonize classpect stuff this directly

much less on a discord server of all things 🤣

its just not something ive ever known him to do, that said

all those pairings either way were p commonly thought of in fandom afaik like im p sure these are all what folks already commonly already thought (which doesnt line up with the it messes with fandom line)

but i do have to say i at least was always fervently against witch/sylph and maid/heir, much less pairings that are Both active or both passive, that kinda throws out my mental framework of things more than anything tbh

i guess he does note them as fucked up pattern breakers, and they are stil flips between highly active and Less active states, technically

i suppose it make sense if you consider this all as a sliding scale of activity more like a ph scale

id still would have preffered it if maid and sylphs active or passive natures were on the technically other sides, but their both the technical middle of the respect scales, ph of 7 basic water etc

so it kinda makes sense they would the two mostly likely to be equivalent to the other

they arent really strongly active or passive but more neutral, just happening to slightly tweak in the direction i didnt expect

id have to relook at my scale i made awhile ago to see how it lines up and i guess rethink the 6 interactions and the ways i think of them in terms of class pairs

assumingly all this is real and not Yet Again another internet hussie impersonator, lol

if it is real someone toss me an invite to the discord

i might maybe go check it out if so

But I guess I must be wrong, because I hear the opposite so often...

You could *THEORETICALLY* get away with just using Sendificators and Appearifiers to replicate Time Travel, but it's a lot like using the oven to boil water. Not to mention, Time Players are still useful-bordering-on-mandatory. Time Travel is borderline worthless if you aren't a Time Player because it's heavily unintuitive, the Whispers are your only in-game tutorial, and I'm pretty sure that unless you are a current or Native Time Player, the game actively obfuscates your practical knowledge concerning how to use it. So even if you know what you're doing, SBURB might just cloud your mind and make you perform a basic paradox through easily avoidable accident. It's why I don't like thinking about Time that much.

Like, I'm pretty sure that what you said is true, in that there can only be a Doomed Timeline if someone fucks with Time in the first place. But it might not be a desirable Alpha Timeline. Like maybe one of your players blows up their microwave and dies, and they end up breaking the Server/Client Entry Loop which leads to half of the other players dying, which damns the Session to failure. If that's the Alpha Timeline, then nothing can be done about it/shikata ga nai. But does that necessarily need to be the Alpha Timeline? Because if a Time Player is active (or will be active in the future), then they could step out of nowhere and reveal that the microwave exploding actually created a Doomed Timeline, and thus they "put it back on track" by making sure that player removes their fork from their microwavable noodles before cooking them. From your perspective, a Time Player just stole your fork for no reason, but from their perspective, a Doomed Timeline happened, and they averted it. As opposed to them not doing that, because they didn't exist, and so this Doomed Timeline becomes the Alpha Timeline? Surely you understand what I'm getting at.

A garden world, lush with life, where trees of all shapes and sorts grow wild and strong. The world itself is less a forest and more an orchard, where consorts tend to the great trees in harmony with nature, cultivating everything they need to sustain themselves from the trees and protecting and preserving them in kind. The world is a relative paradise of peace and prosperity.

And yet, as the great trees reach up to the light of Skaia, something dark and chthonic, as unshakeable as death itself, stirs within the depths of the planet, entwined within the roots of the very world. Great chains of permafrost lurk in the deep, encircling around entire swaths of the world and ripping everything down into the darkness.

This is the Land of Trees and Chains. Welcome to LOTAC.

LOTAC is a relatively peaceful world when compared to the struggle and strife common across sessions of Sburb. What underlings lurk here are much like the great chains, mysterious and lurking in the sprawling caverns and root networks beneath the planet’s surface.

Underlings do not behave as they typically do on other lands as roving hordes of danger. Instead, they bloom, acting more as a rot or mold, organized in their aims and moving with alien purpose. The evergreen land of LOTAC has no method of decomposition. In ages past the underlings worked at night, unseen by the consorts, to break down and destroy fallen trees. With the coming of the great chains, this hidden work has progressed into coordinated attacks, raiding and plundering any tree unlucky enough to be bound by chains.

