funny little rat man
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@clockpins
funny little rat man

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a very suspicious looking firearm dealerÂ
w33dman
Saburovâ:
The rumbling purrs do soothe and cure the draining morale.
And again, Grief had a point. It didnât matter what people believed, so long as they provided what they needed to. So long as the leatherworkers worked leather, so long as the tailors sewed, so long as the butchers kept butchering⊠maybe there was a chance.
Grief was also apathetic. Not that he could blame the man. He shouldered the burden of derision and distrust from a young age. The apathy was moulded into him as a necessity of survival.
Itâs the same heâd seen with others that had survived combat alongside him. You canât care about your enemies in wartime. Itâs counterproductive. You canât show compassion to those who would rather have you dead.
Leave that to the medics.
The only thing a soldier can do, is follow orders. Kill quickly and follow the Laws of combat, and pray to whatever deity that you take down a hundred more before you fall. Conscience⊠is not for soldiers. Not suited for those that must kill to survive.
No, the burden of conscience fell to the generals and the politicians. It was his burden now⊠and the uncertainty was agitating. He didnât even know if he had something that could be called âconscienceâ. There was Law, and the Law exists to maintain order.
Justice first. It wasnât up to him to decide what âgoodnessâ could do.
Katerina had been a crutch for him. Designate when he should be merciful, and when he should not.
Perhaps it was time to let that go. The town didnât need kindness right now. They needed order. Water, food, shelter, heat⊠Conscience is for those who survived.
We arenât quite there yet, he thinks, but the childrenâŠ
Stepping away from his break, and leaving Jester to her considerably gaudy and danger-prone throne, Saburov grabs the hammer in hand.
âPerhaps I will, if he doesnât run from my approach. Or Iâll ask Snout and Scout to relay a message. Theyâre quite the couriers. Sharp enough to know a lot. Keen enough to be sure they arenât cheated, too.â
He muses, returning to the work at hand, â⊠I donât have high hopes for the adults. Adults often donât change their minds unless a confrontation with Death forces their hands. Children? Theyâre used to change. Especially these ones.â
âIn any case,â he continues, dropping the sledge down on the wood, following the careful patterns set along the pipes, âNotkin hasnât run from you, yet- so youâre doing something right- or at the very least, arenât half-bad at what youâre doing.â
Itâs a small bit of humor to return the favor of listening to a man almost fourteen years his senior ramble about frustrations and philosophies.
"Eighty twenty principal, mate. Twenty percent will always be cunts, eighty will listen every time. In a room of 20, youâll have 4. In a town of this size? Youâll have 400. Four hundred ainât listeninâ. Hehe. Dead ears are always in a full audience. Hehe.â
The sledgehammer slams into the wood again, ending that conversation while Saburov worked like a colony ant, marching forward to dig the capillaries of the ant hill. Old Barkâs work ethicâs always to be commended, and the fellow doesnât tire easily. Grief whistles through his teeth and points to the next room over with a snap of his fingers.
Get going.
âReal nice the bar was in Hell for me or I ainât have been able to clear it. Go, go, Tinman. Find The Witch down there wonât ya? Got the other one runninâ wire instead fâ twyre.â
Thunk. Thunk. The sounds made his ears ring and made the brow pinching more necessary. Jester makes this rumbling growl at him to probably find a hole to crawl into before he canât get up again or drops to the ground.
âYou ainât gonna have thieves like us again. The kids are... trickhops. Ainât gonna be like us. Ainât gonna grow like us. Little ones are gonna crawl about nâ listen, nâ inform. Gonna call emâ hummingbirds causeâ they ainât gettinâ caught. Work the news, hear the news. Come back to me like little ravens tâ chirp in my ear.â
He slumps off his perch and Jester winds through his legs as he picks through Saburovâs work and makes shoeprints in packed clay. The oppressive cold has him still shivering, but he leaves the jacket on the counter.
âJust keep at it until youâre sane, capiche?â
Itâs warmer upstairs than downstairs. He takes the stairs slow, with purpose, and only then do the rest of his flock flit about the corridors back to their own business.Â
Saburovâ:
Saburov listens to Grief. Heâs right. About the nature of the town and the people that live in it.
Winning a war against the very nature of humanity is a fruitless endeavor. There will always be those that are apathetic. Always those who are unwilling to change their views. Unwilling to face the future, or do anything to help their fellow man. Those that cling to the terrible conditions of the world they live in because change is more frightening than any abuse they endure.
He knows this- and yet, he still has it in him to be angry about it. That should mean something, but⊠right now, it doesnât. Heâs just mad.
