that pink bitch

Hemlocke Springs (alt rock/new wave revival),

the Noisettes (indie),

Skunk Anansie (hard rock/metal),

Tamar Kali (rock/punk),

Valerie June (country/blues),

Santigold (indie),

Bloc Party (post punk revival/indie rock),

O Children (goth),

Lord Scary Black (goth),

Cemetery Sex (death rock)

deepincision (heavy metal)

zulu (metal)

black pantera (rock, metal)

winter wolf (punk, metal)

erzulie (punk, rock)

youth man (punk)

the 1865 (punk)

crystal axis (punk)

pleasure venom (post-punk/hard rock)

the rack (they describe their sound as “hard pop rock”, blends punk vocals and rock)

danny denial (indie punk/rock, queer)

gloom east (alt/indie rock, moody pop blend)

big joanie (synth punk + some more melodic, blues-like tones)

madame st beatrice (gothic, moody and melodic)

shadow age (goth)

saccharin (goth)

the ire (goth, punk)

bastet (goth punk)

Forbidden Plants Of Palestine tatreez motifs

Shereen Quttaineh: 'For countless generations, Palestinians foraged and harvested the fruits of their land, from wild plants like tumble thistle (Akkoub), medicinal thyme (Za’atar), and wild sage (Meramieh) to cultivated staples like olives, oranges, and watermelons.

Like all other facets of their lives, their autonomy over their own food is under occupation. In addition to confiscating farmlands and uprooting centuries-old fruit trees, the occupation imposes oppressive laws forbidding Palestinians from picking and growing the plants that comprise their culinary, medicinal, and cultural traditions. Despite this, Palestinians continue to find ways to resist.

Each tatreez motif documents a “Forbidden Plant of Palestine,” carrying a story of connection and resilience, offering a reminder of the enduring bond between the people and the land that nurtures them.

Palestinian women have long documented their stories and surroundings through embroidery, preserving history and identity in every stitch. Through creating my own motifs for the plants that Palestinians are restricted from accessing on their own land, I am continuing this tradition—using thread as a form of resistance. This project is my way of documenting apartheid, reclaiming narratives, and strengthening my connection to my roots and identity. Each tatreez motif is a testimony of endurance, belonging, and the fight to keep our heritage alive.

I created these motifs to be used for non-commercial purposes. The Palestinian cause is not for sale and should not be exploited for profit. If you wish to share or use these motifs, proper credit is required.

Thank you to everyone who got me to 50 likes!

The prince and their knight.

Okay so... It was just supposed to be two sketches but I might've just gotten lost in this AU for a couple of days. And now I have a bunch of rough sketches for a comic. This always happens to me lmaoo.

the shrek babies, the two boys (left farkle, right fergus) have brown eyes and the girl (felicia) has blue eyes.

so either THIS is fake, they just COMPLETELY forgot Felicia's eye color or one of the boys is trans.

Most designs are intentional and once you look into it you can probably see what the design is trying to convey story wise. For example my theory is that Felicia is going to align more to her father's views in the world of Shrek compared to her mother's, that's why her eye color and clothes are more like an ogre's.

However hating the possibility of there being another trans coded character doesn't make sense in the Shrek franchise and shouldn't make sense in the Shrek fandom. While yes there are jokes that might not be as ok today, the message overall is that not conforming to these restrictive social expectations is ok and you have to fight for your rights to live as you are. Queerness has always been in the franchise