oranges (and clementines and tangerines) as vessels of love
Alessia Di Cesare, Eduardo Mueses, Rebecca O’Connor, Frank Ocean - Golden Girl (Feat. Tyler, The Creator), Nina LaCour, @smokedsugar, Gary Soto
noise dept.
h
Mike Driver
DEAR READER
wallacepolsom

roma★

shark vs the universe

★
Aqua Utopia|海の底で記憶を紡ぐ
taylor price

@theartofmadeline
tumblr dot com
Game of Thrones Daily
AnasAbdin
ojovivo
Misplaced Lens Cap

Origami Around
Keni
Sweet Seals For You, Always

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@cinnamon-star
oranges (and clementines and tangerines) as vessels of love
Alessia Di Cesare, Eduardo Mueses, Rebecca O’Connor, Frank Ocean - Golden Girl (Feat. Tyler, The Creator), Nina LaCour, @smokedsugar, Gary Soto

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smokeinsilence / sightofsea / young love by bts / nizar qabbani / abeba birhane / the waves by virginia woolf / franz kafka letters to milena / ratsandlilies.art / the butterflys burden by mahmoud darwish / underneath the stars by mariah carey
i love letterboxd because there are so many lists that cater to very specific, yet somehow universal moods. here are my favorites:
120 lesbian films to watch before saying all lesbian cinema is the same
the absolute beauty in everyday’s mundanity
add spice to your romance
autumnal harvest - movies that give you that warm feeling of fall and its surroundings
befriending the lyrical loneliness…
candy cinema
chaos, loneliness, madness, and desapair in the apathetic world of capitalism
crises of childhood
distinctive films that fill the void when you’re lonely or completely destroy you when you’re happy
film recs: female character studies
films that are kind
girlhood
horror as a vehicle
melancholy as a breathtaking aesthetic emotion
movies where female friendships are the scariest concept on earth
“nothing happens” yeah but the vibes
quiet little female character studies
quietly brilliant
snuggly wuggly flicks for anxiety driven chicks
soft horror
two lost souls find comfort
what we talk about when we talk about love
Marta Minujin - Pausa Transformacional, 1982

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class of 2013 // mitski (ig: jayetart)
blue, through kaye donachie’s reminiscent paintings.
Alone
“Left Alone” - Fiona Apple // “Automat 1927” - Edward Hopper // “Places I’ve Taken my Body: Essays” - Molly McCully Brown // “Night-Time Solitude” - Holly Warburton // Correspondence, January 15, 1950 - Albert Camus // Clive Smith // “I Wish I Was the Moon” - Neko Case
childhood ever-present in adulthood.
ADULTHOOD II - NIKKI GIOVANNI // BILLBOARDS IN ALBUQUERQUE, NEW MEXICO // UPSTREAM - MARY OLIVER // BOYS PLAYING MARBLES - JOE SCHWARTZ // NEW AND COLLECTED POEMS: 1931-2001 - CZESŁAW MIŁOSZ // A STORM CLOSES IN ON PADUCAH, TEXAS, ON MAY 10, 2017 - DREW ANGERER // STORIES OF MY CHILDHOOD - B. N. PRESSMAN
Edward Hopper Loneliness
New York Office, 1962
Eleven A.M., 1926
Automat, 1927
Summertime Interior, 1909
Compartment C, Car 193, 1938
Lady Reading Book Hotel Room, 1931

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@zhonglin_ on Instagram
“And so I had only writing to comfort but it never soothed, it only marked the wound”
— Kazim Ali, from “Mountain Time,” The American Poetry Review (vol. 50, no. 1, January/February 2021)
sometimes i think about gay people who lived centuries ago who thought they were all alone who imagined a world where they could live openly as themselves who met in secret spoke in code defied everything and everyone just to exist and i’m like..i gotta sit down. whew i gotta sit down
this is why this sappho fragment hits me so hard
If this little book should see the light after its 100 years of entombment, I would like its readers to know that the author was a lover of her own sex and devoted the best years of her life in striving for the political equality and social and moral elevation of women.
“The Great Geysers of California” by Laura De Force Gordon, 1879, unearthed from a 100-year-old time capsule in San Francisco, 1979.
“Wouldn’t it be wonderful if all our letters could be published in the future in a more enlightened time. Then all the world could see how in love we are.”
Gordon Bowsher to Gilbert Bradley, 1940s

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I sit with my grief. I mother it. I hold its small, hot hand. I don’t say, shhh. I don’t say, it's okay. I wait until it is done having feelings. Then we stand and we go wash the dishes.
-- Callista Buchen, from Taking Care
glimpses on a train,