âYouâre right,â he cedes, âBut I can still be mad about it. I can also still hope that there are those that will change their minds and listen to evidence as it unfolds. Hell, I think I have to hope for it. Or else certain things become⊠meaningless.â
Standing upright again, he measures the depth of the floor and the remainder of the work. A few pipes become apparent that heâll have to skirt around and be careful of, or else thereâd be another essential need fixing.
It may need fixing anyway- be he wasnât going to be the cause of it, at the very least.
âI wonât expect it. I wonât put too much faith in it, but neither can faith be absent. Itâs a balancing act. I could try to be content in my own knowledge- but I canât. I know too much to be content with anything. And people canât live on promises alone. Especially when those promises have a body count behind their execution.â
Itâs why he left the Utopians behind. No sacrifice was too great for perfection. Imperfect humans had no place in whatever dream land they could conjure.
Tearing up the floor with the backswings, heâs a little more cautious around the exposed pipes. Saburovâs focus returns to the outbreak as a case in point.
âSo much time was wasted during the most critical hours of the outbreak. If not for the deliberation on whether or not this case of the Sand Pest was real-â thud- âor whether or not it was really as deadly as the first outbreak-â -thunk- â- then maybe there wouldnât be so many dead.â
âEven barring that Simon wanted us sacrificed and started the outbreak intentionally- even barring that the other rulers did little to help and actively sabotaged the efforts- barring the selfish nature of humanity, we still managed to do a hundred times better than if nothing was done at allâŠâ
â⊠But I am still angry. I probably wonât stop being angry about it for a long time, if ever. I wonât blame those that are also angry. Or even angry at me. Someone has to be the subject of anger, and Iâd rather it be me than someone that had nothing to do with it.â
He kicks away a few more scraps and takes some of the actually dry pieces to stoke the woodstove, hoping itâd do something decent for the dreadful cold.
Grunting as a splinter gets in his thumb, he contemplates the suggestion that Rubin may be better at examining the blood now.
Saburov nods as he starts to chew the wood out from the side of his finger, âMph. Rubin? Iâll be sure to ask him, then. Itâs been a few years, he may have found better techniques to apply. Thanks for the suggestion.â
Spitting out the dead wood and dead skin, he looks back to the rumbling noise of Notkinâs cat. Itâs not exactly smart to stand within five feet of Grief, considering his sticky fingers, but the catâs purrs are calming and reassuring.
He stands next to the thief and reaches behind the silver catâs ears to scratch.
âYouâre a little fighter too, arenât you?â He asks quietly with a dull amount of amusement.
The cat had gone underground with them all. He tilts his head to Grief, âHowâs the boy?â
"S'pose their ain't shame in believin' in th' created condition of justice when people still believe in thâ fae that take your teeth. Hell, thieves n' lawmen both will bend knee to a buncha scales like they still believe inâ God."
He tears up the floor with a bit more precision. Anger turning into thinking, thoughtfulness in the act of ripping up some floorboards. Saburov chops around the pipes and kicks up old clay and ancient rat bones. The foundation of the place was the only part where expense wasn't spared. All the dead things were lying on top of the sturdy cement.
Jester's tail twitched at the sight of the rats. They hadn't had much trouble with vermin since moving her and Notkin in.
"Thing that connects all of those worries is a perception that you ain't gonna die. Nothin' will happen tomorrow n' I've got all the time in th' world. Anybody that believes it ain't got worries for what's real outside their doors."
The stove cracks when Saburov tears chunks of flooring out and feeds the flame. It does a bit for warming the room, and then the cold presses down again like a spot of pure pressure.
"People are gonna be angry at whoever the hell they want, Old Bite. People gonna tell each other Pest wasn't even real cause' they ain't got food. People gonna say it wasn't even that deadly, cause' they never looked outside or they want an excuse for why it hurts. Just keep feedin' em' until they find somethin' else to bitch about as long as they keep being tailors and leatherworkers. Someone else with a hell of a lot more patience for that shit'll, or a job for it, will come along and tell' em' they're fuckin' loons."
Saburov stalks over his handiwork to sink his hands on Jester and scratch behind her ears. She doesn't move. It's because he's slurring and mean.
"Eh? He's fine n' with friends. Go ask him yourself if you wanna see how fine he is."

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Saburovâ:
âMay not have been meant for me- but itâs still my responsibility to mete justice for all. Not just those I have a personal investment in.â
The denâs cleared out quick. A change in tone, a shift in posture, and cold-eyed glances told the thieves to mind their eyes and clog their ears. He seems⊠almost heavier. Wrought of cold iron, and the weight of which slams into whatever he trains his gaze on.
