anarchist neuroqueer nerd, especially of the social sciences, humanities, media/film who's chronically existentially angsty. • emotionally devastating myself with my media consumption cuz films and the joy/pain they cause can be way more erotic than sex! • Queer Liberation is the future! 🏳️🌈🏳️⚧️🇵🇸 • {any/all pronouns but not in the whatever idc way but in an I want to play bingo with pronouns way} • the distinction between silly and serious is an illusion. • everything is as deep as you want it to be. • follower of the corgi in the lightbulb. world's foremost BiT-ology scholar.
• Kill James Bond! • Scott Pilgrim • Disco Elysium • The Owl House • How to Train Your Dragon • The Summer Hikaru Died • Sonic the Hedgehog • Halt And Catch Fire • Bears In Trees • Fleabag • Person of Interest • Station Eleven • DARK • My Mad Fat Diary • A Series of Unfortunate Events • Nanny McPhee • Pushing Daisies • Studio Ghibli • Infinity Train • Courage the Cowardly Dog • Over the Garden Wall • Don't Hug Me I'm Scared • Derry Girls • Heartstopper • Making Fiends • Where's My Water? • Hannibal • Crazy Ex-Girlfriend • Heated Rivalry • The Pitt • Bluey • Avatar The Last Airbender + Legend of Korra • Nurse Jackie • Pluribus • The End of the F***ing World • The Americans • Heartstopper • Wander Over Yonder • Plants vs Zombies • Dying for Sex • Buddy Daddies • SK8 the Infinity • Life Lessons with Uramichi Oniisan • Go For It, Nakamura-kun! • You and I Are Polar Opposites • Sasaki and Miyano • given • Witch Hat Atelier • Journal with Witch •
My Writings
Full of existential angst and intellectual curiosity. Click to read Masochism for the Asexual, by Porter Sebastian Hymas, a Substack publica
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I’m so tired of the “why do people hate aspecs, they aren’t doing anything?” argument. I know that it is an attempt to support us, but it fails so spectacularly to understand aromanticism, asexuality, and any other aspec identity that it’s actively frustrating.
We are doing something. We’re rejecting allonormative ideals and that’s a massive thing to do. We’re actively fighting not just to help other aspecs, but to help everyone, because amatonormativity (and allonormativity as a whole) hurt everyone. Single people who want to find a partner but can’t also deserve to be able to exist.
There are so many issues with the expectation of marriage, including:
A single income isn't enough to get by anymore
Having a spouse is almost necessary under the current medical system
Society shames and pressures people who are single to get into relationships constantly
Rejecting allonormativity means fighting against these things that hurt everyone.
So, no, aces and aros and other aspecs aren't "doing nothing." We're doing quite a lot.
the reason why i think so many alloromantic people outright refuse the idea of "aromantic subtext" being a legitimate thing is that people view aromanticism as inherently shallow. to a lot of queer fandomites, "aromantic" is what they make the side character they don't really care about, so they don't have to bother coming up with actual analysis of their interpersonal relationships. it sucks, because aromantic narratives in fiction, intentional or otherwise, are worth exploring, analysing, and appreciating.
you are bisexual. or maybe you’re not, it doesn’t matter. the point is that you’re perceived as someone who is more than likely bisexual. people have all the old biphobic thoughts about you being greedy, being unable to commit to a monogamous relationship, etc. you’re too queer for straight people and too straight for queer people. tale as old as time.
but now you’re a public figure and they’re adding a whole extra layer to that. you have a partner that you love who isn’t the same gender as you. you’re not strictly gender conforming 100% of the time, you happily show physical affection to your friends regardless of their gender, you act silly and camp sometimes bc you’re a human being with the full normal range of human emotions.
people spin a wheel to see what they’re gonna criticise you for today. maybe they’ve decided you’re acting faggy for clout. you’re ‘queerbaiting’. your partner is proof that you’re actually straight.
or maybe the way you treat your same-gender friends is proof that you’re actually gay. you’re in denial, everyone can see it but you, these strangers who’ve never met you clearly understand you better than you ever could from living inside your own body. nobody acts like that unless they’re actually gay, right?
