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the difference between men who hold you still in their lap and fuck up into you vs those who bounce you in their lap vs holding your hips and grinding you down on them
I've talked about this on my discord but I'm giving more serious thought to writing it so-
Reader whose family runs the 24-hour konbini conveniently situated right by Toji's shitty little apartment. You work the graveyard shift because you're in school, which happens to be the hours he usually comes in. He's rude, annoying, and sometimes doesn't even have enough to pay for the snacks he's already munching on.
But... he scares off most of the sketchy people that skulk around your shop. And frankly, you're too scared (not that you'd ever admit it) to ban him. You compromise by letting him have the almost-expired stuff you'd have to throw away anyway.
Sometimes he drips blood on the floor and you bitch about it, but the first-aid supplies are noticeably better stocked next time he comes in. The owner of the building the konbini is attached is much nicer and more patient about rent next time you have to deal with him.
One time, your freshly-dumped ex shows up a little drunk, having a whole meltdown about you leaving him over "one little mistake." Toji (and you still don't even know his name at this point) shoves him away from the register muttering that he "hasn't got all night for this shit", so hard that your ex takes out a rack of car fresheners. You scowl about having to clean it up, but your ex has skittered off so you toss an extra lottery ticket into the plastic bag.
You don't mention it when you notice him destroy a curse that's been lurking by the canned coffee all evening. One less chore for you and your cursed-broom, anyway. Explains why he's all... like that though - not that you were ever curious about the huge, handsome asshole that sometimes bleeds on your floors and once forgot to hide his gun while restocking on the shit beer your dad insists on because the deadbeat drinks half of it himself.
Even if you were curious (and you're not) any charm he could have had is cancelled out whenever he opens his mouth.
You're friends with several of the dancers at his favorite strip club. Sometimes you pick up shifts there as a bartender, always demand to see his ID with a smug little quirk to your brows, and then underserve him anyway. Just for fun - because the way his face twitches every single time is disproportionately amusing.
He's definitely pissed off, but he still orders from you instead of one of the other girls behind the counter. Neither of you seems to notice it, always too busy sneering at each other. Toji doesn't tip, the absolute degenerate, but he knocks someone out when they try to grab your tit while reaching overhead for a glass.
One night, you get a trio of very drunk (and probably also high) men kicked out by the bouncers. It's not the first time you've done it, but it is the first time they've hung around long enough to try to jump you when your shift ends.
Toji left a couple hours ago - or at least you thought he did. But suddenly he's scooping you off the grimy ground, and your would-be attackers are groaning and wheezing somewhere nearby, and he's snapping his fingers in your face asking if you know the date and where you are.
You do, barely, but he half-carried you back to the konbini anyway. You're too out of it to complain when he digs through all your pockets for the shop keys (you're so glad the part-timer flaked out on covering your shift). He sits you down on the floor, back against the counter, and runs a convincing concussion test.
"You'll live, pest."
"Ha! No collecting on my life insurance today," you mumble nonsensically.
Toji snorts and walks away - and man, you must have hit the wall harder than you thought if you kind of miss his presence. Or well, you miss looking at his (slightly blurry) face. And his warmth. The man radiates heat like a fire. You feel a bit shivery.
But then he's back, pressing a bag of frozen fried rice to the swelling hidden by your hair.
"You even have life insurance?" he asks.
You don't.
"Wouldn' you like t'know," you scoff, only slurring a little.
"I wouldn't marry you even if you did."
"I wouldn't marry you even if you asked."
"Bullshit. I just saved your life."
"What d'you want, a medal?"
His brows shoot up to his hairline. You try (and probably fail) not to snicker at him.
"How 'bout a thanks?" he scoffs.
"I don' put out on the first life-save."
He looks unreasonably amused by that and it aggravates you just a little.
"Pretty sure this is the third. Definitely the second at least."
You shake your head, rub at your tired eyes. You can't remember the last time you slept, and you don't think it's the concussion Toji hasn't yet confirmed or denied.
"Fake news."
"Brat."
"Creep."
He sucks his teeth at you, but - and maybe this is the head wound - you think the corner of his mouth ticks up. On the same side as his scar.
"You gonna be alright getting upstairs? Need me to call your pops?"
"M'fine," you mutter, waving him off with one hand and take control of the frozen rice bag with the other.
"Right." He doesn't sound convinced, or impressed, but he stands up with a shrug.
You manage to your feet (and for some reason notice he hasn't quite stepped away yet) and turn towards the employee-only door.
"Grab a six-pack for the trouble," you say, a peace offering.
"Damn, you don't think you're life is worth at least two?" he wheedles.
You wrinkle your nose. "Take care of that thing hiding in the dessert section and you can grab a bottle of whiskey. Not the nice one, though."
There's a pause. Just long enough that you turn towards him. His (very thick, very nice) arms are crossed over his (very wide, also very nice) chest.
"What?" you grumble, just wanting to go to bed now.
He huffs, shakes his head. "Nothing. Go on, I'll close up."
"Don' tell me what t'do." You're not pouting. You're not.
You go up to your apartment anyway.
In the morning, you discover that he took a bottle of the better (but still not good, this is a konbini after all) whiskey. But the curse that had been lurking amongst the mochi is gone, and he even remembered to lock up after himself so you let it go.
And then you remember - you're not supposed to know about curses at all.
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âYellow is my favorite color,â he blurts. âWhatâs yours?â
She blinks, looks at his hair. âPink.â
-
I write Jujutsu Tech as a college rather than a high school, and all characters are 18 years old or older. (Except in flashback where specified, of course.)
The main female character can be a reader-character or an OC, take your pick. I'm vague on physical details to be as inclusive as possible, and she's referred to using the nickname "Himawari" or "Hima."
Part 1: Sunflower - Himawari
Part 2: Daisy - Hinagiku
Part 3: Poppy - Keshi
Part 4: Water Lily - Suiren
Content:
An older man briefly corners the protagonist and makes some creepy comments (he regrets it)
(Divider by steddiecameraroll-graphics)
The bratâs mind is chaotic. Heâs loud.
Every inane thought and foolhardy impulse blares across his synapses, drowning out anything like good sense or critical thinking. Every fleeting fancy springs up like unsightly weeds in their shared mind, unnecessary and moronic commentary droning like cicadas.
Even in sleep, with his consciousness like the surface of a still pond, currents beneath the surface churn. Â
Memories overlap and converge, too vague in most places, tinged with sensory echoes. The bittersweet taste of grapefruit, the sharp scent of citrus. Warm, soft skin. Ringing laughter around the syllables of his name. Flashes of yellow always at the corners of his vision.
Wading through it all is of little interest to Sukuna, but he lacks more productive diversions for the time being. Taking control of the bratâs body still proves beyond his current ability, even when heâs not being actively suppressed. At least carding through these sickeningly quaint memories, he can gain his bearings of this modern era.
The world has changed quite a bit over a millennium.
And yet, humans remain so much the same.
Take that infuriating woman, for example. The boyâs precious Himawari .
Too frightened, too weak , to wield her power, and for what? A futile desire to be accepted by others. Only brave enough to reveal the truth when she was sure of approval. Hiding amongst livestock in fear of their censure. Itâs a disgustingly human quality, to value the tolerance of weaklings over strength or power.Â
And yet she had the audacity to put her hands on him. To chastise him, Sukuna!
He doesnât need to rifle through the whelpâs mind to remember that look in her eyes; itâs burned into his own. Steady, unfaltering. Beckoning her beloved Yu-chan back like a lighthouse through thick fog, immune to the roiling sea thrashing at its foundation.
Sheâs not scared of Sukuna.
But she is scared of losing his vessel.
In that way too, humans are still the same. Theyâre selfish, but never in the way that benefits them most. Truly, the practical choice is to kill the boy now, but avarice will pave the road to Sukunaâs return.
The sorcerers clambering to destroy as much of Sukuna as they can at once.
Itadori Yuuji unable to break his promise to darling âHima.â
And Sukuna doesnât doubt, from the look in her eyes, that she values the life of his vessel over anything. Even the survival of the human race. Sheâd risk everything, even her own life, for the sake of a man with an expiration date already set in stone.
For now, Sukuna settles in to observe.
Dawn is already breaking, spears of sunlight piercing their little safe haven. The world comes to life outside, and Sukuna catalogs the new symphony of noises accompanying this era. Industry and electricity, swarms of humans like marching ants emerging in the daylight.
The brat wakes first. Despite taking the brunt of the previous nightâs hardships, heâs recovered remarkably quickly when Sukunaâs done nothing to aid his recovery.
Thereâs a handful of blessed moments between opening his eyes and actually waking, where his mind is finally fucking quiet. The ambient static of his dreams are gone, and his consciousness hasnât quite caught up to reality.
His first order of business, shining through basic instincts like sitting up, yawning, and stretching, is to check on the woman.
Sheâs on her side, facing him, eyes closed and peaceful. Her fingers are curled loosely in his shirt, like she fears him disappearing even in sleep. Beneath the covers, they register the plush of her leg wrapped around his, their ankles locked.
That unfamiliar secondhand affection washes over Sukuna again. Comfort, reassurance, love.
From what heâs gathered, the two of have known each other as long as the boy can remember. Anything before the day they met is watery at best, nothing but muted impressions.
Would you give it a rest already? Sukuna grouses. We get it - youâre whipped.
âWhoâs âweâ?â the brat mumbles, squinting. Then Sukunaâs words register. His little pea brain practically explodes with memories of the previous night, thoughts about the future, his petty little feelings about everything.
âI told you before - if you donât like it, donât watch,â he chokes out.
Believe me, if that was an option, Iâd take it, Sukuna sneers.
The kid rolls his eyes, scratches an itch at the back of his head, where the hair is shorn and dark at the roots.
âWell, youâre just a ray of sunshine,â he complains through a yawn.
At his side, the girlâs breathing changes, disturbed by their bickering. All his attention immediately focuses on her lashes fluttering in the morning light. Like Sukuna isnât even there anymore, rude little shit.
âYuuji?â she mumbles, rolling onto her back.
âSorry, Sukuna was being a pain. You can go back to sleep if you want.â
She hums, then shakes her head and sits up. Her hair is messier on one side from the pillow, sleep shirt askew on her shoulders.Â
âDid you sleep okay?â he asks.
She rubs at her eyes. Thereâs a dark bruise on her forearm from where the curse tried to hit her and the Fushiguro brat. Sukuna is surprised by the surge of tangential fury that blooms dark and hot in his chest. The idiot probably doesnât even realize it, but it tows the line of protective and possessive.
Interesting.
âLike the dead,â she replies, voice soft and husky. She shoots him a smile that soothes the anger instantly. âWhat about you? Did Sukuna keep you awake?â
âNo, weirdly enough. I didnât hear him until I woke up.â
Not for lack of trying. Perhaps heâll have to get more creative.
âThatâs good,â she yawns, âand how is the King of Curses this morning?â
Bloodthirsty. Wrathful. Or are those words too complex for you, brat?
âLoud,â he mutters, âand rude.â
She snorts, something curiously amused flitting across her face. Her eyes trace over the boyâs features, as if she might see Sukuna lurking beneath the surface.Â
âSounds about right,â she muses. âTea?â
âIâll get breakfast started.â
They move around each other with disturbing ease.
Sukuna had been more focused on his seething ire the previous evening to spare much attention to their interactions. Without other distractions now, their obnoxious codependency is nearly impossible to ignore.
Primarily, they touch far too often for Sukunaâs liking.
The brat touches her back to hold her still as he opens a cabinet above her head. She taps his arm to offer him a rice spoon. Their knees touch while they eat, watching local news report about the destruction of their school.
In his time, it was a privileged few permitted within a certain distance of Sukuna; and fewer still allowed to touch him, given explicit permission. Even then, retaining the offending limb was not a guarantee.
And yet here is this human, leaning across the body that is rightfully Sukunaâs, a confident hand balanced on his knee. As if she has any business - any right - to do so.
Would you give it a rest? The boy thinks. Itâs like youâve never been hugged or something.
Were Sukuna in control of their functions, he would choke. AÂ hug. Heâd sooner peel their skin off.
They finish their breakfast in tandem, wash their dishes in the sink. (Indoor plumbing, a modern human invention Sukuna can quite appreciate.)
âSo⌠I guess we should pack for Tokyo now, huh?â the boy muses.
âGojo said to pack essentials. I guess the school provides a lot of stuff,â she replies, shrugging.
âWhat about the rest?â He glances around the modest abode with nostalgia prickling in his chest. âI donât want to just⌠leave everything behind.â
âWhy donât we ask when he gets here?â she offers, already halfway down the hall. âMaybe we can get everything stored somewhere for when we graduate.â
As if either of them will live that long.
Sukuna tunes out their idle chatter while they pack - only notes that a suspicious number of her clothes are mixed with the bratâs. Even undergarments.
Understanding the nature of their relationship is truly of no interest to Sukuna - beneath him entirely. Inconsequential. She is inconsequential. At best, a convenient tool he can manipulate to further his plans.
âŚ
But have the conventions of interaction between human men and women really become so lax?
Sukuna himself gives no such weight to social customs except in instances when defying them inspires horror and fear in others. The arbitrary rituals of courting, marriage, and gender relations were things he was only vaguely aware of in his time - and he certainly never abided by them.
Sukuna enforced his own expectation of conduct. Man or woman, they would bow their heads low or lose them. And if he saw fit to slake his appetite (of any kind) with their bodies, they should be so blessed. Affection, desire, vulnerability - none of these were remotely involved in the transaction.Â
Thus, his ire at her casual and careless comfort with his new body is not based in human principles of propriety between an unwed man and woman. It is that she has done nothing to earn the privilege of looking upon him, touching him, speaking to him.
Any one of these is a transgression worth an eternity of retribution and she does it all so thoughtlessly. Because she has some ambiguous attachment to this vessel that makes her think her behavior is acceptable.
The nature of that relationship eludes Sukuna.
In his own time and by his own understanding, their easy intimacy would only be appropriate between spouses. Yetâ
âYou had that sweater this whole time?!â she demands, pointing at the half-folded article of clothing in the bratâs hands.
Oh shit, Sukunaâs vessel thinks, loud and saturated with dread.
To her, he makes a show of appearing sheepish while trying to hide the sweater behind his back.Â
âOh, I guess so?â he says, voice pitched too high with guilt. âMust have ended up in my laundry⌠somehowâŚâ
âIâve been looking for it for months, you little thief!â
âHey now, thatâs a pretty serious accusation toâ ah!â
Sukunaâs annoyance bubbles as she leaps across the messy room in a bid to retrieve her stolen sweatshirt. She only succeeds in toppling them both to the floor.
âHey! You can have this back when I get my Human Earthworm t-shirt back!â the whelp declares, trying to fend her off with one hand while the other holds the sweatshirt out of reach.
He outstrips her by every measure - bigger, stronger, faster - and yet he humors her with straining and struggling. It maddeningly unnecessary, frivolous sentimentality. A waste of time and energy. As far as Sukuna can discern, the brat participates willingly. Enthusiastically even.
âI gave that back two weeks ago!â she shrieks, shoving a palm into his face.
âYeah, and then you wore it to school the next morning! I havenât seen it since!â
âNot my fault you canât keep track of shit!â
They tumble and grapple on the floor, limbs flailing artlessly. Her elbow jabs him in the spleen. He jams his knee against her stomach. He flips over in an attempt to crawl away, only for her to latch onto his back and lock her arms around his neck, as if to choke him. He yelps; a finger hooks into the corner of his mouth.
âDonât bite me!â she squeals.
âDonâ âishhook âe!â he slurs back.
She pulls her hand back and wipes the saliva off on his collar. âThen quit flopping around like a fish!â
âYou attacked me first!â
âBecause you stole my hoodie!â
Shut the fuck up already!
âStay out of it, Sukuna!â the brat snaps.
âMind your business, Satan!â she adds. Finally gets her fingers around the hem of the sweatshirt. âAha!â And promptly gets flattened as the boy flips on his back, squishing her beneath his weight. âOof.â
Serves her right.
Except peals of laughter spill from beneath brat, and when he rolls over, sheâs grinning and flushed, rumpled. Her amusement triggers his in turn, and the two of them are splayed on the floor amidst half-packed belongings, giggling stupidly.
Once again, the nature of their relationship is unfathomable.
Not that it is of any significance.
But they are surely beyond platonic. And yet, as the whelp gets to his feet and helps her up with him, his thoughts never tinge into the rosy, honeyed waters of romanticism. There is (ugh) love, yes, but the nature of that love is undefinable.
Their laughter is cut short by the high chirping of a device - a phone, Sukuna recalls.
The girl fishes beneath the pillows and glances at the screen, brows ticking up.
âGojoâll be here in fifteen,â she announces. âStay here and finish. Iâve⌠gotta go next door.â
The vessel frowns, unease trickling through his simple mind. âI can go with youâŚâ
She shakes her head and tosses the unfolded sweatshirt aside like they didnât just quarrel over it. Her phone disappears into the pocket of her pants. She plucks up her half-full bag without making eye contact.
âI wonât take long. Mom probably left last night, anyway.â
The brat opens his mouth, that shadow of doubt darkening. Bits and pieces of memory flit across his mind. Shouting through the apartment walls, the stench of hard spirits, his precious Himawari with tired eyes and bent shoulders.
Pathetic, Sukuna scoffs. The squabbles of maggots are beneath his notice. Not even worth the effort of sneering. Sorcerers may be a nuisance but they are still, ultimately, insects like the rest. If the sunflower allows herself to be crushed behind closed doors, what does it matter to Sukuna?
The vesselâs protests and worries donât cross the threshold of his tongue. Instead, he meekly says, âOkay⌠holler if you need me.â
âWill do,â she soothes, squeezing his forearm as she passes.
The whelp stares after even when the front door of the domicile closes. Nameless, shapeless worries swim across his thoughts, though he shies from acknowledging any concrete concern. Itâs noisy static, useless and not even actionable, so Sukuna interrupts before it can irritate him further.
What, you canât pack without her holding your hand?
The boy jolts from his vague, shallow musings and returns to his task without comment. His apprehension finds release in quick, jerky movements. Flitting about the messy room and lavatory gathering items he deems âessential,â stuffing them into a large bag.
âYou donât get it,â he mutters to the otherwise empty room. âAuntie isnât⌠she wasnât always like that.â
I donât care.
But the idiot isnât even listening (and he will regret that) heâs too busy reminiscing about the past. Remembering a warm older woman sharing features with the girl he grew up with. A drastic change in her demeanor after her late husbandâs sudden, inexplicable passingâ
âHey⌠Sukuna?â Heâs not given a response, but continues nevertheless. âCan cursesââ
Thump
He jerks upright, eyes narrowed on the offending wall. Itâs shared with the apartment next door. The apartment she left to.
His mind has barely processed the implications but his (their) body is already moving. Bolting through the front door, pivoting, and shouldering open the one adjacent.
The previous evening, Sukuna noted the unusually high concentration of curses when they passed. Even so, heâs almost impressed by the number of them, slinking along the walls and infesting corners. None are particularly strong, but what they lack in individual strength would be supplemented through sheer mass - at least as far as humans should be concerned.
The sight doesnât faze his vessel, not yet at least. His thoughts are narrowed down to that suspicious noise, finding the source, and getting there as quickly as possible. He charges ahead with bullheaded determination, grinding a small spidery curse beneath his heel without notice.
Down a short, narrow hallway. A door left wide open, the room unlit beyond. Against the far wall - the wall shared with the next apartment - is a man. The brat doesnât recognize him at a glance, but he does recognize the yellow sneakers backed against the floorboard.
â⌠what she looked like twenty years ago?â the man is leering, slurring. The stench of him practically wafts across the room. âMaybe I should trade in for a younger model⌠what dâyou think?â
And past his hunched shoulder is her. Not the meek and tender creature thatâs been simpering at his vesselâs side. No, this is the woman that dared look Ryomen Sukuna in the eye.
Itâs nearly that same expression on her face now, staring down this man and his unwelcome advances. Her chin tilts up, proud. Defiant. Sheâs left her throat exposed and in the recesses of his vesselâs mind, Sukuna licks his fangs.
âI think you have three seconds.â
She says it clear, sharp. The same expectation of obedience when she reprimanded Sukuna. Thereâs an undercurrent of threat now, a sweet promise of violence that mildly piques his interest. (For lack of better entertainment, at least.)Â
âOh?â the man hiccups a derisive chuckle. âThree seconds or what? Hmm? What will a little flower like youââ
The wet crunch of cartilage interrupts his jeering. Blood spurts from the manâs face, visible even with his back to the boy. He screams.
She sidesteps his crumpling form and turns to her impromptu audience.
âYu-chan?â she asks. âI wasnât gone that long, was I?â
âI heard some noiseâŚâ he explains, gesturing to the wall behind her. âAre you alright?â
She smiles at him, tension melting away. âOf course!â
Sheâs halfway to her bag, abandoned by the bedside, when the drunken fool recovers. He stumbles around with a wordless yell, lunging for her and heedless of the other party in the room.
This time, the boy doesnât just stand and gawk. He intercepts before the man is even within breathing distance of his target, wrist bent at an awkward and painful angle.
âH-Hey let go!â he warbles, voice thick with snot, blood, and tears. âSh-she started it, the littleâ ah!â
Now break it, Sukuna hisses, venomous. That womanâs suffering is his to mete; her pain, her fear, her misery are to be his trophies alone, for the insult sheâs made against him. (Repeatedly.)
âMaybe you should go to the hospital,â the kid suggests pointedly instead, âthat looks broken.â
âR-really, you think so?!â the idiot yelps, prodding at his purpling nose with his free hand.
The brat nods. âSheâs done it before. Itâs best to get it set as soon as possible.â
She glances over her shoulder, an eyebrow arched. âI dunno, I think itâs kind of an improvement.â
The man tries to twist around again, but the pressure increases on his wrist - just short of doing any real damage. A warning he doesnât deserve. Sukuna rolls his eyes.
When the man turns back, whimpering, the boy sighs.
âGet out of here, man. Before we call the cops.â
âF-fine. But youâll regret this,â he spits, staggering for the door, âI-Iâll tell your mother!â
She actually laughs at that. Short, sharp, derisive. A meaner sound than Sukuna would have expected from her.
âKnock yourself out.â
He scuttles out the door and down the hall, hands pressed to his dribbling nose. Near the front of the house, they hear a new voice chirping, âWhoa, crowded in here!â
Sukuna recognizes the voice even before he senses the cursed energy - and long before that infuriating head of white hair pops past the door frame.
âBusy morning?â Satoru Gojo asks.
The brats exchange glances. She shrugs as the boy says, âNope!â
Is this what it would have been like, if Rika Orimoto had lived?
Satoruâs newest students are curled up on their side of the Shinkansen, sharing the armrest separating their first-class seats. Their heads are ducked together, one headphone in each ear, watching a video on one of their phones. They keep giggling at intervals, covering their mouths to stifle themselves to a polite volume.
Itâs hard not to wonder, looking at them. The same old story, isnât it? Boy meets girl. Childhood friends. Promises made over teeter-totters. Love rooted soul-deep, growing with the body itâs anchored in. Perhaps even a sweet hint of codependency.
Satoru sees shades of Yuuta there - not in Yuuji, but in Hima. A quiet reserve that tries, and fails, to hide a hovering anxiety. Gripping so tightly, almost selfishly, to the one she loves. A coiled up ball of latent power one tragedy away from exploding.
And Satoru never met Rika - the real Rika, that is - except when her spirit manifested to relieve Yuuta of his burdens, but even from that glimpse, he can draw a parallel to Yuuji. Too kind and too good for whatâs become of them, loyal at their own expense. A powerhouse that can be pointed at an enemy and set loose to decimate.
Tragedy is the obvious outcome. One of them may not have died in childhood, but their trajectory is a narrow and bleak spiral with a bloody crash waiting at the end. It happened to Yuuta and Rika. It even happened to Suguru and Satoru himself.
Yuuji Itadori is the vessel for Ryomen Sukuna. Even if he successfully outlives the old farts demanding his head, heâs a sorcerer now. Sheâs a sorcerer now. All that awaits sorcerers at the end of their very short path is blood.
âD-donât ever make that face again,â Hima wheezes, nearly doubled in her seat and crying with laughter.
âWhat? Whatâs wrong with my face?!â Yuuji replies, expression contorted into something truly and profoundly disturbing. âDonât you want to be seen with me, Hima-chan?â
âI donât even want to see you.â
Himaâs cursed energy shimmers around her, a golden halo that ebbs and flows with her emotions. Creeping across the space to half-envelope Yuuji as well, despite her joking.
Undisciplined, yet still instinctively adept with her technique - guess theyâre not called âinnateâ for nothing. Not the simplest, certainly, but thereâs potential simmering beneath her skin as surely as the curse lurking beneath Yuujiâs. Strength on the cusp of Grade 2 already, and thatâs without Satoruâs brilliant tutelage.
âDonât be so mean, I just want a hug!â Yuuji coos.
âYou stay over there or Iâll have Gojo-sensei exorcise you.â
Satoru turns and blinks. Hima is half-falling out of her seat, a leg and arm stiffly trying to fend off Yuujiâs fishy-lips, making obnoxious kissy noises. She sends him a sideways pleading look, her reservations from last night apparently eased enough to include him in⌠whatever delightful thing is happening right now.
(Satoru doesnât think itâs nearly that easy. That, like him, she tends to keep her true thoughts carefully tucked away from others. Even her best friend.)
âSorry, Hima-chan, but I donât see any curses around here,â Satoru says, shrugging.