When heâs like this, itâs the business of death-dealing. Reminding all those that underestimated him that heâd rather snap your neck than talk, so if you talk, make it worth the time, because your time is running out.
No, it wasnât directed at the Governor though. Beyond that. Looking through the strands of time on the scale of a few years.Â
Leaning forward on the butt of the hammer, he exhales in tired frustration, âI believe you. I know what they were capable of- and now, what they are capable of.â
â⊠But I need to find evidence. If it can be done, it means⊠well, it means that no one could get away with it ever again.â
He lifts the tool up again and gets back to work, hammering the floor and his thoughts out to make sense of his own ideas.
âIâve been thinking about what you said about the Inquisitors. Iâve been thinking about⊠the children. The future.â
Crack!
âI donât think we should have Mistresses. Not ever again. Especially after what we saw in the Hell-hole?â
He shakes his head as he lifts up the planks and nails, âThere neednât be any more of those kinds of people. To hell with the Mistresses.â
The frustration edges back into his work, quickening the pace until sweat beads on his brow in spite of the cold.
âOh, but fuck me, the damn townâs going to have a field day with me trying to dismantle their heretic, rapturous adoration for Nina and Victoria!â -crunch- âNo love for Katerina!â -crack- â No love for the woman who was unlike them- and could never be them!â- thud- âOh, proof of their wrongdoings⊠that would make things so much easier.â
He sets the hammer aside and braces himself on his knees to catch his breath. Itâs still easy for Saburov to get winded only a week with recovery.
âI confess, Iâm still bothered about what happened to Maria, to Capella- Iâm damn glad Claraâs not here. I donât⊠think I could manage my sanity if something else happened, though⊠Iâll admit, initially I thought itâd be the Caravan endangering herâŠâ
â⊠I still couldnât figure out what happened that Capella got taken without my noticing. Iâm⊠concerned.â
Saburov turns the ground into his personal mortar and pestle to grind away his frustrations until they were splinters and powder. The rhythmic thud and crash of the hammer mixes with the swearing and him petting Jester and shrugging towards Andrey whose pinpricks of pupils were trained on the organic flow of Saburov's anger before he's slithering out of the room to finish his personal project.
Grief scratches behind Jester's ears with his career shortened nails.
"Ain't gonna convince em'," he says, sharp and after the steam rolls off the old machine, "You can find new evidence with cursed blood for th' books, n' that's all you can expect."
Capella vanishing without a trace... he doesn't know. He has no idea either, but he'd made a resolution to personally check on her more than she did him. It was only fair after sawing her supports off so brutally.
"Saburov. They got no sense of who they are. None of em'. Hell, it's so bad we got folk tossin' their names to the wind. Th' tots got it right. Takin' their own names, takin' their identities... N' then you see what you get? Bunch of corpses lickin' corpses. You can tell' em' th' sky's blue but they built their soul on th' fact that it's red. They ain't gonna listen to facts, so don't expect it. Fact that they're all turnin' to shells n' monsters for murder? Well, you could spend th' effort to make em' look back at the sky I suppose."
He shakes his head.
"I ain't patient like that in these times with no reward but th' goodness of th' heart. We ainât got food enough to be completely honorable people. N' evidence ain't the way to coax eyes open. Gotta find somebody who has th' patience like that."
For Saburovâs sake, and his late wifeâs, Grief answers diplomatically. Itâs a hell of a lot easier to say âfor a change to happen, people should dieâ. Itâs not the time for that kind of joke though with a governor trying to cling to his moral fiber, and slipping.
âTake it to the good Doc though, or Rubin if youâre lookinâ. Rubinâs got his fancy with blood. Heâs thâ one that did Adelyaâs autopsy after all.â
Saburovâ:
Powder rickets. Grand mal from the shmowder treatments.
Itâs happened to him once or twice as well, admittedly. Slow waves of shivers and low or erratic moods before suddenly things go black- and awakening later on the floor in a puddle of foam and spit.
Ill-feelings all around. The lost time was the most concerning. Not knowing what oneâs own self is doing rouses grave paranoias.
âI donât know what to do about the tonic-clonic episodes,â he admits, raising the hammer once more, âThe old practice of bloodletting⊠I donât think is effective. Weâve all lost a lot of blood from the Pest- and I think the brainâs been eaten enough that trephination of the skull wouldnât abate it either.â
Swinging down with a thud, heâs surprised the catâs unbothered by such loud noises and strange activity in the space⊠though, could a cat raised in the Town actually react the same way as other cats?