they act as if they’re almost sorry for you, or perhaps for themselves. your relationship with your partner is a loss for the community. as we all know, it is devastating when a bisexual person commits the sinful betrayal of entering a ‘straight passing’ relationship. and for you it’s worse, because you’re not even bisexual, you’re gay! either you’re fooling yourself and stringing your partner along and the world is being deprived of what is clearly a Real Gay, or you’re fooling everybody else and your partner is actually your beard and isn’t that just queerbaiting again with extra steps? you should just come out. you owe it to the strangers, who have already decided, because they already know.
you don’t see any of the discourse about this because you are busy being incredibly famous and watching the figure skating highlights. but ordinary bisexual people see what is being said about you by folks who are supposed to be their friends and allies and they fucking Hate It
As Aromantic Visibility Day (June 5th) approaches this year, friendly reminder from an aroace: it's Aromantic Visibility Day, not "Aroace" Visibility Day! Not all aromantics are also asexual — there are aromantics who are allosexual (aroallos for short), aromantics who don't separately label their sexual orientation at all, and aromantics whose sexual orientation doesn't fit into an ace/allo binary, as well as likely even more aros who don't fit into "aroace" for even more reasons — and all of them are equally included in Aromantic Visibility Day, because they are equally aromantic! In fact, those aros who aren't ace are disproportionately erased and in need of visibility, even more than aroaces are (which is really saying something, because aroace visibility itself is already terrible), so including them in Aromantic Visibility Day is vital, and using the correct name for the occasion instead of calling it an "aroace day" is a start.
Overall: again, speaking as an aroace myself, we aroaces will not be offended if you just call Aromantic Visibility Day the thing it is actually called! I care about sharing this upcoming day with my fellow aros, so stop excluding them, even accidentally! We aroaces celebrate this day but it is not for us exclusively!
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has anyone else realized that a lot of modern sex negative rhetoric is partially* a lot of grievances about compulsory sexuality, rape culture and allonormativity wrapped in morality since that’s the only way they’ll get listened to? if you want people to stop assigning morality onto sex yet make fun of people for not wanting to be sexual, sexualized or even think they’re boring, you asking for too much my nigga.
like, for example if someone said, “why does everything have to be sexual, people are so depraved!”, other than maybe an evangelical, would said person even be saying this if there wasn’t an overarching pressure to be sexual? like why do you think people care so much about highlighting the spectrum to get away from being seen as “sexless”? That’s not just because it’s inaccurate, it’s because being “sexless” is mocked and denigrated! It’s why I’d rather be sex neutral, on god I’m too averse to sex to say im “positive” about anything related to sex.
idk how to explain it but im never truly comfortable with the way people insinuate that all older folks are inherently bigoted. it always feels like it kind of hand-waves away personal responsibility like ohhhh grandpa cant help homophobic, hes old. well ive met plenty of older folks who are normal about gay people. i think grandpa could be better. i think we should hold grandpa to higher standards.
I genuinely don't think it matters if parents love their kid or not, honestly. It truly doesn't matter, as love is just an emotion, and your emotions truly do not matter when it comes to the wellbeing of other people. Your actions do.
It doesn't matter how much love you have for your kid, how much you just wanted to protect them and give them the best life they could... if you abuse them, you abused them. If you hit your kid, screamed at your kid, sexualized your kid, and you take 0 accountability for it because you love them, you are no better than a parent that despises their child or doesnt care for their child and does the same thing. As they like to say, facts do not care about your feelings. Harm is still harm when it comes from a loving heart.
The development of yoshikaru is so funny to me because it did a full 180 . “Hikaru” is like “I need to go back to the mountain to let yoshiki move on with his life. He doesn’t want me, he wants the old Hikaru.” Meanwhile yoshiki is like “if you leave me I will kill myself.”
I've written about this before, but I think it's so underrated how TSHD goes against the dominant scripts for grieving. It would make a lot of sense to stick with Yoshiki developing an obsessive attachment to "Hikaru" out of an inability to let go—it is basically the premise of the bulk of romantic* horror—but MMR really just said ‘nah, I'm interested in doing something else.’
