Chuckstiposition

What do you think you're trying to understand about your story?

At the start of my employment, my boss showed me videos of people stealing, and we both had a chuckle about it. How silly they were! There was a camera overhead, and it’s not to watch the shoppers. See, we can’t actually stop shoplifters. They get away with it maybe nine out of ten times. But we, who are watched and tallied and witnessed? We are always caught.

At first it was hard to hold one hundred dollars bills. An amount I had never seen before. An amount that didn’t exist in my household. It’s normal now. Here is something that is not for me.

“What the hell, I’ll take another,” says the man, pondering our 200 dollar watches. What the hell. Total comes to 580 and not even a flinch in his face. I have been working for 11 hours today and made only 110 dollars. It will go to my rent. Today I work for free, it feels. When I get my check, I will have 35 dollars left for food and saving.

The six hundreds he hands me go into the cash register. For a moment, I imagine having money. Then I put it away, counting out his change.

I know for a fact we sell our products for double what they are worth. That I could be making commission. That they could hand me those 580 dollars and change my life and not even mark the difference in their checkbooks. He’s not the only sale they make today, but I am the reason they made it. He’s not the only one spending 600 dollars, but if I hadn’t spent two hours with him telling me about his life, he wouldn’t have spent any. I go home. I don’t own a watch.

I have watched and rewatched a video on how to make salmon four ways. My shopping list is always the same. Pasta. Rice. Tuna. If I can afford butter it was a good week. I dream of the world I will never walk in, where I can throw the best fish fillet in the cart with a shrug. I hold hundreds in my hand and look up at the camera. I put them under the cash drawer.

I go to work. I scrap together my savings. I eat my bowl of rice slowly. My manager takes a paid week off from work just for his birthday. He owns a yacht. 

i was part of their college program. i moved to the state for it. they legally owned the building i was living in and still charged me rent. i ostensibly was being charged to work for them. it was a 2 bedroom apartment and they placed 6 adult women in it in forced triples.

as many as one in ten disney employees have experienced homelessness while working for the company. despite huge efforts to unionize, strike, or otherwise demand fair treatment; disney has refused to increase employee quality of life.

disney admits publicly that a good portion of their success is because the employees (“cast members”) are dedicated, passionate, and selfless. this is never reflected in pay. even “face” characters (ie those that are princesses etc) make barely above a minimum wage.

at the time that i worked there, i made $8.50 an hour. at one point i was asked to create a human shield around a bag because a bomb dog had alerted to it. for eight fucking dollars an hour.

i now work a very cushy office job. i have bought the salmon and cooked it all four ways.

i go to the store. i am nice to the person behind the counter. she looks up at the camera while she counts out my change. there is nothing fundamentally different about her and i.

This was the beggining of the current form of the US fascist movement and it underpins the entire thing about it to this day. If you live in the US and Gamergate isn't familiar to you, you're missing critical history to understanding US fascism. I'm not joking even a little bit here, you will understand modern United States fascism so much better if you are familiar with Gamergate.

1. Most people that submit to literary journals are cis white men. We know this because our journal has an anonymous survey about demographics for people that submit.

2. Most things that get submitted to the creative non fiction section are on the level of middle school "What I did over the summer" essays.

There is so much work from marginalized narratives in litmags these days — people lament there is no representation in media, but that disregards the progress and diversity of the works of editors and writers who help make these litmags possible. 

There is representation, and it is flourishing. They are waiting to be read. 

The Lumiere Review compiles a list of submission opportunities every month, and it are always very useful: 

https://lumierereview.com/sub-sep-oct-2021

List of Litmags that Specifically Look for Work from Marginalized Creators or is Run by Marginalized Creators:

Warning Lines: https://warninglines.com/

With Confetti: https://with-confetti.com/

Giving Room Magazine: http://www.givingroommag.com/

The Bitchin’ Kitsch: https://www.talbot-heindl.com/

Tealight Press: https://www.tealightpress.com/

Tipping the Scales: https://www.tippingthescalesjournal.co.uk/

The Winnow Magazine: https://www.thewinnowmagazine.com/

perhappened: https://www.perhappened.com/

AZE Journal: https://azejournal.com/

Honeyfire Lit: https://honeyfirelit.com/

and so much more!!

(And even if some litmags’ mission statement isn’t specifically for marginalized creators, they will always welcome these narratives.)