Watched Luc Besson's Valerian and the City of a Thousand Planets again the other day.
Oh boy, I'd forgotten what a mess of a film it was.
Stunning visuals, but the plot is virtually non-existent and you could make furniture out of the acting.
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@chris4man
Watched Luc Besson's Valerian and the City of a Thousand Planets again the other day.
Oh boy, I'd forgotten what a mess of a film it was.
Stunning visuals, but the plot is virtually non-existent and you could make furniture out of the acting.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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i think everyone should program at least once just so you realise just how fucking stupid computers are. because theyre so fucking stupid. a computer wants to be told what to do and exactly that and if you make one typo or forget one detail it starts crying uncontrollably
Silver Surfer by John Buscema
Jordan Gibson and myself made you this bootleg Star Trek comic to enjoy. Yes, his art is terrific and yes, you probably want to commission him to draw something for you or buy one of his prints, which will enhance any home.
Why âThe Right Stuff?â  I recently re-read Tom Wolfeâs not-quite-nonfiction account of the Mercury 7 of the same name  (and re-watched the excellent movie version) and while thereâs a certain amount of waxing poetic about the masculinity of those first Americans into space, itâs easy to draw parallels between the confident way in which those men stepped up to the task and the steely-eyed professionalism that our favorite starship crew displays on a regular basis.Â
Or, as Gordon Cooper says:Â âWho was the best pilot I ever saw? Well, uh, youâre lookinâ at âim.â
If you like this, you may also enjoy âThe Truth,â featuring art by Ming Doyle and âI will comport myself and use my knowledge in a godly manner,â drawn by Stephen Morrow.Â
The Silver Surfer is tired of our shit.
It is never too late though.

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Cosign.
Just a note for the local crowd
Every now and then a difficult period like this comes along: so it's time to request some assistance.
I've kind of been neglecting my vision for the past year or so, aware that I needed new glasses (and to go have a consult for possible eye-related surgery), but putting it off... and now the situation has, as it were, come home to roost.
The other day, when I was typing something and then (to check it before posting) had to pick up the Mac and hold it up to my nose to see what I'd typed... I realized that if this went on much longer, even with dictation (because after you dictate, you still have to edit...), I wouldn't be able to write.
That would be bad.
I need to go see my Eye Lady, get examined, and get both sets of glasses re-fitted with new prescriptions. Thisâas usual, each time it needs to be done every year and a half or two years, due to Weird Eyesâis going to run into a low-four-figure-ish kind of money. And due to other recent unexpected medical expenses, right now there's not enough dosh around (or spondoolicks or whatever term you prefer...) to get things sorted.
Therefore: can I get people interested in keeping a writer, you know, writing (as I've got three novels working at once at the moment...), to consider doing one of these things?
(a) Go over to Ebooks Direct and buy a book. (Or a bundle. Or a gift card for somebody else who might like my work.) And if you do: thanks so much!
(b) Stop by my Ko-Fi and drop a little something in the pot. It'll be most appreciated.
Support Diane Duane
And if you can't do either of the above:
(c) Reblog this and let other people see it?
Whatever you do: thanks very much!
My latest Guardian Books cartoon.
p.s. Iâm on a German book tour: come and see me in Berlin (mon), Frankfurt (tue), or Munich (wed). Details at www.tomgauld.com
I can relate to this!
Seeking escape
Those of you who notice such things will know that in a little less than two weeks, it's going to be a year since @petermorwood departed this plane of existence.
As the date's been getting closer, I'm becoming increasingly clear (due to mood swings and sleep disturbances and other such stuff) that it would be a really good thing for me if I don't have to live through this first anniversary of his loss anywhere near the house where he breathed his last.
For that day, and ideally a couple/few days on either side of it, I really need to get away from here.
So that's my plan, if I can get all this to come together (with everybody's help). ...It's not like any brief escape will get the pain to stop, you know? That's years away... if ever. But at least this move will prevent a short-term crisis, and allow me (after the really painful day has passed) to start getting back to what around here now passes for "standard operating procedure"âmeaning writing, and doing other work, and getting on with the rest of the current form of lifeâas quickly as possible.