Oh, absolutely. Yoshiki getting literally eaten by the symbol of his grief was one of the earliest endings for the manga I considered, given the way the story goes at first. He could have also pushed 'Hikaru' to enact what he never could have with the original, trying to fit 'Hikaru' into a human mold with just as tragic consequences for him and everyone in the village. Rejecting the monster bearing his loved one's face could have also been used as a sign of moving on, something that's even prompted in-universe: Kurebayashi presents 'Hikaru' as something that Yoshiki needs to reject to properly move forward. Those are all classical horror tropes. The anime even goes further into that by adding that sequence of 'Hikaru's contemplating how Yoshiki could move on if he weren't there.
But TSHD instead subverts all notions about grief and this monster wearing somebody's corpse, and then poses the question of "Now that this person that you loved is gone, how will you cope with the void left in your life?". Moreso, "What would happen if your routine wasn't forced to change while you're grieving?". And actually, "What if rather than compartmentalizing your feelings to conform to this classical societal expectation of what moving on is, which is an euphemism for this connotation of having to do as if this person never existed in the first place, you actually had a constant photography of them by your side?".
'Hikaru' is wrong about thinking Yoshiki would have been better of if he hadn't been there: the most likely option is what I said earlier about how the original Hikaru was right to worry about Yoshiki's wellbeing, because Yoshiki would have been left alone in a village he hates, entrenched in an unstable family dynamic after losing his best friend and main support. 'Hikaru's presence saved Yoshiki, to the point one of the "bad endings" in Vol.6's extra comics signals that had 'Hikaru' left him, Yoshiki would've stayed miserable for the rest of his life in Kubitachi. And I think this is also why it bothers me when people aren't paying attention to the story many such cases and seem to expect 'Hikaru' ditches that body because it doesn't fit into their mold of what Yoshiki's grieving process should be like. Because ultimately that body was given to 'Hikaru' by the owner for a purpose, and Yoshiki likes that 'Hikaru' has it ("Sorry 'bout all this. As long as he's here no one will mourn ya. But with him around, I'm happy 'cos I won't forget you. Forgetting'… is what scares me the most"), even long before he learns that was Hikaru's death wish all along. And if 'Hikaru' didn't have that body, then he would not be able to keep his memories or experience his life with Yoshiki in the way he has until now either.
Another aspect I like is that the story is clear about how 'Hikaru' will never be Hikaru, but he's also not treated as "less" or "more" than the original. He's "else". It's a thing in the real world, in the end. Widows and widowers are often expected to what amounts to forgetting their deceased loved ones. After a certain point, it's just not seen as socially acceptable to mention them. Rituals of remembrance are seen as errors, as proof that the person has not actually "moved on". New spouses enter unilateral competitions with the dead person and search for validation in their insecurities, wanting the widow/widower to claim that they love them more than the dead spouse. It's depressing, but I can say it happens a lot.
I also like that TSHD doesn't pathologizes nor shames grieving. Despite not quite understanding it, 'Hikaru' never says something to Yoshiki like "Why are you sad? It's been over six months", or "You have me now, anyway". The monster who doesn't understand humanity has more compassion than actual humans.
Anyway, TSHD is really an awesome story. Love it for a lot of reasons. It's pretty neat and it makes me have very normal and totally not shrimp emotions.
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I think one of the funniest abortion stances I've heard was from my parents neighbor. He's a like, hard-core libertarian viking larper guy who is very tall and very fat and very bald.
He believes a fetus is human with a soul, but also its "basically attacking the woman's body" so if she wants to get rid of it, that's "basically self-defense". He compared it to shooting a home invader. So he supports abortion not as healthcare, but as killing a baby in self-defense
Y'know I'm so glad someone reminded me of this. Because this was also discussed.
My stepmother did NOT like the way her Libertarian Viking Neighbor framed pregnancy as the fetus "attacking the woman". She incredulously told him this was extremely disrespectful to expectant mothers to portray pregnancy as so violent and negative.
Libertarian Viking Neighbor's response was that people consensually hurt each other all the time, and "there's like a whole community about that, with the acronym the one that starts with a B" And his reasoning was that if the mother was consenting to bring attacked by the baby, it in fact wasn't violent and negative because there was consent.