She gapes while Yuuji tries desperately not to laugh himself out of the ugly face heâs terrorizing her with. Somehow, it makes the contortions even worse.
âYouâre telling me thatâs not cursed?â she demands.
Satoru pauses and puts a hand on his chin, makes a show of considering Yuuji and the frankly unhinged smooch noises heâs still making.
âWell, love is the most powerful curse of all,â he says, âbut I donât think even I can exorcise that.â
They both go still. Glance at each other so quickly and laden with meaning they practically develop a new two-person technique right there, and then blink at Satoru.
Yuuji tugs Hima up (with an arm heâs had safely around her waist this whole time) back into her seat. The two of them peer at Satoru across the train aisle like heâs something morbidly fascinating.
âPeople die for love. They slaughter for love.â They bind the souls of their childhood loves into lethal supernatural guard dogs out of love. âDoesnât your grandfatherâs death feel like a curse? And would it still feel that way if you didnât love him?â
Yuujiâs brow furrows, trying to work out the answers in his head. Satoru doesnât expect him to get it, really, or to come to the same conclusion. They havenât known each other long, but Satoru can tell already that Yuujiâs too optimistic, too good (or maybe too stubbornly hopeful) to agree.
But heâs not the one that needs to get that message.
âNo,â Yuuji says, surprisingly level. âI donât know about that other stuff, but Jiji⌠I do miss him because I loved him. But itâs because I loved him that I can keep going, ya know? And I donât think thatâs a curse.â
Satoru hums. Yuuji mentioned that during the cremation - Wasukeâs final words to him, the goal he was charged with. Living a good life by helping others and giving them a proper death. Itâs a heavy burden to place on anyoneâs shoulders, even if Yuujiâs are stronger than most.
Right now, Yuuji views it as a purpose. A way to keep his grandfatherâs spirit alive and close in some way. Not a life sentence that it may end up becoming with the cruel and bloody road ahead of him.
âI hope you always feel that way, Yuuji,â Satoru says honestly.
He turns his gaze towards Hima, knowing sheâll feel it even with his blindfold. She gazes back, eyes stormy. The easy flow of her cursed energy has become rigid, sharp, like shards of broken mirror. A deadly glint at the edges rather than a sparkling prism.
âWhat do you think, Hima-chan?â he asks, tilting his head. Unlike Yuuji, she seems to have gotten his meaning right from the start. Struck the bullseye in one shot with her. âDo you think love is a curse?â
She blinks, visibly forces her expression to smooth, and leans her shoulder into Yuuji.
âI think itâs stupid to put your hand in a fire and blame it for burning you.â
Satoruâs brows shoot up despite himself. Well, now. Thatâs an interesting (and somewhat concerning) perspective.
Between the two of them, Satoru is under no delusions that Hima is the more dangerous and immediate threat if things go south with the elders. Sure, the King of Curses is a walking, talking calamity blah blah blah - but Hima has a versatile cursed technique with morals that come second to one thing and one thing only: Yuuji Itadori.
Right now, sheâs untrained. Her technique is unrefined, her control erratic and inconsistent. But Satoru plans to correct that in short, fast, and thorough order. He doesnât train any of his students to lose. To anyone.
If the elders donât watch their collective step, Sukunaâs not the only curse theyâll have to worry about.
âWait, I donât get it,â Yuuji says, âwe were talking about curses and now weâre talking about fire? Whaâ that doesnât make any sense either, Sukuna!â
Hima blinks and twists towards him, all the tension disappearing in an instant. âHe definitely doesnât get to weigh in on this. He can have an opinion when we talk about dismemberment methods or something.â
âWhyâd you have to say that?â Yuuji groans, wrinkling his nose. âNow heâs talking about quartering, gross!â
Well, Satoru thinks, love may be a curse - but they are exorcists.
This stranger named Satoru Gojo, claiming to be the strongest (and she believes it, she justâŚÂ knows itâs true) asks her to put her faith in him.
Itâs just the two of them right now. Sasaki-san and Iguchi-kun are off to the hospital. Fushiguro has been sent away in an unmarked ambulance, after quietly thanking her for helping him. Yuuji is tied to a chair in the next room, lit by dozens of paper lamps and walls papered with strange symbols. Heâs still unconscious, and Gojo said he will be for a while yet, which gives them time to talk.
And he asks her to trust him.
âI donât really have another option,â she tells him quietly, looking into her tea. Itâs too hot, sheâs burning her hands a bit, but itâs grounding. Everything feels surreal, like a dream or maybe a bizarre nightmare.
âDepends on what you consider an option,â he replies, waving his kikufuku lazily.
She could choose not to trust him, go along with it all in tortured, paranoid silence. Or she could try to fight back. That sounds like it would go about as well as fighting that curse had - probably worse.
âI just want Yuuji safe,â she murmurs, âand I want to stay by his side.â
âI canât guarantee either of those things,â he admits, âbut I am your best shot.â
She sighs, finally takes a scalding sip of her drink. It doesnât touch the icy dread in her chest. But she believes him. Has to.
âOkay.â
âGreat!â Gojo cheers, like sheâs given him a glowing endorsement. âNow that thatâs settled - letâs talk about your cursed technique.â
She blinks, forces her brain to switch gears. âRight, you mentioned that earlier.â
âDid you know youâve been repelling curses this whole time?â he asks. He says it like Yuuji would say âFun fact!â with movie trivia. Even puts his hands up, fingers fanned out. It thaws her a bit.
âUh, no, I didnât. But I guess⌠curses have never been able to touch me. Even when they try.â
âThatâs because youâve been subconsciously using your technique!â he explains. âYou have a barrier of cursed energy up that acts like a mirror, reflecting foreign cursed energy back at attackers.â
She thinks of the curse in the locker room when she was in middle school, and the one that almost hit her and Fushiguro at the school. It makes sense, exceptâŚ
âBut you werenât knocked out earlier.â
âThatâs because my own technique countered it, creating a neutralizing effect.â He waves a hand, brushing that part aside. âWhatâs more interesting is that I donât think your cursed energy is actually a mirror.â
She blinks at him, confused. This day has been far too long and far too difficult for this amount of thinking. âItâs not?â
âRight now, you instinctively use it to reflect energy as it comes. But I think that with some training, you could use it like a prism to magnify, reduce, or even absorb energy. You might even be able to do more with it, kind of like white light refracting into different colors. Who knows!â
She turns that over for a moment, trying to theorize with something she doesnât even have the basics of. It seems⌠difficult. And complicated. And like she needs a better grasp of light physics.Â
âSo Iâm⌠like a cursed rainbow?â she wonders after a moment.
He chuckles. âItâs probably not that literal, but it has a lot of potential for adaptability. Itâll make for great defense in battle. Youâre essentially curse-proof, kid.â
She remembers putting herself between Fushiguro and the curse. The force of it had knocked her down, but otherwise, sheâd been fine. More importantly, Fushiguro hadnât been injured further. She was able to protect him; she could protect Yuuji.
âThat means Sukuna canâtâŚâ
âWell, he canât use his cursed techniques on you, no.â Gojo laces his fingers together on the table. âI donât suppose youâve miraculously never been injured otherwise?â
Years of scraped knees, twisted ankles, jammed wrists, and paper cuts flit through her head. Bruises from playing too rough with Yuuji, ear-ringing bumps to the head on cabinets and the bottom of desks.
âNo.â
He tsks. âThatâs a shame. He wonât be able to use any cursed energy on you, but since he has a physical body and isnât just a manifestation of cursed energyâŚâ
âHe could physically hurt me.â
âRight.â
Thereâs a pause. Like heâs waiting for her to come to some earth-shattering conclusion. It takes another long moment to realize the pieces heâs expecting her to put together.
âYuuji wouldnât let him hurt me,â she says, sitting back. The tea goes down easier this time.
âYou really think he can keep Sukuna on a leash?â Gojo asks.
She hums. âIf anyone can, itâs Yuuji. Heâs stubborn as hell and strong in ways people donât give him credit for. You all really lucked out with him as a vessel.â
Gojoâs brows are nearly to his hairline. âYou think a lot of him. Sukunaâs powerful, and evil.â
âI think the world of him,â she admits plainly. âYuuji is exactly as good as Sukuna is evil. Maybe even more.â
She shrugs. Itâs just that simple.
Gojo coos, propping his elbows on the table with his cheeks in his hands. Practically blushing.
âAw, young love,â he gushes. âIt just makes my heart sing.â
A laugh startles out of her. Itâs been a long time since anyone new commented on her and Yuujiâs friendship. Their guardians, neighbors, everyone at school - even Ms. Sakamoto - had known them as an inseparable pair for years. The luster of their bond was long gone, if it was ever there to begin with.
âWell, what kind of sensei would I be to ruin such a pure relationship with execution?â he sighs dreamily.
She shakes her head, amused despite herself. Heâs a little too similar to Yuuji for her to be annoyed or put off by his antics - no matter how inappropriate to the situation they are. On the contrary, his flippant attitude is almost reassuring. Like things arenât as dire as they appear.
âWell, try to get some rest. Yuuji should be up in about an hour and Iâve got a lot to go over with him. Itâll be a bit before we go anywhere, and you look exhausted.â
She is exhausted. This has been the longest day of her life - sheâs shocked itâs still going, honestly. Grampsâ passing feels like a week ago, even though her heart still hurts with the fresh wound.
âOkay.â
She trudges to the tiny, faded couch tucked in a dark corner. She curls up on the cushions facing the door Yuujiâs behind. Itâs not the most comfortable, but sheâs already having trouble keeping her eyes open, sleep dragging her down quicker than she expected.
âUm, Gojo⌠sensei?â she calls.
âHm?â he asks, easy smile still in place.
âThank you⌠for helping Yuuji.â
âWhatâs the point of being the strongest if I canât protect one person,â he chuckles, shrugging. âBut Hima-san, Iâm going to help you too.â
She doesnât know what to do with that, has always been the type to duck attention in case someone noticed that she was off. Always more comfortable with Yuuji shining bright enough for both of them.
So she hums noncommittally and closes her eyes, letting her thoughts slip away.
Hima is his first thought when he wakes.
Not the ropes around his wrists, the spooky room, the white-haired man from before. Those are all secondary to the realization that he doesnât know where Hima is, if sheâs okay. The last time he saw her, she was leaning over Fushiguro and there was blood on her cheek - a cut from the window they broke through at the beginning of the fight.
In truth, heâs only half-listening until Gojo assures him that sheâs okay - sleeping just outside the room. Alive, mostly healthy, and whole.
But even then, it itches under his skin, at the back of his mind. He wants to confirm for himself. Just see her, hug her, make sure sheâs alright because even if sheâs physically fine, he knows she was scared.Â
His best friend has always had a way of hiding her feelings beneath the surface. She smiles and jokes and comes off serene, but only Yuuji has ever been able to see through it.
He agrees to the terms of his extended sentence without much thought. It buys them time to plan out an alternative, gives him the freedom to stay by Himaâs side. Itâs a no-brainer.
As soon as he darts out of the room, past Gojo and the enchantments, Sukunaâs comes howling back to consciousness. Spewing profanity and threats, vicious and loud, but Yuuji tunes him out because he spots Hima immediately.
Sheâs curled up on a tiny couch, already rousing from the noise - or maybe just sensing that Yuujiâs free.
He rushes to her side, knees hitting the floor hard enough to rattle his bones.
Donât you dare, Sukuna starts - but Himaâs eyes open and land instantly on Yuuji and sheâs flying off the cushions.
She crashes into him, but heâs strong enough to hold them both up, arms tight around her waist. He presses his face into her shoulder as she hides against his neck, tears wetting his skin. Her heart is fluttering hummingbird-fast against his chest, breaths hitching.
âYuuji,â she hiccups, âare you okay?â
His voice gets caught in his throat, emotion strangling everything but a choked hum of confirmation. In its absence, he gently pries her away to scan her for injuries. The cut on her cheek has been cleaned and taped together and thereâs a bruise darkening on her forearm.
She gives him a watery smile and squeezes his wrist. âMâokay, Yu-chan.â
This is a sickening display, Sukuna sneers in his head.
The interruption is unwelcome, sapping all the relief and comfort of being reunited.
âThen donât watch,â Yuuji snips aloud.
She blinks in confusion.
âSorry,â he winces, pointing at his temple, âSukunaâs awake.â
âOh.â She tilts her head, as if she could see him hiding within Yuuji from a different angle. âUh⌠well, hello to you too, Sukuna.â
He pouts. âI donât think you should talk to him.â
As if I would entertain conversation so beneath me.
âWhy not?â she asks, focusing on Yuuji again. âItâs not like heâll get out, right?â
He scrunches his nose. âI guess not. I just donât know if itâs a good idea to antagonize him.â
She shakes her head. âIâm already on his shit list for squishing your liâl face,â she declares, and does it again as demonstration. Yuuji just snorts. âIâm not sure what hurt his pride more - that, or losing to Gojo-san.â
They will both suffer endlessly.
âDefinitely on his shit list,â he agrees.
She grins. âScary,â she coos in a voice reserved for cute animals and Yuuji when heâs too tired to be anything but helpless.
I will ensure she forgets any emotion but fear.
Yuuji resists answering aloud again, just has the vague thought âyeah rightâ that seems to translate well enough.
âI hate to break up a tearful reunion, but thereâs no way Iâm staying here tonight - and Iâm sure you two donât want to either,â Gojo interjects. âItâs been a long night, we should go.â
Hima turns to him, an odd expression on her face. Yuuji isnât used to being out of the loop like this - but when he nudges her, she gives him a look that promises answers when they have a moment alone.
âCan we go home?â she asks.
He shrugs, âI donât see why not. You two need to pack for Tokyo anyway.â
Itâs well past midnight, the trains have stopped running. But thereâs a sleek black car waiting in the street by the safehouse and Yuuji is kind of glad theyâll have some privacy anyway.
Even though heâs in a clean white t-shirt, his pants are still dirty, scuffed, and stained from the fight. Plus, heâs pretty sure thereâs still dried blood crusted to his jaw. And Himaâs not exactly in pristine condition either - he can only imagine the stares theyâd get, two guys with a girl whoâs clearly been through something.
Gojo takes the front passenger seat, while he and Hima crawl into the back. She doesnât go to the far side, instead tucking in against Yuujiâs side, linking their arms. He rests his head on top of hers. Feels like he can breathe for the first time in hours.
They donât speak during the drive, too tired and maybe too afraid to talk about any of the things they need to.
Everything is different now. Yuujiâs body isnât just his own anymore. Thereâs this whole other layer to the world that they were entirely unaware ofâŚ
Or at least he was.
He remembers the look on Himaâs face when she saw the curse at school, when she realized Yuuji could see them too.
In the dark of the car, he rifles through over a decade of memories. And yeah, now that heâs looking for it, he sees it. Times when her eyes strayed or she twitched like she heard something no one else could.
Sheâs always had a habit staring off in seemingly random directions. He grew up with it, so never questioned it unless someone else did. Like everyone else, he always thought she was daydreaming, or uncomfortable socializing.Â
But if all this time she was seeing cursesâŚ
Your precious bond doesnât seem to be as strong as you thought, brat.
Thatâs not it; he knows that. Sure, he feels a tiny pang of hurt that she didnât tell him; who wouldnât? But he still knows her better than anyone, and he knows that whatever the reason she kept it a secret all these years, itâs not a reflection of their relationship.
Youâve got to be kidding me.
They pull up to the apartment complex in silence. Hop out together, but pause when Gojo only rolls down the window.
âIâll be staying at a hotel nearby, so make sure you call if anything happens. Otherwise, Iâll see you two tomorrow morning!â
He leans halfway out of the car waving as it pulls away.
âWhat an interesting guy,â Yuuji muses.
âHeâs exactly the type of weird Iâd expect of people that can see creepy entities,â she adds.
âYou know those weirdos include us now, right?â he asks, turning back to the apartments.
There are small curses hanging around, he notices, scrabbling around near the trash and perched on the roof.
âIt always included me, to be fair,â she says.
âYeahâŚâ
She notices the conflict on his face and takes his hand, tugging him along to the stairs.
âItâs not because I thought you wouldnât believe me,â she starts. âI just⌠I was afraid theyâd take me away, if I didnât pretend. I got too good at it, I guess. I wanted to be normal.â
âI feel bad that you had to live with it on your own for so long,â he admits, ducking his head in shame.
But she just smiles over her shoulder, squeezes his hand. âI never felt alone with you around.â
The guilty knot in his chest loosens. If she says itâs okay, then it is. Besides, sheâll kick his ass if he dwells on it.
âDâyou wanna shower first?â he asks.
They skip her apartment and go straight for his. The shadows lurking around her doorway are oddly darker, but he doesnât mention it. He thinks he knows why sheâs always slept badly there.
âYou stink, you should got first,â she replies.
âLike you smell any better,â he argues, taking the bait.
âI do. I donât have another entity living in me.â She fits her spare into the lock and steps inside, twisting around to give him a smug look. âHis attitude alone stinks enough for the both of you.â
Bitch.
âWhatever - itâll take you a million years to get all that stuff out of your hair anyway.â
She groans. âDonât remind me.â
They kick their shoes off in an approximate line by the wall, then pad further inside.
âDâyou mind if I use the mirror?â she asks.
âNah, of course not,â he replies, scratching absently at the itchy blood flaking off his jaw.
Harlot, Sukuna crows when she follows him into the bathroom.
Yuuji snorts. Hima isnât even looking at him, grimacing at her own messy reflection as she picks delicately at the once-yellow ribbon thatâs more tangled in than tied now.
âWho would have thought the King of Curses would be a prude,â he muses aloud.
Hima flicks him a curious glance, carefully plucking bits of rubble from her hair. âHm?â
âI think heâs bothered that youâre in here.â
Itâs disrespectful, she hasnât earned the privilege ofâ
Itâs my body, Yuuji thinks vehemently.
âThatâs big talk considering the weird shit he was saying before,â she scoffs.
He had some idea of Sukunaâs thoughts then too and yeah, more than a little hypocritical. Not that heâs shocked that hypocrisy is in a curseâs wheelhouse, more that he would even think to comment on it.
âWell, he is from a different time period,â Yuuji muses, twisting the shower tap.
She snorts. âYeah, because Iâm sure he was a paragon of virtue back then.â
Yuuji laughs as he tests the water temperature, finds it warm enough, and steps in.
It is not about propriety.
If Sukuna had teeth, Yuujiâs sure heâd be speaking through them. Itâs kind of funny actually, how bothered he is by Himaâs presence. Guess he didnât have a childhood friend who saw him in way more embarrassing situations than just naked.
Beyond the shower curtain, he hears her hissing and cursing to herself, trying to work through tangles.
âMaybe I should just shave it all off,â she mutters stormily.
âAw, but you spent so long growing it out from first year,â he says.
Not that he disliked when it was short, either.
âYeah,â she sighs, âbut if this is going to keep happeningâŚâ
âItâs only happened once.â
âSo far.â
He hums, noncommittal. âDâyou need help?â
âNo⌠Iâve almost got the ribbon out, at least.â
He soaps down with a quiet groan, the heat easing the bruises blooming across his body. Theyâll be gone before this time tomorrow, but they still hurt right now. The split in his lip stings as he runs his hands down his face.
âWhat did you think of Gojo?â he asks.
âHe doesnât seem so bad,â she replies. âI think he genuinely wants to help.â
Yuuji breathes a sigh of relief. He knows he tends to see the best in people, a bit of a perpetual optimist. Himaâs always been more skeptical, slower to pass judgment good or bad. Itâs a relief that he wasnât off about Gojo.Â
âDo you think heâs as strong as he says he is?â he muses.
âWell, he seemed to handle Sukuna just fine,â she replies.
He survived only a twentieth of my true power, Sukuna scoffs. Yuuji frowns. One down, nineteen to go - and Sukuna is only going to get more dangerous as time goes on. And who knows, Yuuji can contain him now, but it might not always be that way.
âHima-chan⌠you donât have to do this, you know?â
Give me a break.
Thereâs a pause. âDo what?â
âJujutsu Tech⌠all this stuff with curses and Sukuna. If youâve been trying to pretend this whole time, and Iâm just dragging you in deeperâŚâ
âItadori Yuuji.â
His mouth snaps shut. He canât see her face, but he doesnât need to. Itâs a look heâs seen exactly twice before now and it chills him to the core. She doesnât even need to say anything else, he can hear her in his head as clearly as he does Sukuna.
âWe look out for each other.â
âIâll always be your sunflower.â
âIâll always be by your side, Yuuji. Always.â
Heâs lucky sheâs not dumping ice water on him for even suggesting she walk away.
âRight, sorry,â he says, rubbing the back of his neck awkwardly. âIâm just worried about Sukuna, I guess.â
âHe canât hurt me.â
In his new, unwelcome place within Yuuji, Sukuna alerts like a guard dog. Already bristling at the suggestion that someone is stronger than him.
âHe canât?â
âItâs my curse technique, apparently,â she explains. âGojo can explain it better, but I guess it acts kind of like a mirror. So any attack Sukuna makes against me will just reflect back.â
The tightness in his chest eases. Even if his control somehow slipped, Sukuna couldnât hurt her. Sheâs as safe from him as itâs possible to be.
âWell, thatâs good to know,â he breathes.
âYup! Now hurry up, Iâm getting dust everywhere.â
They eat leftovers straight from the container, sharing a pair of disposable chopsticks between them. Yuujiâs having trouble getting the food to his mouth and Hima is blinking long and slow between bites. The half-assed meal passes in a haze for both of them, pure exhaustion blurring the edges of their vision and weighing down their limbs.
Yuuji chugs about a gallon of water, more parched than he ever remembers. Hima downs two cups of honey-lemon tea like theyâre hard liquor, mumbling something about vitamins.
They pad together to Yuujiâs room, to his unmade bed, tucked into the corner where itâs always been. Hima climbs in first, tucking herself against the cool wall - what will be a welcome relief when he inevitably overheats her with his furnace-like body temperature.
Yuuji shuts off the lights and flops onto the mattress beside her with a groan. Heâs already half asleep while she tugs the blankets over them both. The weight of her beside him is familiar, comforting. Gentle warmth, the scents of soap and home.
She turns on her side and tucks her cold feet beneath his calf. He grumbles half-heartedly but doesnât move, except to brush her half-dry hair out of his face. Itâs dark, but thereâs a narrow strip of streetlight thatâs wiggled through the blinds, highlighting her temple to her collarbone.
Silence settles in with them as the apartment falls still, like the whole world is taking a much needed rest too. Even with the pervasive newness of Sukuna in his consciousness, Yuuji is soothed by the familiarity and safety of home. Of Hima. Of just a few quiet hours.
âYuuji?â she whispers.
âYeah?â
Her hand finds his tucked beneath the pillow.
âThank you.â
He doesnât ask for what. He suspects he already knows. He also suspects this is the only time someone will ever thank him for swallowing that finger.
Content:
a curse tries (but fails) to injure the young main character, it's implied that the injury would appear like self-harm to outsiders
(Divider by steddiecameraroll-graphics)
Sheâs four years old and she sees things.
Scary things. Ugly things. Things with lots of eyes and sharp teeth. Things covered in wiry hair with too many arms and legs.
Things that everyone tells her are just her imagination.
She scares other kids when she talks about them. She scares her mama. She might even scare her papa.
Theyâve just moved, after she scared away most kids (and parents) in their neighborhood. Papa got a new job in Sendai and they moved. A âfresh start,â her mama said with a wobbly smile.
And now thereâs a boy with big gold eyes and pink hair.
Heâs grinning at her from the side of a man sheâs pretty sure is too old to be his papa. He tells her that yellow is his favorite color, eyes on the ribbons mama had braided into her hair.
His name is Yuuji and he teaches her how to play âairplanes.â
She doesnât tell him about the scary things she sees; but the scary things donât seem to be around when he is, either.
He calls her sunflower. Himawari. And if thatâs true, then heâs the sun sheâs always turning towards.
Sheâs six and Yuuji calls her Hima-chan. Everyone does now, even her parents.
School is full of scary things, though they still keep their distance when Yuujiâs around. Her eyes wander after shadows and she hates walking by the janitors closet.
She never tells him why, but he never asks. Just takes her hand and leads her the long away around.
Heâs teaching her to be brave. Teaching her that even when other kids donât play with them, itâs okay because they have each other. Sometimes other kids are mean; they whisper about her daydreaming and how easily sheâs startled - but Yuuji never lets anyone get away with it.
Besides, sheâs starting to realize she doesnât mind if other people are mean.
Yuuji is nice to her. Yuuji is her best friend. She doesnât scare Yuuji; he doesnât think sheâs silly or weird.
And Yuuji is really all she needs.
Sheâs ten and her parents sit her down.
Sheâs too old for them to pretend sheâs just got strange imaginary friends.
They tell her that she needs to admit theyâre not real at all. That she doesnât see them anymore. That the things she absently sketches in her notebooks are just inspired by her horror movie binges with Yuuji. That sheâs staring off into âspaceâ lost in thought - absentminded and flighty, not actually seeing something.
Because if she is, if she really is, they have to take her to a doctor. They have to get her tests.
Normal people donât see things other people canât. They need her to be normal. Or theyâll take her from Yuuji.
So she is.
She stopped talking about the scary things a long time ago, but sheâs extra careful now. She doesnât draw the slithering things coiled around the kitchen table, or the ugly greenish thing that follows mama home sometimes. She keeps her eyes on people when they talk - or close enough that they canât tell sheâs really watching the corners and ceiling. She walks by the janitorâs closet even though it makes her heart race.
Yuuji always gives her a worried look, like he can hear it beating in her chest.
If she told Yuuji, she knows heâd believe her.
