BREAKFAST AT TIFFANY'S 1961 — dir. Blake Edwards
One Nice Bug Per Day

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BREAKFAST AT TIFFANY'S 1961 — dir. Blake Edwards

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@pscentral event 33: underrated tv & film | Sabrina (1954) dir. Billy Wilder
"I have learned how to live, how to be IN the world and OF the world, and not just to stand aside and watch. And I will never, never again run away from life. Or from love, either."
SABRINA 1954 — dir. Billy Wilder
Executive dysfunction in a nutshell
My Kataang heart was BURSTING

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My longing knows not of space nor time... Dracula: A Love Tale (dir. Luc Besson), No one has taken anything away…(Marina Tsvetaeva)
Detail from "Lady in a Blue Dress with Lots of Jewelry" by Charles Beaubrun.
Sound of the Mountain (1954), dir. Mikio Naruse

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sometimes i feel like im climing up this incline again alone but thankully sisypus and the itsy bitsy spider and here with me
holy shit is that kate bush
Goodnight, Laika.
Space Dog, Alan Shapiro | From Wikipedia | Laika, Sarah Doyle | Space Patterns Painting, Katya Garipova | Laika, Ben Florin | Constellations, The Oh Hellos | First Dog in Space, Brennig Davies | Are You Scared Yet, Laika?, Gus Gresham | Pillars of Creation, James Webb Telescope | space dog., Basil Sai | Icarus, The Crane Wives | Quote via. Oleg Gazenko
by anpxart
art republished with artist’s permission
Anaïs Nin, from a novel titled "A Spy in the House of Love," published in 1954

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Michael Cunningham, The Hours
ohhhhhhhhhhhhhhhh (clutches my head and remembers that poem about All my dead friends and the frightening door
“all my dead friends” by marie howe
Image description:
I have begun,
when I'm weary and can't decide an
answer to a bewildering question
to ask my dead friends for their opinion
and the answer is often immediate and
clear.
Should I take the job? Move to the city?
Should I try to conceive a child
in my middle age?
They stand in unison shaking their heads
and smiling--whatever leads
to joy, they always answer,
to more life and less early. I look into the
vase where Billy's ashes were--
it's green in there, a green vase,
and I ask Billy if I should return the
difficult phone call, and he says, yes.
Billy's already gone through the
frightening door,
whatever he says I"ll do.