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Lepoldo Romañach

June 13, 1926 Journals of Anais Nin 1923-1927 [volume 3]

MutualArt

Image source: https://www.inaturalist.org/observations/254214887

12-10-2023, 4 PM

'A Path through a Wooded Landscape'. Newton Bennett. 1885.

by Maxfield Parrish

In Prague

Ulrich Molitor, Witches enjoying a meal, 1489

John Quidor (1801-1881) “The Headless Horseman Pursuing Ichabod Crane” (1858) Oil on canvas Located in the Smithsonian American Art Museum, Washington DC, United States

Henry Liverseege (1802-1832) "Little Red Riding Hood" (1830) Oil on canvas

Gustave Doré (1832-1883) "Little Red Riding Hood" (c, 1862) Oil on canvas Located in the National Gallery of Victoria, Melbourne, Victoria, Australia Doré has depicted Charles Perrault’s original "Little Red Riding Hood" of 1697 – rather than the later, sanitized versions, mainly for British audiences – and depicts the story’s penultimate moment, just before the wolf bites off Little Red Riding Hood’s head. Terror was often a key component in fairy tales which also had a moralizing element or subtext; romantic artists were drawn to these darker aspects of tales written for children.

Gabriel Ferrier (1847-1914) "Little Red Hiding Hood"