But she doesnât want to tell him; she wants to be normal.
He still holds her hand and doesnât let her drag her feet trying to pretend she isnât scared. He always protects her and doesnât even realize how or why sometimes. He just does.Â
In return, sheâs just as fiercely protective of him. Her best friend in the whole world, the brightest star in her sky. People arenât so scary anymore. Not compared to the things she sees. So she doesnât let people take advantage of him, his kindness or his optimism.
And if other people like her less for it, so be it.
Sheâll always have Yuuji; and Yuuji will always have her.
Sheâs twelve and a curse tries to hurt her for the first time.
Sheâs in the girlâs locker room, a place they tend to swarm. They like sad places, scary places, uncomfortable places. The locker room is all that in turns, puberty is crueler to some than others and preteens can get nasty.
Sheâs just lacing up her shoes. Something slimy and dense clambers over her shoulder, reaches for her wrist with sharp talons.
âYou should justââ It doesnât get to finish the awful thought. Instead of splitting her skin, it rips through its own arm. Sheâs too shocked to do anything but freeze as it lets out an ear-splitting shriek, then slithers away, nursing its wound.
She doesnât understand what happened. She knows they can touch people, has seen them do it before. Make people burst into tears or start arguments over nothing.
Not her, though. It tried to hurt her and it failed. Sheâs fine; sheâs safe. She never had a reason to fear in the first place.
She runs out to meet Yuuji in the gym, feeling lighter than ever before.
Sheâs thirteen and one infects papa.
The doctors try. They run tests and give him supplements. Scans and blood draws and observations. Theyâre fighting a losing battle, waging a war with an unseen enemy.
Theyâll never cure him and she knows it long before heâs hospitalized.
Whatever has crawled inside his body isnât coming out.
She should tell someone. Shouldnât she?
Whenever she opens her mouth to tell mama, papa, the doctors, anyone, she remembers them sitting her down. Explaining what will happen to her, because normal people donât see the creatures that she does. That theyâll take her away from home, from school, from Yuuji.
Guilt racks her. Not just that she knows, but that sheâs immune to it all. She wishes she could protect her papa, would give him her immunity in a heartbeat if she could. But she keeps her mouth shut. Even if she told them, even if they believed her by some miracle, thereâs nothing anyone could do. She doesnât even know what these things are, never mind how to stop them, if itâs even possible.Â
She leans hard into Yuuji, into the comfort of his warmth. The apartment she shares with mama is cold now, the air thick with pain and sadness, overwhelmed by monsters. They canât hurt her, but they can taunt her. And they can still hurt mama. Best that mama spends as much time with papa as possible, and she can do that as long as Hima is looked after by the Itadoris.
Itâs hard. She misses her parents. She feels unspeakably lonely sometimes, but Yuuji is always there. Always fills in those hollow spaces with just his presence.
She sobs into his shoulder and promises herself that if those things ever go after him, she wonât just stand back and watch.Â
Sheâs fifteen and her mother hasnât been home in three days.
Yuuji knows. Heâs careful not to let his eyes linger on the shoes by the door or the single set of dishes in the sink. Doesnât mention the half dozen empty liquor bottles piled in the recycling bin.
If he and Wasuke hear her motherâs shrill slur on the occasion she stumbles through the apartment, they donât mention it. Theyâve always been so kind.
Sometimes, her mother condemns her for all the ways sheâs too much like her father. Sometimes sheâs trailed by dirty, equally drunk men whose eyes linger where they shouldnât. And sometimes, the worst times, sheâs sobbing uncontrollably - wailing for her husband and heaving into the waste basket strategically left by her bedside.
The spirits take up permanent residence in their apartment, running rampant, crawling everywhere.
One day, she knows, theyâll take her mother too. In some ways, they already have.
She takes her comfort in Yuuji and Wasuke, and knows sheâll never love anyone like she loves them.Â
Sheâs eighteen and her best friend just swallowed a cursed object whole.
Thereâs a boy bleeding at her feet and classmates unconscious in the rubble of their school.
But sheâs not as noble as Yuuji - she canât bring herself to think about them when Fushiguroâs shouted warning still rings in her ears.
Yuuji could die. Right here, right now. The only sunlight in her life could be snuffed out just like thatâ
And then a voice that isnât his erupts from his chest. A smile too wide and too cruel curls his mouth. A second pair of eyes burst open, irises blood red. His skin changes, darkens with unfamiliar markings, ink black.
The man sheâs facing is no longer Yuuji Itadori.
Having a body again⌠itâs a euphoria he hasnât experienced in a millennium.
For far too long, he only had a vague sense of the world moving and changing around him, interspersed by the occasional stupidity of other curses looking for power. Flickers of wakefulness in a long hibernation - nothing compared to this glorious rebirth.
Sukuna basks in the moonlight on his skin, drowns himself in reawakened senses. Flesh is so much better than a cursed manifestation. Finally, a vessel capable of his power.
The buzz of this modern world electrifies him. He can feel blood pumping hard and fast in these new veins, the thrill of it all bubbling up and out in a mad ramble.
âWhere are the people? The women?â he wonders aloud.
Everything looks so different now. Tall buildings and bright lights, a dense population of human souls just below his current perch, calling like a beacon. And even more beyond!
He twists towards the closest source of entertainment and steps up onto a metal railing, spreading his arms wide.
âWhat a wonderful era to be in,â he laughs. âWomen and children are crawling everywhere like maggots.â
His mouth is already salivating.
âMarvelous!â he cries, hands curling in anticipation. âItâll be a massacre!â
Something - someone - moves behind him.
And then thereâs a hard tug at the back of his trousers, yanking him down from his perch.
âGross!â a woman snips.
A small, cool hand grabs his cheeks so hard that his mouth puckers, and cranks his head sideways. He blinks, bewildered, at the decidedly unimpressed expression of a young woman. She meets his eyes without hesitation, without fear, without any of the sublime horror and awe he is owed.
âWhat are you, some basement-dwelling creep?â she scoffs. âYu-chan, donât be nasty.â
Sukuna opens his mouth, cursed energy already gathering - and promptly gets usurped by another consciousness.Â
âSorry, Hima-chan!â the human brat who shouldnât even exist anymore says. To Sukuna, he snaps, âWhat do you think youâre doing?! Give my body back!â
The girl releases him - them - and tilts her head. But Sukunaâs no longer focused on her, he has more concerning matters. Like this body that should be unequivocally his.
âHow are you able to move?â he demands.
What is this? How is this possible?
âI mean, itâs my body,â the boy replies, like itâs obvious. And to Sukunaâs shock, he starts wrestling control back. Successfully.
âYou should see yourself in a mirror,â the girl - this âHima-chanâ - interrupts. She has the audacity to reach out, poking gently at one of the tattoos on his (their?) chest. âI didnât even know your voice could do that.â
He - they - glance down at their bare torso, at the thick dark markings decorating their skin. A curl of secondhand fondness unfurls in his chest, unwelcome. The whelp is finding comfort in this irreverent bitch.
âTo be fair,â the boy says, twisting an arm this way and that for her inspection, âI donât think thatâs so much my voice asâŚÂ his.â
âSeeing you speak with two different voices is trippy,â she observes.
Like this is all some curious spectacle. Like Sukuna isnât the King of Curses, reborn.
âDonât move!â
They turn to the dark haired boy struggling to stand. Heâs bleeding heavily, looks half dead already - no wonder Sukuna didnât notice him sooner.
âYouâre no longer human,â he continues, trembling with fear or fatigue. Even so, shadows begin to swirl around him. âUnder Jujutsu regulations, Itadori Yuuji, I will exorcise you as a curse.â
Sukunaâs vessel blinks at him dumbly, but the girl twists around, placing herself between them. Her back is to them entirely, unprotected. Thereâs concrete dust and other debris in her hair, the brat notes absently. Sheâs going to be so annoyed.
âMaybe you should sit down again,â she says, soft and sickeningly concerned. âYouâre in bad shape.â
She says that, and yet Sukuna notices how sheâs positioned herself protectively, spine tense. Itâs almost humorous, that this little thing thinks she can protect them if it came down to it.
âProbably more than a concussion,â the boy agrees, putting his hands up as if in surrender. Sukuna snarls in his mental bindings, incensed by such weak behavior. âLook, Iâm just fine.â
He feels the last bit of his control slip. The markings fade from the boyâs skin and Sukunaâs forced to be a mere spectator for what follows.
âWeâre both pretty beat up, we should go to a hospital.â
âAnd tell them what?â the girl asks, turning her head to arch an eyebrow.
âI dunno! Youâll think of something on the way, right?â
She blinks at him. âYour faith in me is astounding sometimes.â
âYouâve never let me down before!â
Her expression softens. Sukuna could gag.
A new voice joins them. âWhatâs the situation?â
Sorcerer.
Things are happening too fast.
Her best friend has something inside him now, something terrifying. Sheâs not afraid for herself, she could never be afraid of Yuuji - but sheâs scared for him. Fushiguro isnât in any shape to hurt him, but this new man, the one with white hairâŚ
She canât place her finger on it, but she feels it like an itch between her shoulder blades. A sharp, uneasy grip on her heart. Heâs dangerous, powerful. And sheâs so far out of her depth, can barely wrap her head around the realization that the things sheâs seen her whole life are real, they have a name.Â
But she doesnât know how to protect Yuuji now. Couldnât save him from the curse before, and doubts she could save him from this man if he agrees with Fushiguroâs judgment.
Somehow, she doesnât think âexorcisingâ in this instance works the same as it does in movies.
âYou okay?â Yuuji whispers.
She only flicks Yuuji a quick glance, too nervous to take her eyes off the stranger for long - no matter how nonchalantly he acts snapping pictures of Fushiguro.
âYeah,â she lies.
âYou sure?â he asks, a worried frown in his voice. âYou fell down pretty hard earlier. And your arm is bleeding!â
âOh, thatâs from the window. Really, Iâm alright.â She glances at him again, remembering the blood that had been dripping down his face. Thereâs no sign of it now, but still⌠âWhat about you?â
âI feel just fine, even after eating that thing.â
âYou what?â the man interrupts, face frozen in shock. âReally?â
âHe did,â she and Fushiguro confirm together.
He tilts his head curiously, unusual pale hair flopping as he tucks his phone away. When he takes a step towards them, she shifts nervously, grabbing at Yuujiâs arm. It doesnât stop him from closing the distance. Even with a thick blindfold over his eyes, she gets the distinct sense that he sees more than sheâs comfortable with - glancing first at her, and then focusing on Yuuji.
âUhâŚâ Yuuji blinks, twitching back a bit as the man leans closer.
âDamn,â he says after a moment, apparently amused, âit really did combine with you. Thatâs hilarious!â
Is it?
Yuuji glances at her with the same thought in his eyes and shrugs.
The man takes a step back, giving them some space. Her death grip on Yuujiâs arm loosens.
âAnything weird about your body?â the man asks.
Yuuji glances down at himself, shaking out his limbs. âNah, I donât think so. Hima?â
She gives him another once over. âYou look the same right now - shame, that.â
âHey!â
The attempt at levity works at least, easing some of the tension in his shoulders - and hers as well. They need to see that Yuuji is just himself, just her best friend. Not some monster that needs to be stopped.
âCan you swap with Sukuna at will?â the man asks.
âSukuna?â Yuuji repeats.
âThe curse you ate.â
Sukuna.
She turns the name over in her mind, though it doesnât spark any particular reaction. Just something to call the manic entity that twisted her best friend around into a stranger for a few heart-stopping moments.
âOh!â Yuuji says, putting a hand on his hip. âMm-hmm, I think I can do that.â
The man takes another few steps back and drops into a squat, twisting his spine this way and that.
âOkay, gives us ten seconds,â he says, like heâs asking Yuuji to do jumping jacks. âThen change right back into yourself.â
She starts. âWhat? Thatâs notââ
âDonât worry,â he says with an easy smile, âIâm way too strong for him.â
And⌠she believes it, oddly enough. That strange extra sense still tingles at the back of her mind, that thereâs something else to this man. But his safety wasnât actually her concern.
âYuujiâŚâ she starts.
His hand laces with hers and squeezes. âItâll be okay, Hima! Iâve got a good feeling about this.â
She grimaces. âYou said that about that konbini sushi one timeâŚâ
He has the audacity to look offended.
âThis is completely different.â
âYou just ate a mummified finger.â
âItâs better than throwing up until 2 am.â
âBy what measure?!â
âHima.â At a loss, she meets his eyes, trying to express all her worry and confusion, all the ways sheâs afraid for him. He gazes back, steady and calm, the same reassurance thatâs gotten them through the hardest moments of their lives. âTrust me.â
Of course she does. More than anyone.
âOkay, Yu-chan.â
She squeezes his hand one last time and steps away.
âIf you could just stand over here with Megumi,â the white-haired man says, âwe donât want you in the line of fire.â
âRight,â she sighs, crossing to Fushiguro.
He glances at her as she kneels down beside him, ripping off a bit of her undershirt to press against the biggest cut on his forehead. At the very least, she can make herself useful like this. Itâs better than sitting and watching, wringing her hands.
âHold onto this for me,â the stranger says, tossing Fushiguro a bag as he continues stretching.
Sheâs not listening to their exchange, though. Sheâs watching Yuuji. Sees his head roll forward, jaw slack. Black marks bloom across his chest, shoulders, and arms - have barely solidified before heâs leaping into the air, almost too fast for her to track. Two pairs of crimson eyes gleam in the darkness.
She opens her mouth, but canât get out a warning before the impact. A cloud of dust explodes around them, forcing her eyes shut.
Her mind screams that itâs not safe, that she needs to see.
She opens her eyes and gasps.
Yuuji - no, Sukuna - is crouched over her, hands planted on the ground to either side of her thighs. And his face is close. Burning red eyes lock with hers, his expression twisted in shocked fury. He snarls, treating her to a front row view of a wicked set of fangs.
Sitting on his bent back like a chair, the white-haired man continues chatting, unconcerned.
And the fight is on.
She canât keep up with whatâs happening, or even whatâs being said. Her heart is pounding all over again, drowning out almost everything else. Her free hand curls in the front of Fushiguroâs jacket, keeping him close - though she doesnât know whose sake itâs for.
Ten seconds feel like they stretch out for an hour. Another quarter of the school is destroyed in the clash; sheâs not sure how she and Fushiguro remain unscathed (further) by the destruction. But they survive. The blindfolded man is standing between them and Sukuna as he counts out the last seconds.
She breathes a sigh of relief with Fushiguro as Sukuna jolts and stiffens, frozen. He sways, head falling forward again.
And then her best friend is back.
âOh,â he says, like he just woke up from a light doze, âhowâd it go?â
She lets Fushiguro go, the danger passed again.
âHow about that,â the man observes cheerfully. A handful of floating rocks hit the ground. âSo you really can control that guy?â
âHeâs kind of annoying to tell the truth,â Yuuji complains, smacking at his own head, âand I keep hearing his voice.â
Huh. She tilts her head, admittedly intrigued - though she can imagine what Sukunaâs spouting off about, considering what he said in the little time he had initial control. She doesnât envy him.
âItâs a miracle thatâs all heâs doing to you,â the man says, approaching Yuji with his hand raised.
She realizes something is off too late. He touches Yuujiâs forehead and his eyes roll back as he slumps, knees giving out.
âYuuji!â she yelps, bolting up.
âDonât worry, I just knocked him out,â the man says, turning to her. Completely unconcerned.
âThat why Iâm worried,â she snaps, reaching for him.
He lets her get close enough to touch Yuujiâs cheek, but they both know she canât take Yuuji from him. Even if he let her, she couldnât support his weight. Heâs all muscle, and she knows from experience that heâs dense as hell.
âPlease be okay,â she whispers, ruffling her fingers through his sweaty, dirty hair.
He doesnât stir, but his breathing is deep and even; itâs like heâs just sleeping. She canât stop looking at the blood around his mouth.
âYou two are close,â the man observes. âNot many people would still be around.â
âWe grew up together,â she explains. âWeâre all the family we have.â
âWhat is it with kids these days and their immortal bonds,â he mutters, seemingly to himself.
âWh - hey!â
Electricity snaps between them as his fingers get within centimeters of her forehead. She jerks back instinctively, but it looks like his hand is pushed away.
âWell, isnât that something,â he muses, tilting his head. âYou two make an odd pair.â
âYou just tried to knock me out,â she accuses, taking a another step back.
But he still has Yuuji and she stops from retreating further.
âI did,â he agrees, âbut you used a cursed technique to stop me.â
She blinks. âHuh?â
âYou donât even realize what you did, do you?â he asks.
She shakes her head, eyes flicking between him and Yuuji. This is all too much. She doesnât know whatâs going on, canât make herself think. Doesnât know why he couldnât knock her out or what it means.
âHow long have you been able to see curses?â he continues.
She blinks, tries to focus. âMy whole life.â
âBut no one trained you.â
Itâs not a question this time, but she still shakes her head. Adds, âMy parents thought I might be crazy, so I just pretended not to see them. I didnât know what they were⌠until tonight.â
He touches his chin with his free hand thoughtfully, then shrugs.
âOkay, weâll come back to that later. Right now, we have to deal with Itadori here. If he isnât possessed by Sukuna when he wakes up, then he might have potential as a vessel.â
He half turns, addressing Fushiguro, whoâs still hugging his souvenir bag on the ground.
âWhat do you think we should do with him, Megumi?â
She glances at Fushiguro, heart in her throat. What if he insists that Yuuji needs to be exorcised. What will she do?
What can she do?
âWell, even if he is a vessel, jujutsu regulations demand that he be executed.â
Her heart sinks and tears sting her eyes for the first time that night. Fushiguroâs eyes land on her; he gives her a tiny nod. Then he turns to the white-haired man.
âHowever, I donât want him to die.â
âPersonal?â the man asks, curious.
âI suppose.â He steels his expression, brow furrowed with determination. âSo can you save him?â
The man chuckles and bends his knees, hefting Yuuji up onto his shoulder. She shifts as if to help, though he seems to have it under control.
âA request from a precious student?â He gives them a thumbâs up. âLeave it to me.â
Yuuji is four and heâs living with Grandfather Wasuke now.
Grandfather is quiet and stern but usually nice. Itâs fun going with him to pull the pachinko levers and they usually go to the park after, so that he can run and play. The other kids like him well enough, but heâs not close with any of them and they all live too far to visit often.
Except for one.
She lives next door and her parents are introducing her to Yuuji. Sheâs rocking back and forth on her heels, twisting her shirtsleeves in her hands. Her shoes light up pink and blue.
They want her and Yuuji to be friends. It would be nice, they say, sheâs shy.
There are yellow ribbons in her hair.
âYellow is my favorite color,â he blurts. Heâs cut off the adults, which is rude, but heâs too busy smiling at his new friend. âWhatâs yours?â
She blinks, looks at his hair. âPink.â
âCool! Wanna play airplanes?â
She tilts her head. âHow dâyou do that?â
âIâll show you, câmon!â
He grabs her hand and tugs - not too hard, though! Grandfather Wasuke says heâs strong for his age and he needs to be careful. So he is! Heâs just also really excited.
But his new friend only stumbles a little before her feet catch up, following him. She starts to smile and Yuuji suddenly gets what adults mean when they say someone âlights up.â
He thinks of sunflowers turning their faces to the sun.
âO-Okay!â she says.
Yuuji is six and itâs his first day of school.
His backpack feels weird on his back. The straps are too tight. And he doesnât like his uniform, either. Itâs not as comfy as his shorts and t-shirts, but Grandpa said he has to wear his uniform, so he is.
He still doesnât like it.
His best friend is standing at the front door, gripping her mamaâs hand with one of her own. The other is tight around the strap of a pink backpack. Sheâs not wearing her light-up shoes today.
Theyâre waiting on Yuuji, who canât quite get the hang of his shoelaces this morning. He got it right just a couple days ago! But he wasnât excited then, and he is now because itâs his first day of school and his neighbors are waiting for him.
âAround the other way, Yu-chan!â his neighbor calls.
âEh? Oh, right!â
He pulls the loop and hops to his feet. Auntie compliments him for figuring it out, but heâs watching his best friend, whoâs started rocking on her heels again. He knows she does that when sheâs scared. Like when they have to cross busy streets or that time the power went out.
âItâll be okay,â he tells her as he reaches her side. She told him yesterday what sheâs scared of - all the new people and the teacher and breaking any rules. âWe already know each other and I wonât let anyone be mean to you, even teachers!â
She stares at him with big, nervous eyes. There are yellow flower barrettes keeping her hair back.
âPromise?â she mumbles. He pries her hand off her backpack strap and squeezes.
âPinky promise!â he declares.
They twist their hands and interlock their littlest fingers. Yuuji loves pinky promises. Theyâve made at least a hundred now, and kept every one!
âI promise I wonât let anyone be mean to Yu-chan either,â she chirps.
Yuuji is ten and his best friend kicks her legs from the top of the monkey bars. Itâs the middle of summer and heâs just jogging back from the ice-cream stand. He has a garigari-kun in each hand, trying to hold the sticks through the wrappers so they donât melt too fast.
âWhat flavor did you get?â she asks.
âPeach for you and grapefruit for me!â he announces.
Another kid jumps from the slide and lands right in front of Yuuji, throwing up gravel. Yuuji doesnât know his name, but he didnât want to play earlier when they invited him.
âWhoa, that was a big jump!â Yuuji exclaims, impressed.
âThanks,â the kid says, then points to the yellow pop in Yuujiâs hand. âSo, can I have that?â
Yuuji blinks. âW-What?â
âItâs hot out, I need something to cool off,â the kid explains. âGrapefruit is my favorite.â
Yuuji hesitates. It is hot out and the kid looks sweaty. But Yuuji is sweaty too, and grapefruit is also his favorite.
âCâmon,â the kid whines, âdonât be selfish. Iâm gonna die if I donât cool off soon!â
Thereâs a gravelly splash behind him, and then Yuujiâs best friend is standing between them, hands on her hips.
âI saw you take Tama-chanâs Gyunyu earlier,â she declares, scowling.
The kid startles and blinks, then flushes. âS-so?!â
âSo, if youâre so hot, go sit down in the shade instead of taking ice cream that isnât yours!â
Yuuji awkwardly tries to smile. âAh, hey nowâŚâ
âWhatâs it matter to you anyway? Heâs got two, canât you just share?â
She scrunches up her nose. âYou didnât share with Tama-chan. So weâre not gonna share with you. Câmon, Yuuji!â
She whips around and starts marching away, yellow sneakers kicking up rocks. Yuuji scrambles after her. Luckily, Yuuji is pretty fast, even with an ice cream in each hand.
âHere, at least take yours,â he says as he catches up to her.
âOh! Thanks, Yu-chan!â she chirps, taking her peach pop with a smile.
They sit on a bench in the shade. Yuuji grins as they tap their pops together in âtoastâ even though it mixes the flavors a bit where they touch.
âI wouldnât have minded giving him my ice cream, ya know?â he says after the first bite.
She hums. âI know. But you would have done it âcause you felt guilty, not âcause you wanted to.â
âYeahâŚâ
âItâs like when Namako-kun took my favorite pencil. Remember?â
He does. Sheâd had other pencils to use, or could have even borrowed one of Yuujiâs. But that one was her favorite and Namako-kun took it without asking. And even though he said heâd give it back when class was over, Yuuji knew he wouldnât because he never gave anyone their pencils back.
So Yuuji took matters into his own hands when the bell rang. He would have done it sooner, but his sunflower whispered at him that heâd get in trouble if he interrupted class and it was fine just for a little bit.
âWe look out for each other,â she insists.
âYeah,â he says, bumping his shoulder into hers.
Yuuji is twelve and gramps frowns at him.
âArenât you two getting a little⌠old for sleepovers?â
Yuuji frowns right back, halfway through stuffing a bag of chips in his backpack. Itâs a brand new flavor and heâs been dying to try it with her all week. Now that the weekend is here, they can pass judgment on it - and the four other new snacks they picked up throughout the week.
âNo?â he questions. âIs there an age limit on sleepovers or something?â
âNot⌠exactly. Itâs just⌠you two are getting older and sheâs a girl, you know. Are you sure her parents are still okay with you two⌠sleeping over?â
âOf course they are!â Yuuji says. Itâs rude to impose, even on neighbors heâs known his whole life. If they didnât want him over, he wouldnât insist. âAnd besides, sheâs not a girl. Sheâs Himawari.â
Sheâs his sunflower.
Gramps sighs, looking resigned. âAs long as her parents donât mindâŚâ
Yuuji doesnât understand why they would. If they had a problem with Yuuji, surely they would have said something sooner. He was over just last night doing homework!
âThey donât,â Yuuji promises.
Yuuji is thirteen and his best friendâs father falls ill.
No one knows what it is, so no one knows how to fix it. It starts out with doctorâs appointments, more and more each week. Until one day he goes to the hospital and stays.
Auntie picks up extra shifts to help with the medical bills. What little time she has off is usually spent at the hospital.
There are no more questions about sleepovers. The Itadoris step up to help their neighbors. Yuujiâs sunflower starts to spend a lot of nights over.
She tells everyone that sheâs okay, but Yuuji knows better. Sheâs anxious a lot of the time, fidgeting with her sleeves and chewing her bottom lip to pieces. Sometimes she stares off into space with her brows furrowed, too caught up in her thoughts and worries.
Yuuji offers anything and everything he can. Answers to homework when the circles under her eyes are dark and half the questions are empty. Her favorite meals when her appetite gets scarce. Distractions when sheâs been frowning too long, or comfort when distractions donât work.