He brought up people consensually hurting each other, didn't go for one of the obvious answers like boxing or body mods or something, no he went STRAIGHT TO BDSM and he DIDN'T EVEN REMEMBER THE ACRONYM
The development of yoshikaru is so funny to me because it did a full 180 . “Hikaru” is like “I need to go back to the mountain to let yoshiki move on with his life. He doesn’t want me, he wants the old Hikaru.” Meanwhile yoshiki is like “if you leave me I will kill myself.”
I've written about this before, but I think it's so underrated how TSHD goes against the dominant scripts for grieving. It would make a lot of sense to stick with Yoshiki developing an obsessive attachment to "Hikaru" out of an inability to let go—it is basically the premise of the bulk of romantic* horror—but MMR really just said ‘nah, I'm interested in doing something else.’
I mean obviously I would fuck a monster but more than that I would bond emotionally with a monster over our shared sense of alienation and rejection from a hostile universe. together we would explore our deep-seated fear of being inherently unlovable, and reassure each other of our innate value as sentient beings deserving of love and kindness. i will hold them gently, and wipe the tears from their googly eyestalk-tentacles, and something will begin to heal
Hikaru really embodies the aromantic asexual experience. Not only has he expressed that he does not feel sexual desire on multiple occassions, the mangaka and his love confession in chapter 26 revealed that he also doesn't feel romantic love (as we know it, anyway).
Asexuality and aromanticism in particular are seen as alien, inhuman, monstrous, even. Many villains have been depicted as being evil because of their 'heartlessness' or lack of love, and characters that don't feel romantic love are often demonised and seen as less than human. Conversion therapy is also widely accepted as a 'treatment' for asexuality as it's viewed as something to be 'fixed'.
And just like real life arospec people, Hikaru constantly worries that his feelings and devotion will never be enough, that it will never be as 'good' as that of a normal (alloro) human's.
sometimes it's so very draining that the majority of aro content is about fictional relationships.
irl, i live alone. irl, i am disabled. irl, that intersection and my lack of interest in partnering actively makes life really hard. everything is expensive. i can't always cook when i want to or have fresh ingredients, because my symptoms don't care if I want to cut up vegetables and eat something homemade before they go bad. if I have a bad flareup and getting up is not in the cards, that's it. i have what's next to me. the lack of social support for single folks, for disabled folks, for folks whose family care is inadequate or damaging... it's impactful.
I talk about how i once visited a place with an ex partner. i mention how our relationship started because i was pressured into it, and i wasn't really into the level of seriousness and 'forever' she treated it with. everyone says it's weird that i agreed if i didn't want it to be serious. i remember being 16, saying no, and a chorus of people telling me i was stupid and immature, that her family was rich, that we would be cute and to listen to them, not my heart. my heart was saying nothing.
i look at my current age and life goals. for many of my peers, dating and marriage and eventual kids are common goals. i am watching my rights erode and trying to practice good mental hygeine. my five year goal is to be alive. my next major life milestone is a nebulous desire to find a life i can tolerate living.
being aromantic significantly impacts my day to day. i want to see aro people living their lives, and doing so with joy. i want to see aro adults making it, ones like me. i want aro people to thrive. i want to live, aromantically.
i scroll the aro tag. it's fandom and shipping and asexual posts.
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The main reason I don't want to find out that 'Hikaru' contains a part of Hikaru's personality/soul is because people will start to devalue 'Hikaru' as a monster for Yoshiki and Yoshiki's feelings for 'Hikaru'. The one of many message of the story is that you have to be able to let go of dead people and old loves in order to learn to love again. Yoshiki loves the monster not because he has Hikaru's memories or his body, but because the monster isn't shy about telling him that he loves him with his own love and that these are his feelings.