Operating as a strange sort of subterranean mycelial inspired pirates, the underlings have begun to terrorize villages and maim any consort attempting to stop their work. Daring explorer consorts have left their homes in hopes of reclaiming what was lost beneath the forest floor and, consorts not being the smartest, have begun to disappear, never to return.

Trees are felled by the score by the binding chains and the consorts are slowly being corralled into a dangerous, inhospitable part of the great forest. It will only be a matter of time until they are driven to the brink and can no longer survive. Without heroes, they will surely go extinct, crushed by the cruelty of nature.

But there is a hero. The Heir of Life.

The Heir of Life must venture across the grand orchards and forests, descend into the roots of the world, and uncover the source of the all consuming chains and the underling rot that follows their wake. Down into the deepest reaches of earth, long since left to fester. 

But perhaps with a little luck, new life may bloom.

Denizen: Demeter, Greek goddess of agriculture and the harvest, who's grieving brings forward cold and bitter winter.

Features

Arbolis Mundus, the World Tree

The largest tree on LOTAC, Arbolis Mundus is a massive tree whose roots encircle all of LOTAC and whose branches reach so high into the sky it slows and distorts the rotation of the planet. The World Tree is a magnificent mega tree made of thick, rich, dark wood and beautiful leaves that reach to every color in the spectrum like great panes of stained glass.

The elusive fruit of the World Tree is the subject of incredible legend. Ruby encrusted apples the size of a car, literally golden bananas, berries made of pure amethyst, and more. While the legends of their benefits are spurious at best, there is a truth to them. One gift, nestled among the highest boughs of Arbolis Mundus, is said to grant unimaginable power and authority over the planet.

Frost chains

Massive, heavy chains as dark as the void and as cold as the deepest winter. These chains, seemingly made out of some sort of petrified bark, crisscross under the soil of the land, only rising to the service when their snaking paths have wrapped around the deep roots of the trees in the world above.

Denizen lair

Deep towards the core of the planet the world grows increasingly cold, reaching well below freezing. Pockets of the cold earth are home to permafrost biomes, underground arctic climates with almost entirely frozen over life. Blades of grass become literal, becoming razor sharp with ice. Wind sends snow and icicles from trees as a rushing storm of deadly debris.

Hidden within the boreal parks and glades lies a structure made from frozen timbers, plain and sparsely adorned. Whispered in rumors and told about in storied legends, it is known as the Seed Vault. The Seed Vault is the home of the denizen Demeter, the source of the great cold and the chains that have wrapped around the land.

Within the Seed Vault is a host of seeds, seedlings, and saplings for every tree across LOTAC, up to and including, Arbolis Mundus itself. A massive, glowing seed pod, potent with pure potential. If one was to crack it open and peer inside they would find the quest bed of the Heir of Life.

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This post was a commission for @balencia ! Again, really sorry for the delay 0 3 0

The Sylph of Void. One who heals secrecy, darkness, and nothingness while also healing with them.

The cool black abyss. Come in peace and watch your step

Sylph- heal their aspect and heal with it. They bring their aspect to where there is little of it, sowing the seeds for their aspect to grow.

Void- major themes of nothingness, obscurity, and the Void. Minor themes of ignorance, secrecy, darkness and null.

Abilities

Shroud

The Sylph of Void allows shadows, mystery, and secrecy to blossom, bloom, and spread. The Sylph is capable of a sort of sleight of hand and misdirection, allowing little unnoticed changes to become areas of obfuscation and confusion. 

Initially this could manifest as a blackout doctrine, specializing in redacting, deleting, and disconnecting key pieces of information. Carefully editing audio and video, blacking out text in sensitive files, and other similar forms of direct information control. The Sylph is something of a counterintelligence agent, either as minor as someone being a troll or as grand as one of the Men In Black, choosing to carefully and meticulously erase key details.