She cries into his shoulder sometimes. Quietly, while theyâre watching TV - usually reruns of their favorites because she says she likes the familiarity. Yuuji never asks whatâs wrong or if he can help; he knows whatâs wrong and heâs already helping as much as he can. If he could do more, sheâd tell him, and heâd oblige.
But she hates when he sees her cry.
So he keeps his eyes on the screen until her breathing evens out, and she falls asleep beneath the yellow blanket theyâve shared since they were kids.
Yuujiâs fourteen and his neighbor dies.
The funeral is quiet and somber. Wasuke and Yuuji are there before it even officially starts, offering support. His sunflower looks wilted in a black dress heâs never seen before. It stays burned into his mind for years, how wrong it looks on her.
He holds her hand while she cries. She hugs him tight while he cries.
They place yellow camellias and white carnations on her fatherâs grave together.
When he and gramps finally return to their own apartment, Yuuji doesnât see her again for another two weeks. Itâs the longest theyâve been separated since they were toddlers. His heart aches.
In the aftermath of her fatherâs passing, Yuuji canât help but look at gramps with new eyes, new realization. Wasuke is getting older, slower, back bending more and more every day, it seems. Heâs as spirited as ever but his body betrays his age and Yuuji is afraid.
Itâs selfish, and he couldnât imagine burdening Hima with his thoughts. Not now. But in those two weeks he misses her fiercely, knowing just her presence would be a comfort.
Yuuji is eighteen and getting yelled at by his grandpa. Something about going to school and living his life, to stop calling the hospital. Itâs honestly too early to process anything at that volume, but heâs heard it enough times by now to get the gist.
The shouting is a little comforting, though. Means gramps is in high spirits - or has the energy to yell, at least. Same difference.
âYu-chan?â Hima pokes her head around the corner. âWeâre running - oh, is that Jiji?â
âYeah, here.â He shoves the phone at her. âItâs your turn.â
She presses the receiver to her ear without hesitation. âMorning, Jiji!â
Even now, he can hear gramps going off. Gramps practically raised her too, so itâs not shocking that sheâd get the same ear-ringing treatment. But she just smiles, serene as ever.
âSounds great, Jiji, weâll see you later!â
And she hangs up. Because she may have been shy when they were kids, but somewhere along the way, his sunflowerâs spine grew in with steel.
âAnyway, what were you saying?â he asks, scrubbing a hand through his undercut. Sheâll need to shave it for him again soon. Itâs getting long.
âOh! Weâre running late.â
She holds up her phone screen, showing him the clock on a yellow lock-screen. Sure enough, ten minutes past the time when they usually head out.
âHe was yelling longer than I thought,â he muses, reaching for his bag.
Well, thereâs nothing for it now. No rewinding time to make that phone call any shorter (or quieter).
She nods, tugging his sleeve to hurry him. âWe have that test in first period, remember?â
Was that today?!
Seeing his expression, she grimaces. âWeâre so screwed.â
Which is basically just challenging him. âNo way! Hop up, Iâll run us there.â
She doesnât hesitate, scooping his backpack onto one shoulder and then hopping up as he squats. Her arms loop around his shoulders, careful not to strangle him. He secures his hands behind her knees.
âAll set?â he double-checks.
This isnât the first time theyâve done this, but he doesnât want to drop her again. Especially when heâs sure heâs the reason theyâre late in the first place - she hates cutting his calls to the hospital short.
âYep! Onward, noble steed!â she declares, nudging him with her heels.
âIâm not a horse!â he complains, even as he takes off at a dead sprint.
She squeals and grips onto his hoodie, but then starts giggling a second later, whooping with delight. It doesnât take long to get to school, not when he runs like this, but he savors every second. It reminds him of summers chasing each other around the park and sleepovers wrestling for the last cookie.
âYuuji!â she cries. âYouâre gonna overshoot again!â
âHuh? Oh, crap!â
He hits the brakes hard, nearly tripping and overbalancing them both with the momentum. Thankfully, he manages to recover, skidding to a stop just within the schoolâs gates.
As usual, theyâre a bit of a spectacle, other students staring. Neither of them pay it any mind though, as she leans around his shoulder to smile, mussing his hair.
âThanks for the heads up!â he breathes, grinning back. âSorry, Iâm not sure whatâs up with me today. You alright?â
ââCourse I am!â she trills, hopping down and smoothing her skirt. âAnd look, weâre five minutes early now!â
He brightens. âAlright! Does that mean we have time for breakfast?â
âLike Iâd let you go hungry.â
He accepts the red panda themed bento she offers with sparkles in his eyes.Â
âYouâre seriously the best!â he cheers.
She opens her mouth to answer - only to be interrupted by one of the teachers.
âYoung lady, how many times do I have to tell you not to be so improper?!â
Mrs. Sakamoto - the bane of her existence. And Yuujiâs, to a lesser extent. Sheâs been on their case since first year, taking it upon herself to act as some kind of mother hen figure.Â
Problem is, Yuujiâs never missed having a mom with his neighbor around - not that sheâs around much, anymore. Not since her husband passed.
As for how Hima feels about itâŚ
âIâm here early, whatâs so improper about that?â she demands, a scowl already tugging at her features. Yuuji shuffles behind her, out of the line of fire. Best to let her handle this - besides, his mouth is full of food and heâs not looking for a lecture too.
âClimbing on a boy like that, itâs shameful! Completely inappropriate!â Mrs. Sakamoto lectures.
Yuuji makes a face. This again?
âYuujiâs not a boy,â Hima scoffs.
âWh - hey!â he yelps. âWhat am I then?â
âMy best friend, duh!â
Which - yeah, okay, fair. But that doesnât mean heâs not a boy! Heâs all man, thank you very much!
âI know you two grew up together,â Mrs. Sakamoto interjects, âbut you arenât children anymore. You need to be more aware of how you behave. Youâre too old to be acting so carelessly with each other.â
Hima clicks her tongue. âYa know what I think is improper?â
Uh oh.
âThinking about a couple students like that,â she says. Mrs. Sakamotoâs mouth drops open, face paling and then flushing. âYou seem really preoccupied with what Yuuji and I are up to.â
Aaaaand thatâs his cue.
âWould you look at the time!â he says, looping an arm around Himaâs waist. âWe donât want to be late to homeroom after all that, do we?!â
âYuu-ji!â
âSee ya, Mrs. Sakamoto!â he calls over his shoulder, already dragging her through the door.
He deposits her in her usual window seat with a nervous grin. She blinks for a second, reorienting herself, and then huffs.
âAw, I just fixed my hair,â she complains, plucking the yellow ribbon out to start her braid all over again.
He sighs in relief - looks like heâs safe from her wrath. This time.
âHere, I think I have a spare brush in my bag,â he mumbles.
Thereâs a pocket in the front where he keeps most of his Hima-related items. Her favorite flavor of gum, hair clips, pads, and (huzzah!) a little portable brush. She starts tugging it through her windswept hair with a small, grateful smile.
Yuuji doesnât miss the shadows under her eyes.
He doesnât ask if she had a bad night; he knows she did. She didnât sleep at his last night - instead tending to her mother at the tail end of another bender.
âGrab my notebook, Iâll help you cram before the test,â she offers. âAnd you never understand your own notes.â
He perks up, chest squeezing with appreciation. Even now, sheâs always watching out of him.
âThanks, Hima-chan!â
âYuuji, hold your head still.â
âSorry, but this is my favorite part!â
She groans and twists his shoulders so that he can see the TV screen without turning his head. The clippers buzz to life by his ear again, and a pleasant shiver races up his spine as they carve a path through his overgrown undercut.
âKeep fidgeting and Iâm gonna shave a heart back here,â she threatens without heat.
âAw, that sounds awesome!â he says. âCan you?â
âI donât trust myself to make it even,â she admits.
âI donât care if itâs even!â
She huffs, combing her fingers through the longer hair at the top of his head to keep it out of the way. He hums as her nails scrape gently over his scalp, eyes falling half-shut. Man, the day always seems to catch up with him all at once when she does that. If it werenât for the hard kitchen chair, he could probably fall asleep right now.
âMaybe next time,â she allows.
âMâkay,â he mumbles, yawning.
They sit quietly for a moment, silence cushioned by the TV and the continuous drone of the clippers. Every once in a while, she brushes his hair one way or another, pinning stray strands out of the way to keep the sections straight. Sheâs been doing his hair since Grampsâ health started to decline, an effort to save money on haircuts that theyâve turned into yet another bonding ritual.
Sometimes, in moments like this, he tries to imagine the future. A time where they donât practically live together. Where someone else is reaching over his shoulder to steal popcorn, someone elseâs warmth is blanketing his shoulders. Another voice speaking lines along with movies theyâve already seen a hundred times.
It makes his stomach feel sour, unease fluttering in his chest.
âHey, everything okay?â
He blinks, dragging himself from his thoughts. âWe should pick up flowers for Jiji tomorrow.â
âHe hates that,â she giggles.
âYeah.â
âIâll call tomorrow morning so they can be ready in time.â
He glances at her over his shoulder. She smiles, bright and sunny as ever, even though he can tell sheâs tired. He never asked how much she slept last night, but he comforts himself knowing that sheâll stay over tonight. Yuuji always feels a little better knowing sheâs within reach. For both their sakes.
Thereâs another quiet stretch as she focuses on his hairline, cleaning up it up into a neat line. He already knows what face sheâs making as she focuses, bottom lip between her teeth and a little furrow in her brows. Probably getting light-headed from holding her breath, though he knows better than to break her concentration to remind her.
When sheâs finished, she uses a damp towel to collect the little hairs sticking to his neck and shoulders.
âDo you thinkâŚâ
He stops before he can ask. He knows the answer, doesnât he?
âHm?â she asks, pausing with her hand on his shoulder.
He taps his fingers along his knee, suddenly unsure. But heâs already gotten her attention and she knows him too well to believe any deflection. Besides, Yuuji can ask her anything.
âDo you think⌠itâll always be like this?â he says finally.
She hums. The answer seems obvious, but sheâs giving it more thought than he expected.
âExactly like this? No,â she muses finally, âbut some things will always be the same, I think.â
âLike what?â
âWell, youâll always be Yuuji, and Iâll always be your sunflower.â
He blinks, glances at her over his shoulder. She meets his eyes, not quite smiling, but her expression is soft and warm. A gentle balm for his worries.
Something in his chest settles.
Theyâll always have each other. And as long as thatâs true, itâs okay if everything else changes.
Occult club isnât the most glamorous, but Yuujiâs not in it for glory.
They host meetings right when school ends and they never run longer than five oâclock, leaving plenty of time to visit Gramps. Even with only four members, they donât ask for a lot either. A few spooky investigations (always well after the hospitalâs visiting hours) and maybe the odd bit of research into âhauntedâ locations.
Not to mention - itâs actually pretty fun! Sasaki-san and Iguchi-kun have good vibes despite jumping at every shadow, and Hima always leaves with a smile on her face. Like Yuuji, supernatural entities and black magic donât scare her. In fact, she usually spends their âhuntsâ cracking jokes about ghosts and goading poltergeists with silly internet dances.
They both like occult club, and it works well with their schedules, so he wishes the track coach would let him be.
Ms. Sakamoto is here too, saying something about changing Himaâs form to the cheer team. That she can be a cheerleader and Yuuji can be on track, and isnât that so much better? Normal? Instead of skulking around in the dark and reading about morbid things.
Itâs on Yuuji to get them out of this, but neither of them are worried. Heâs always been stronger and faster than other people. They both know the outcome before theyâve even reached the track field, and spend the walk there exchanging sneaky smug glances.
Once theyâre out there though, he notices her eyes are wondering over the grounds, brows pinched.
âHima?â he calls. âEverything okay? I won - you donât have to be a cheerleader.â
Thereâs a beat before she answers, her eyes focused on something beyond the crowd of students that came to watch Yuuji and Coach Takagi. Thereâs a boy a little ways off in a white button-up, dark spiky hair and an annoyed expression.
Yuujiâs about to ask if she knows him (though if she did, Yuuji would know him too) but she turns back to him and snorts.
âNo kidding - you broke the goal,â she cackles. âYour aim sucks.â
âHey! Iâd like to see you do better!â
But they donât really have time for that - itâs already four-thirty and they still need to pick up flowers.
She hops onto his back, letting the shop know theyâll be there soon while Yuuji runs them through the gates.
Gramps is as thrilled to see them as always - which is to say, not much. Even looking too small and frail in the hospital bed, heâs too proud to be anything but irritated by their presence.
âThey must have taken the vase to clean,â Hima says when they find the windowsill empty. âIâll go find it.â
She drops a kiss on Grampsâs forehead before leaving the room, humming quietly under her breath.
Years later, when he remembers that last conversation with Wasuke, it wonât be the old manâs final wishes that haunt him. Giving others a proper death, saving those he can - thereâs a comfort in working towards that goal, like keeping his spirit alive and burning in Yuujiâs chest.
No, itâs the way he feels in that moment. When he calls for his grandfather and receives no response.
The floor drops out from under him.
One minute. Just one single minute ago, Wasuke had been scolding him at full volume.
And then Yuujiâs suddenly alone.
All at once, itâs just him in this cold hospital room. Him and the body of his grandfather. The man who raised him, too quiet and too still to be the firecracker that was Wasuke Itadori right up until the very end.
His hands shake as he picks up the room phone. Heâs feeling so much at once that heâs numb and all he can think is that he doesnât want to be alone. He doesnât want to be the last-
âYouâre not alone.â
There are arms around him, squeezing so tight it feels like his heartâs been jump-started. The scent of flowers and the same detergent since childhood in his nose. A voice he knows better than anyoneâs, thick with her own tears.
âIâll always be by your side, Yuuji. Always.â
He grips his Himawari tight and sobs into her hair, pouring his heart out. And she just holds him, breathing with him, soaking the front of his shirt. They share everything, they always have, even this.
She doesnât apologize. She doesnât give him any platitudes, or remind him that this was inevitable.
Sheâs just there. Always there. And itâs enough.
Eventually, he cries the edge off his loss, dulling the pain and sadness until he can breathe right again.
She fetches them water, wipes Yuujiâs face with tissues provided by a sympathetic nurse. Their eyes meet in the waiting room while the nurses take care of⌠of his grandfather. He already misses Wasuke fiercely but⌠but itâll be okay. Wasuke is gone, but Yuujiâs not alone, and Gramps would smack him over the head if he wallowed for long.
They stand together while he fills out paperwork, surprised by the steadiness of his own hand. But her shoulder is pressed gently against his arm, keeping him warm. He feels like heâs finding his feet again.
And then they meet Megumi Fushiguro.
It all becomes a blur, later on. For everyone.
Megumi canât fill in many gaps, too injured from the fight with the curse. Head injuries are a hell of thing.
Hima fills in what she can.
She and Yuuji stood at the school gates after Megumi went in. Yuuji remembers struggling with instinctive visceral fear, self-preservation gripping his heart in a vice. He remembers the echo of Grampsâ final words in his head; he remembers catching her eyes. A silent exchange.
He remembers the weight of her on his back as they crashed through the upper story window. She dropped to snatch up Sasaki-kun while Yuuji drove his fist into a writhing mass of eyes and mouths and hands.
The details smudge after that, like running water colors.
They crashed through the walls into open air. Yuuji was fighting against the curseâs reaching hands and snapping jaws. Keeping a vague eye on a wide-eyed and trembling Hima, standing over Megumiâs prone form.
(He doesnât remember this later, but Megumi does. One of the curseâs appendages lashed wildly in the struggle, coming straight for the two of them. Hima leaped into the direct line of fire, bodily protecting him. The appendage struck off something that shimmered in the air between one blink and the next. It knocked her to the ground with an âoofâ that did catch Yuujiâs attention and motivated him to do what he did next.)
What Yuuji will remember of those last moments before everything changed was desperation. Not fear, but an overwhelming need to protect, to fulfill Wasukeâs final wishes. To honor the promise he made to his best friend over a decade earlier, the one person he had left in the world.
And he swallowed the mummified finger of Ryomen Sukuna.
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Ryomen Sukuna is as revered as he is feared. He is beset with offerings almost constantly. Amongst his endless libations, manuscripts and scrolls began to pile up like fallen leaves. He needed a keeper of his priceless tomes, someone to organize the nearly-constant new additions and fetch volumes should he call. It was truly some twisted design of the stars that you were chosen.
You find solace in the library of Sukuna's estate. Comfort in paper, comfort in ink.
Divider by @miscellaneous-misty
Posted on AO3
Content:
Safe/mostly sane/consensual sex, brief eye trauma, possessive behavior, canon-typical violence including death and torture, FAB reader using she/her pronouns;
See AO3 for a full list of tags/warnings
Comfort in paper, your mother used to say. Comfort in ink.
A woman accustomed to bowing her head, she found submission easier to stomach with a scroll beneath her eyes. She would occupy her flighty hands with crisp pages, drown herself in the waters of calligraphy. You used to wonder, did she find freedom there, between the characters and illustrations? Or was she just decorating the walls of a mental prison?
Even if you could ask her, you donât think she would have an answer.
After all, you wouldnât have one if the question was turned on you - unlikely as that is.
Comfort in paper.
Itâs difficult to describe Ryomen Sukuna.
Heâs inscrutable to you, not quite divine, not quite monstrous. Oh, surely his appearance is frightening, with ghastly appetites to match. A quadruplet of eyes and arms, a chiseled abdomen bisected by a jagged maw. Functional, you know all too well.
Itâs one of the first things you recorded, following the sack of your familyâs ancestral manor. The arm of a dissatisfying servant bitten clean off, down a mysterious gullet. Droplets of blood still decorate the kosode you wore that day. You hear the servantâs agonized cries in your dreams.
Comfort in ink.
Whatever he is, Ryomen Sukuna is as revered as he is feared. He is beset with offerings almost constantly. Tributes, sacrifices. The label is as interchangeable as his moods. Amongst his endless libations, manuscripts and scrolls began to pile up like fallen leaves.
Eventually, the master saw fit to do something with them.
The library is cool and dry, somewhat removed from the rest of the manor as Sukuna rarely finds his entertainment in reading. Should he deign to, though, disorganization is apparently an unacceptable inconvenience.
He needed a keeper of his priceless tomes, someone to organize the nearly-constant new additions and fetch volumes should he call.
It was truly some twisted design of the stars that you were chosen. A cosmic luck youâve yet to determine as good or bad. His most faithful vassal, Uraume, found you cowering in your familyâs library. Had asked if you knew your letters and numbers, then presented you to the cursed king as a useful war prize.
Books are your sanctuary now as they were then; you hardly leave for more than food and rest. And sometimes not even then. Youâve woken any number of times at your writing desk or curled up in some corner. Have skipped meals in favor of reorganizing shelves and updating the catalog.
Itâs not, in fact, fear of Sukuna that dedicates you to your work.
Well⌠maybe it is a little.
But truly, you do love books, and the ones Sukuna is gifted are splendid. You take your joy in perusing the volumes when time permits. Comfort where you can find it.
The rest of the manor is perilous. Besides the master himself, there are curses currently in Sukunaâs favor (or at least tolerated) that roam about, preying upon various servants like yourself. Members of his harem that enjoy tormenting those they see below their status.
Not to mention the more-than-occasional gruesome displays of violence. The palace is decorated in trimmings of viscera and gore, dripping into the floorboards and staining the tatami. Youâd prefer to avoid the sight (and smell) when you can.
Like your mother before, you bury yourself beneath paper and prose. Keep your eyes fixed on brush strokes and your head bent towards scrolls until everything beyond the library doors fade away.
A haven from it all, you believed.
Foolish.
Itâs a mild morning when you hear the doors open some meters away - Kiro with the weekly additions. Youâre perched on a step-stool, a half dozen books stacked beneath your chin. You slide another collection of poems amongst its brethren, blowing loose hair from your face.
âPlease tell me thereâs not another copy of Genji,â you call mildly. âI fear weâll need another library just for those.â
âIf that is all you fear, then youâve forgotten who you serve,â a deep, all too recognizable voice sneers.
A yelp snags between your teeth. You hop off the stool and hurry around the corner, horrified to find that your ears were not deceiving you.
Ryomen Sukuna is in the library.
You drop to your knees, realize youâre still holding the books, and awkwardly hold them out in front of you to duck your head as low as you can. Pray that itâs enough to appease him when youâve already tested his temper. Heâs flayed others for less.
Thereâs a long, frightening moment of silence. Four of your frantic heartbeats thunder in your ears. Then Sukuna grunts.
âBring me the atlas.â
You pause, blink. âW-which atlas, my lord? You have sixteen.â
He clicks his tongue - as if youâre wasting his time with trivialities. âThe one I received last winter.â
He received three last winter, in fact. You weigh the dangers of asking for further clarification against the risk of retrieving the wrong item. Choose the latter and back away with a quiet murmur.
Your mind races as you carefully set your last task aside. Instinct guides your feet to the correct shelf, providing precious spare seconds to make your guess.
Last winterâs atlases didnât all arrive together. Two came from a northern lord, and you remember Sukuna had barely glanced over the offerings when they were presented. Nothing about their coverings would have indicated their contents without opening them.
The third had come from a curse user that had killed a prominent jujutsu sorcerer, and brought the manâs wealth to Sukuna. And he had leafed briefly through that one.
You pluck it from the row and return to Sukuna, anxiety nearly knocking your knees out from under you. Somehow, you keep your hands and voice steady as you present it, again as low and deferent as you can get your body.
âApologies for the delay, my lord.â
Like this, his already impressive height feels towering. Behemoth. Itâs been some time since you were in his presence, but longer still since you had his attention. It is just as horrible as you remember. The back of your neck prickles.
Another breathless, terrifying moment as he opens the book. Youâve either guessed correctly, or youâre dead.
Without a word, he turns on his heel and strides away. The door slams behind him, but even then, his presence lingers. Like you arenât alone despite his absence.
Youâre not sure how long it takes, but you eventually peel yourself off the ground, dust yourself off, and return to shelving books. When Kiro comes by later, youâre careful to confirm that itâs him before opening your reckless mouth.
Comfort in paper. Comfort in ink.
You inventory the new manuscripts, soothing yourself by writing down as many details as possible - to later find by any random criteria demanded.
Sukuna returns two days later. This time, you see him enter from your little writing desk where youâve been diligently working on your⌠hobby. You stand as hastily as caution permits, trying not to spill ink on your hard work. You shuffle from your station and bow (properly this time) before heâs passed the first shelf.
You stay like that, breathing as slowly as youâre able, until his heavy steps stop far too close for comfort. His shadow swallows you whole, almost a physical thing pressing down between your shoulder blades. You wet your dry lips and wait.
âBookkeeper, this tome was dissatisfying,â he rumbles. âThe maps were of poor quality.â
And how is that your fault? Moreover, what are you meant to do about it?
âI⌠apologize, my lord,â you offer.
âDid I ask for your empty apologies?â he snarls. Your chest constricts. âFind me a better one.â
A small, hopeful seed of relief blooms in your chest. That, at least, is something you can do.
âOf course, my lord. May I ask⌠is there a specific map you wish to see?â
âYou may not.â
Well, then. âYes, my lord.â
You shuffle back to the encyclopedias. Your eyes flick over the spines, rifling through your mental catalog. Youâve only got one opportunity to please him. The consequences could mean death - at best.
No pressure.
With your stomach twisted in hard knots, you make your selection. A painstakingly hand-painted series of maps, including entire spreads that unfold from the pages. Itâs beautiful, colorful, and accurate from what you understand.
You return to Sukuna.
âI hope this pleases you,â you say with sincerity.
He takes it from you without a word. You donât dare peek at his expression - not when heâs got a spare set of eyes to monitor your continued deference. As you await judgment, you distract yourself by imagining which pages heâs looking at. Youâve been rather taken by the illustration of Heian-Kyo and itâs waterways.Â
âThis will suffice,â he says at last, and again, sweeps out of the library.
Youâre quicker to stand this time, wiping your damp palms on your mo. Well⌠that was nerve-wracking. You take a long moment to breathe, slowing your heart. Then make a note in the records that Sukuna-sama does not care of Master Riyoshiâs Complete Atlas of the Godsâ Lands.
Three days later, Sukuna departs on another campaign of terror - this time expanding his territory south.
You fill another page of your ongoing âhobbyâ with gossip whispered around the servantsâ quarters and dining tables. The why and how of his departure, conjectures of his plans. Debates of the death toll.
You try to record only what seems like witness accounts, though youâre always meticulous to leave out your sources.
Without Sukuna to reign them in, his usual circle of sycophants are emboldened to play at authority. His favored concubines order about servants and take liberties they wouldnât otherwise dare. Curses torment and devour humans theyâre certain wonât be missed. Still, somehow, itâs not as frightening as the king himself.
You simply keep to small groups and lock yourself in the all-but-forgotten library. Kiro continues to deliver new contributions weekly. You devote an entire shelf to The Tale of Genji. The sanctity of your library is restored.
Sukuna returns to the manor two months later. You hear about the âcampaignâ from vassals that traveled with him. Fire and blood, devastation rippling out from his every step. Screams, suffering, horrors that make you doubt any gods you grew up worshiping.
So, standard fare for Sukunaâs travels.
You even make a rare appearance in the throne room to observe his victory feast from afar, milling with the other servants. Itâs as horrid as always, but there are some stories to be gleaned from the attendeesâ idle chatter.
Sukuna himself never contributes to the tales, you notice. Most of the time, he lounges on his throne with his chin on one fist, all four eyes half-lidded. Bored, it would seem to you. He rarely converses, and when he does, itâs usually to scoff at some other curse making grandiose claims of its own feats.