Yoshiki loves them for different reasons, and Yoshiki has repeatedly emphasized the qualities he admires in 'Hikaru.' I'm really annoyed by the point of view of people who want a part of Hikaru to be in 'Hikaru,' but in my opinion, this is terribly contrary to the message of MMR. Part of the story tells us that it is necessary to bury the people we love. Hikaru must die in the eyes of Yoshiki and the others, so that 'Hikaru' doesn't feel like a replacement for someone and a parody of a person. That Hikaru is no longer there. He wants to live differently. He loves completely different things, and he himself has as many reasons to love Yoshiki as vice versa. The old Hikaru would never have reciprocated his feelings. Yoshiki wasn't ready to stay in the village for the old Hikaru either, but from the unrealized bad endings in the manga, we know that if 'Hikaru' had left in the mountains, Yoshiki would have stayed in the village.
This is a story about how after someone dies, there's always your life, and it must go on. "Live no matter what," says Yoshiki's mother. Live and find a new meaning in life, she means.
I also think this is a metaphor hidden in the title of the work. We know that Hikaru died in the fall or winter, so what does summer have to do with it? The whole point is that the manga ends during this period. Could it be that Hikaru as a person will be buried in the eyes of others, so that "Hikaru" will have the opportunity to find his place and the people here?
When I say I wish people wouldn’t make Yoshiki and Hikaru’s relationship romantic I’m not saying that they should never kiss or do “romantic” things.
I’m saying I wish people would explore more non-traditional relationships. What their relationship is in the canon story is not romantic, they have both stated that multiple times. A relationship is only what the people in said relationship decides it is, and they have both said it is not romantic.
They are each others' home. They see every strange, horrible, wrong thing about each other and still they open their arms and accepts it.
I imagine for most people, the person they find home in is their romantic and/or sexual partner, and that’s perfectly fine. But that’s not how it is for everyone, and I think The Summer Hikaru Died brings light to those kind of relationships, and says the person you find home in doesn’t have to be romantic and that’s okay.
I don’t feel like it’s a stretch to say it’s a core theme of the story, it’s about otherness, whatever form it takes, being able to not only exist, but to be a happy existence. Not having to conform to what is “normal” and “right.”
And yeah, romantic and sexual queer relationships are othered from society, and I believe it's important to address those relationships, it's just not what I think The Summer Hikaru Died is about.
Because I feel like it's fair to say that, nowadays especially, close non-romantic relationships are also othered quite a bit. Two people can't be close to each other without others assuming it's romantic.
(Which I am very happy that romantic queer relationships are becoming more accepted, but it would also be nice if people could be close without people thinking they're romantically and/or sexually involved.)
You have people saying things like "There's no non-romantic way to interpret that" or "They want to kiss each other so bad" and then it turns out to be, like, two people caring for each others' basic wellbeing or something.
And I feel like this is even slightly addressed in the story, Asako asks if Yoshiki goes so far for Hikaru because of his romantic feelings for Hikaru. There is the assumption that Yoshiki is going to great lengths for Hikaru for romantic reasons, and it is explicitly stated that it is not.
And this one's more interpretation, but Kurebayashi also assumes that Yoshiki does what he does because of his feelings for Hikaru (I.e. romantic feelings) but it's not because of that, it's because of his feelings for Hikaru, which again, has been stated to not be romantic.
But I say all this, not to say they can’t be shipped romantically, but to try to say how much their relationship is important as a non-romantic relationship.
It means a lot to me to see a relationship be so close and intimate without being romantic, and I don't think I'm the only one, so it's a little disheartening to see it always turned into a basic romance.
Like, I don’t think most people would put Yoshiki in a romantic relationship with a girl, because that would be disrespectful to the kind of person he represents.
So in the same vein, I don't think their relationship should be solely romantic, because I feel like it's disrespectful to the kind of relationship it represents.
But who knows, maybe I'm completely wrong and the story will end with Yoshiki and Hikaru's wedding as they declare their romantic feelings for each other, though given what the story has been thus far, I doubt it.
"(…) [TSHD is a] LGBTQ+A story, but it is not drawn as a romance manga."
"I am of the opinion that queer stories without romance should exist. That's why, officially and from the beginning, I have kept in mind not to appoint [TSHD] as a romantic love story."
