☭ Eternal Suffering, Also Gay. ☭

my

GIRL!!!!

send this to your ex with no context

First thing the sales guy did after I laid down the rules was turn to Sean and go, "What's your number?" And Sean said. "Oh, no, you negotiate with Gayle."

So, strike one for the sales guy. Could not divide and conquer us by implying THE MAN would not surprised at what I laid down.

Sales guy then had to confer with his manager and left us at his desk for several minutes. I have a vague recollection (this was 16 years ago) of Sean and I amusing ourselves doing bits about the other people there to look at cars. I am sure we did not give off the stressed or nervous energy they were hoping for.

Guy comes back. His first offer is fifty dollars a month more than I told him we could pay. I looked at him and said "I gave you our upper limit."

"Well, but what's another 50 bucks a month?"

"Something I can't afford."

He didn't know what to do with my open and unashamed admittal that I had a budget because my money was finite.

He went back to talk to the manager again.

It took two more rounds of "I told you what I can afford" before he finally came back 20 bucks under what I'd stated as my max.

Hello everyone! after a couple of months of work on this beast of a thing, the first draft of my promised writeup on understanding composition is finally ready! This badboy is almost 15,000 words, and over 150 pages long. In these images, you can see a couple of examples of the kind of subject matter I’ll be covering, but it’s very comprehensive. 

This is currently available on my Patreon starting at just $2!

I think what I offer is a pretty unique take on composition, and it’s geared to be understood without a lot of consideration for the more finnicky technical elements of drawing, so if that’s part of art you have trouble with you might find some answers in my approach. Using my own art and examples from various disciplines and eras, I break down how to understand why a composition does - or doesn’t - work, all building to a toolset that lets you have control over your own compositions with precision and intent. 

A sincere thank you to anyone who takes the time to look at it, and at the end of the day, always remember one fundamental rule of art:

Hello everyone! after a couple of months of work on this beast of a thing, the first draft of my promised writeup on understanding composition is finally ready! This badboy is almost 15,000 words, and over 150 pages long. In these images, you can see a couple of examples of the kind of subject matter I’ll be covering, but it’s very comprehensive. 

This is currently available on my Patreon starting at just $2!

I think what I offer is a pretty unique take on composition, and it’s geared to be understood without a lot of consideration for the more finnicky technical elements of drawing, so if that’s part of art you have trouble with you might find some answers in my approach. Using my own art and examples from various disciplines and eras, I break down how to understand why a composition does - or doesn’t - work, all building to a toolset that lets you have control over your own compositions with precision and intent. 

A sincere thank you to anyone who takes the time to look at it, and at the end of the day, always remember one fundamental rule of art:

Turns out you can roll a 7 on a d6