I'm doing archaeological conservation work for two weeks
It's kind of a chaos rn haha, but I've found some pretty cool things among the charts!
(If I find more cool things I'll reblog this post with them <3)

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@conservation-nerd
I'm doing archaeological conservation work for two weeks
It's kind of a chaos rn haha, but I've found some pretty cool things among the charts!
(If I find more cool things I'll reblog this post with them <3)

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some hyper famous artists like Van Gogh transcend overratedness and become underrated because they're so normalized. Like I'll look at a van Gogh and I'm like wait this really is amazing you guys don't get it
Shakespeare is like this
Every time I see a Van Gogh that’s not one of his better known pieces it absolutely blows me away
Have you seen this shit my liege? smh unreal
Restauration d’une statue en terre cuite, Majapahit Indonésie 16e
Une partie du collier manquait
What a difference! This iron key was cleaned by me in my practical class. The corrosion was mechanically scrubbed off by fine steel wool. When mechanically cleaning off corrosion of metal objects, it is important to use a tool that is less hard than the object to avoid scratching the object. For the small groves and markings I wrapped the steel wool around a toothpick and used that to scratch all the corrosion off.
For my second object I polished a silver fork. I used Calciumcarbonate (CaCO3) and applied it with a cotten cloth and Q-tips. When polishing objects it is again essential that you use the right polishing material, since some can leave behind scratches. To test with material leaves behind the least amount of scratches I used a small plexiglass plate and used the polishing materials on that. (Since plexiglass has a similar hardness to silver)
When you put some light on it, you can clearly see with ones will leave behind scratches on the object and which will not.
For class we had to take a paint sample and learn to properally embed it!
For it being my first time, I think I did quite well! I accidentally took a part of the canvas as well..., but it's not too bad, cause now I know for sure that all layers are visible!
Layers from bottom to top: - Canvas - Preperation layer - White / Creme coloured paint layer - Brown coloured paint layer
Location on the painting:
Sample extraction:
I thought it was going to be a boring sample, cause it's just a "normal" brown spot and not a very colourful one like some of my classmates. However, I was pleasantly surprised! I can see all layers beautifully and I see some spots in the paint. (Metalloids I think) And, there is this weird blue spot on the left side. It's very strange, since tehre is no blue in this part of the painting and cause the blue spot is beneath the preparation layer! Very strange and very interesting!

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Felice Casorati, Bambina che gioca sul tappeto rosso: effetto di sole (Young girl playing on red carpet: sun effect), 1912, pittura ad olio su canvas (oil paint on canvas) Source: https://www.mskgent.be/en/collection/1915-d
First project! Paper restoration
We had to restore the rips and cuts with glue.
The first paper was a page from a 1960 novel. It had two rips and one cut. I used Methyl cellulose to mend the damage, with the help of Japanese paper to reinforce the cut.
The second was a page from a map from 1980. It had one rip and a corner cut out. Again, I mended those with Methyl cellulose and Japanese paper to reinforce the cut.
The Methyl cellulose was a good glue to make sure that the paper was strong and secure where the cuts and rips were located on the paper. It was also easy to use and allowed the paper to remain flexible. Which is good, cause these are papers that would be used again after the restoration. However, I did notice that it dried as a thin film on top of the paper, which gave the places where I glued the cuts a shiny look/texture. This is definitely something I should keep in mind next time I need to decide which glue to use for a project.
Overall, the work obviously wasn't perfect (This was my first project), but I am quite happy with my work. I'm so happy that I have this opportunity and will be learning from my shortcomings/mistakes!
First week of school done, first book from the library acquired!
- "The care and repair of books" by Harry Miller Lydenberg & John Archer, revised by John Alden
A bit of an older book, so some things might not longer be correct. However, so far it seems like a good introduction to book conservation. It's easily readable, even for beginners. Plus, it's good to know how books were restored before, so we know how to handle those works!
I'm literally trying not to cry while reading this
"Une Carrière" (A Quarry) - Théodore Rousseau (Ca.1827)
An oil painting on canvas made by Théodore Rousseau, a French painter.
It's an art study with a quarry as it's theme. It is only half finished, so the pencil sketch still visible. It's a good example to show how this artist made his paintings.
The painting is currently part of the permanent collection of MSK Gent, in Belgium.

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Welcome!
Hello to whoever might read this!
I'm an art conservation student about to start my second year of university. I thought it would be nice to share info I learn with the internet to spread my love for the study and promote the craft.
I will not limit myself to only paintings, but will try to post and reblog about a variety of media. (Sculpture, folklore, ceramic, ...)
I hope that you will enjoy learning along with me!
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“Without art, the crudeness of reality would make the world unbearable.” ~George Bernard Shaw