The thought is amusing. Animal life in this small place having a fundamentally different ecosystem certainly added to its strangeness. The cat certainly is very loud and proud- rumbling more than purring- and heâs tempted to pet it⊠but heâs here to work, and he knows Grief would find some kind of inappropriate comment to say about the act.
Splinters fly up and he takes a smaller piece of wood- one actually dry- and adds it to the wood stove.
âItâd be good firewood, but itâs⊠still physical evidence.â
He says it, quietly. Uncertain of what to share or keep to himself. Andrey stops swearing enough to listen in, and quietly hovers around Grief.
âI- hm. Iâve been unsatisfied with the investigation. Have been for a while. I⊠have a few cases Iâve been wanting to reopen. Thereâs just not been the people or the time. Iâve everything from that day sketched out- I donât know if there could be anything left in the blood- but if there is⊠I think itâs worth looking into again.â
Itâs practically an admission of failure.
The townsfolk- those that were never his supporters- always hated that investigations took so long. Hated that there were never any swift resolutions in the pursuit of justice. Itâs⊠morbidly funny how often the complaints came, until those same people were accused of something themselves.
âI always felt I missed something that day. It was⊠too perfect of a scene.â
So Old Biteâs seizing too?
âEh. Iâll twitch a little and bitch a little. Nothinâ excitinâ.â
Andrey drifts in the background like a theatrical ghost, taking a break pose on the other side of the wall. Saburov continues rotten bone crunching and thumping the mallet down to splinter everything between comments that take the charm out of his eyes and make them go cold and steely. He jokes about his motherâs death sometimes. Heâs got no other language for a simultaneous feeling of relief and frustration. The look gets slung around too, spooking off the remainders of the thieves in the hall and leaving himself and Saburov left. Andrey could stay, even though he had nothing to do with it.Â
âOlgimska killed her causeâ she nudged fingers into my head to ask me how my mother was doinâ thâ very night. Iâd put her blameless but... The hens in the paddock start peckinâ when one of their own kind gets their neck chopped.â
He shakes his foggy head.
âFâ somethinâ like her leaves echoes in blood, than sure, take it nâ prove me right about the bitch on public record. Fine bit of justice thatâd be.â
He was slowly taking those bits back, too.Â
âWant a perfect crime? Do it with Olgimsky style. You know thâ old adage. Fat Vlad liked his bits bloody and his bitch bloodier.â
He grumbles frustrations that turn to empty sighs out the nose. Jester meow-growls at him and he returns focus to petting her with sluggish enthusiasm.
âYou ainât missed nothinâ. Wasnât a message meant for you.â
Saburovâ:
No radiator..
He turns briefly to Andrey, âHn. Hey? Leave a space on that breaker for a radiator, Iâll have some salvage brought over-â
He gets a murmur of acknowledgement from Andrey as wires fly out from walls- some of them so frayed he wasnât sure how a fire hadnât already started here.
â-from the abandoned houses in the Knots.â
The hammering is rhythmic, and Saburov gets into an almost meditative state as the wood crumples between the weight of the hammer. Thereâs people that stir from curiosity to watch, and he pays them no mind, only occasionally acknowledging them with a grunt or head tilt.
He had done this before. Several times.
âHf. Yeah, a few times. Dismantling insurgent bases for firewood after clearing them, or-â thud, â- the improvements I made to the Rod after Konstantin died.â
The Rod had been a church before the Saburov line had claimed it as their dwelling. He couldnât remember what the dwelling was before then. Alexander never intended to make drastic changes to the place, but with Katerinaâs declining health, he had to get creative on how to make that space livable for her.
It seemed that everywhere he looked there was always a hazard. Hypervigilance or being overzealous, he wasnât sure.
Leaning on the hammer for a brief moment, he clears his lungs from the dust and dirt, before kicking the wood closer to the door. While he does so, Grief pokes at him with baudy jokes about pennies in his pocket and Yelenaâs finest all being at the Clockshop, and he just quietly snorts.
âIncluding yourself in that number?â Saburov muses, âNot quite humble.â
He shrugs, and sets the hammer aside to fully pick up the bloodstained wood and examine it briefly.
They couldnât find any evidence from blood then. It wasnât in the realm of their possibilities. But now⊠maybe he could look into it again.
Separating the bloodstained pieces from the other planks, he sets the plain wood outside. The bloodstained chips heâd take- and those go in a different pile, but outside regardless.
âWeâll just see how this goes, I suppose,â he responds, âThereâs still a lot left to do. Not even a quarter of the way finished.â
He lifts the hammer again and swings it to clap against his palm.