You observe for as long as you dare, then retreat to the library. You work deep into the night, until your vision blurs and your hand cramps. Eventually, you surrender to sleep and leave your notes out on the writing desk to finish drying. Youâll likely need to correct any mistakes made in your fatigue anyway.
Sukuna visits the next day as youâre doing just that.
Itâs poor timing for you, disheveled by the trials of transcribing the previous evening and well into today. Ink has stained your hands (and likely your face as well) and your hair is haphazardly pinned with a single (clean) hashi.
Even so, you leave your writings to bow as deeply as ever, mouth glued shut from too little to drink for several hours. You finished your cold tea near midday and it appears the sun is already diving for the horizon.
âWhat, no useless pleasantries this time?â he sneers.
Gods forbid youâre polite.
âHow may I serve you, Sukuna-sama?â you ask.
âYour recommendation was adequate.â
You sense movement above your head, but resist looking - until you feel a not-gentle thunk to the crown of your skull. You blink and carefully tilt your chin up. The atlas is waved impatiently in your face.
âBurn that other one, it does not belong in my collection.â
âAs you wish, my lord,â you demure, hiding your dismay as you accept the tome.
Not well enough, it would appear, as you see his brow arch in your peripheral.
âHo? You disagree with my decision?â he asks.
The sadistic anticipation lacing his voice sets your teeth on edge. Now thatâs a test if youâve ever heard one, and you have no doubt about the consequences if you fail.
âItâs not my place to disagree, Sukuna-sama.â
The mouth on his stomach parts in a grotesque and unkind grin.
âBut you do disagree,â he insists.
You press your lips together, searching for a suitable response and finding none. You hug the atlas to your chest. Appeasing mercurial curse kings was not amongst your etiquette lessons as a young noblewoman.
The silence stretches for a beat longer.
âNot going to deny it?â he prods, a touch impatient.
You pick your words carefully. âI wouldnât insult you by lying.â
And he chuckles. Itâs rich, deep, rumbling in that barrel chest like thunder. The sound surprises you so much you nearly look up.Â
âThere is a brain in there after all,â he muses, âfitting for a bookkeeper.â
Youâre probably supposed to thank him for that backhanded compliment. You stay quiet instead, wishing heâd just leave.
Comfort in paper.Â
âDo what you wish with the book, but do not complain of needing more space,â he says.
Oh yes, because a singular sub-par atlas is the space problem. You nod, teeth in your cheek, counting seconds.
âSee that you continue to be of use,â he adds.
It takes you a half second too long to realize he expects a response.
âI shall do my best,â you murmur.
He turns and stalks away without another word.
The conclusion of the conversation strikes you wrong. As if you missed a word or two somewhere along the way, and it changed the entire meaning.
You sift through the conversation in your mind. Turn over each syllable, every intonation, trying to discern what you could be missing. But alas, any greater implication (if it exists) is lost to you.
Best not to dwell, you remind yourself. Sukuna remains incomprehensible to you. He is carried by his own whims alone, without rhyme nor reason. You need only concern yourself with avoiding his wrath.
You glance down at the atlas, still clutched to your chest. Thereâs brownish staining around the bottom edge of the pages. Blood, you realize with slow unease. You havenât a clue how to remove it, or even if you can. In the end, you put it back in its rightful place and make a note of it in your records.
Uraume has grown on you, with time.
Not to say that the two of you are close, or even proper friends. In fact, theyâre even more ineffable than your shared master. But you two have a cordial acquaintanceship that is satisfying in its own way.
You often recommend books for them to peruse in the little free time they allot themselves. In turn, they occasionally bring you sweets from Sukunaâs tributes that he has no interest in. Part of you thinks that theyâve made an unwitting poison-tester of you, but the delicacies are usually worth the small possibility of death. (After all, everyone knows Sukuna is immune to such toxins.)
They are quiet company you donât mind sharing, on the occasions they visit.
Tonight, you are sharing tea. Theyâve come late in the evening - presumably, Sukuna has retired and has no need of them. You donât ask, and they do not offer the information freely.
Theyâre reading the newest addition to the poem collection, occasionally commenting to you about the prose or the imagery. Youâve read through it, though only two or three made any deeper impression on you.
Poetry was your weakest writing and reading form to study. An embarrassment for a noblemanâs daughter, sure, but you are no longer that. Youâre Ryomen Sukunaâs librarian.
âWhat are you occupying yourself with this evening?â Uraume asks.
Itâs an unusual display of interest, and you try not to look paranoid as you answer.
âJust records,â you sigh. âPerhaps Iâm torturing myself with more paperwork than necessary.â
You set your brush aside and draw your wrist in, rubbing your thumb along the tired tendons.
âYou are thorough, as one should be serving Sukuna-sama,â they say.
You hum, glancing at the neat lines of reisho drying on the parchment. A story you heard a stable-hand telling a gardener, about Sukuna decimating a larger town during his last travels.
You wonder if he truly did rip a grown man in half with his bare hands. You wonder if it matters, knowing without a doubt that he could.
âYes, youâre right,â you murmur.
As a teenager, your tutors lectured the importance and the hazard of a historianâs duty. They walk a fine line recording events and decisions faithfully, without displeasing their sponsors. One unflattering turn of phrase or misplaced adjective could incite a prideful lord to replace them with a more complimentary one.
Itâs foolish, chronicling Sukunaâs exploits. Dangerous. Your little âhobbyâ could very well get you killed. Yet, you feel compelled to ink some record of the king of curses from as objective a perspective as you can. (Truly, you donât need to dramatize the horrors, they are evident in themselves.)
Historians are important. Necessary. Sukuna doesnât have one - youâve asked around. So at the very least, youâve tried to document significant events, if not the day to day matters of the manor.
âIs Sukuna-samaâs collection truly growing so large?â Uraume asks, glancing at the shelves.
All of them have at least a handful of books occupying them, though two-thirds are laden by now. Organized by genre, then by author - and lacking an author, by title. Though there was one manic week that you had everything organized by color.
âIt grows all the time,â you answer, âthough it helps that only you and Sukuna-sama visit. I donât spend much time re-shelving.â
A pity that, but youâre not surprised that no one else would risk Sukunaâs wrath by perusing his collection without express permission. And really, who going to weather the peril of asking?
âSpeaking of, Iâve finished this one,â Uraume says, tilting their borrowed manuscript towards you. âQuite lovely, thank you for your recommendation.â
You tuck it into your arm with a small smile and bow. âIâm happy you enjoyed my suggestion, Uraume-san. Shall I fetch you another?â
They pick up the tea set, long finished, from the reading table (that no one else ever uses) and shake their head.
âI will turn in.â
âAh, good night, then.â
You turn away and weave through the stacks to replace the book, grateful to stretch your legs. Perhaps youâll follow theyâre example. Itâs growing late and you have sleep to make up for.
Uraume is gone by the time you return to the libraryâs disused seating area. With a yawn, you snuff the few lanterns left lit, and think even once about the papers left out on your writing desk.
Youâre taking inventory of new additions when youâre summoned to the throne room.
It feels like the floor has fallen out from beneath you. You have never, never been summoned to the throne room before. Have only even seen it a handful of times.
A few scant months ago, Sukuna had spoken to you directly once - the day you were assigned your current position. Now youâve spoken thrice in an unnervingly short span and youâre suddenly demanded in the throne room?
His recent visits to the library must have something to do with it, but you scramble to reason why. If youâd angered him in any of those interactions, you would have been punished on the spot. He doesnât make a production of discipling servants - he doesnât even usually do it himself, instead leaving it under Uraumeâs purview.
So why?
Being summoned to the throne room bodes nothing good. Sukuna isnât generous with rewards, and you have certainly done nothing to warrant one.Â
You stride through the halls in a frantic haze, heart trying to claw up your throat with each step. An attempt to abandon the rest of your body as a lost cause. You swallow it back with sour bile.
Thereâs a reason you tend to avoid the throne room - and not just because Sukuna (and other curses) frequent it. The towers of bones are the least of the grim designs. Uraume told you once that they stopped replacing the rugs some time ago, the blood is just easier to mop up from a bare floor.
Panic and fear make you foolish; you donât immediately drop your eyes when you enter. Instead you seek out Sukunaâs hulking form.
Heâs reclined in his throne as usual, and heâsâŚÂ reading something. Or at least one pair of eyes is.
As soon as you notice the lower pair are watching you, your gaze drops like a stone. Youâre in a precarious enough position as is, you shouldnât provoke his wrath any further.
You drop down into a bow for possibly the last time, breaths coming short and fast. And you wait. He knows youâre there; heâll acknowledge you in his own time.
Youâre almost grateful for the extra moment to collect yourself. If nothing else, you wonât die begging and screaming like your father.
âTell me, whatâs your position here?â Sukuna begins at last.
The tone - casual, almost bored - unnerves you. You both know the answer, yet you have no doubt he expects an answer.
âIâm your bookkeeper, Lord Sukuna,â you answer, as steadily as you can.
âI thought so,â he drawls, shifting. âAnd are you lacking books to keep?â
You blink, confused and even more uneasy for it. âNo, my lord.â
âReally?â Paper crinkles, then rips. âThen explain why this garbage is in my library.â
You jolt as something lands a scant breath away from your head. Uncannily, the scroll unrolls directly beneath your face. Your own handwriting greets you.
Oh.
Oh no.
âIâŚâ
It canât get any worse, so you dare to rise a bit, touching the edge of the parchment like itâs all just a horrible mirage. But itâs real. Horrifically real.
You curl trembling, bloodless fingers into your palm. Struggle for the air to speak, even as words swim through your mind like frantic fish. You grasp for any of them, knowing that what little grace youâve been given will dwindle quickly if you delay.
âI was trying to keep a record,â you manage finally, âof the king of curses⌠for historical purposes.â
He snorts. âAnd what use do I have for a record about myself, hm?â
You carefully donât point out that nothing is eternal. All things end, including his reign - even if itâs not within this lifetime⌠or the next. Nor do you think itâs wise to mention that historical accounts arenât necessarily for the subjects theyâre about.
But he hasnât killed you on the spot. Perhaps he is only going to make an example of you, but you grasp at the gossamer hope that you can survive this transgression. Maybe, if you convince him that there is some meritâŚ
âFor details you may wish to⌠review one day,â you say, carefully avoiding any implication that his memory is less than perfect. âNames, places, dates⌠even weather. Things that you may find irrelevant in the moment but could be useful later.â
He hums. âYou think I donât pay attention to relevant details?â
âYou will live a very long time, Sukuna-sama,â you reply, and leave it at that.
He huffs, but⌠it doesnât sound angry. Exasperated, perhaps? Youâre sorely tempted to glance at his expression, but paranoia keeps your eyes down. Unwilling to risk angering him now when it seems you might survive this encounter.
âFiiiine,â he drones at last, âbut if youâre going to waste your time on this, youâre going to do it properly.â
Nothing on earth could keep your head down at the moment. You blink up at him, dazed on a mix of relief and confusion.
âProperly?â you repeat.
âThat,â he gestures at the torn half of scroll with one lazy arm, âwas shit. You didnât even get half of it right.â
Ah. Thatâs⌠fair, though ominous.
âApologies, my lord. I only heard the stories secondhandâŚâ
âNo shit,â he scoffs, rolling one set of eyes. âFrom now on, if you want to write it all down so bad, youâll be there to see it for yourself.â
What.
YouâllâŚÂ what?!
âMight as well fix whatever trash youâve already written while weâre at it,â he continues.Â
âFixâ it? Never mind his dismissal of your archival abilities - what does âfix itâ mean?
 The mean smirk on his face is not reassuring. A fresh pit of dread opens in your stomach.
âOf course, my lord,â you say, voice too high.
Thereâs a long pause, thick enough to smother you. Then he audibly scoffs.
âWe start tomorrow - your hands are shaking too much to write legibly.â
Finally, reprieve. You scramble to your feet, still bent at the waist. âYes, my lord.â
For the first time in your life, paper and ink donât promise comfort like they once did.
When you return to the library, you squat down in the farthest corner from the door and allow yourself to hyperventilate.
The first day is a new kind of suffering that youâre sure Sukuna invented just for you. He must be proud.
Uraume fetches you from the servantâs quarters, sleep-rumpled from tossing and turning all night, and not at all prepared to face Ryomen Sukuna at such an early hour.
Youâre escorted to the throne room and bow low as usual. Sukuna waves dismissively to the floor below him, where writing materials have already been set out. You hastily fold yourself behind the parchment, mix the ink, and select a brush to begin transcribing.
Youâve never been present for a typical day in Sukunaâs court, but youâre far too nervous to appreciate the novelty. Sukuna is right behind you, practically peering over your shoulder. And while you assure yourself that heâs already forgotten your presence (insignificant and uninteresting as it is) the back of your neck prickles constantly.
Youâre hyper-aware of how youâre sitting. How youâre holding the brush. Each stroke of your tidy reisho characters. Even your breathing and minute shifts to relieve aches in your knees and hips feel like a liberty too bold to take.
You expect to be killed or maimed every hour. Still, you dutifully record the curses and curse users milling in the throne room, murmuring amongst themselves. Most stay to the edges and corners, though a brave handful approach Sukuna with tributes or offers of entertainment.
âEntertainment,â as it turns out, is usually torture and/or execution. You keep your eyes on your parchment as often as you can, and try to keep those notes as short and precise as possible.
Thereâs feasting (with dishes that look uncomfortably human) and news from the edges of Sukunaâs ever-growing territory. Sukuna himself speaks very little, and participates in the violence fleetingly.
Youâd be more surprised if your anxious mind had any room for it.
The day ends when Sukuna stands, one pair of arms stretching while the other settles on his hips. All those in the throne room fall silent and freeze.
âGet lost,â he says plainly.
And the throne room is suddenly very empty - save for you, Uraume, and Sukuna himself.
âAlright, letâs see it,â he says.
You blink, realize heâs speaking to you, and quickly set your brush aside. One of his many hands is already extended, so you hand him the stack of notes gathered by your thigh. While he begins perusing them, you free the latest from beneath a stone weight and blow gently on the half-dried ink.
âHuh,â he muses, rifling through the parchment, âyouâre not half-bad at this.â
Was that⌠a compliment? Has the stress finally made you delirious? Perhaps forgoing meals all day has you hearing things.
âIâm⌠glad youâre pleased, my lord,â you say anyway.
He grunts, attention seemingly caught on one of the pages - though you have no idea what could have drawn his fickle attention. He doesnât seem irritated, at least. Granted, your eyes are usually on the floor, so you wouldnât know⌠what that⌠looks⌠likeâŚ
Your eyes lock with the bottom pair of Sukunaâs, watching you askance and half-lidded, just as you realize your error.
Trying to recover, but already knowing itâs too late, you drop your gaze to your lap. Thankfully, he indeed doesnât seem irritated enough to take offense this time.Â
âYouâre dismissed for the evening,â he drawls handing the papers back, âunless you need records of which concubine Iâm fucking and what positions Iâm fucking them in.â
His tongue curls around the words like poison and honey, mocking yet lurid. Itâs not nearly the most provocative thing youâve ever heard, but somehow, the crudeness catches you off guard. Your face radiates heat. Your hand spasms around the fresh records and you practically leap to your feet, bowing quickly at the waist.
âNo, my lord, thatâs not typically part of court records,â you say, far too quickly to be polite. âHave a pleasant evening, my lord.â
And you flee from the throne room - only realizing once youâre safe in the library that you are lucky to have made it there at all.
Your mother had another saying - or more accurately, an addendum to her mantra. Sheâd say it when the back of your hand stung and bruised from tutor corrections via thin bamboo shoots. Or when your fatherâs dissatisfaction became too explosive. Or when youâd stare out the window too long, tracking the birds with visible envy.
Comfort in paper, comfort in ink, sheâd begin, smoothing your hair back from your face, all the better to read. With these, all things are bearable.
In her defense, you once thought, her advice was not designed with curses, with Sukuna, in mind. She could not have known that her only daughter, a scant two years after the fever took her, would bear witness to horrors that could make gods shudder. Her wisdom could not have accounted for flaying skin, cannibalism, and bone gardens.
What solace could plant pulp and pine soot provide, in the face (two faces) of embodied cruelty?
Yet, as the days progress, you find more than meager comfort in your new task. With each stroke of the brush, your hands steady and your spine uncoils. Every completed page dulls the sharp blade of Sukunaâs doubled gaze scraping between your shoulders. Your lungs learn to function with shallower breaths while Sukuna reviews the dayâs records. The death knells ringing through your skull fade to echoes with every dismissal to the library.
It takes a few days, but you optimize your record-keeping. You begin discerning the details of importance, develop a shorthand to keep pace with spoken word. Sukuna offers no praise, of course, but you keep all your limbs, blood, and organs, which is approval enough.
It becomes bearable, your position near Sukunaâs throne, keeping his records. Even being spoken to by him (and by extension, speaking to him) become commonplace.
âKeeper, how long has it been since this worm last squirmed before me?â He sounds bored. Worse, he sounds annoyed about being bored.
Cautiously, you tilt your face up from your work. The curse trembling at Sukunaâs feet is indeed uncannily worm-like, but also familiar. And, for now, in one piece.
(That is one thing youâve yet to be desensitized to - the violence. Youâve become adept at knowing when and for how long to keep your eyes on your documents. Though, of course, you canât stay completely blind to it all. You doubt youâll ever adjust to it, but a small part of you, shamefully, hopes there comes a day that you do.)
âTen days, my lord,â you answer, clear and concise.
âAnd what did it want last time?â
From the corner of your eye, one of Sukunaâs dark nails tap-tap-taps the orbital bone of some long-dead creature.
âPermission to hunt in⌠Mizushima,â you reply. The clarification of just what he was hunting goes unsaid.
Sukuna makes a derisive noise behind you. âAnd now youâre back, crying to me because you canât kill a few measly humans?â he sneers.
âTh-the sorcerers, Sukuna-samaâŚâ
You make a small note about the sorcerers (this is the third account of them being an issue in Mizushima this month) and pause to take a sip of tea. Uraume, indispensable pillar of the estate that they are, has begun to deliver you food and drink through the long days in court.
âDid I stutter?â Sukuna asks, dangerously bland. âKeeper, did I stutter?â
Oh, dear.
You set your cup primly aside. âYou did not, my lord.â
Quietly, you slip the fan from your sleeve and unfold it.
âIf you canât even manage to slaughter a couple humans, you no longer have permission to exist.â
You strategically place the fan in front of your paper just as Sukuna makes a sharp gesture with two fingers of one hand. Slimy green remains innards spatter the floor and the front of your fan, thankfully protecting the dayâs records. Some, unfortunately, also gets on your hand - but thatâs what your handkerchief is for.
âIâm sick of this,â Sukuna announces. âAll of you get out and donât return until you have something of interest.â
You finish the last of your tea while the various courtiers hastily vacate. Uraume silently appears at your side to collect the empty cup and saucer. You nod at them politely, then begin organizing your stack of dried documents to take with you.
âAnd where do you think youâre going, keeper?â
You pause, pages half-shuffled into a neat pile. His expression is still mild, which youâve come to find usually precedes something that makes you nauseous. As always, you pick your words carefully, but youâre getting better at it.
âUsually, you no longer have use for me once youâve adjourned court. Can I be of further service, my lord?â
âIâve got some time to kill,â he drawls with a disconcerting flash of sharp teeth, âwe will begin fixing that trash you wrote before.â
âAh,â you say, unbalanced by the change in routine. âI would need to fetch themââ
He holds out one hand lazily. âUraume.â
They place a manuscript into his palm - your previous attempt at record-keeping, you realize. All compounded into one document. A sliver of embarrassment flares in your cheeks. The thing is only slightly thicker than notes you would take in a single day.
(Never mind that Uraume had to have gone through your things to get them all. Youâve given up on silly notions like privacy or autonomy.)
âOf course, my lord.â
You pull a fresh sheet of parchment and wet your brush. âAre we beginning with the first entryâŚ?â
He skims over it and makes a face. âBoring.â
Well, yes. Itâs not supposed to be an epic, you donât say. Itâs just supposed to be a factual account, dry as the paper itâs written on. You keep your mouth shut as Sukuna leafs through other entries, then stops about a third of the way through, brows arching.
âWeâll start with this one,â he says.
âWhatâs the date?â you ask, and jot it down in the top corner. âOkay, whenever youâre ready, my lord.â
It was one of the bloodier days in the court - a foolhardy band of sorcerers that had tried to storm into the estate all on their own. It had been audacious (and stupid) enough to trickle down even to the servants. Youâd gotten various contradictory accounts so had only been able to record the vaguest and most common bits of the stories.
Sukuna tells you about the rumors that had led up to the confrontation, and how heâd allowed them easy passage through his territory. Evidently, he just wanted to see if they had âthe stonesâ to actually face him. He gleefully tells you that half of them had pissed themselves when they finally made it to the throne room and to Sukuna waiting for them.
He speaks smoothly, unhurried, cadence ebbing and flowing with amusement and annoyance in turns. Often adds dry commentary that you genuinely find humorous, much to your shock.
At one point, needing clarification but wary of interrupting, you raise a finger to catch his attention. He glances at you over the top of previous faulty account with an arched brow.
âHm?â
âWas it just the five sorcerers, or did they have aâŚâ you cast about for the word, âentourage⌠or something?â
âA war party?â he supplies.
You nod, wiping excess ink from your fingers on a rag.
âOh, yeah. Dumb as hell, dragging a bunch of human servants along with them,â he says, rolling his eyes. âI left those maggots to the others. Theyâre not even worth eating, usually.â
By âothersâ you realize he means curses and curse users that hover around like flies. (You discard the offhand comment about his unusual diet with barely a flinch.)
âI see,â you hum, adding it to the record, âthank you, my lord. If youâd like to continueâŚâ
The rest of the story is every bit as gruesome and bloody as youâre expecting. Itâs somehow easier to hear, knowing that itâs inevitable. Sukuna is especially detailed during this part, but much like every day in court, you keep your eyes on your work and just write what is said.
Following the storyâs conclusion, you offer him the corrected version for inspection, but he just waves you off.
âDonât you have books to organize or something?â he says. âI donât need to read every little thing.â
And while he sounds aggravated, you get an odd⌠warmth about it. Like heâs already assured of your workâs quality. You try not to brighten too noticeably.
Appreciation from anyone, even Sukuna (especially Sukuna) is always gratifying.
âYes, my lord.â You bow, collecting your materials. âGood evening.â
Over the next several days, a new pattern establishes itself.
You always wake early, hours before Sukuna is willing to entertain anyone. You sweep and dust, catalog the books, and prep your writing materials. Uraume always fetches you when Sukuna finally deigns to hold court.
Curses and curse users try vainly to curry Sukunaâs favor by whatever means they can think. Sometimes he grants boons, more often he makes a mess of the floors. When he grows bored, he dismisses everyone and the retellings of your initial, faulty records continues - though itâs never done in the court room again.
He gets sick of sitting there, apparently, so you follow him to whatever pastime heâs engaging in. Sometimes lounging by the koi pond, watching the fish. Other times, sitting on the engawa near the library while he smokes hookah and drinks sake. Once in the archery field, as he looses arrow after fiery arrow at (initially) living targets.
The first time you have a session in the library, his face twists with distaste. The space is clean, of course, but barren of anything but basic furniture and books. He becomes restless quickly and ends up perusing his own collection while recounting a battle near Heian-kyo. Apparently, recalling victory isnât enough stimulation for him.Â
(The next morning, you stop short in the doorway, tea halfway to your mouth. The once bare floors are now carpeted with lush, vibrant rugs. Atop them, lavish couches and lounges have been arranged around polished tables. There are fine silk-shaded lanterns, tapestries on the walls and hanging from the ceiling. Itâs beautiful, the finest library youâve ever seen, and you fall asleep on one of the cushioned settees that evening.)
Whenever Sukuna is done speaking, you return to the library. Always the library. You complete any lingering tasks from the morning and clean your brushes, hanging them to dry for overnight.
You never quite forget the danger of Sukuna. Itâs impossible when his cruelty and power are on display daily. Yet⌠a part of you settles. As if, at some point, you passed some milestone that made you an unlikely target for Sukunaâs casual wrath. Perhaps sunken-cost of his valuable time, perhaps youâre just more convenient alive than dead.
Eventually, a small writing desk becomes a fixture in the throne room. Your usual spot just to the side and a little in front of Sukuna. Your joints are so grateful for a proper seat that you make a point of thanking Sukuna when court adjourns - though you canât quite force yourself to look at him as you do.
The next morning, a new set of brushes is waiting for you. Beautiful, and finely made. The handles are lacquered, carved with rolling cloud designs, and the material⌠you suspect itâs made of bone. Even so, itâs a gift you know better than to decline. (And truly, it is so nice⌠you tell yourself it once belonged to an animal, and pretend to believe it.)
Eventually, you deplete your stock of ink sticks and inform Uraume, hoping theyâll be able to procure more. Surely youâre not the only one using ink in the estate.
âWhat would be needed to make more?â they ask. âBuying so much of it may not be economical.â
Quietly, you despair at the prospect of making your own ink sticks. The sheer amount of time it will take, never mind the skill required for it to be usable, is enough to make you teary.
âWell, typical ink is usually just pine soot, nikawa, and maybe something to make it smell more pleasant,â you muse. âThe more expensive kinds just have pigment mixed in.â
They hum. âI will procure more ink.â
You blink. Have they already discarded the idea of hand-making it? Gods, you hope so.
âThank you, Uraume-san.â
The following day, a stick pressed into the shape of a dragon is waiting at your desk. When you activate it and begin writing, the ink is deeply red. You marvel at the color, hand hovering over the page.
