Untitled

Patreon: [patreon.com/lunaartgallery]

If you want to see a specific tutorial from me, leave suggestions below! I’m trying to do more broad concepts, rather than anatomy stuff. I’m not the best person to ask about anatomy, I’ll be focusing on my cartooning skills and designing stuff. I also have small animation tutorials :D

I’ll post the tips publicly but my reference material and examples will be Patreon exclusive. If you like these tips and want to see more, support my Patreon! It allows me to focus on more material like this and I would really appreciate it .

Patreon: [patreon.com/lunaartgallery]

If you want to see a specific tutorial from me, leave suggestions below! I’m trying to do more broad concepts, rather than anatomy stuff. I’m not the best person to ask about anatomy, I’ll be focusing on my cartooning skills and designing stuff. I also have small animation tutorials :D

I’ll post the tips publicly but my reference material and examples will be Patreon exclusive. If you like these tips and want to see more, support my Patreon! It allows me to focus on more material like this and I would really appreciate it .

outfit ask meme!! but catered only to the things i like to draw a lot

For the herb spiral

A single pellet of #0 lead buckshot is about .310 diameter and 40 grains, identical to a .22 bullet but with a much larger frontal area.

Some handloaders use them with a very light powder charge and some polyester filler for the empty space. It’s about as powerful as a .22, but it won’t fly nearly as far due to the lower ballistic coefficient. That makes it safer to shoot upwards at targets in trees, for example.

Also if you have a two person canoe but only one person in it, turn the canoe around (bow becomes stern, stern becomes bow) and sit on what was the bow seat facing what was the stern seat, this puts you closer to the center of the canoe giving you greater power and control.

You can also kneel down and Keel the canoe over slightly to one side to give it a small area of drag in the water.

For up river in shallow water poling  

I’d definitely say finding good reference is important along with the other obvious recommendations: practise, practise and practise. I’ve never actually worried too much about believability myself, more about what is fun to draw and looks/feels good to me.

First off I’d suggest looking up some of the artists that inspire me when it comes to cybernetics and machinery - Yukito Kishiro, Emerson Tung, Cameron Sewell (aka @thdark), Adrian Dadich and Ssaki Metel are the first that come to mind.

I did a little breakdown of my process above and will offer some general tips below. In then end I’m no expert though, so take it all with a grain of salt - the main thing is experimenting and finding what works for you.

Various Light by Jyundee