Steampunk is already huge idk why ppl keep saying its going to be the next big thing. Maybe both sides are just talking to talk
styofa doing anything
wallacepolsom

blake kathryn
todays bird
Aqua Utopia|海の底で記憶を紡ぐ
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Janaina Medeiros

JVL

oozey mess

shark vs the universe

JBB: An Artblog!
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$LAYYYTER
ojovivo
Show & Tell

Product Placement
Peter Solarz
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@chunkyheels
Steampunk is already huge idk why ppl keep saying its going to be the next big thing. Maybe both sides are just talking to talk

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The Fader
and not to sound like a conspiracy theorist but another reason I hate the return of 2000’s th*nspo shit is bc starving does make women frail and has longer term consequences like early osteoporosis, brittle bones/teeth, insomnia, ect. Your muscles will start eating themselves. It also makes you extremely emotional and severely lowers your capacity for critical thinking not bc you’re a girl but because your brain isn’t getting any fucking nutrients so idk I just feel like its very convenient that every time there’s an uptick in fascist rhetoric and women’s rights are being stripped suddenly it’s peak fashion for women to be starving, weak, and exhausted
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Flower & Garden Magazine, August 1968
complimented a womans clear raincoat this morning and she said Well i feel like a sandwich
Mark Rothko # 16 (Orange, Purple, Orange), 1960 Oil on canvas 94 ½ x 70 inches 240 x 177.8 cm © 1998 by Kate Rothko Prizel and Christopher Rothko, Artists Rights Society (ARS), New York
There are about three scans of this painting I know of, all bad. It’s likely an issue of it not being photographed for years but the pictorial descriptive we read don’t quite fit for any version. This one has orange, and purple but it seems magenta. It’s a bit distressed. There’s a dark version and a light one, very pink. The light one is more lower resolution than this.
I suspect this is the closest of the three, all are gallery sources. Someday we’ll get a good one, and i don’t post this one (and many others) much as i wait for better materials, but occasionally it’s nice to look at something we don’t see all the time, however imperfect.
Louise Bourgeois
Spirals
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“Live to Ride” by Shelby Cohen, 1984.
1950s Ronson lighter
Beauty by João Miranda for Glamour Brazil x Chanel Beauty

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SELKIE La Belle Époque Collection pls help me get out of debt donating to: ko-fi.com/fashionrunways or dinahlance-shop.fourthwall.com
I was thinking of you earlier. Did you feel it?