The back of your neck prickles, that unmistakable feeling of Sukunaâs eyes on you. As usual, you keep your eyes down.
You shouldnât waste it, but you find yourself adding a little flourish to your characters that day, just to see the lovely flow of crimson.
You thank Uraume later for finding such nice ink on such short notice, you feel all four of his eyes on you again. But when you turn, he just motions for you to follow him to wherever youâll be transcribing his next story.
With winter approaching, evening creeps up to smother the sun faster than usual. It requires more light - which usually involves a servant following the two of you around with a lantern on a pole at a respectful distance. However, Sukuna catches you trying to warm your half-frozen fingers one too many times and tsks something about âshivery handwriting.â
The two of you being working in the library more often. Despite the new decorations (presumably for his benefit) Sukuna still wanders the shelves, sharp eyes catching on every new volume thatâs been added since his last visit. During a pause (heâs telling you about something decidedly less interesting for him, so he keeps trailing off, trying to remember details you usually ask for) you sense him approach from behind you.
His shadow blots out the candlelight before he even stops, much closer than necessary. Not so long ago, that would have frozen you into a trembling, hyperventilating statue. Now, accustomed as you are to having him at your back, and knowing heâs not as prone to random violence as you once thought, you have the capacity to notice two things.
The first is that he radiates heat. Youâve seen him produce fire from nothing - something about his technique, you think? - at the archery range. You didnât consider that it would manifest in other ways. Itâs almost nice, honestly, with the chill in the library.
The other thing is that he smells⌠good. Disturbingly good. Most curses that youâve been unfortunately close to stink of decay, refuse, old blood. But Sukuna smells like incense, like woodsmoke and cloves. Something of earth, something a little divine - unexpected, yet fitting.
Clearing your throat a little, you turn your head and come face to⌠mouth with⌠well with the mouth on his stomach. That, too, youâve become familiar with - though not usually so close. You tilt your chin up to peer at Sukuna. He holds a book over your face, brows arched.Â
âWe really do have a lot of these,â he says.
You glance at the cover again and see the title. The Tale of Genji.
âSo many,â you blurt with feeling. âYouâd think itâs the only novel ever written!â
He snorts, then casts the book a skeptical look. âIs it even any good?â
Heâs asking your opinion? Shock almost robs you of an answer.
Maybe itâs the crippling loneliness of your position in an estate like Sukunaâs, but youâre eager for some small connection. A chance to speak slightly more freely than normal.
âItâs not bad by any means, but I think itâs popularity is a little inflated,â you muse. âI suppose it depends on your taste.â
He grunts, one set of eyes considering the novel at length. The other pair slide to you.
âYouâre getting ink on your hand again.â
âOh!â
While you clean, Sukuna drops himself onto one of the couches. Privately, and safely away from all four of his shrewd eyes, you marvel at the sheer breadth of him. Sitting as he so often is, and as much as you keep your eyes on your writing, you sometimes forget how much he outmeasures any human. By every dimension.
A couch that nearly swallows you seems to only just fit him comfortably.
âAre you done yet?â he calls.
âAh, yes, my lord,â you reply. You can wash your brushes later. âHow may I be of service?â
He tosses you the book. Thereâs no stopping the dismayed yelp that squeaks out as you fumble a bit, hugging it to your chest. He doesnât look at you, but the mouth on his stomach snickers.
âRead it,â he commands, stretching out. âLetâs see if itâs actually any good.â
It takes you a beat too long to realize that he means youâre to read it out loud. You balk for a brief moment, confused and nervous. But it wasnât a request.
Overly aware of yourself in a way you havenât been since you were a teenager, you perch on one of the armchairs. Itâs a thick manuscript, you donât expect Sukuna to be entertained for more than an hour - and thatâs a generous estimate.
You clear your throat one last time, crack it open, and begin.
No matter the amount of time you spend with Sukuna, youâre always reminded of his unpredictability.
The reading sessions are folded into the new routine. Your days are now library, court, transcribing Sukunaâs stories, and then finally reading Sukuna stories. Or just the one, so far. Itâs a very long book, after all.
Not once has he appeared bored, despite your prediction that heâd lose interest quickly. Yet, whenever he props his chin on one of his hands, his eyes are always clear. Engaged. He even comments sometimes, or makes faces. Heâs actually listening.
Youâd be self-conscious, if you had the energy.
This addition to your schedule is not a small one - you read until Sukuna is satisfied, usually well into the evening, when the lanterns begin to dim. You suppose fatigue doesnât drag at him like it does a human. Like it does you.
Your work doesnât end when heâs retired to his chambers. You still have to finish any tasks left from the morning - inventory, cleaning, storing away the dayâs records. Most recently, checking and replacing any books.
Apparently a few members of his harem, wondering what has their king so preoccupied, have discovered the library. And with his blessing (more accurately, the shooing motion he makes over the back of the couch) theyâve begun perusing with relish. Most of them come from noble families, as spoils of war or appeasement to Sukuna, and seem eager for a bit of familiarity from their previous lives.
Truly, you donât mind. They are respectful of the books and treat them with care. Often, they even leave their picks out for you to replace, rather than try to do it themselves and disrupt your organization system.
But it is another task you must account for.
Uraume, intuitive as they are, has been providing a steady stream of strong black tea - which you find keeps you more alert than matcha.
Alas, the benefits of tea only extend so far.
âKeeper.â
âAh, yes, Sukuna-sama?â you ask, blinking yourself from the hypnotic daze his deep voice lulled you into.
Youâre in the library again, because itâs been raining all day. The thrush of water on the roof and against the windows is an unfortunately effective accomplice challenging your ability to stay awake.
âAm I boring you?â he asks, audibly displeased.
You wince and rub at your eyes with your free hand. The characters are starting to blur, which does not bode well for reading later. âNo, my lord, Iâm sorry.â
You startle as he appears in front of you from seemingly nowhere - heâd just been wandering the shelves, as he usually does.
All four of his crimson eyes pin you in place. Looking at you. Youâre startled to recognize the familiarity of its intensity; usually youâre facing the other way.
âYou look bad.â
Perhaps itâs the fatigue. Perhaps itâs the tone. Perhaps itâs that he says it at all.Â
But you laugh. And he arches his brows, apparently nonplussed. And you laugh a little more.
âApologies, my lord,â you say, struggling to contain your giggles. âI just⌠I must look unfortunate if youâve noticed enough to say so.â
He snorts, crosses one set of arms. âI am not oblivious.â
âNo, my lord, you are not,â you agree. Youâve just always operated under the assumption youâre beneath his notice. Even if he observed your exhaustion, you wouldnât have ever expected him to acknowledge it aloud.
âExplain.â
You hesitate. Thereâs an answer, but you know better than to make it sound like youâre complaining. Buying time, you busy yourself with setting your brush very carefully to the side - youâre likely to ruin the entire record at the pace youâre going.
âIâm staying⌠that is to say, youâŚâ You fumble for the correct combination of words, but your mind provides nothing but the same droning as the rain outside. âThereâs justâŚâ
You press your mouth together with a small, frustrated sigh at yourself. Each failed syllable has tightened your nails into your palm, anxious crescents carving into clammy skin.
âKeeper.â
You swallow back another incoherent jumble of words. âSorry, Sukuna-sama.â
He clicks his tongue. One of his hands (from the pair thatâs not crossed) run through his hair, as if heâs frustrated with you as well. Thereâs a beat of silence. You donât expect death anymore, but youâve strained so often to please him that youâre not longer sure what will happen if you donât.
âSpeak plainly for once,â he commands. Your eyes flick nervously at his expression. His brows are smooth, and the top set of eyes are cast elsewhere, disinterested. But the bottom set are still trained on you, slightly narrowed. âI have no patience for you to be clever this evening.â
Clever� What does that even mean?
Seeing the mouth on his stomach tightening, you tuck the thought away. Sukuna has given you an order and thereâs really no other option but to obey.
âIâm so fucking tired,â you blurt.
All four eyes snap to your face, his brows jumping nearly to his hairline. You think his eyes might even widen a little - or maybe thatâs just a trick of the light and your fuzzy vision. Then he barks a laugh, deep and booming.
Unlike the sadistic cackle of soon-to-be-dead subjects, or the dangerous chuckle of incoming retribution, this sounds genuine. (Itâs rare, but youâve heard it in response to Uraumeâs dry comments, or the couple times youâve asked incredulous questions about his stories.)
âIs that so?â he asks.
You nod and groan softly, rubbing at your eyes again. Composure has abandoned you, like the admission has spent the last of your endurance. You slump.
âYes,â you sigh. âIâve been staying up late to finish work in the library.â
He grunts. âLet me see todayâs records.â
Wordlessly, you pluck them from the top of the stack and hand them over. Sukuna inspects them more closely than ever before. Two hands hold the pages, one rests on his hip, the other settles on his chin contemplatively.
âYou wrote crooked,â he announces. âAnd you used âspicyâ instead of âluckyâ.â
Despair wells in your soul. âIâll rewrite them.â
He waves you off and steps closer to set them on the stack himself. This close, the scent of him washes over you, warm and (youâd be more surprised if you werenât so weary) pleasantly familiar.
âYou have proved yourself capable as my historian and my bookkeeper,â he says, âbut my collection has grown too impressive to be attended to by one human. Your priority is at my side, not scurrying amongst dead trees.â
Not sure whereâs heâs going with this, and mildly baffled by the âscurryingâ part, you make a little noise of agreement.
âTomorrow, you will train a substitute to operate in your absence while you are transcribing.â
Whatever you were expecting, itâs not that. Part of you fears that you have worn out your usefulness - that you are teaching a replacement, that youâll be killed or (and this is somehow much worse) demoted.
âYes, my lord,â you mumble, eyes dropping to your lap.
Thereâs a half-beat of silence. He grunts again, as if aggravated. Perhaps you werenât appropriately gratefulâŚ?
âIf you find that one assistant is not enough, inform Uraume, and they will recruit more. I wonât have my library falling into disarray when I went through the trouble of making it look halfway decent.â
Assistant.
Oh.
Relief and appreciation make you lightheaded. âOf course, Sukuna-sama,â you breathe, âthank you.â
He clicks his tongue and, voice stern, commands, âClean up and go to bed immediately. I will only spare you a single day. Make use of it.â
âI will, my lord.â
You only realize once heâs gone that the eveningâs story is unfinished. Well⌠it will keep. It will have to; he told you to clean up and go to bed. And you have no doubt that he will somehow know if you donât.
Besides, your bed is singing a siren song you can no longer resist.
(Late morning the following day, and eating a full meal for once, you hear that Sukuna is in a foul mood. The throne room floors are already bathed in blood, curse and human alike. The estate shakes so badly at one point that it knocks a haphazard stack of manuscripts to the floor.
Sukuna appears just as youâve finished training your new assistant, a nervous young man named Moriyoshi, at the time youâd normally begin reading Genji. He seems composed, but you see agitation in the line of his jaw and the set of his broad shoulders. When you offer to read to him, he turns and walks away without a word - but not without eying the desk between you and Moriyoshi.)
A week passes, and Moriyoshi grows increasingly frazzled each day. On the eighth morning, he approaches you as youâre gathering your writing materials. His hands are pressed together as if in prayer.
âPlease, Shikako-san, itâs too much!â he murmurs, eyes flicking nervously at the doors. âI donât know how you did it, but I canât keep up!â
You blink. Is it really so much? But, well, itâs probably more difficult to learn the system than it is to design it, as you did. And youâve been excruciatingly detailed with the records.
âIâll speak to Uraume-san. Prioritize the catalog for today and Iâll come to help this evening.â
He looks near tears with relief. âThank you, Shikako-san!â
Shikako-san?
Heâs fleeing into the shelves before you can ask about the new title. Suppose calling you âhistorianâ is apt enough, though. You brush it off and continue with your day.
You approach Uraume with Moriyoshiâs request for further help that same evening, after Sukunaâs excused you.
âSukuna-sama will not be pleased,â they sigh, âyouâll need to train this one as well.â
âAnd help them catch up with whateverâs fallen behind,â you agree. A headache is building; you massage your thumbs against your temples. âMy work wonât suffer this time. Itâll just be one more day.â
They give you this look. Inscrutable as they are, you have no hope of deciphering what itâs meant to convey, if anything. But youâre left with the distinct impression that youâve exasperated them, somehow.
You tentatively thank them for their patience when they bring you a cup of tea, but they just give you that look again and sweep out of the library.
By next morning, you have three new assistants. Kiro is among them, scratching sheepishly at the back of his head as he admits he always liked delivering books to the library. Enough so that heâs apparently been reprimanded for spending too long with you before, asking questions about how you organize and handle the additions heâd brought.
âHeâs more use there than procrastinating tributes to the concubines,â Uraume explain when you ask about it later. âMake good use of him.â
You hum your agreement and politely pass Sukuna one of your handkerchiefs for the goblet he just cracked.
(During a break from training your assistants, you overhear one of the servants whispering that Sukuna is planning another campaign. You resolve to ask him about it that evening, which youâve insisted could be spent catching up with the dayâs record.
Heâs not planning another campaign.
He is, however, going to annihilate - and that is the word he uses - a band of sorcerers making noise in the south.)
Uruame rouses you before the sun has risen. Sukuna likes to leave early and the travel should only be two days with good weather, they say. You have no idea what theyâre talking about, but stumble into your clothes and out to the stables anyway.
Apparently, youâre accompanying Sukuna to slaughter the unlucky souls that have drawn his attention. You should have known this would come eventually. In a vague sense, you did. Youâve transcribed several accounts of previous battles already - it just seemed like such a distant concept that the reality of actually going startles you.
Still, you go.
Travel for violence, as it turns out, is almost identical to travel for any other reason. In a word, boring. There wouldnât be much to record even if you could. Mostly, you sit in the carriage with Sukuna and Uraume, reading until the road gets bumpy enough to make you nauseous.
Every so often, you look out the windows, taking in the landscape - scarred from the memory of Sukunaâs rampages. You pass settlements, none with a population that could exceed a few hundred, but many solitary curses. You try to drudge up any particular feeling about the evidence of his devastation - but all you can muster is melancholy at the loss of natural beauty.
In the evening, you ask Sukuna how he usually handles rebellions and upstarts, which evolves into a conversation about curse users, jujutsu sorcerers, and cursed techniques. Heâs more talkative than usual, and your fingers itch to write it all down - but itâs long gone dark and you donât want to get paper too close to the fire.
In the absence of your usual diversions, youâre left to just watch him. The constant shifts in his faces, the gestures he makes, the pitch and lilt of his voice. Moreover, you notice a lingering tension in the posture of his spine and the slight tick of his lower right hand. Itâs not the aggravation youâve come to implicitly recognize.
Itâs⌠anticipation, you realize.
He spills blood daily but a proper battle is a rare novelty for him. Surely it wonât provide much challenge, but it must be better than nothing.
And indeed, he does seem to get genuine enjoyment from the fight.
A band of maybe thirty individuals with varying levels of strength, according to Uraume. Sukuna tears through them, mouth split wide with maniacal delight. In the air one moment, crashing through trees the next, then crushing them into the earth.
Itâs brutal, and drawn out. Blood is spraying, limbs are strewn about like plucked petals. The crunch of bones and cartilage echoes in the air. Part of you wants to look away, to be sympathetic to the terrible suffering of these other human beings.
Yet you canât take your eyes off Sukuna. The fluidity of his movements, casual and effortless, but deliberate and skillful, even to your untrained eye. You didnât understand what âcontrolling the battlefieldâ meant in historical documents until now. Itâs⌠impressive.Â
âSukuna-sama is enjoying himself,â Uraume observes next to you. âHe seems to be utilizing many of his abilities.â
You should not admire him. Especially not for this⌠though youâre not certain admiration is the correct word, either.
Still, marveling at what is essentially the torture of othersâŚ
Youâve been dragged over many of your moral lines, but this one you seem to wander across on your own, too busy staring at the king of curses.
When itâs over, heâs so blood-soaked that half his tattoos are obscured. Both mouths grin madly, lips and teeth stained with meat. He sighs - the sigh of a satisfying meal - and runs a wet hand through the peach fields of his hair. Thereâs a beat of silence, as if the world needs a moment to recover.Â
Then Uraume approaches him with a damp towel, fresh garments folded over one arm.
But you. Youâre still rooted to the spot, caught in the crimson glow of his wild eyes. Your heart stutters, somehow startled, though you havenât once looked away. Even from this distance, you can see his pupils blown wide.
Fear, cold and sharp, cracks through you for the first time in a long while. The old and now unfamiliar terror that he could pounce on you at any moment. You swallow past a dry throat and drop your eyes, falling back on old habits.
âThere a river nearby?â You hear him ask. Your stomach flips at the smoke coming from the heat in his voice. âThis wonât be enough. I think thereâs bits of brain stuck to me.â
âThere is,â Uraume answers, professional as always.
When you peek up, his gaze has dropped to them and heâs arching an eyebrow. âWhich one?â
âBoth.â
He snorts, but takes the cloth anyway, body language softening. You take a deep, steadying breath.
Your notes. You need to write this all down. Well⌠maybe not all of it. But you need to record everything; thatâs what youâre here for, after all.
Comfort...
(For once, youâre not sure what youâre comforting yourself from.)
Your new assistants are waiting for your return, lined up at the entrance to the library. They welcome you back with nervous smiles and awkward bows, apparently nervous for your evaluation of their performance in your absence.
A thorough investigation reveals that theyâve done quite admirably. All documents are back where they belong, the catalog is up-to-date, and every surface is spotless. You thoroughly compliment their efforts, with only a gentle note about adding more details to a few entries, to keep track of the booksâ wear over time.
âAh, there was one other thing, Shikako-san,â Moriyoshi adds as youâre filing the travel records away.
âHm?â you ask.
You glance up when he doesnât immediately continue. Heâs wringing his ink-stained hands, picking at a hangnail.
âLady Katsumi has been commandeering Kiro-kun,â he says.
You pause. âWhat? Why?â
âShe⌠she says that as Sukuna-samaâs favored companion, a history should be taken of her as well,â he explains.
Well⌠yes, you suppose so. Your father (and grandfather) had secondary wives with their own scribes, and they werenât the only ones youâre aware of. Itâs standard in most noble houses, even expected.
It didnât occur to you until now because, well, you didnât think Sukuna has a favored companion. He has concubines yes, but they donât enjoy the same luxury that most others of their station do from what youâve heard. You, certainly, were never envious of their position at the estate.
âI can ask Uraume-san for a couple more assistants, but Sukuna-sama will have final say. Heâs been cross about all the help we need, but at least one or two other women likely need records too.â
Moriyoshi nods, seemingly content that youâll handle it, and turns.
âOh, one other thing, Shikako-san.â
You grimace. âYes?â
âGenji-san has conquered his entire shelf.â
âDammit.â
You bring it up before court begins the next day, mixing the ink to your preferred opacity. (The lovely red color has become standard and you canât say you mind, even though it now conjures images of Sukuna destroying that sorcerer camp.)
âIf there are servants to spare that can write, the library could use them.â
From the corner of your eye, Sukunaâs expression shifts, mercurial. âAre the ones you have that incompetent, or are your powers of book-keeping truly so magical?â
You canât hide your frown - not at the caustic mockery in his voice, but at the slight against your assistants.
âWell, not for the library specifically,â you explain, âbut some of your concubines are supposed to have their own records, my lord.â
He rolls all four of his eyes, expression turning sour. (Itâs better than angry.) âIs that so?â
You tuck your hair back, casting about for the hashi you usually use to keep it out of your face. Alas, it appears to have been lost during travel. Perhaps you have a bit of twine in your pockets?
âThe more favored ones, at least,â you muse. Wordlessly, Uraume offers you a simple wooden comb. You take it with a grateful smile. âBut my assistants will fall behind if Lady Katsumi borrows Kiro-san again.â
Sukuna tsks. âI donât favor any of them; that would be like preferring one spoon over another.â
Crude, but not surprising. (He once referred to children as a âsnack between meals,â after all.) You huff softly, too focused on pinning your hair to shake your head.
âUgh, fine, if it keeps them quiet,â he grumbles. âUraume will see to it.â
They bow crisply, âAs you wish, Sukuna-sama.âÂ
âThank you for your generosity, Sukuna-sama,â you add. Thereâs definitely not a needling note in your polite tone. (And he definitely doesnât let it slide with just a flash of his big, pearly teeth.)
A comb, made of familiar white material and a red inlay carved into handle, greets you on your writing desk after lunch.Â
Three scribes are added to your (regrettably) growing staff. You send them off to the concubinesâ wing of the estate with a small but sincere prayer for their fortitude.
Itâs not all of them, really. Youâve come to realize that most of Sukunaâs harem are quite pleasant. Beautiful, graceful, and appreciative of the library, they visit often to borrow books or enjoy them on the couches. Like every other human in the estate, they just want to go about their lives safely.
Lady Katsumi, however, is one of the few that are categorically unpleasant. And the books always smell like strong perfume when she returns them.
âDo you think theyâll be alright?â Kiro asks, brow furrowed with worry.
âIf theyâre not, Iâm sure Sukuna-sama wonât mind if they go back to their previous roles.â
As long as heâs not bothered about it, he couldnât care less.
âIâm glad Iâm a librarian,â Kiro adds.
You hum. âMe too.â
All four of your assistants cast you strange glances, but you donât have time to question them about it - Sukunaâs holding a banquet this evening and youâre required to attend. You really only stopped in for more paper and a fresh brush. If nothing else, maybe you can practice your disused painting skills instead of following conversations Sukuna isnât likely to participate in.
A handful of weeks pass. You finally finish reading The Tale of Genji.
Itâs a bit later than usual into the evening, both of you eager to finish that last stretch of the story. Sukunaâs lounging with his arms spread across the back of his usual settee, one leg stretched out across the divide between you two. He finished his sake about an hour ago - youâre still sipping at the second cup he poured you.
âWell, my lord?â you ask, glancing up. Sukunaâs eyes are already on you. (As they so often seem to be these days.) âDid it live up to your expectations?â
He hums as he considers the question, cracking his neck.Â
âNot bad, but definitely not worth the entire bookcase youâve dedicated to it.â
âSukuna-sama,â you groan, âitâs not my fault you keep receiving them. I am but a humble keeper of your collection.â
He smirks. âMy collection could stand to thin.â
âPerhaps you should threaten to decapitate the next person to bring you a copy,â you muse through a yawn.
Itâs only when you see how his eyes light up with wicked delight that you realize what youâve said. Gods, whatâs happened to you?!
âAnd people say Iâm cruel,â he purrs. âYouâre bloodthirsty, huh?â
You click your tongue, flustered, and stand to set the book on Moriyoshiâs desk - itâll be a good opportunity for him to practice catalog updates. âIâm not.â
âHave you gotten a taste for it after all this time?â he continues, rising. Stretching those thick tattooed arms. âIs that it, Shika?â
You glance over your shoulder to frown at him, nose scrunching. Heâs closer than you expect. (As he so often seems to be⌠these daysâŚ)
âPlease donât mock me, my lord,â you huff. âIâve given you no reason to.â
âI donât need a reason to do as I please with you,â he intones.
It strikes you odd. Different. Something in his voice, maybe, or the way he tilts his head towards you. Your stomach flutters, low and deep in your gut.
âAnd it pleases you to mock me, Sukuna-sama?â
His mouth curves crooked and devilish as he looms over you. âYou make it so enticing when you pout like that.â
You canât hold his eyes anymore; your knees are threatening to buckle. You donât know what that means, what to do with the rapid tapping of your heart. Breathing feels like a manual process.
Casting about for a distraction, any distraction, you remember that one of your new scribes had requested that you review his notes. You shift away to pluck them up from the desk he left them on.
âI do not pout,â you reply - then remember yourself, âmy lord.â
His heat follows. âYou do.â
You catch yourself just before you can turn to scowl at him. This may be unfamiliar territory that youâre treading, but you can sense that youâre playing with fire. Perhaps literally.
Entirely distracted, you pretend to skim through the record.
âAs my lord says,â you demure.
He snickers at your dry tone, and then - gods in the heavens - leans closer. If possible, you read the report even more intensely but process even less.
âAnd what has my shika-sanâs eyes away from her king?â
âI thought you donât like when people look at you, my king.â
Thereâs a beat of silence where you worry that youâve finally gone too far. But then he hums, deep and low, just by your ear. He must be nearly to your shoulder, you think wildly. You donât dare turn your head to check.
âItâs a privilege that most donât deserve.â He still sounds amused. âAnd your king asked you a question.â
You flip back to the front of the document, willing your hands to stay steady.
âKuzusuke-san asked me to review his transcription from today,â you explain, âbut⌠honestly, it looks acceptable to me. Unless heâs missing something important that I wouldnât know about.â
âThis is from the concubines?â Sukuna inquires, giving the first couple pages a once-over.
You nod, âI guess one of them complained.â
He makes an aggravated noise, sounding more distant now. âIf his work is suitable, then pay it no mind. You have a more important task to complete.â
Youâll look it over again when the spice of his scent isnât clouding your mind. You turn to him now that youâre confident his face is no longer so dangerously close.
âI do?â
âYou must pick a new book to read,â he declares.
You blink, lips parting. A new one?! He wants you to keep reading to him? Not that you didnât think he enjoyed it - if he didnât, he wouldnât have sat with you every evening, listening and commenting. But still⌠you thought the novelty would wear off when you finished Genji.
âAh, yes, my lord,â you manage, âwhat⌠would you like me to read?â
He waves an impatient hand. âHow should I know, youâre the librarian.â
A baffled giggle escapes you, for lack of any other appropriate reaction. His lower set of eyes is half-lidded - though you donât think itâs with boredom this time.