At lower levels these methods of shrouding would begin to take on a more supernatural lean, able to not simply block out the information in the present, but expand beyond the medium to the information itself. When they begin octuring information it subtly alters other records of the same object or event and can even pass into the minds of anyone witnessing the shroud. Carving a face out of a painting could result in all other portraits of the person in the castle being similarly removed with servants unable to easily remember who the portrait was supposed to be of.

As the Sylph of Void progresses this would move beyond tampering and enter into interfering with reality with less interference. The Sylph would be able to cast their shroud over objects and people, akin to a magic placing a blanket over something they wish to disappear. While cloaked, objects and people would be in a field of stasis, unaware of time and unburdened by things like cause and effect. These people or objects sit in a place of superposition where until the shroud is removed, nothing has occurred yet. The coin at the apex of a toss. All while their gap in the world is felt, reverberating out. This can be used to effectively erase periods of a timeline, to hide things away in the hidden depths of the Incipisphere, and to allow the disappearance of any person or object to invoke inquiry about the mysterious void left behind.

At medium levels, the Sylph of Void can allow these shadows to lengthen, controlling a dimmer to the world itself.  Their shroud would increase in size, allowing for more subjects of greater size, number, and distance to the Sylph to become hidden. As long as they remain shrouded it is like they never even existed or a magic trick yet to meet a resolution, if it ever will. Prolonged time shrouded could result in things being swallowed by the void, never to be seen again. The Sylph could cause these lost things to be forgotten as well.

At higher levels, the Sylph of Void would be able to cloak entire places within their shroud, erasing and neutralizing all details and senses related to the place. Entire airships, armies, castles, moments themselves could simply cease to be. The looming dread of a mysterious threat passing over an army as monsters disappear behind the curtain of reality. The Sylph of Void controls the curtains of the stage, and with it, what stories get told. People, places, and events can be forced to transpire “off-screen” away from anything of importance or note, if the Sylph allows them to transpire at all.

Safe haven

A Sylph of Void renews with void, healing and restoring with nothingness, obscurity, and lack of focus. The Sylph knows how to take the pressure off, allowing time and rest away from the vibrant sights and sounds of the world around them. They can cause things to lose relevance and immediate impact, creating a gentle environment.

While they are more than capable of reducing harm, they might lack the drive necessary to achieve their ends or fully sympathize with the desires of others, a caretaker focused solely on recovery without the end goal of activity in mind. 

At lower levels the Sylph has a cooling, soothing, perhaps even to the point of stifling aura. They are capable of suppressing or even nullifying pain, hunger, and stress, at the cost of all else: initiative, drive, extreme emotions, and clarity of purpose. They could refresh and restore stamina and endurance and in more extreme cases, allow for their allies to simply shrug off harm and keep standing or even alive through the Sylph alone.

As they progress this ability to soothe and nullify would expand into an aura around them, a lack of narrative focus and spotlight allowing them to bring peace and reprieve. Similar to how conflicts in movies tend to slow for a character interaction scene, the Sylph would be able to bide their time. Attacks never seem to make a solid impact, ranged weaponry flying harmlessly past, boss monsters being easily distracted by other threats, etc. The Sylph would particularly excel at evacuations, with those they can maintain focus on simply fading away and disappearing into the background to maneuver and escape. 

At medium levels the Sylph of Void can create their own pocket in reality, a literal safe space beyond the borders of the world around them. This pocket dimension would be a space of deep introspection and quiet peace, where little, if anything, could interfere. Without shape and form, this nebulous area of nothingness is a cool dark abyss, where time is slowed. The Sylph and their allies would have a time to rest, a pause button for the world around them. While in this safe haven things may not occur in their immediate surroundings, but other functions far away may still occur. While the area around the Safe Haven may slow and lose tension, the spotlight must always be directed and for better or worse, it will go elsewhere.