âStill plenty of time to get burnt out.â
Looking over, Griefâs still shivering. Lower spirits than usual, in spite of the jokes and chirruping. Itâs probably a cocktail different sources for the ill-feeling.
âHm,â he pauses, before swinging back into the rhythm of destruction, ââŠWhat are you thinking about?â
Saburov the old soldier has stories, and Grief settles with a hand under his chin, perched on his knee, to listen to them. Stories are something Grief can't help but respect. There are finer details in true stories that when listened to come alive by firelight or stovelight. Stovelight and lit chandelier are what they had.
"Humility n' pride are two of the same sides. Without pride, I ain't tellin' the truth. Countin' in the number, alright- but you knew that, ain't ya? Why, I'm the fen in th' fence! Got my sun colored card in the veins of Town Hall somewheres n' tales of tail that'd blue your gills."
Despite him rolling his words together, and somewhat slurring, the quieter mirth stays.
Saburov picks up the bloodstained wood and Grief feels a tug on those stomach worms of his that dispels the magic of silly words. His guts feel ice cold and Jester squishing her paws at his pant leg feels more urgent.
"What d'you need all that for? That's all good for firewood, mate."
And he does desperately need that. Saburov's giving him those eyes again that want to dig for answers.
"The bulls in th' windows, of course. Ain't gonna start a conversation like that without finishin'," he starts off, and when it doesn't seem to satisfy, "Ah nothin', it's a sour night. Got the rickets like a flesh eater, I do. The powder chills. Make a babe in the wood shake so bad th' pillory sounds like dancin' bones."
He raises his shaking hands to prove it. Jester puts her paws out and grabs one of them.
"Eh, make no mistake, I can bump a lock n' filch a fortune still with chills."
He's just not feeling well. It's going to get worse before it gets better. He rubs at Jester's back before she takes his fingers for the audacity to leave her.
Saburovâ:
Grief is out of it. Lethargic, dazed, shivering.
Saburov frowns. It really is too cold in here for people to be living- especially in the winter time.
Heâs reluctant to give up his coat because of it- but the way Griefâs shivering has him concerned that he may just⊠drop while theyâre working. So, he unbuttons the heavy woolen overcoat, and passes it over to Grief, so the man could at least use it as a blanket.
âHere. Cover up, Iâll get the wood up. Do you have a radiator?â
Kneeling down, he takes the rug in hand, and carefully begins to roll it up. Itâs large- large enough to cover the entire room. Crimson with woven gold roses and florets, a round emblem flanked by intricate designs in the center⊠the threads are all silk, wool, and metal- the quality of which is expertly made. Itâs a fair bit of luxury that Saburov is certain that even the allowances from the Bull Enterprise his family received would not be enough to afford such a piece.
Itâs an imported work of art from the East, far above either Saburov or Griefâs station- but the Station was Griefâs. All the rail lines led to him eventually. Someone was out of a very nice rug, but Saburov couldnât find it in himself to care about the people that could afford such extravagance.
The rug is heavy, but he manages to stand it upright, and walk with it leaning on his shoulder out of the immediate work area. Huffing as he places it down, he adjusts his shoulders and walks back to get the hammer.
As he reaches for it, he catches a glimpse of old brown, nearly black stains in the rotted wood, and with the sight of it, the memories of those same stains when they were still red come rushing back.
Three years ago, this was a crime scene.
The woman who birthed Grief had ended her life here, in this room.
The nature of self-inflicted gunshot wounds is⊠horrific, to say the least. Even for someone that doesnât encounter the feeling of horror often.
Grief had to be called in as the next-of-kin. Confirm the identity (it was his mother), confirm if the firearm was hers (no, not that he knew of), state the last contact he had with her (before the first outbreak), state who else would have been in close contact (likely the housemates).
It never felt right, the way it happened. Like something important was missing⊠and he very much lamented that they did not have the access to the investigators in the Capitol. People that were trained to dedicate their time to the unusual.
Itâs too much for the common patrols to handle. It was too much for him to try to handle by himself. Much to the agitation of the general populace.
Too much time. Wasting time. That was the attitude to the general investigations held. It was cut and dry to everyone else. Just another suicide. Just another one lost to the machine.
He had to admit, it very much looked that way. It was a textbook case, and that is what threw him off.
Nothing is textbook.
The caseâs files and illustrations were still in Town Hall. Trophies to dedication, even if it remained unsolved.
Now the last bit of tangible evidence remained here.
He lifted the sledgehammer and tapped along to find the support beams, and avoiding them, brought the hammer over his shoulder, and down through the rotted wood and blood straight to earth with a thunderous sound.