âAs my lord commands,â you say, âI shall have a story picked by tomorrow evening.â
You tell Kuzusuke to be more complimentary, going forward. Lady Katsumi is silent for about a week.Â
One morning, Uraume wraps you in an exquisite crimson kakumaki in defense against the cold.
Lady Katsumi sends a handmaid to complain that Kuzusukeâs records are sloppy and too vague. You advise him to be as detailed as possible, even if itâs tedious. When the same handmaid returns two days later, you assign another scribe to help supplement his records. The handmaid doesnât return.
Your blood-stained and rather overused fan is replaced with one that you know by now is bone. Thereâs a lavish, gold-leafed painting of your favorite koi from the pond in Sukunaâs garden.
Lady Katsumi makes a personal appearance in the library. Sheâs resplendent in layered silk, dripping with gold and silver jewelry, accented by jade and coral ornaments. Long, thick, glossy hair to match her immaculate ohaguro, and piercingly shrewd eyes.
Her attendants look like they were dragged out of bed far too early to dress her so nicely to intercept you before court.
She tells you that Kuzusukeâs handwriting is too ugly to transcribe for her. She demands another, so you assign Hiratake, who puts on a brave face when she snaps at him to follow her back to her quarters. Kuzusuke at least waits until the entourage is gone to cry his relief.
Youâre sitting off to the side of Sukuna during a feast, painting an unflattering caricature of a curse user you think poorly of. Noticing your concentration - or perhaps even more bored than you - Sukuna hooks his fingers under the lip of your seat. In one long, slow, spine-tingling pull, he slides your chair (and by extension you) to his side.
He glances at your little art project and smirks. âHis forehead should be bigger,â he says.
You hum and start all over again, this time making the curse userâs head bulbous and shiny.
For the first time - possibly ever but at least since your promotion - everyone survives that feast.
Another of Lady Katsumiâs handmaids returns to the library two days later, complaining that Hiratake asks too many questions. You advise him to just fade into the background as much as possible, and write only what he sees and hears.
A new tribute is brought before Sukuna. When this happens, he has you pull records to compare with previous offerings, partially to decide if itâs acceptable. This time, he motions you close to read over your shoulder - quicker than listing items aloud, granted. But the disparity in heights has you perching carefully on the arm of his throne.
When a bottle of sake piques his interest among the inventory, he cracks it open right there.
âNot bad,â he muses, glancing into his half-empty cup. He presses it to your bottom lip and, lacking another course of action, you drink.
When itâs empty, you hum appreciatively. Itâs sweet and crisp, tastes a little like apricots. Sukuna brings the bottle to that eveningâs reading session.
Lady Katsumi reportedly bursts in around midday later that week. You wouldnât know because youâre not there, still sitting in court with Sukuna. Apparently, sheâs got a number of complaints that all seem to amount to Hiratake being an insufficient scribe.Â
By the time you hear of it, itâs far too late in the evening for you to be patient. Exasperated, you switch him out for the last of the scribes on your staff, Masayuki.
Sukunaâs in a foul mood. Youâre not sure whatâs sparked his temper this time, but you keep your fan handy. He calls an end to court even earlier than usual and storms to the archery range. You, as always, follow at his elbow with Uraume.
He doesnât speak for a long time, firing arrow after vicious arrow at squirming targets. Without anything to transcribe, you sit and begin weaving blades of wilting grass together.
âIâm guessing you havenât learned any skill with weaponry,â he says after heâs painstakingly âfinishedâ three âtargets.â
He sounds calmer now, at least, and his expression when he half-turns towards you is simmering rather than boiling. You absently offer the tiny basket youâve crafted.
âYouâre correct, my lord. I learned how to arrange flowers instead,â you answer.
He snorts, lower set of eyes tilting with amusement as he inspects your miniature craft.Â
âI will teach you when itâs warmer,â he says. âYour fingers will freeze before you hit a target in this weather.â
You nearly ask why. Instead, you challenge him to make increasingly difficult shots, and he proceeds to make every single one. The showoff.
Lady Katsumi approaches Uraume, saying that Masayuki makes her feel unsafe - though she doesnât provide any specific or punishable instances of behavior.
Considering the nature of this particular issue, itâs brought to Sukuna for judgement. He crosses his arms as he listens to Uraumeâs secondhand account, one set of eyes on the ceiling, the other askance at seemingly nothing. Then he turns to you.
âIs Masayuki a problem?â he asks.
You certainly donât know him well, but you can understand how a complete stranger might balk. Heâs taller and wider than the other scribes, and has a gruff speech pattern. But youâve also seen the careful way he holds his calligraphy brushes and how he looks at Moriyoshi.
âHe can be intimidating, but itâs not on purpose,â you say finally. âI would be surprised if heâŚÂ regarded any woman.â
Sukuna makes a âhuhâ noise - thatâs a new one you gleefully tuck away in your mind.
âFine, give her one of the other two,â he says, not realizing that youâve already done that.
You simply nod, at your witâs end. You send Kiro as a temporary placement while you figure out a more longterm solution - it usually takes a few days before she starts complaining.
As luck would have it, Sukuna has a meeting planned three days later. Normally, you would sit in on any meeting as a witness to any deals or promises made. (Not that Sukuna is beholden to anything but a pact - but he likes to know precise wording for the purpose of being the menace that he is.) However, this meeting is with a sorcerer, one thatâs apparently expressed a desire to defect.
âItâs a trap, isnât it?â you ask curiously.
He shrugs. âProbably.â
It will be futile regardless, you know. Just an opportunity to kill more annoying sorcerers. And if, by some slim chance, the offer is sincere, Sukuna wonât pass up the allure of corruption and betrayal.
âYouâll stay here this time,â he explains. âSorcerers are a pain in the ass, who knows what stupid shit they might try with you there.â
You havenât gone a single day without Sukuna in⌠months. Nearly a year. The prospect makes you uneasy now, when you once would have felt bone-melting relief. But it is an opportunity to investigate this ongoing problem with Lady Katsumi.
âTry not to miss me too much, Shika,â he coos with a smirk.
You fix him with a blank look and do your best impression of Uraume. âI shall do my utmost, my lord.â
He cackles.
You trudge to the haremâs wing with Kuzusuke and Hiratake that morning. Kiro was once again near tears with relief and Moriyoshi was apologetic as you prepared your supplies. You wave away their concern while tucking ink bricks into the pocket of your mo.
Lady Katsumi has her own private chamber in the concubinesâ sprawling quarters. She really must be favored, despite Sukunaâs scoffing. Or (more likely) he just canât be bothered by the social underpinnings of such gestures.
Reflective of the woman herself, itâs richly furnished and decadent, every piece carefully selected and positioned to display opulence and refined taste. The air is so sweet that you can feel a headache already brewing. Never did you think youâd miss the sour odor of curse guts.
âMy scribesâ work has been insufficient for the lady,â you explain, âso Iâve come to understand what improvements can be made.â
She glances at you in the silver mirror sheâs poised in front of, the final touches of her ensemble being clasped and pinned in place. If you had blinked, you would have missed it, but thereâs animosity roiling behind her serene facade. Itâs as unexpected as it is unwarranted, but you shrug it off.
âSo thorough,â she croons, âI see why my king has tolerated you for so long.â
You hum, a noncommittal but passable response while you date the beginning of the dayâs record.
What proceeds is the single most infuriating handful of hours youâve experienced since coming to Sukunaâs estate. It reminds you of those years before, when you were still a noblemanâs daughter. Here in the concubineâs wing - or at least with Lady Katsumi - that culture of doublespeak, backhanded compliments, and needle-sharp barbs is alive and well.
Itâs like nostalgiaâs loathsome cousin. You quickly come to understand why Kiro and Hiratake were near tears when you relieved them of this particular duty.
Youâre forced to sit through an extended tea ceremony and a poetry reading. Then dragged through the frosty gardens, not at all prepared for the chill and denied the opportunity to fetch your kakumaki. She takes lunch but titters that itâs unsightly for servants to dine with higher stations, and you are too busy serving her to excuse yourself besides.
You wouldnât think it was personal - after all, sheâs done nothing but clap and snap her fingers at every servant unfortunate enough to be within hearing distance. However, youâre not blind to the hostile and disparaging looks she repeatedly scans you with. Even if it is targeted for some reason, you still donât take it to heart.
When sheâs done eating, she demands to read through your notes thus far. You offer them without a word.
She barely glances at it before clicking her tongue. âWhat is this ink? It is so cheap.â
âIt is what Uraume-san has provided,â you answer. Itâs also not cheap, youâve seen the seal on the artful boxes they come in.
âIâve heard there is a red one,â she says, âthat color more befits my station.â
You tilt your head, amused. âThat is the ink Sukuna-sama has chosen for himself.â
The implication is clear - if she persists, she is likening her station to Sukunaâs. And that is a death sentence. No one here is loyal (or scared) enough that such a slight will stay within these chambers.
She must realize it because she stills, eyes widening in equal parts anger and uncertainty. But she recovers impressively fast.
âVery well, perhaps blue,â she says breezily, âhis majesty finds me quite fetching in blue.â
âPerhaps,â you agree, only just leashing your sarcasm.
The corners of her mouth pinch anyway.
Thereâs flower arranging, then music while she paints. You transcribe it all as faithfully and thoroughly as you would for Sukuna, borrowing lessons from court days to pass the time as it drags.
âYou are by far the least annoying of Sukuna-samaâs scribes,â she observes apropos nothing, voice sugary.
You donât look up from a painstaking description of the tea sheâs drinking. âA high compliment,â you remark, flatter than is polite.
âPerhaps you should be my scribe from now on,â she continues, âsurely it must be under consideration, if heâs let me borrow you for the day.â
Your bite the corner of your mouth to curb a chuckle. Somehow, the idea that Sukuna loaned you out is so outlandish itâs funny. Heâs not exactly renowned for his charity and magnanimity.
âYes, I think Iâll ask Sukuna-sama to give you to me,â she muses brightly. âHe denies me nothing, especially when I remedy his travel tensions.â
This time, you canât help it, you snort. Itâs loud and rude and unmistakably mocking. From this last journey you took with him, he made it abundantly clear that the only remedy he desires after travel is the onsen and strong sake.
Lady Katsumiâs eyes narrow as she lowers her teacup. âYou dare doubt the kingâs generosity?â
âCertainly not,â you reply, irony audible. âIn fact, I can ask him when Iâve finished transcribing for him tonight. Youâll have plenty of time to prepare yourâŚÂ remedies.â
Her face twists. Suddenly. Violently.
Youâre so taken aback that you donât react in time. Her bejeweled arm winds back, then hurls her half-empty teacup at your head. She aims true.
Exquisite ceramic shatters across your right eye.
Jagged shards flay your brow, cheekbone, eyelid - and the thin, gelatinous membrane of your cornea.
A scream rips from what feels like your very soul. The pain is beyond excruciating. Not even the white-hot yet burning-cold youâve rarely experienced. Itâs something else, something defying any of the pretty words now emptied from your howling mind.
You didnât know that agony was a complete sentence until now.
Your hand flies up on protective instinct, in vain. Something hot and wet coats your palm, seeps between your shaking fingers, slides along the tendons of your hand.Â
It doesnât feel like blood, you think hysterically, it doesnât feel like blood.
Itâs smearing across your cheeks, streaking down your jaw, and dripping from your chin.
In your panic and pain and horror, you donât hear what Lady Katsumi is saying. Sheâs speaking, voice like poison-tipped needles, but you canât make out the syllables. Canât understand anything over the ragged sounds spilling from your throat.
Until you hear a new voice. A voice you recognize. A voice that, despite every reason telling you otherwise, brings relief. The pain doesnât subside in the slightest, but somehow it becomes more bearable.
You try to open an eye. Your only eye, now. The thought brings a fresh wave of misery.
âSukuna,â you choke out.
His shadow cloaks you, an immovable barrier between you and the room. Through swimming vision, you make out the watery lines of his tattoos. The maw of his stomach is baring its fangs, snarling. You canât make out his face.
A large, firm hand circles your wrist. The one protecting the gaping wound in your skull. A whimper shakes free from your raw throat. You resist an unexpectedly gentle tug.
âI canâtâŚâ you sob, shaking. âIt hurtsâŚâ
Another hand steadies your swaying body, firm at your waist.
âDrop your hand,â he says. His voice is low and hard, each word articulated slowly. Purposefully. âLet me see.â
Despite every fiber of your body crying against it, your arm goes lax and Sukuna guides it down. A third hand takes your chin between between thumb and forefinger, tilting your head back.
His features are still blurry. You can just make out the tense line of his angular jaw, and the muscle ticking there. The top pair of his eyes are tight around the edges, but carefully blank, matching the smooth set of his brows. But the lower pair⌠the lower pair blow wide when they see the damage. And they burn.
Sukuna leans down, leans close. The smoke and spice of him mingles with the copper of blood. The severe line of his mouth parts. His tongue, hot and slick, flattens against your cheek and drags. Follows the sticky-wet mixture of blood and tears and fluid, all the way to the corner of your ruined socket.
You watch through your remaining eye as his pupils dilate. Ink spilled into blood.
Your mind falls silent. Still.
The pain retreats like the rush of a tide. In its place, a discomfiting tingle, akin to falling asleep on your arm, begins to radiate across your face.
âThere now,â he rasps, giving your chin a tiny shake. âAll those tears over a few scratches.â
At some point, your free hand curled around his wrist. Perhaps an aborted attempt to stop him (though the urge never even crossed your mind, and you wouldnât have been able to besides) but more likely seeking stability.
âSukunaâŚâ you mumble.
âOpen your eye, Shika.â
Your heart leaps when you find that you can.
Youâre staring up at Sukuna with both eyes wide, vision clear. The shredded skin around them stings, but itâs nothing, absolutely nothing to what you felt before.
âOh,â you whisper, hoarse, âI was just panicked⌠how silly.â
His eyes flicker. Youâre still too frazzled to parse what it means, but you donât think youâve ever seen this expression on his face.
âSilly,â he echoes. It almost sounds like agreement. (You know itâs not.)
The hand still around your wrist tightens fractionally. Youâre not sure if itâs meant to be a reassuring gesture or a tiny sliver of the storm brewing behind his eyes, slipping out.
âUraume.â He calls. âSee to my shikaâs wounds. I will find you both. Later.â
âYes, Sukuna-sama.â
A white shape at the edge of your restored vision steps closer, but doesnât intrude. Sukuna still hasnât released you. You draw in a slow breath, what feels like the first in a long time. You squeeze his wrist slightly in return.
âWelcome back, my king.â
He releases you all at once, leaving you momentarily unbalanced. But he doesnât remove your hand from his arm, doesnât step away. You find your footing, unlatch your fingers, and force your weak legs to turn towards Uraume. Whatever you look like - and it must be truly awful - it makes their usually stoic face twitch. The temperature seems to plummet.
As soon as you begin wobbling away from Sukuna, their hand curls tightly in the sleeve of your kosode and drags you away.
Sukuna remains behind. A final glance over your shoulder reveals Sukuna, staring at your blood pooled on the floor and Lady Katsumi frozen, wide-eyed and gray, standing by her tea table.
Uraume doesnât take you far. One wing over, weaving through chambers and halls to avoid the busier engawas. You follow along quietly, focusing on the unnatural chill of their hand in yours to stay tethered. Your efforts are unsuccesful.
It seems that between one blink and the next youâre in an unfamiliar room, warm and quiet. Uraume sits you on a cushioned stool.
Another blink and theyâre leaning over you with a warm cloth, dabbing at the cuts around your eye. That numbing tingle returns, one by one, then fades like a dream. In its absence, you feel nothing but water cooling on your skin.
âThere,â they says, satisfaction in their voice.
A third blink and theyâre pressing a hot cup into your hand. The welcome taste of sencha washes over your tongue and soothes your sore throat. You sigh, tension leeching out of you with every sip.
They press a steaming rice bowl into your hands when youâve finished your tea. You spare a thought to protest, afraid you wonât be able to stomach anything - but one glance at Uraumeâs expression and you swallow any refusal with the taste of nori. It stays down.
Once the bowl is empty - or at least empty enough for their posture to soften - Uraume helps you stand again.
âA bath,â they explain when you hesitate.
They slide open a shoji door, revealing steps down to a private stone onsen. Youâre left to undress in privacy, with promises to bring a towel and fresh clothing. The heat makes you shudder; you didnât realize how cold you were until now.
You sink gratefully into the depths and settle on the little shelf carved out as a bench. Your mind drifts for a long time, gaze focused on nothing while you massage the various stains from your hands. Thoughts float to the surface like dead fish, flashing their pale bellies with blood-soaked images.
The animosity in Katsumiâs eyes. The tight press of her painted lips. The twist of her features. That fraction of a second as the teacup hurtled towards you, and you realized what was about to happen.
You banish each one with the memory of Sukuna standing there. Shielding you, protecting you. Easing your pain and fear.
Itâs so fantastical a concept that you almost dismiss it as a hallucination. But you remember the firm, grounding press of his hands on your body, the searing heat of his tongue on your cheek.
Ryomen Sukuna healed you.
Almost unconsciously, you raise your hand to your face again. Tremulous fingers brush featherlight over your eyebrow, eyelid, cheek, temple⌠and find nothing. No scratches or cuts, just bits of dry blood that Uraume couldnât get without rubbing at your skin more vigorously.
You donât know what it all means. Lady Katsumiâs hostility. Sukunaâs care - and to a lesser extent, Uraumeâs. Every action and reaction seems displaced or hyperbolic. A fire ignited by the smallest spark, onto timber you donât remember collecting. You scour your mind for answers and discover none in the wreckage of your composure.
Well. Youâre no philosopher or scientist. Youâre just a bookkeeper - Sukunaâs bookkeeper. Perhaps thatâs explanation enough.
Sighing, you open your eyes and drop them to your clean palms.
Two thick, dark bands circle your wrist. The one Sukuna was holding.
As it turns out, the unfamiliar bathing chamber that Uraume brought you to is Sukunaâs. After everything else - after he healed your eye instead of reveling in your pain - this is somehow the easiest development to swallow.Â
Sukuna enters as Uraume is finishing a braid in your wet hair. Youâre dressed, and clean, and calm now. And when he approaches, youâre warm too.
His expression is as impassive as youâve ever seen it, even his lower set of eyes gaze at you steadily, unreadable. No blood on his skin or clothes. You tilt your head back to address him as he stops, as close as he was in Katsumiâs chambers.
âHow was the meeting?â you ask.
His arm curls around your waist and begins lifting you from the stool. But before you can get your feet under you, the lower arm loops under your thighs. He scoops you up, raises you until your shoulders are just above his.
You open your mouth. He tilts his head and presses his nose into the column of your neck. Words flee like startled birds. Strands of peach hair feather across your jaw and ear, ticklish. Hot breaths caress the sensitive skin of your throat. He inhales, deeply.
âSukuna-sama?â you murmur, more curious than alarmed.
He shifts. Lips graze the tender hollow beneath your jaw. They part. You think, for just a fraction of a second, that you feel the wicked points of his teeth.
âA trap, as I said,â he rasps.
It takes you a moment to recall your question. You hum, mouth curling in a small but genuine grin. âAs you said, my lord.â
âDonât sound so surprised.â Thereâs no heat - well, no angry heat - in his voice.
âIâm not,â you huff, amused at his audible offense.
âThen youâre mocking me.â
âNever, my lord.â
He hums, pulls back far enough to scowl at you properly. Itâs a fearsome expression; you should be afraid. (Youâre not.)
âI thought you once said you wouldnât insult me by lying,â he says.
âAnd I have not,â you promise, âdoes my king doubt me?â
His eyes donât waver. âNo.â
Your hands hover over a freshly bound volume. The cover has been treated to a mellow tan shade, a slight sheen of polish where the candlelight hits just so. The edition number is imprinted across the front and the spine in bold, precise Tensho. It could be mistaken for normal leather.
Splendid work, truly.
âShikako-san, would you like me to shelve that for you?â Kiro asks.
You blink, glance at him. Only the twitch of his fingers betrays his nervousness. All of your assistants have been a bit skittish since⌠well, since.
âSet it on an empty shelf,â you say, offering it across your desk, âthese are the records Iâve taken for Sukuna-sama so far. More will follow.â
âAh,â he says. Heâs especially gentle as he takes it despite the new, strong bindings. âAre congratulations appropriate for this?â
You hum, noncommittal. âNot necessary, but thank you, Kiro-san.â
You turn back to your court preparations, sure that you were just imagining the sweet, cloying scent clinging to the volume.
Your new quarters are steadily, and not entirely by your own volition, being filled. Pieces of Sukunaâs tributes begin finding their way inside. (Well, more accurately, they show up outside the door and you feel compelled to bring them inside.)
A large, luxurious rug with patterns and colors you admired aloud. A beautifully glazed tea set that your fingers lingered on when you poured a cup for Sukuna. Paintings that caught your eye. An armoire for your steadily growing (and colorful) wardrobe. You already have a private book collection stacking up on a stately writing desk.
Itâs farther from the library, but Uraume doesnât mind helping you wake a little earlier, especially since your chambers are on the way to Sukunaâs.
Your reading and writing sessions begin taking place in his sitting room, since the weatherâs taken a turn for the frigid. Sometimes you share a couch, thighs pressed together. Other times, he drops onto the tatami mats by your chair and leans his muscular shoulder against your calf. Once, he sits you between his thick thighs with your back to his broad chest, so that he can rest his chin on your shoulder and follow along.Â
The minuscule part of you raised on propriety and modesty balks and flails at this change in your interactions. Like most traditions and social expectations, Sukuna gleefully smothers it with hands that toy with your hair. You settle into it a little easier, a little quicker, each time. You even come to expect it, leaning into him.
He sends you to bed every night with a smirk, knowing you canât sneak away to stay up in the library. Not with him so close. That doesnât necessarily mean you sleep as soon as you return to your own room, though.
Itâs only because youâre so detail-oriented that you notice how empty the halls are each morning and every evening. Surely, with your quarters between Sukunaâs and the concubineâs wing, you expect to hear one or more of them passing. You never do; perhaps theyâre just too quiet to detect. (You donât think about shadows you never see moving beyond the wall.)
Thereâs a festival on the horizon, and the estate is abuzz with preparations.
Sukuna is pleased by both the unapologetic hedonism of celebration, and the opportunity to corrupt a traditionally religious event. As long as heâs not bogged down with tedious decisions and monotonous logistics, that is. For the most part, he just sits in on those meetings for posterity. You, however, are always dutifully taking notes (and doodling when the vassals in charge of planning argue) usually while sat on his lap.
Most of the record-keeping of finer details are left to your assistants. They seem equal parts harried and excited by the busyness of the festival schedule. You provide them support and direction when needed, and take those assignments that put them within devouring distance of the less trustworthy curses organizing things.
Those curses might even have considered taking advantage of you, were it not for the unmissable black bands around your wrist. Because they decorate the arm of your writing hand, and you must pull your sleeve back to keep it out of the ink, theyâre always on display. Bold and unmistakable, an exact match to the ones on Sukunaâs own wrists.
Youâve caught more than one of his sycophants gawking at them, but none ever dare to question aloud. (Mind, youâve also caught Sukuna himself staring at them. Repeatedly. Though using âcaughtâ is a misnomer because it implies guilt. You doubt Sukuna is even capable of such a feeling.)
In all honesty, you canât recall ever interacting with a curse (other than Sukuna) one-on-one until now. You were rightfully terrified of them before, and they had no reason save predation to approach you. Things are different, even if the exact nature of that difference still eludes you.
They regard you with a certain respect now - or at least a healthy dose of precaution. They maintain an armâs (or appendageâs) length from you, and keep their eyes always trained over your shoulder. If you didnât know better, youâd think some of them were even scared.
As the date draws closer, the masses flock to the town hosting the festivities. Fewer make the perilous voyage to the estate itself, humans and curses alike, hoping to be permitted to stay. You donât understand it - or at least you would not have, once upon a time. They do not know Sukuna as youâd like to think you do, so you canât fathom why theyâd take the risk.
Not that itâs truly any concern of yours. Youâve no time to muse on the folly of others, your hands are full enough as is.
Perhaps too full - you forget yourself, and the nature of this place you live in.
Itâs evening and youâve gone to fetch a new story to entertain Sukuna. Your assistants have been excused for the evening, most other servants are preparing to retire. The halls are empty. Deserted.
You turn a counter and nearly collide with someone, only just stop short and stumble around them.Â
âOh!â you say. âApologies, I didnât hear you coming.â
The man standing in front of you is taller than you, though not nearly as imposing as Sukuna. Heâs muscular, bald, and tanned, wearing a leathery black⌠apron, of some kind. He only just arrived today, you think, Sukuna had some interest in his craftsmanship. Something about bones, maybe?
âOh, itâsâŚâ he starts, but then he sees you and his eyes widen, âitâs youâŚâ
The corners of his mouth start stretching and curling.
âMe?â you ask, uneasy.
âSo fine and delicate,â he murmurs, almost to himself. That awful smile keeps growing. More deranged. More manic. Deforming the dark markings around his eyes. âI could make so many beautiful things with those bonesâŚâ
You dredge your voice up from the pit of your stomach, where it dropped along with your heart.
âIâm sure you could, but it would be foolish to try.â
âShhhh.â He starts reaching towards you. âBookshelves donât need to speak.â
You jerk back, heart racing, and raise your arm protectively. The sleeves of your kosode and uchiki slide down your forearm.