What I have in mind is to spend the days on either side of May 9thâand the day itselfâas far away from the cottage as physical issues will allow me to travel. Let's think of it as a long weekend, an hour or two's flight away. To manage that, though, I need to boost sales at the Ebooks Direct store over the days to come. If the necessary funds manifest themselves over the course of this week, I'll have time to make the necessary arrangements.
So can I get those of you who see this post to reblog it, and bring the Ebooks Direct store to people's notice as widely as possible? ...As numerous ebook bundles are available at discount prices. (There are more than show in the slide below: that's just a snapshot of how the front-page carousel looks.)
...And if none of these appeal (or if you've got them already and want to give them to somebody else): hey, there are gift cards! (I finally managed to get these things organized correctly...) đ They come in per-bundle versions, or in a number of cash values to suit your preference.
Finally: if you've already got too many ebooks, or otherwise just prefer to drop a little something into the kitty to help me escape for a few-ish days, here's my Ko-Fi.
Support Diane Duane
...So let's see if this can be pulled off. And for all your past help, and assistance to come: thanks, friends. I appreciate you so much... as your voices, heard daily, are pretty much all that makes the local silence bearable.
Thanks again.
The Three Graces by Richard Corben

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recently my friend's comics professor told her that it's acceptable to use gen AI for script-writing but not for art, since a machine can't generate meaningful artistic work. meanwhile, my sister's screenwriting professor said that they can use gen AI for concept art and visualization, but that it won't be able to generate a script that's any good. and at my job, it seems like each department says that AI can be useful in every field except the one that they know best.
It's only ever the jobs we're unfamiliar with that we assume can be replaced with automation. The more attuned we are with certain processes, crafts, and occupations, the more we realize that gen AI will never be able to provide a suitable replacement. The case for its existence relies on our ignorance of the work and skill required to do everything we don't.
I realised a few years ago that I'd not watched all of season 4 of #StarTrek #Enterprise, but didn't do anything about it, mainly because I didn't have access to the episodes any more, and then when I did I just never seemed to find the time. I also thought it was only a couple of episodes - the two part A Mirror Darkly.
Any way, a few days ago I watched a couple of episodes and realised that the number was more than I thought.
After a few days of binge watching about half of season 4 I'm all caught up now.
With finally watching the original series episode "The Empath" - which was banned by the BBC, and I never got round to watching it in the years since it became available - I've now watched every episode and film released to date.
Next up is season 1 of Star Fleet Academy in January/February and then season 4 of #StrangeNewWorlds later on this year.
As more and more people are being forced to switch to Windows 11, Microsoft's most AI-malware-ridden OS yet, I've been putting together articles and links for how to undo the damage and save your battery, your RAM, your disk space, your privacy, and your sanity from this bullshit.
FIRST:
The easiest way to get rid of the majority of the bullshit that Windows is forcing on us, as of October 2025, is this one-stop-one-click debloat solution from a modern day hero:
A simple, lightweight PowerShell script to remove pre-installed apps, disable telemetry, as well as perform various other changes to customi
It's very easy, even if you're not tech savvy or get scared of pop up windows saying "ARE YOU SURE?" Yes, you are sure, I promise. This program takes maybe two minutes and will save you SO MUCH pain, time, and money (and exploitation).
Now that you've done that, here's the cleanup, to catch the little shit that the debloat might have missed (most of this will already be done by debloat, but hey, it's good to double check).
Microsoft wants to put AI everywhere on your PC, but you can take back control.
Even just reading about some of these features makes me angry. Fucking Copilot and "Discover" AI scrapers are in Notepad. NOTEPAD. And then there's this uncanny valley garbage:
No uncanny valley video calls for me, thanks! (Also, what else is it doing while it scans your face and listens to your calls? What else, microsoft? Because there was a lot of memory being assigned to this program for a simple "smooths your skin" add on).
Tired of Microsoft pushing ads throughout Windows 11? Here are the settings you can tweak to turn them off and reclaim some privacy.
The truly insane number of places they have stuck ads on your own home computer is sickening. Become Unmarketable.
Bonus:
Some background programs you probably don't need that are taking up space and how to remove them (Microsoft forums, 2024)
Your Samsung Galaxy Phone comes with 22 apps you don't need (Android Police, 2025)
How to disable the AI in firefox (still the only browser that lets you do this permanently) (Windows Report, 2025)
That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late â80s/early â90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, heâs never worked in animation againâheâs effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin âFeet Manâ Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didnât actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvinâs skull that lodge in Samuel L. Jacksonâs hairpiece). The resultant cuts were actually more permissive than heâd expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (Iâm not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and âworkingâ for another few hours on a second, âtoned-downâ version, and it worked every time.
