And here are the sad lil guys together.
I’m please that Mohg ended up looking so concerned for his little brother when I stuck them together.
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And here are the sad lil guys together.
I’m please that Mohg ended up looking so concerned for his little brother when I stuck them together.

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Ornstein isn't a very physically affectionate man. The best he can manage is a pat on the head occasionally. Even for romantic partners.
Smough is a very affectionate man. He likes to pet, hug, and hold hands with every man (or woman) who catches his eye. But more than anything, he loves to make out sloppy style.
It's Disability Pride Month and I just got reminded of the time someone on this blog thought that Gehrman was not needing his wheelchair as he is NOT disabled. The old man with a peg leg who even clearly limps in his boss fight until Moon Presence empowers him. So... there are loads of disabled characters in Soulsborne. How about we give them some love?
Mohg, in his Mimic Veil's disguise, as he appears in my fanfic The Omen Knight: Bloodbound. Based on my friend's design she drew a few years back. (I'd link her Twitter but we don't use Twitter anymore, and she hasn't reposted this elsewhere - she's OhThatNK, go follow her on Bluesky!!) I know it's very different from how most people draw Mohg's human form, because usually people want him to have pale skin and light hair like his mother and father, but in my artfelt heartfelt opinion, this design maintains the more important aspects of his Omen design. The dark hair mimics his black horns, the mustache mimics the shape of his catlike mouth, and the beard represents the horns on his chin. Mohg already looks nothing like his parents as an Omen, thematically it would be appropriate for him to look almost nothing like them as a human, apart from sharing Godfrey's facial structure. Anyways, go read my fanfic where Mohg gets into a duel with a young and arrogant Prince Rykard!

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Jey being puppy on main for the doodle prompts? Preferably with Sami?
jey deserves a little time to be a good boy. just as a treat!!
bonus doggems
sorry fellow zayniacs, i hope this helps
it does 😔
I'm so delighted by Byron Saxton here--first his knowing smile at Sami saying he's never at a loss for words, then that real joyous smile hearing the audience cheer for the new champion.
Byron started commentary in NXT around when Sami arrived, and came to the main roster at almost the same time as Sami, so they've been working together a long time along the same trajectory!
Check out this consummate professional troll on Smackdown, being so overdramatically certain of his fated win that he faked me into thinking he must be whistling in the dark. 🫡
i hate those posts that are like “hes tall, handsome, funny… i didnt say a name but he popped into your head didnt he ? :)” like no? he didnt. who the fuck is he
he is here
oh!! hes everything hes been made out to be!!
knight sandwich

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René Lalique Serpent Pectoral Pendant designed around 1899.
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.
Mark 'Markiplier' Fischbach as Simon 'The Convict' Iron Lung (2026) dir. Mark 'Markiplier' Fischbach
Season by Christina Bothwell (American, b.1960 ) Medium: cast glass and ceramic.

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Shut ur up, people can wear whatever they want to pride, also ur misgendering a random guy because how dare he be proud of his body huh?
This is absolutely something that was and is done by older lgbtq+ people and flamboyant people during protests and marches to normalize the fact that men can have breasts, that men can look like anything and still be men.
It reminds me of how trumeds like to claim that the community founders would have hated people like me, but trumeds are the ones who would have hated the community founders. The people who started the protests, the people who were “too” flamboyant, too loud, too non-conforming, the people who put themselves in the line of fire for harassment and hate, etc.
It’s almost like pride was originally supposed to be a protest and was never about licking the boots of cishet people
official boob post
One of the craziest things I’ve ever photographed! Maui, Hawaii
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