âNeither do maggots.â
The man freezes. Your eyes flick up to the monstrous shadow behind him, find the four scarlet eyes glowing in the darkened hall. Your would-be attackerâs eyes begin to water, as they finally notice the black circles on your wrist.
âOr dead men,â you mumble.
âMy clever shika,â Sukuna purrs.
Four large hands clamp onto the mans arms, two each, just above the elbows.
âR-Ryomen S-S-Sukuna-sama,â the man chokes out, whimpering.
And then Sukuna pulls. Itâs terrifyingly fast, and yet just slow enough to be agonizing. First skin tears, then muscle. Tendons and ligaments snap, thick and wet. And finally the joints of the manâs shoulders yield, disconnecting from their sockets with a squelching pop.
You squint at the sight and fold your arms protectively over your book. Take a step back to avoid the blood spray.
The severed limbs flop when they hit the ground, grotesque. You only cast them a cursory glance, the disgust vague and distant after all this time. The body, bleeding and twitching but still alive, follows with a louder thump.
You turn back to Sukuna just as his gaze lock onto you.
Your mouth opens thank him - only for the breath to be knocked out of you. Dizzy and disoriented, it takes a beat to realize youâre horizontal, and the surface against your back is soft.
You blink, dumbstruck, at Sukunaâs face looming over yours.
âHelpless woman,â he growls, âhow many ways must I show that you are mine?â
You donât think heâs expecting an answer - if he is, then he robs you of the ability when he ducks his head and bites. A yelp jumps from your throat. Your hands latch onto the closest support, which just so happens to be the corded muscle of his lower arms.
More startled than pained, you squirm and gasp as he clamps down harder. Bruising but still not breaking skin. His tongue laves over the flesh between his sharp teeth, hot and deliciously dexterous. A low groan rumbles from his chest, more felt than heard, shaking you to your foundations.
Heâs breathing hard, you realize. Hard and fast, puffing hot by your ear.
âSukuna-samaâŚâ Your voice is breathy and high, unfamiliar. âW-whatâŚ?â
You canât finish the thought as he pulls away - though not without licking a stripe up to your jaw, teeth grazing. You feel as if the air has been stolen from your lungs again. His eyes are glowing, more pupil than iris. His lips are shiny with saliva, wicked fangs peeking out.
âAll the times you have spoken to me,â he intones, âand this is the first time your clever tongue has faltered.â
You blink at him, head spinning. Heâs so close. Youâve long grown used to the raw power that radiates off him but this is something else, writhing and hungry in a way itâs never been before. Youâre all too aware of your heart pounding against his broad chest, giving you away.
And you have no idea what to say. Surely youâve stuttered in front of him before⌠you just canât think of any instances. Canât think of anything really.
âI-I donât⌠Sukuna-sam-ah!â The moan what spills from your lips is utterly embarrassing, loud and lewd, provoked by the thick thigh wedged between your own. Pressing tight and hard right where youâre starting to ache.
âMy name,â he demands. Thereâs something almost desperate prowling at the edges of his voice. âJust my name. Say it.â
You drag your tongue over your bottom lip, watch the way his bottom pair of eyes fixate on it.
âSukuna,â you whisper.
All four eyes snap back to yours.
âAgain.â
âSukuna,â you murmur.
His top pair of arms snatch up your wrists and pin them to the mattress. The dry riiiiip of fabric accompanies a rush of air across your overheated body. Something (big) presses hard against your hip. You shiver, but youâre not cold.
âLouder,â he snarls.
You feel movement from his abdomen. Realize whatâs happening just as that unnatural mouth parts, and saliva drools onto your bare pelvis.
âSukuna,â you moan as a slippery tongue laps between your thighs.
An inhuman sound rips from his throat as he tastes the arousal already dripping from your sex. Your eyelids flutter, hips twisting and twitching, not sure if youâre pressing into the unfamiliar pleasure or shying away from the intensity of it.
His mouth, his proper mouth, crashes into yours and swallows the noises that pour from you in earnest. The tongue that dominates yours mirrors the curls and flicks of the one lavishing your cunt with attention.
His hands are everywhere, pinning your shoulders to the bed, squeezing your thighs, massaging your breasts and thumbing your nipples. Itâs so much, too much, but youâre too busy sucking on his tongue to do anything but whine about it.Â
When he breaks this kiss, all four of his eyes are half-lidded, radiating lust. He chases the taste of you across his swollen lips.
âIâll have you screaming my name by the end of this,â he promises.
The tongue between your legs presses flat. Youâre embarrassed that your hips instinctively rock against it, clumsy and needy.
âTh-thatâs obscene,â you babble.
His grin is crooked and absolutely wicked. âCompliments wonât save you now, little one.â
You mewl as two of his hands grip your hips and hold them still. That ravenous tongue starts a slow, torturous circuit. Slow and covetous around your clit, then dragging down to your virgin hole, teasing with delicious pressure, threatening to dip inside.
âLook at me.â
Itâs a struggle, especially when that damned mouth wonât stop. (You think you might cry if it did.)
âYouâre going to come on every finger that stretches you,â he says, voice deeper and darker than a moonless night. âAnd if youâre still conscious by the time Iâm done, Iâll fuck you on one of my cocks.â
You boggle at him. âO-one ofâŚ?â
The chuckle you get in response is mean.
You donât even have a chance to insist, because his tongue curves back up to that bundle of nerves and grinds. Youâre vaguely conscious of a hand leaving your hip, fingertips skimming down your thigh, to your knee, before looping back up to play in the wetness pooling from your entrance.
âAlways so observant,â he coos.
His hands are much, much bigger than yours. Even if you indulged in masturbating more than occasionally before now, you donât think it would have prepared you. The stretch isnât frightening enough to make you clench up, at least. It still makes you keen, grasping at one of the arms planted on the mattress by your head.
âTheeeere we go,â he purrs, languid and smug, âalready so tight, precious girl. How does it feel?â
âG-Good,â you hiccup, âso⌠so good. I donât think Iâm going toâŚâ
âWhatâs this? Already?â he chuckles - then outright cackles when he notices how you clench at the sound. His finger crooks inside you, stroking your walls with every pump of his arm, unhurried. âDonât worry, I wonât make you hold it. At least not tonight.â
That dark promise winds you up even tighter, even faster. Coupled with the rhythmic undulations of his tongue and the devilish, curling motions against your sweet spotâŚ
You come so fast it leaves you lightheaded, a tidal wave of euphoria that washes over you, leaves you gasping and limp. Itâs almost gentle for how quickly it takes you.
Sukuna works you through it until your back is flat to the bed again. Your limbs are tingling, skin sensitive.Â
He drops a biting kiss to your collarbone. âThatâs one.â
Thatâs all the warning you get before he withdraws his hand, only to return with two fingers already slippery from a mix of saliva and your own slick. Riding the buzz of climax, you barely feel the stretch of them being tucked inside.
You are, however, very aware of them flicking against your overstimulated walls.
âI-I canât,â you gasp.
âYou can,â he promises, âand even if you canât, you will.â
You writhe beneath him, mind blank as fresh parchment, swept up in sensation beyond anything youâve experience before. Not like this.
He pumps his hand faster, harder. His tongue flicks cruelly at your swollen clit, over and over and over again, until you swear your heart beats in time with every hot lash.
He palms one of your breasts roughly, dips down to take a nipple into his mouth, scraping his teeth over the aching peak. It feels better than it has any right to, like thereâs a direct connection to your fluttering pussy. Winding you up, and upâŚ
The mouth on his stomach closes around your clit and sucks, then licks at the trapped little bud.
Thereâs nothing gentle about this orgasm. It crashes into you like a tsunami, sweeping you away in a rush of ecstasy. The hand not clawing at Sukunaâs forearm pushes insistently, helplessly at his shoulder. He just huffs in amusement and shoves his fingers as deep as theyâll go.
In the aftermath, youâre a trembling, panting mess. Incoherent, overwhelmed. Blessedly, his movements slow and then stop. Finally, you can breathe. You swallow past a dry throat and try to focus your vision.
When the image of Sukuna sharpens, your heart stops. He looks as ravenous as when this all began.
âOne more, I think,â he muses, âyouâve been so good, you deserve to be spoiled. Donât you, Shika-hime?â
Your face burns.
âSukuna,â you warble, âd-donât call me⌠donât s-say that.â
But you recognize the unrestrained greed in his eyes, the sadistic pleasure curling his lips.
âWhat was that?â he snickers. âItâs just like a princess to be so ungrateful, hm?â
You feel a finger prodding at the tight, puffy seal around his other two. A hysterical mix of anticipation and dismay sears through your veins and springs your shaky limbs into action. You try to scramble back, up the bed, away, anything.
But you should know better than anyone. With Sukuna, there is no escape. And there is no mercy.
He only needs two hands to pin you immobile, writhing and pleading nonsense. He starts fucking you on his hand again, abusing your poor walls with ruthless strokes, and starts working another finger inside.
The stretch is noticeable this time, mostly just pressure but even the slight sting complements the excessive pleasure at this point. It doesnât stop you from tucking your face into his forearm as you dry sob. Even for all that, your legs wrap around that tapered waist to keep him close - as if heâd go anywhere when youâre suffering so exquisitely.
âOh, listen to those pathetic noises,â he mocks, âyou can do better than that.â
His tongue licks around your entrance, keeping his movements slick and easy as he works you over faster, harder, fingers pounding at that swollen spot inside you. In its place, the thumb of a different hand presses against your clit and rubs viciously, up and down and in tight circles.
Your leg kicks out, a reaction youâre not entirely in control of. His free hands clamps down on your ankle and jerks your leg wider. You feel exposed, displayed. His fingers hook inside your entrance and jerk. Your lips part on a soundless scream.
A palm wraps around your throat, his thumb and forefinger cupping your jaw. Only just tight enough to make a claim, to make you feel it. He angles your head, leans closer, and spits directly on your tongue. You swallow, cunt spasming at the lewdness.
He buries his fingers deep just as he strikes your clit with the flat of his fingers.
Tears build and spill as your vision crackles, a high-pitched cry of his name filling the room. All you can think, all you can understand anymore. You feel weightless, outside your own body, overwrought and incandescent in a way you donât think humans were meant to be.
Youâre not even finished with your third orgasm when you realize, with dawning horror, that the weightless feeling isnât just your mind strung out. Sukunaâs hands are holding you, maneuvering you. Thereâs a distant rustling sound, and then your sore pussy is being absolutely violated by an impossibly thick cock.
You know better than to waste your energy on frivolous things like escape or begging. Instead, you do as any intelligent being does when directly in the path of Ryomen Sukunaâs conquest. You surrender.
Your arms slink over his shoulders and loop around his neck, nails biting into hard muscle. Hiding your face against his neck, you breath in the heady scent of his lust, and distract yourself with mouthing along his rumbling throat.
You sink down bit by torturous bit, willing yourself to relax, to yield. The worst part, you think to yourself, is that it still feels sinfully good.
Something presses against your stomach, wet and sticky. When you peek down, you choke out a stupid noise. Thereâs a twitching, leaking cock rubbing against your abdomen⌠but there canât be anything but a cock splitting you open now.
Which means⌠which meansâŚ
One of my cocks, he said.
Even you arenât sure if the moan that comes out is wanton or miserable. Either way, it makes Sukuna laugh into your hair.
âHalfway,â he soothes. At least, you think itâs meant to be soothing, though it misses the mark because you already feel stuffed full.
You squeeze your eyes shut again and set your teeth against his collarbone, biting as he guides you down⌠until you finally stop. You swear you feel him in your throat.
âI think I deserve a reward for my generosity,â he says - and perhaps itâs supposed to be a drawl, but right now he sounds borderline deranged. âDonât you?â
âNgh!â
His fingers dig into the plush of your hips and thighs. He lifts you up until youâre halfway off the length you took so long to take⌠and then he drops you. And then he does it again. And again. Faster, faster, harder. Until heâs bouncing you like a toy, like an object for his own pleasure. Heâs not even straining with effort, tilting his head back with a gutted groan, proclaiming his pleasure to the ceiling.
When his hips starting thrusting forward to meet you on each descent, you realize why he chose the bottom of his two cocks. The shaft of the other one glides over your clit with every movement, and shows him exactly how deep he is in your guts.
Tears streak down your cheeks again, all of it too much, too intense, but perfect.
He fucks you straight through another, pitiful orgasm, your rippling cunt only serving to encourage him to keep going. Your hands rake over his back and shoulders, no sense for how hard, only that it makes it all bearable, somehow.
Youâre not even surprised when another orgasm tails the last, but the strange, sharp pressure makes you squirm, makes you whimper. It builds and builds, inevitable as the sunrise, and finally bursts. A flood of liquid splatters the two of you, drips onto the blankets below, and sets Sukuna off into a final series of brutal, bone-rattling thrusts.
His teeth sink into your shoulder and break skin this time as he hilts himself inside you. Every twitch and spurt feels magnified to your overused nerves. You donât even feel the bite he just took out of you. Part of you even feels endeared by it.
But most of you feels deeply, viscerally satisfied as your eyes slip closed and your mind goes dark.
The festival lasts three long days and nights. Thereâs drinking and feasting, singing and dancing and music, skilled craftsmen showcasing their talents. Fireworks streak through the cold evenings and each morning brings delicate layers of frost and snow. Merriment prevails, even with the congestion of human bodies attracting curses in the streets.
You spend the first day planted on Sukunaâs lap, every part of your body deliciously sore and shoulder aching pleasantly. Heâd laughed when he noticed your unsteady legs and stiff steps that morning, excused you from your usual duties to avoid an extra trip to the library.
Kiro transcribes in your place that day, recording the brave troupes that wait their turn to entertain the king of curses. You are tasked with attending to Sukunaâs appetites between performances, offering sake and feeding him decadent foods. He snickers every time his teeth snap dangerously close to your fingertips, and you always level him with an unimpressed look.
The second day, you are feeling recovered enough to accompany Sukuna to the festival grounds. A wide and respectful path parts well ahead of him, making it easy for you to stay by his side in the crowd. He takes - doesnât buy, of course - anything that catches his (or your) fancy from the stalls. You end up with a beautifully illuminated manuscript, a new collection of ink in various colors, and jingling silver hair pins.
You show your appreciation that evening in Sukunaâs private onsen, riding each of his massive cocks in turn. His big hands guide you until your body adjusts to the rhythm he prefers - fast, rough, and hard. He keeps his face buried in the crook of your neck, tonguing the bite mark healing on your shoulder. Sharp nails scratch stringing lines over your ass and thighs, little pinpricks when he squeezes that make you gasp and moan.
You come apart on him twice before he spills inside you even once, cheated by the clever thumb that toys with your throbbing clit. He clicks his tongue when you get teary after the third, body shaking with exhaustion and doing little more than wriggling in his lap. He lays you flat on the cold stones and takes his pleasure from your limp and willing body, your knees hooked in the crook of two arms. The upper ones.
You expect the third day to be the one he most enjoys - and he does, though not for the reason you expect.
Itâs slated to be a tournament series of fights between curses, curse users, and a handful of unfortunate sorcerers taken hostage. Exactly the type of bloody entertainment that Sukuna savors.
You should be busy recording the event as best you can, given you only have your human eyes to follow the action. Instead, when Sukuna drags you onto his throne to straddle his thighs, he tosses your writing materials aside. You can already feel him hard and pulsing against the small of your back.
A powerful arm bands around your waist, while two other hands sneak between the layers of your uchiki and kosode. Heâs deliberate about it, keeping your body hidden from view by fabric but leaving no casual observer to question whatâs happening.
âMy lord, the battlesâŚ?â you whisper, face hot enough to steam.
âBoring,â he declares, âthis is far more interesting.â
Calloused fingers part your pussy lips, glide down to your defenseless hole, still tender from the previous night. Yet, damningly, you know youâre already soaked. You feel his lips part in a mad grin, teeth pressed to the nape of your neck.
âOh? What a hypocrite, shika-hime,â he whispers in your ear, âit seems you donât care much for the battles either.â
You bite back a whimper, nails scraping across one of the skulls decorating the arm of his throne. Itâs true, youâre not seeing a single thing in front of you. Youâre too hypnotized by the cruel movements of his hand. He keeps dipping just the tip of his finger past your entrance, teasing, occasionally circling back up to your clit until youâre trembling with the effort to stay still.Â
By contrast, you feel him shift behind you, reclining against the back of his throne. Heâs leisurely with his touch, almost mindless. Absent. When you glance at him from the corner of your eye, his chin rests in one of his palms, eyes half-lidded in the general direction of the ongoing fight.
Your body can only take so much. You know it, and he knows it. When it becomes obvious that youâre on the knifeâs edge of orgasm, he speaks, though his voice stays pitched low, just for you.
âIf you make a single sound, Iâll kill every person that looks this way.â
As a general rule, you donât like unprovoked death on your behalf. You try to remind yourself of this with each whine and keen you swallow back while pleasure seizes you in wave after wave.
A shuddering breath spills from your lips as you come down, the danger passed. Until two fingers plunge into your still-twitching cunt.
You bite into your bottom lip hard. Heâs relentless, keeping you still and flush against him, tapping at your pleasure spot over and over. At this point, you wouldnât risk drawing attention to yourself even to flee.
âSukuna,â you whisper in his ear, âpleaseâŚâ
He slides you a sly look and tsks. âSo spoiled. Very well.â
His fourth hand smothers your mouth. The relief is short-lived. The skin touching your lips morphs, parts. A slick tongue curls around yours, teeth nipping. Itâs a filthy makeshift gag but you wouldnât complain even if that unnaturally long muscle wasnât down your throat.
The hand thatâs been methodically fingering you senseless retreats. You know better than to hope. Youâre still not prepared for the wet slap against your sensitive clit. Itâs loud, but the sounds of the fight are thankfully louder. He does it again, and again, an inaudible chuckle with every irrepressible jerk of your body.
Three fingers spread you open again. The palm pressed to your mound shifts in a way you recognize, and you brace yourself as a new tongue wiggles alongside his fingers. You suck on the one licking into your mouth when another orgasm shudders through you. It leaves when your jittery hand grasps at his wrist, needing air, even shaky and uneven as it comes.
Your eyes fluttered closed at some point. Now, youâre too afraid to open them - someone must have noticed by now, surely. Unless the fear of Sukunaâs wrath for looking upon him without permission is stronger than the morbid curiosity of what heâs doing to you here, in front of everyone. You hope thatâs the case; it wonât stop Sukuna either way.
His fingers drag as they leave you. A promise that heâs not done with you yet.
You hear fabric rustling behind you and squeeze your eyes closed tighter. Oh, you are going to be ruined if he doesnât stop, youâre far too sensitive. He canât, he canât. No, no, no, no no noâŚ
âKeep your voice down,â he reminds, sounding amused, âunless you want this festival to end in a massacre.â
He hums contemplatively as he lifts you. Just enough to notch the flared, leaking head of a cock at your entrance.
âMaybe it should,â he muses. You sink down as quickly as you dare, knowing youâll forget yourself if he draws it out. âMy shika-hime gets so wet for her king spilling blood, doesnât she?â
His cock pulses. Without even moving, heâs pressing against every sweet spot inside you, making your cunt hug tight around every vein and ridge. Youâre already well on your way to another orgasm.
âSukuna,â you whine quietly, tucking your face against his neck, âd-donât say things like that.â
âYou dare order your king?â He sounds horrifically delighted. His finger begins tap-tap-tapping, like it does when heâs annoyed, except he strikes your clit every time. âI ought to punish you for your insolence.â
Punishment is no bluffing matter - so why does it make you clench down so tight that even Sukuna groans?
âYouâre not allowed to come again until I give you permission.â
Knowing him, that may not be for the rest of the night. Your stomach tightens. He keeps drumming his finger against your tingling bud.
âI-if I doâŚ?â you venture.Â
The sadistic grin that curls his mouth nearly sends you over the edge right then. Why is that so attractive? Anyone else - anyone with sense - would be terrified. Or at least not aroused by their own terror.
âYouâll become the entertainment,â he answers, greed and anticipation thick in his voice, âIâll let them live just long enough to see you break on both my cocks. And then Iâll fuck you in the lake of blood left behind.â
You believe it. Sukuna doesnât make threats; he makes declarations.
âY-Yes, my king,â you gasp, digging nails into your palm.
He hums, deep and raspy. âKeep behaving, perhaps I will let you come. Eventually.â
His finger starts spiraling over your clit again.
You manage to hold on just long enough for him to demand you finish, so that he can feel your pussy strangling his cock.
He still kills a handful of nosy onlookers, but youâre too blissed out to notice.
The year turns over. Youâve grown used to the feeling of Sukuna touching you, always. Whether itâs just a hand on the back of your neck, or his entire hulking body flattening you against the nearest surface. You learn the pattern of his breathing in the morning. Find a new fascination with the silky fall of that sakura-pink hair.
More rings of vicious teeth begin to decorate your skin. Bruises speckle the canvas of your flesh like stars. The slight ache between your thighs is ever-present but you never quite become accustomed to the exhilarating stretch of his cock.
That doesnât stop you from being tempted by the promise of both.
When you bashfully approach them, his harem is kind enough to offer their collective wisdom. They sit you down in the library with scrolls illustrating positions, adding their own experienced advice to the diagrams. Youâre pleasantly surprised by how quick they are to aid you; you hope itâs not entirely due to the incident with Lady Katsumi.
âShikako-san is very brave,â one of them compliments, squeezing your arm. (You donât fail to notice how she carefully avoids the markings on your wrist.)
You donât really get it, but you smile at her anyway.
Later that evening, when you pause your usual reading to nervously admit to your little tutoring session, Sukuna practically coos. He bends you over the couch right there and introduces your tight, untouched hole to the pleasures of a skilled tongue. And then a finger, rubbing his own cock through the thin membrane separating your clenching channels.
The next time they visit, several of the concubines thank you. For what? You have no idea, but youâre happy that theyâre happy.
As the weather warms, Sukuna makes good on his promise to teach you archery. Youâre abysmal at it the first few times you try, owing to his teaching method. That is to say, pressing himself tight to your back and adjusting your technique by hand. It doesnât help that youâre so unexpectedly turned on by the pitch of his âteachingâ voice and the sternness of his touch.
The hard bulge that always presses against your back assures you that heâs not unaffected either.
Alas, that doesnât stop him from mocking your difficulties learning. Luckily (and much to his glee) you become quite responsive to his condescension as well. Especially when he ends each lesson balls deep inside you, an arm or hand around your throat.
With the turn of the season, your nightly reading rituals evolve as well. Sometimes, Sukuna picks up where you left off the previous evening, making use of his mouth while yours is stuffed full of cock. He seems disproportionately amused that you insist on swallowing his spend, unwilling to risk stains on the books. (You think youâd faint from humiliation if you saw them noted in one your assistantsâ catalog descriptions.)
Youâre delighted when the koi pond finally thaws, revealing the graceful sway of fins and scales youâve been missing. Sukuna indulges you every time you ask to visit, sprawled on blankets in the sprouting grass while you lean against the prop of his leg to read.
He takes his reward for his charity one bright evening, a full moon heavy in the sky. The light spills over the ridges and curves of carved muscle, forms a halo behind his head. Deceptively divine.
Thereâs nothing holy about the hunger in those glowing eyes, the saliva dribbling from the corners of the maw in his stomach. Those cruel hands have wrought enough suffering to make the heavens weep, and that wicked tongue would gorge on the tears.
You donât long for blunter nails scoring your ass, or gentler teeth nipping your throat. You donât yearn to escape the rough palms that splay your thighs wide. You arch into every possessive squeeze and press. Welcome his brutal cock into your aching pussy with moans that echo only pleasure.
You twist and shake with each impatient finger that stretches your other hole, pacified by the hand rolling your clit in distracting circles. You donât need him to speak, donât need sweet platitudes or honeyed encouragement, when the savage growls bubbling from his chest are praise enough.
When Sukuna finally tilts back to line his cocks up with a hole each, you can only brace, knowing youâre not nearly prepared enough, regardless of any physical pain you may feel.
Your mind whites out as both heads press, press, press - and pop past resistance. Babble spills from your gaping mouth, half-words and raw little âahâ sounds, loud and uninhibited. His fingers rub across your lolling tongue, the flavor of slick is cloying; you can taste your own desperation.Â
He half-thrusts once, twice, gaging. Then finally forces himself as deep as he can go, carving a space inside you. Delirious, you think there must be some sort of cursed technique at play here, because the human body simply canât be built to take him. If your cervix were an obstacle, heâs easily surpassed it.
You feel conquered, owned, possessed. The bands around your wrist tingle. He twists his head to mouth at them and (completely unrelated, youâre sure) your eyes water. A reedy little âpleaseâ slips from your lips.
Sukuna draws back and slams home again without restraint.
Heâs going to break you.
âIâll put you back together,â he breathes, only just audible over the obscene, wet noises of your coupling. âJust like before.â
You nod like a puppet on a string, wrapping your legs tight around his waist. He hunches over you, two arms beneath your shoulders to keep you from sliding up the blanket. Forcing you to stay, to take it. Between the panting and the slap of skin and the crescendo of ecstasy rushing in your ears, you hear him.
âMine,â he rasps, snarling and savage, ânot permitted to die⌠youâll stay mine⌠by my side...â
You whimper, âYes, yes, yes! My king⌠âKuna.â
At the next festival, a curse corners you on your way to check on your assistants.
âYouâre just a human,â it burbles. Spindly, lecherous hands paw at the air as it draws closer. âHe wonât miss one human, one servantâŚâ
You snort, snapping your fan open to wave away the putrid stench of it.
âIâm not a servant,â you correct, as the curse is spontaneously diced into neat cubes. âIâm the shikako.â