"Ain't you a gentleman full o' pity," he chirrups, tossing Saburov's coat atop the rest of his layers to keep some of the cold in. There's two nice long pockets it would be a pinch to, well, pinch from. Saburov's a simpler outer sort with complex innards. There's crumpled reminders, a single bullet case, and pennies in his pockets. The coat's warm and despite it, the warmth hardly creeps to the surface of his hide.
"None of that luxury we call comfort here. Nothin' to fear. We ain't got warmth we'll just find n' take it, Jaws."
Saburov rolls his millions on millions of a rug up and Grief takes a penny for his own pleasure because the sight of ancient brains and blood in the wood rot gives him a feeling deep in his gut like it's infested with worms. Roiling.
His mother was too young to have children, and from what he could parse between the neuroticism and brutality, she was plenty like him from all these angles she never showed him. She'd been good with machines, and exceptional with tools. She made tools, storage, and necessities for people and her craftsmanship had been spectacular.
It didn't matter though. Too young. He ruined her life. There wasn't an exaggeration there. That spray's from a Trench Gun, a Winchester 1897 shotgun. He had no idea how she got it, what with his precise notes and careful inventory taking. Something like that doesn't walk away without a price tag.
And yet...
He didn't need to look in his books. He knew it came from him.
Grief had thrown the rug over the stains too keep them out of sight. Saburov has the decency to clear the space and find his footing, swinging down and smashing through the poorly aged wood. It's enough that he does hear the distant "what the hells" upstairs, and he hears Andrey stop to come questioning about it.
It starts a rhythm of heavy demolition, and not finding comfortable seating on the stool, he instead takes a perch on his counter to watch. Eventually, the rest of his nest creep out too, some passing by without really questioning it, and some stopping to actually ask questions. Half of the questions are wondering when Grief put his fingers in those fancy pockets and why he's wearing that coat like a mark. They'll talk him in circles about it later, he's sure.
Andrey whistles too. If he wasn't occupied, moving and meandering about with hardly enough appropriate clothes on, he'd be fawning for a fight.
Jester hops up on his counter despite the cacophony, and she makes herself as round and weighed as she can in his lap, purring like a motor. She's trying to help how foul he feels. It's only going to get worse.
"Done it before, ain't you? You're a right-" crash, "devil with that nasty hammer over your shoulder. Check his heels for burnin', Jester."
She simply keeps purring.
âNâ if you ainât burnt out when this crockâs shilled out, you can slither on down to Yelenaâs with all these pennies nâ buy yourself a mouth. Ha, ha. Ainât got her finest workinâ tonight though. No, theyâre all here nâ dear.â
Itâs mild, halfhearted. Heâs not serious.
Saburovâ:
âYouâre lookinâ stressed, Old Bite.â
Understatement, considering the events of⊠well everything that had happened since the beginning of the plague, but the addition of Nina and Victoria trying to come back from their deaths was a valid reason to be feeling stressed.
It was also the prelude for an invitation to do âstress-reliefâ at the Clock Shop, ripping up floorboards.
Thereâs really no excuse for him not to go.
He accepted the invitation and gave Bad Grief what he had come to Town Hall for- the rest of the Inquisitorâs items that she had come with.
Likely as a favor to the same Inquisitor that now seemed to be inhabiting the king of thieves in the town.
The Clock Shop isnât too far from his home, and heâs able to go to the Rod and change. Simple, working clothes and not the trappings of administration and office. A much heavier coat as well, since the chill was bound to move back in after the unusual heat and rain for the season.
By the time he arrives to the Clock Shop, thereâs already people about, all helping with various renovations, including Andrey Stamatin, who, from what Saburov could tell, was creatively hexing the idiot that originally wired the house with electricity.
Stepping in, he has to pause, as the cold seems⊠clawing. Very unusual, even for the weather- even considering that the place was without power. It still shouldnât feel colder within than without. Not with all the people working.
âGrief,â he announces himself, shoving off the temporary uncertainty, âIâm here to help. What do you need out?â
Andrey was weaving flexing spells and semantics with every wire that he pulled out of the rotted walls. The saving grace in these walls was the wood. It was old dense oak, and it would take the temper of Suok herself to knock some of these beams out of the foundation. The thieves upstairs had taken charge of the repair project, completely unwilling to stand the cold much longer than necessary.Â
During the winter, they had all scattered to the four winds to the places that would host them. A popular option was the derelict train cars in the yard. There were plenty of them now hosting orphans and the spare deserters who blew in and found dusty old blankets inside. There was also Yelena. Yelena, the matron with butterfly wings on her tits and bulldyke diamonds on her fingers. She pulled all the thieves into that four tier double house of hers and made emâ pay triple unless they were tricking.Â
Some of the folk that worked for him were stupid and found their pockets lean and mean after a month in the warmth.Â
And now here itâs still damn cold with the two stoves still going, but he doesnât charge for rooms as long as his kith mind their manners and come when he calls them. The walls donât hold heat, no matter what they do. Itâs a paper house and a fire hazard.Â
Andrey curses the last bastard that set the copper wiring while Grief scrunches his face in distaste. His back is burning and agitated, and the surrounding muscle is cinched in deep vein pain. At some point, the movement from Andrey, and a few others fails to get his attention when heâs shifting in place and fighting the cold. His head hurts and his thoughts feel like sludge. Feels like a shmowder night.
