Doug Jones
Game of Thrones Daily

izzy's playlists!
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bliss lane

roma★
untitled
let's talk about Bridgerton tea, my ask is open
Monterey Bay Aquarium
RMH
sheepfilms
he wasn't even looking at me and he found me

if i look back, i am lost
Sweet Seals For You, Always

Kiana Khansmith
Show & Tell
Xuebing Du
$LAYYYTER

Product Placement

Love Begins

seen from Singapore

seen from United States

seen from Brazil

seen from Maldives
seen from Venezuela
seen from Jordan
seen from United States
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seen from United States

seen from United States

seen from Malaysia
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seen from United States
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seen from United States
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@claudemonetts-blog

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Backstage at Elie Saab Fall 2015 Couture
If the moon smiled, she would resemble you. You leave the same impression Of something beautiful, but annihilating
sylvia plath, excerpt of the rival (via saintjoan)
Anthony van Dyck “Mary Villier, Lady Herbert of Shurland” ca. 1636 by Plum leaves Via Flickr: Sir Anthony van Dyck "Mary Villiers, Lady Herbert of Shurland" ca. 1636 Oil on canvas, 42 x 33 in. Timken Museum of Art Sir Anthony van Dyck (1599 – 1641) Flemish Baroque artist and the leading court painter in England. This recently discovered masterpiece was painted at the request of King Charles I, in whose collection the portrait once hung. In this hauntingly tender portrait, Lady Maryy Villiers (1622-1685), pale and delicate, was raised in the royal household after her father was assassinated. She went on to be one of the more intriguing individuals connected with the English court. This excellently preserved work reveals not only how wonderfully fluid van Dyck’s style could be but also how sensitive he was to the psychological nuances of the female sitter. The intimacy of van Dyck’s portrayal is remarkable even within his own body of work and due, perhaps, to the special rapport he had with his young sitter, whom he had known since at least 1633, and whose portrait he painted on several occasions through out her life. ______ My scan and digital restoration
https://flic.kr/p/FKvA8z

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No rest, no refuge, no escape, no pause from awareness.
Anaïs Nin, from The Diary of Anaïs Nin, Vol. 5: 1947-1955 (via violentwavesofemotion)
Dante and Beatrice (detail) Salvatore Postiglione, 1906
A Sunlit Interior, Carl Vilhelm Holsøe

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He who dares not grasp the thorn should never crave the rose.
Anne Brontë
,
The Narrow Way
(via
wordsnquotes
)
June 13th, 2016
Für Elise and aspen grove in the peaks from today’s hike.
Paul Delaroche - Louise Vernet on Her Deathbed [detail]
I’ve spent most of my holiday on my bed drinking tea and reading books about art

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“Half moon through the pines at dawn sharp as a girl’s ribcage.”
-Anne Carson, from Plainwater
Clouds by Ambera Wellmann, part I (x)