"(…) Though [TSHD] is a queer story (understanding as queer that it's not limited to LGBTQ, and includes sexual minorities past those letters), it's not drawn as a romantic love story. I think that queer stories without romance are valid. Not engaging in a romantic relationship, whether it's from being unable to or not wanting to, is also an important element. (…)"
"When during the last episode of the anime 'Hikaru' says 'I love you, Yoshiki', he continues with 'not in a romantic or friendly way'. I don't consider that all the deep bonds with others need to be divided into 'it's a friendship' or 'it's a romance', and that's why I always draw the feelings of Monster!Hikaru in such a manner. (…)"
"I also believe that not knowing [not experiencing], among other things, what being in love or sexual desire feels like, is an important aspect of queerness. And I know how easily this can be misunderstood, but still…"
"(...) During the time I have been drawing this work [TSHD], I have often been told things such as 'I wish they were a man and a woman instead', 'It'd be better if they were just friends', and on the other hand I have also heard 'Why not make them into a regular romantic couple?'. But the truth is that plenty of works like that already exist, which is why I think it's fine if there are works that don't do those things. I think it's more interesting to have all sorts of different works (...)"
With these quotes out of the way, yes. I agree that people are free to draw or write whatever they desire, including romantic content. I agree that ultimately, all the fanon of the world can never erase the original narrative. However, I also agree that it is indeed somewhat disappointing how a part of the story that according to the author is as important as the homosexual component has been so blatantly glossed over. And 'Hikaru' might be a monster, but the aro/ace read is clearly intentional.
I realized I went on a tangent now, so I'm inserting a read more here.
"'Hikaru' would enjoy kissing" truthers, rise up. 🤝
But yes, I feel that many people in the TSHD fandom refuse to engage with the story's aromantic/asexual aspècts, just as they refuse acknowledging that Yoshiki and 'Hikaru' view their feelings and relationship as neither friendship nor romance (and where have I heard that before?). This reluctance is not solely coming from lack of understanding; for some, this is also inherently perceived as gay erasure. And... I get it. I am old enough that, not knowing about aromanticism and asexuality, for much of my life moved through the world and had mostly catastrophic relationships as a bi allo. I get that it comes from trauma, but reading that type of comment still stings.
It's also still quite a pity in this specific context.
I saw a post yesterday claiming that aromantic and asexual identities are supposedly "boring" as the reason why they are erased and ignored in fanworks (fanart, fanfic). This is a sentiment that I have seen echoed in past fandoms where it was not even part of the actual text like it is in TSHD, and it couldn't be any more further from the truth: there's a whole unexplored world out there of messy, ambiguous, undefined, and just as queer relationships that people simply refuse to engage with time and time again, despite being the opposite of boring.
And I want to read more of those stories. More of those explorations.
I want to read a story revolving around societal expectations and pressures, set before that summer when Yoshiki confirms 'Hikaru' isn't Hikaru, and how those affect 'Hikaru'. Maybe a girl confesses to 'Hikaru' during Valentine's Day thinking he's the real one, and 'Hikaru' has to consider What Would The Real Hikaru Do. Maybe, behaving while pretending to be Hikaru, the two of them end up dating. Maybe the girl ends up noticing either that 'Hikaru' is a monster, that he's uncomfortable, or both, despite how much 'Hikaru' tries not to be discovered. Maybe 'Hikaru' kills her. Maybe she breaks up with him. Maybe she tells 'Hikaru' that she feels unloved. Maybe 'Hikaru' asks Yoshiki how it feels to like a girl, and our very closeted Yoshiki gives some half-baked answer. Blind leading the blind.
I want to read a story in which Yoshiki and 'Hikaru' end up as boyfriends after Yoshiki takes the step, but I don't just want to read about the dread and complications of having a secret gay relationship in a very conservative and small village like Kubitachi is. I want the tension of 'Hikaru' accepting to date Yoshiki out of fear that if he won't, their relationship will take a hit, because he knows how important sex and romance is for humans, because he doesn't want to let Yoshiki down. I want them to try to follow all the expected steps of "what a normal relationship is like", forcing themselves into a mold that ultimately hurts them both. Angst of Yoshiki wanting that relationship because he's still projecting Human!Hikaru onto Monster!Hikaru optional.