âEh?â He pinches a brow, âOh, roll the rug on up to thâ wall nâ use the hammer at thâ door. Whole floorâs rotten as hell. They ainât use decent wood for that nâ itâs all.â
He wriggles a hand, âthis and thatâ, and pulls at his coat to warm himself uselessly.
âA feast for thâ rats nâ not a floor for cats.â

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this is for the snakes and the people they bite
for the friends i've made, for the sleepless nights
for the warning signs i've completely ignored
there's an amount to take, reasons to take more
âȘŒâȘŒâȘŒbad grief âȘ» grigory filin â pathologic
oh youre bi? why dont you "bi" me some time with a distraction while i crack this safe ya fuckin goon
you got it boss (makes out with the bank teller and his wife)
Vultures, oil on paper, 5 x 7"
Heâs slow pacing in the shop, standing with his hand on the carapace of a pretty blue beetle of a watch. It shines like a jewel in his near burnt out bulb, swinging with a steady creak. Itâs so bitterly cold outside and the stove in his house doesnât seem to touch the heels of his feet enough to settle in his own skin. The settling isnât happening. His skinâs a loose jacket that doesnât fit at the wrists, so he tightened his jacket. It feels like containing slow moving water when his body had been set to stretched limbs and sinew.Â
âFeels like youâre finding footinâ. Like you canât decide if youâre water or the reeds or air. Indeed. Thisâ what beinâ dead feels like, huh? Hell, I wondered if the ferrymen found fortune in thâ vaults down below thâ ground. Yâknow thâ coffers of Plutoâs palace are loaded.â
Heâs muttering to himself while walking and tooling the last scratch into the gorgeous piece. Heâs getting better or the injuries are making him focus. One of the two. Both. Both.
âWhere the hell is Stakh...â
reunion (night 3); the steppe

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Stakhâ:
The sound of the stool dragging across the floorboards should irritate Stakh, but something about the unnecessary noise feels more right than silence. Thereâs comfort in knowing exactly what Grief would say if he took the bait and groused at him, something about just following doctorâs orders and not exerting himself. He lets the bait lie, but the temptation to fall into Griefâs rhythm tickles the back of his mind like always.
Stakh snorts at the joke, "Nothing I havenât already seen, and for free.â The flood of light throws Grief into silhouette as he abides instructions, revealing ribs adorned with stitches tugging man-made gills closed. Griefâs as skinny as theyâve always seemed to Stakh, and heâs seized by the image of them turning with a wink and simply disappearing. Instead, Grief shivers and lowers himself onto the stool, resting his elbows on his knees and his forehead on his knuckles, looking like heâs ready to bear the world on his back.
Stakh moves his supplies into the space; the light is good, and the dust settles quickly. Old dirtied bandages wind into coils on the ground around their feet. The bullet glance and gashes on Griefâs shoulder and sides are already healing decently, the wound ends puckering around black thread that will soon be overstaying its welcome. Stakh makes a note to have Artemy remove the outermost stitches at the next check-in. Itâs a visual effort to take in the texture of Grief this close, the edges of tattoos chewed up by burn scars, burst capillaries and semi-permanent bruises crisscrossed with cut marks and topped off with chaotic freckles.
Notkin bustles in with the water and hovers curiously as Stakh fills the unusual looking water bladder he brought with him. A long flexible tube extends from one end of the watertight pouch, tipped in a wicked-looking hollow metal needle. Stakh tucks the vessel under his elbow gingerly, taking the tip in his fingers like a dart. Calling on nearly two decades of apprenticeship, Stakh expertly directs a spurt of water at the back of Griefâs neck, just behind their ear, to wake them up a bit before moving on to clean the lesser wounds. The dig on Griefâs collar bone and the blessedly uninfected bite on his leg are taken care of in quick succession as they ease into a conversation.
