Arizona, 1960s
Cosimo Galluzzi
RMH
dirt enthusiast
will byers stan first human second
Jules of Nature
"I'm Dorothy Gale from Kansas"
art blog(derogatory)
we're not kids anymore.

shark vs the universe

@theartofmadeline
PUT YOUR BEARD IN MY MOUTH

blake kathryn

JVL

Discoholic 🪩
Claire Keane
Aqua Utopia|海の底で記憶を紡ぐ
i don't do bad sauce passes
🪼
todays bird
Three Goblin Art
seen from South Africa

seen from Germany
seen from United States

seen from Malaysia
seen from Belgium
seen from United Kingdom

seen from Türkiye
seen from Australia

seen from United States

seen from United States
seen from Poland

seen from France
seen from Argentina

seen from Malaysia

seen from Germany

seen from Türkiye
seen from Netherlands

seen from Malaysia

seen from United States

seen from Indonesia
@chefaintdead
Arizona, 1960s

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Fred Lemire
hell yeah
1950s stuffed fawn

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has been a very bad week with a short reprieve in the middle. typical. boring!
Hosio Hirotta aka ニコ (Nico) aka 星をひろった aka Hirotta Hosio (Japanese, based Tama, Tokyo, Japan) - 一日のはじまり (The Start of the Day), 2026, Drawings: Pen + Ink
Jacques Rivette - La Belle Noiseuse (1991)
said it in a previous post: one of the best movies ever and not just because Emmanuelle Béart is nude for most of it
Labyrinth of the Minotaur, Lambertus a S. Audomaro, Saint-Omer, c. 1121
Telegram / Facebook / Sacred Ibis fb group / Buy a Coffee

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book cover - Dead Babes In The Wood - 1952
Griffith Foxley
Seems very apt yeah
Symbolicarum quaestionum, 1574
A Siberian Shaman. Date: Original drawing from around 1776; published as a colored engraving in 1803. The source is cited as “The Costume of the Russian Empire, London: William Miller, 1803,” but I couldn’t find the colored version of this engraving in that specific work- it might be from a different edition.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I’m currently writing an overlong pontification on the new Boards of Canada, which I think is generally good (disliked it at first, have listened to it since and liked it more) but I think sadly is an aesthetic regression after (their underrated second best) Tomorrow’s Harvest, which wisely eschewed the nostalgic invocations that plagued the album that came before that. This new one is maybe the most obvious they’ve ever made, laying its narrative on thick. Geogaddi is their masterpiece and this one finds them doing that but not as good, just as Campfire was them doing their debut but not as good. I still love them dearly though.