artistic rendition don't look at the background
ojovivo
untitled

JVL
$LAYYYTER
Sweet Seals For You, Always

if i look back, i am lost
Keni

tannertan36

Discoholic 🪩
Monterey Bay Aquarium
noise dept.
art blog(derogatory)

Janaina Medeiros

★
KIROKAZE
Xuebing Du


@theartofmadeline
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@chaotic-history
artistic rendition don't look at the background

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We all got that one mutual that be going through the most treacherous situations a person could endure and then posting a few minutes later about why such and such should get fucked through a concrete wall.
Mutual: my situationship partner just got caught in a tornado at a broken glass factory where they were cheating on me with my landlord who just increased my rent by 6000% and my pet marmot has a disease so rare they’re naming it after him and all my bones are becoming apricot jelly which I’m allergic to.
Same mutual 16 minutes later: Do you think Ronald McDonald and the Burger King ever explored each other’s bodies?
the last food you ate is your nickname now how is it going
good
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great
awful
results
the girls are fightingggggg
The thing about American "leftist" comedians is that they aren't actually leftist, they are the Imperial Court Jesters. They stand on a stage, point directly at the blood-soaked gears of the war machine, make a little tee-hee noise, and the crowd erupts. Not because they are critiquing the machine, but because the laughter is a pressure release valve for the people inside it. Take the video of that stand-up asking the defense contractor if she helped Trump bomb those 160 Iranian school girls, and everyone laughing, including the contractor herself. That laughter is ritual absolution. The contractor laughs because she knows she will never face a tribunal. The audience laughs because they get to feel "self-aware" without having to actually stop anything. The joke doesn't condemn the contractor; it humanizes her, turns her into a lovable scamp who just happens to have a job graphing the velocity of shrapnel through children's bodies. By making it a punchline, the comedian sanitizes the atrocity. The blood is scrubbed off the stage. The audience gets to say "wow, we are so edgy for talking about it" while the person who builds the bombs gets to chuckle and order another drink. It is not satire, it is a team-building exercise for the empire.
Then there is the YouTuber talking about Transformers, casually dropping the "Iraq war aesthetic" like it's a color palette. Desert punk. Military core. A vibe. This is what happens when your country hasn't had a war on its own soil in living memory; the violence becomes media, a backdrop for childhood toys. The explosions are no longer the sound of mothers screaming; they are cool action sequences. They are digesting the visual debris of massacre as a nostalgic fashion choice, scraping the trauma off and compressing it into a genre for their retro-futurist fantasies. The apocalypse becomes a mood board.
And finally, the girl recounting celebrity love triangles from her childhood, flippantly mentioning how the U.S. was "busy with the Iraq war or whatever." Or whatever. That single phrase is the thesis statement of American innocence. Over a million dead, a region destabilized for a century, an endless river of grief; and for her, it was the commercial break between pop culture segments. It didn't raise her rent. It didn't stop her Wi-Fi. The violence is geo-locked to brown skin and distant deserts, just background noise like a refrigerator humming. She has the luxury of forgetting because the machine doesn't eat her children, it eats yours.
Americans don't hate the machine; they love the output. They hate the mess of it. So they turn it into jokes, into aesthetic, into "whatever." Because if they stopped laughing, if they stopped scrolling, if they actually looked at the 4K drone footage of the aftermath instead of the cool explosion CGI in their movies, they would have to realize that the lithium in their phones, the gas in their tanks, and the comfort of their suburban cul-de-sacs are all greased with the fat of foreign children. And they can't handle that. So they laugh. They turn it into a vibe. They call it "the Iraq war or whatever." You can't deconstruct the master's house with the master's jokes, especially when the punchline is the corpses holding up the floorboards.

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you could just hit other people as a kid
*tumblr person voice* i wish that this story about horrors of war didn't depict how war affects women because it makes me uncomfortable
the poem literally starts with "so this guy we are going to talk about is Not a good person and he brought unimaginable suffering to countless people in a meaningless war" and the people are surprised when the suffering he brought IN A WAR includes rape. because women famously aren't raped in war. i am sorry, i love achilles, he is one of the most interesting characters of ancient literature to me, but it is a very important part of the narrative that he is cruel, ego-driven, rageful and violent, and it's THE THING that makes iliad interesting. like genuinely, if you're not interested in ancient reflections on what the realities of warfare are, what are you even reading it for
Quick someone write a feminist retelling of the illiad featuring no women at all within the story
Street scene in Ferney-Voltaire, Gex region of France
French vintage postcard, mailed in 1902
it’s so hard for me to not doxx myself every single day btw. my oversharer’s spirit is being stifled by internet safety
the world is my cuck chair

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nothing but the highest quality ocposting
playing stupid games but im really bad at them so im not even winning the stupid prizes
This is one of my new drawings, it's 11x14, mostly HB, called "GET SOME!"
Reblog and put in the tags what your blog title (not URL!) is a reference to.

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the air conditioning at night making you sick might be a myth but i think i'm the one person it's true for 😭 i complain easily about the heat but even though Spain was horrible i've never since woken up feeling as good as i did there or in Kaz when it was in both hot as fuck all night
I wanted to ask german speakers who have read what little fritz wrote in german-- does the way he use the language indicate a lack of comfort with it, in the sense that it's often misspelled and grammatically "jumbled"? Do you remember specific things in his writing which indicate this? Sorry if this is a weird question, but I'm curious about it and I'm veeeeery early into my whole learning german journey so I can't judge for myself
So, I may not be the best person for this, since Ive only read some of his letters, so I could be talking bullshit.
His spelling is really horrendous, which can't be just put on time difference between todays German and German back then. From what I can tell, he writes the way he speaks/hears German.
It is known that he preferred the French language, he thought that it was more fitting for poems etc and just in general a nicer language. But idk if that means he wasn't comfortable with German. He spoke German to his soldiers, wrote to Fredersdorf in German and to anyone who he knew couldn't understand French. In the end German was his mother language and his father preferred it so there could also be negative emotions in that regard.
I once read an article regarding the handwriting of the Prussian monarchs, which included examples of their handwritten letters. The example for Frederick II was this very short order about checking out the efficiency of flax seed and buying land (English translation below):
It is both very awkward and filled with grammar (like wrong plurals or articles) and spelling mistakes that also can‘t be just due to the big time difference.
Unfortunately, the examples chosen for Frederick‘s predecessor and successor are both in French, so it’s difficult to compare but the example chosen for his grandnephew is also in German.
These two letters are exactly 20 years apart (1786 and 1806), so not that much time apart and yet the difference in proficiency in German between these two is huge.
*English translation:
A year ago (I) ordered you to try to grow flax seed and have it attempted in Silesia to see if grows well, the donkeys have forgotten it. This adresed to Domhart: Berlin still needs 40000 pound butter, therefore he has to see how much land from the Polish nobility can be cultivated and brought.
Thank you for your additions! These grammatical mistakes were exactly what I was thinking about when I wondered about him "lacking comfort" in the language!