The reason I bring these up is that the thing that drives censors isnât some extant physical rubrick of what is and isnât acceptable, itâs the idea that they can have absolute power over someone elseâs creative work. Itâs about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
This is true of all censorship.
Iâve been a professional designer for 8 years and that last bit is so true. In addition to politics, a huge part of people meddling with creative work is just ego. They want to feel like they had a hand in the final product, even though they not only did not create it but are in fact incapable of creating something on that level. So they reach their hand into someone elseâs work and command it to change, not in service of a mutual artistic goal, but simply because they have the power to do so and they like feeling that power.
There's a story that goes round the games industry about an animator who added a duck which followed the main character around, never interacting or anything.
Then when they showed the animation to their lead/producer/whoever, they were told it's great but "just lose the duck".
Give those in power something to complain about, or make it look like they're doing their job and they'll be happy and won't try to nitpick the real work

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For fans of St Elsewhere, Wold Newton, and Doctor Who.
"The debut episodes of Peter Capaldiâs Twelfth Doctor were directed by the prolific Ben Wheatley, a filmmaker whose credits now range from the black-and-white English Civil War psychedelia of A Field In England to the half-a-billion-dollars grossing Jason Statham aquatic actioner Meg 2: The Trench. At the start of production, Wheatley approached the art department with an unusual request. He wanted them to build an exact replica of the snow globe from the final episode of St. Elsewhere, an American medical drama from the 1980s. There was no reference to it in the script, but the art department dutifully built it anyway."
Doctor Who is a televisual institution and cultural phenomenon which has so far spanned seven decades. John Higgs, one of the UKâs most unfa
The Discworld
Folded by Annalisa for my brother Jeff in memory of Terry Pratchett.
ââŚThe Discworldâflat, circular, and carried through space on the back of four elephants who stand on the back of Great AâTuin, the only turtle ever to feature on the Hertzsprung-Russell Diagram, a turtle ten thousand miles long, dusted with the frost of dead comets, meteor-pocked, albedo-eyed. No one knows the reason for all this, but it is probably quantum.
Much that is weird could happen on a world on the back of a turtle like that.
Itâs happening already.â
âfrom Pyramids by Terry Pratchett
Starring: Riccardo Foschiâs âSea Turtleâ as Great AâTuin Fumiaki Kawahataâs âElephantâ as Berilia, Great TâPhon, Jerakeen, and Tubul cahoonasâs âRed Blood Cellâ (modified) as the Discworld itself
To find out more about these models, there is a Behind the Scenes post here.
So I admiringly reblogged this likeâŚa year ago, possibly more. And finally I have made a Discworld!
I did a lot of mods, however. I went to the Behind The Scenes post for the diagrams to the figures, but of the three I only ended up using one of the recommended designs.Â
For the turtle, itâs a beautiful turtle but I didnât care for the video (it was very hard to follow) so instead I used the Origami Clubâs turtle here.Â
I did use the recommended elephant figure with video by Leyla Torres; I think itâs one of the more adorable elephant figures out there. Itâs not easy to fold but I had a really good time folding it anyway.Â
The elephants are also remarkably stable, which is good because cramming them onto AâTuin took some doing. No wonder the fifth one fell off.Â
The original post recommends a modified version of @cahoonasâs Red Blood Cell figure for the Discworld; they were playing with coloring and paper so I get why theyâd choose it. I love that figure, itâs an interesting combination of complexity and simplicity and itâs really satisfying to fold. But for this purpose I found it a little too uniform; I wanted more texture for the surface of the Disc.Â
So I went back to Origami Club and dug up the Ferris Wheel, which had the additional advantage of a blue rim for the oceans with a white center for the landmass, and central tips that could be folded up to create the mountain ranges at the Discâs hub.Â
With that many layers it gets a little tough to photograph convincingly, but Iâm very pleased with how it came out and I had fun improvising around the original. Iâm indebted to @foldswithinfolds for such great design and inspiration!Â
Discworld Heritage Post