At higher levels this Safe Haven would expand in dimension and ability, evolving from a small protective space to a large area completely outside the bounds of space and time, without cause and effect, without narrative pressure and tension. The Safe Haven is a world unto itself, existing between the threads of reality, the space between pages, where all lost and forgotten things dwell. Even should this kingdom of darkness manage to be breached, swirling protective shadows and horrorterror guardians are able to protect the Sylph of Void.

Passives

Something from nothing- you never require tools to fix an object or heal a creature, seemingly making due with nothing at all

Better without- even when you are not present you are helpful

Whisper network- you can share secretive information regardless of distance or method

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This post was commissioned by @smiteblast442 ! Thank you for being patient <3

For years now, I've compiled useful information from other classpecting accounts onto my computer. When classpecting, I often use this wealth of information as a reference guide.

I have since discovered, to my horror, that a large percentage of content I have saved no longer exists on the internet (due to the deletion of blogs, art accounts, etc).

That being said, though it is wildly unorganized, I am sharing my google drive with the rest of the classpecting/Homestuck community! I hope you are able to find use in it, or, at the very least, make sense of it.

ARCHIVE HERE

Much love,

Tavtiers

@creative-classpect @rogue-of-heart-classpecting @askthemageofhope @sylphclasspecting @12colors-classpects @creativegodtiers @yourfaveisclasspected @fraymotifsbeyond @classpect-interpreter @sburbanalysis @tierstuck-aesthetic @urcharactersclasspect

And to the people who started it all <3

@sylph-of-hope-analysis @dahniwitchoflight

Heir of Life and Witch of Blood, Mage of Time and Seer of Void, and Knight of Life and Page of Mind?

A triad of duet fraymotifs with opposing classes, yeah I've got it.

Heir/Life + Witch/Blood Flock of Bloody Mother Nature Note: This requires the presence of some kind of animal eggs in the area of any type, and is more "effective" the more there's of the same animal.

The Heir manipulates growth for all the eggs, allowing them to burst into fully grown animals (depending of the type). Then the Witch proceeds to manipulate the connection, causing all the animals to assume the Witch is their authority figure, allowing the wield an entire army of newly born adult animals. MOREOVER , the animals in the flock which are the same type share their strength and health, only dying when their "combined health" is depleted. Making a one-type animal army an army of super-durable, super-strong animals.

Mage/Time + Seer/Void Object.Effect(Detect)

The Mage & Seer combine their knowledge powers of Time & Void and focus on a singular object. As they focus, they gain Information about Everyone who was ever effected by the object (hurt,manipulated,etc.) and then proceed to reveal the whereabouts of everyone who are still "Effected" by this object.

Knight/Life + Page/Mind Imaginative Mutation Harvest Note: This Requires Some Plant-life in the area.

This blog's post is currently incomplete, but you can ask for Fraymotifs in the meantime!

Jade, Calliope, Kanaya and even to an extend Porrim are all very lonely people who yearn for something from others and most of it is completely unrequited or constantly unfulfilled. Kanaya is extremely isolated like Jade was and had unrequited feelings for Vriska, trying to fill gaps with creating things for others and being helpful, Jade was absolutely isolated and had even resulted to talking to her own grandpas corpse and she was desperate from reprieve from it, she took whatever signs of her and her friends togethjer and ran with it regardless of any redflags in the situation and went straight towards the future she saw in skaia clouds. Calliope was so isolated and alone she self inserted herself into her own friends real lives as though it was fanfiction to her and seemed unreal and wrote out everything theyd do and shared art with Roxy and the others as a means to actively try to fill the gap and bond with them and become apart of that fun adventure.

One could even argue the way Porrim is, indicates a dissatisfaction of how things are with herself and others. Shes known for being promiscuous and motherly, but nobody exactly takes her seriously even when shes upset out of her team; she craves an intimacy both plantonic, emotionally and otherwise but she cant really get it from anyone shes pretty much stuck with to the extent she wants. This is especially true when you take her obvious pale crush on Kankri he refuses to reciprocate. Theres forever "space" between her and the others she wants to bridge.