now that we don’t talk

1989 World Tour book redesign. (Part 1)

1. mirrorball, taylor swift // 3, 7. ‘taylor swift's documentary shows why we should stop trying to be ‘interesting,’’ andré spicer // 4. gone girl, gillian flynn // 5. narcissus (1597-99), caravaggio // 6. all too well (10 minute version), taylor swift // 8. mariners apartment complex, lana del rey // 9. ‘lana del rey hottest record, radio 1’s future sounds with annie mac’ (sept. 12, 2018), bbc radio 1 // 10. ig @almart_8

When she turned to go home, she heard the echoes of new words. "May your heart remain breakable, but never by the same hand twice.“ And even louder: “without your past, you could never have arrived – so wondrously and brutally, by design or some violent, exquisite happenstance… here.”

I’ve never had a problem with the general fact of making music or playing music. I’ve never stopped loving it. It’s been the outside stuff that has made me feel down at times.

People are finally listening to Taylor's music, rather than gossiping about her dating life, they are supporting female artists, they are realising how incredibly talented and what a creative genius Taylor Swift is, cishet men are listening to Taylor's music proudly unabashed and with utter joy, we are collectively realising how messed up Jake and Taylor's relationship was and how problematic their age gap was, they are sobbing to her lyrics, comprehending her savvy and uncovering her hidden gems that stayed with the fandom solely.

GenZ is ADORING her music because they relate to the depth and the rawness that none of the artists of their era give them enough, they go through old songs of hers and realise, "F*ck I feel the same way, and no one's ever said that."