Filin fills him in on the who and the how while Stakh pulls his stuffing out. Heâs not surprised to hear about the elder Olgimsky cutting corners, it fits everything else he knows about the bastard. He gives a whistle of acknowledgment regarding the expertise of this particular knifeman, this last worst wound was clearly intended to kill and would have been successful were it not for some form of miracle. Stakh casts his mind back to the sight of Grief on their throne in the warehouses when he went begging for a place to hide. Absorbed in his own troubles, he hadnât given a second thought to the other people scattered around Griefâs domain, to where they had come from or why.
Now the last vestiges of Brinâs existence fester near Griefâs spine, still trying to drag him into a grave. Stakh can feel a slight fever simmering under the surface of the skin, and doesnât have to lean in to catch the scent of necrosis. He gestures for Notkin to come closer and is pleased to see he has already washed and scrubbed his hands pink. He hands the boy a spare cloth mask and directs him to take hold of two squares of sterile gauze, âHereâs where Iâll need your help; palms flat on either side and press gently in opposite directions. Keep ahold of the gauze and donât let your fingers touch the skin. You probably wonât want to look.â Turning to Grief he adds, âThis will hurt, but we have to be thorough. Cross your arms for me, left over right. Ready?â
Notkin follows his orders to the letter upon Griefâs go-ahead, and Rubin gets to work with the water tool and a curette. The necrotic tissue seems to tuck along the lower border of the gash, and comes away in reds and yellows, washing out of the wound and down onto the floor, exposing the pink of healing tissue underneath. Notkins cheeks and forehead go pale above his mask as he watches the tip of the curette slide into the hidden depth of Griefâs wound and Stakh feels the barest tinge of guilt for his macabre amusement. Years of this work may have permanently altered his sense of humor, âLook at that, you open right up for me, Grief. You donât have to do all this to get my undivided attention.â He plumbs around the deepest part of the wound gently, but no amount of gentility can hide the sensation of metal where it shouldnât be and he can see the spasms of pain and cold wracking Griefâs ribs as they endure Stakhâs attentions.
Satisfied with the results, Stakh retrieves his tools and rinses the aperture until the water runs mostly clear. They let a few more crass jokes fly between them as he folds clean gauze back into the wound and packs it into place with clean forceps. It takes less to fill the gap this time, a good sign despite initial concerns. Thereâs palpable relief as he goes through the motions of re-bandaging Grief and packing away his supplies. âThatâll teach me to check up on you more often.â
Stakh wakes him up with a needle full of water to the back of his neck. It's a foul, acrid smell that seeps out of him. He's no stranger to that tang and sop of infected flesh. He's smelled it before wafting out of him from other wounds. Other wounds got close too. This one's a pit though and it's too damn close to everything necessary.
Notkin hovers over him in orbit, and he has the little bird in his periphery up to the point where he follows what he's told. Left over right and setting his jaw when the flesh strains too sharp.
"Yes-" which is the most he can muster when Stakh goes fishing in his meat with water to try and scrub all the death out. It cinches one eye shut and Stakh sounds muffled. He catches the stupid joke and the corner of his mouth gets caught in a grin and a grimace, going stone still to keep from punching a hole in himself with laughter and medical instruments.
"Fuck, don't make me laugh."
It hurts enough to clear his sinuses with shots of adrenaline.
He's shaking, though. Feels like one of those powder shocks with a scraping, hellish addendum of a metal finger.
"What? You like-" he's pale, and sweating, and the smarmy words get cut by the detatching of noxious tissues from his back. He can feel something slither over his spine to the floor. Wet threads, perhaps.
"You like me gapin' for you Stakh? Last time' I said I'd open wide, you ran off."
They exchange the jokes in lieu of anything funny about it. He's only safe to laugh when Stakh starts packing the hole in his back with fresh cotton. Bandages atop. Bandages around his ribs.
There's aftershocks that make him woozy and foggy headed. His brow's all pinched up with pain and a feverish headache that isn't quitting. Stakh finishes and creases up into a bulky silhouette to pack. His hair's growing out in soft tufts, that old puckering injury not hiding well. Pest fingers wind out of his scalp, along his neck and shoulders. They're thin and spidering, like a karakurt took an interest in him and nested nice and pretty on his shoulders.
He's appraising.
"I'll be here or there. Anywhere near. Ain't moving much, mate."
And he proves it by moving like chilled molassas, cold, and weakly groping for his shirt. He's... tired, and the weight of that lifetime of exhaustion feels like it's cracking into his skeleton like the Pest.
"Same time, same place," he sighs with none of the usual mirth, "Take my hat at th' door, StaĆ, youâll be a frozen ghost in no time."