I want to read a story in which they move to Tokyo and remain in an unlabeled partnership, but years down the road 'Hikaru', after frequenting Ni-chome to accompany Yoshiki and support him and being constantly reminded of how important [romantic] love is in these spaces (and maybe once being flirted with by a stranger and completely misunderstanding the situation) begins to internalize the idea that there's no way Yoshiki is satisfied with the way things are. Why wouldn't Yoshiki want a normal human boyfriend to feel truly fulfilled now that he's no longer asphyxiated in Kubitachi, instead of being stuck with him? Because much has been said about Yoshiki's internalized homophobia, but what about 'Hikaru' interacting through the world through the lenses of Hikaru's life, and gradually internalizing how abnormal him and his feelings for Yoshiki are? What of 'Hikaru' thinking he loves wrong? What about him longing to be able to love Yoshiki in the same way all those couples seem to do and he can't do?
And we cannot forget how other people would react to their relationship, and not only because 'Hikaru' uses the body of the only Indou heir and the one who's meant to carry on the family's legacy and sins, which includes him eventually marrying and having (male) children. Maybe they do get support from their friends, but maybe this support... is off and not quite right. Maybe they struggle with the feeling of being misunderstood, because no one seems to understand it (like again, the main relationship in Koisenu Futari went).
Or let's go further and actually address the fact that there's far too much monogamy in fandom. What about a story in which Yoshiki actually has relationships with men? How would that unfold, considering all the societal expectations of romantic relationships, and his irreplaceable and non-negotiable bond with 'Hikaru'? What tensions and realizations might arise from it?
I want to read a story in which, as Yoshiki and 'Hikaru' get older and the latter lives fully how he wants without having to fake being someone else, romantic and sexual attraction grows where there was none. Yoshiki already knows that 'Hikaru' will never be able to reciprocate those new feelings of his, not in the same way, so how they navigate the emotional complexity that arises from that? (There was actually a very good subplot in Koisenu Futari like this, and no I'm never shutting up about this show)
I want to read a story in which 'Hikaru' discovers that there's an entire community of humans who feel, and experience the world, in very similar ways to how he does, just like how Sakuko at the start of Koisenu Futari felt relieved when she found Takahashi's aro/ace blog. The same goes for Yoshiki being able to live openly as gay. I want them to love and support each other as queer people, even as they remain fundamentally different, celebrating both their shared experiences and their unique identities.
Oh, and I want to read more aroace eroticism, too.
There are so many more aspects that you can touch upon when you take 'Hikaru' and his canon aroace identity into account. Simply because yes, 'Hikaru' can engage in typically romantic/sexual-coded activities too, but he wouldn't experience them the same way an alloromantic allosexual man would. And while I lean towards him enjoying these experiences in a way comparable to how he enjoys eating or sleeping, it would also be interesting to read other possibilities where his engagement with romance or sexuality is more complex, or even reluctant.
I'm perfectly fine with reading more... classical or shippiest takes. As I said before, ultimately, whatever people draw or write has no bearing on the original story. Both text and WoG are very adamant about how important Yoshiki and 'Hikaru' are to each other, how there is no sexual or romantic attraction involved from either side. But still, I'd love to see more of what Dissecting Intimacy, The Swallow Dreams of Summer, or more recently Now Swallow were doing. Alas, only one of these works is tagged in a way that meaningfully signals it follows the beats of how their relationship is in the original canon. These interpretations are already rare, and trying to find them can feel like searching for a needle in a haystack. That's why I strongly encourage people to tag their works clearly: AroAce 'Hikaru', AroAce/Gay relationship, any of the queerplatonic tags people have been using... Just something, anything.
And before the piss on the poor website starts acting up: I am not telling anyone with this post what they must or must not write. This is just my humble reflection on the impact of amatonormativity in fandom. I ask that people make an attempt to step out of the knee-jerk response and think about it. Just a little bit. Just as you might ask yourself "Would he say that?", also consider "Would they follow all the classic steps of the relationship ladder?".
And lastly, before anyone responds with "fanfic is for fun" "I do what I want" "why don't you write it yourself", consider that not only English is my third language, what you are seeing here is someone's sideblog. You cannot know whether I have written any of these things myself already or not.
TL;DR
And well, would you look at that. What a good moment to remember everyone that the No Romo Fest is currently running. 😏