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"I'm Dorothy Gale from Kansas"
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@comicsoughtabefun
From issue #18 of Tammy, an adventure comic aimed at British girls in the 1970s and 1980s comes this portrait of JTK by J.P. Britton. I think it’s very nice indeed.
My good friend Bully of Comics Oughtta Be Good sent this over, so go over and look at what he’s been up to, why don’t you?
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Original John Buscema Thor Comic Art [1977] #258 [Source: ebay]
THE WASP & ANT-MAN By Jack Kirby
Cat-Thieves That Were Caught Red-Pawed
Hahahah cats are the greatest
i love cats look at these goddamn nerds
I am going to look at this all day.
A Sugar and Spike Halloween, Night 9: And thus was invented the Stray Cat Strut Panels from the what-it-says-on-the-tin story "Sugar and Spike Turn into a Pair of Halloween Cats!" in Sugar and Spike #61 (October-November 1965); script, pencils, and inks by Sheldon Mayer
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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“wondering if the letterer on this comic maybe misread the script” — chatty ghost
Undercover Girl 7, 1954
This won’t be popular to say, but I think if you see criticism as an overture of friendship or even as a way of negotiating status within a specific world — hell, if you see art that way — you’re more likely to get some of that tossed back your way and care when you do. If you see these things as a job and a duty, both art and responding to art, I think over time that the reactions you get will have greater power in that context than in the other. Some people are going to like you and some people are going to dislike you, but I’ve benefited over the years from a lot of people realizing that this is what I do and what I owe them is the seriousness with which I take it, not a thumb pointing in one direction or another. Similarly, I want everyone to do as well as possible, even if they’ve made art or decisions with which I strongly disagree.
The Comics Reporter (via guttersnipercomics)
Today in Comics History: Don Blake texts Mr. T Panels from Thor: Season One graphic novel (October 2013), script by Matthew Sturges, pencils and inks by Pepe Larraz, colors by Wil Quintana, letters by Cory Petit
Today in Comics History: The Atom attempts to pin another one of his heinous crimes upon an innocent cow Panels from "Suddenly...the Witness Vanished!" in Detective Comics #432 (February 1973), script by Elliot S! Maggin, pencils and inks by Murphy Anderson
Today in Comics History: The unfunny version of Blackadder Goes Forth premieres Panel from "In the Valley of the Somme" in I Am the Guard: The Story of the National Guard from Muskets to Missiles promotional comic (c. 1960), layouts by Neal Adams
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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A Sugar and Spike Halloween, Night 8: That'll teach Spike to eat that delicious toasted cheese before bedtime Panels from "Halloween Magic" in Sugar and Spike #67 (October-November 1966); script, pencils, and inks by Sheldon Mayer
A Sugar and Spike Halloween, Night 7: Apparently Uncle Charley is a Union General Panels from "Get Up in the World" in Sugar and Spike #43 (October-November 1962); script, pencils, and inks by Sheldon Mayer
Batman's Greatest Practical Jokes: Batman enjoyed sending random strangers into Commissioner Gordon's office to make Gordon think they were him Panel from Detective Comics #432 (February 1973), script by Frank Robbins, pencils by Bob Brown, inks by Murphy Anderson
So one of my friends is pregnant. Obviously she wants to raise her new kid—a girl, I might add—right, so she came to me and wanted to know if I knew about any superhero board books (you know those cardboard books for babies) so she could teach her daughter properly about superheros...
Today in Comics History: Vigilante's comic book is cancelled. So is Vigilante Panel from Vigilante #50 (February 1988), script by Paul Kupperberg, pencils by Steve Erwin, inks by Jack Torrance, colors by Liz Berube, letters by John Costanza
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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A Sugar and Spike Halloween, Night 6: Slick back, put my hair in a ponytail Cover of Sugar and Spike #25 (October-November 1959); script, pencils, and inks by Sheldon Mayer
Ten of a Kind: Please Don't Sue Us
