artistic rendition don't look at the background

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artistic rendition don't look at the background

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At the end of Fantastic Mr. Fox, Mr. Fox toasts to their survival and they drink their drinks and then they dance. And they dance. And they dance.
Survive & dance & survive & dance & survive & dance & survive & dance & survive & dance.
It's a good toast.
a very common thing i see posited is the idea that historically, fathers could not both love their daughters and see them as their personal property to dispose of as they saw fit, and i think it comes from this difficulty people have in understanding that a parent can be affectionate and loving in many ways, but also put their own desires before that of their child/have misogynistic views about women's roles in society.
i also think it's very common for modern day commentators to overlook the fact that many men who genuinely loved their wives also pressured their wives to keep having children until they died or were physically disabled by it.
We all got that one mutual that be going through the most treacherous situations a person could endure and then posting a few minutes later about why such and such should get fucked through a concrete wall.
Mutual: my situationship partner just got caught in a tornado at a broken glass factory where they were cheating on me with my landlord who just increased my rent by 6000% and my pet marmot has a disease so rare they’re naming it after him and all my bones are becoming apricot jelly which I’m allergic to.
Same mutual 16 minutes later: Do you think Ronald McDonald and the Burger King ever explored each other’s bodies?
the last food you ate is your nickname now how is it going
good
bad
great
awful
results

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the girls are fightingggggg
The thing about American "leftist" comedians is that they aren't actually leftist, they are the Imperial Court Jesters. They stand on a stage, point directly at the blood-soaked gears of the war machine, make a little tee-hee noise, and the crowd erupts. Not because they are critiquing the machine, but because the laughter is a pressure release valve for the people inside it. Take the video of that stand-up asking the defense contractor if she helped Trump bomb those 160 Iranian school girls, and everyone laughing, including the contractor herself. That laughter is ritual absolution. The contractor laughs because she knows she will never face a tribunal. The audience laughs because they get to feel "self-aware" without having to actually stop anything. The joke doesn't condemn the contractor; it humanizes her, turns her into a lovable scamp who just happens to have a job graphing the velocity of shrapnel through children's bodies. By making it a punchline, the comedian sanitizes the atrocity. The blood is scrubbed off the stage. The audience gets to say "wow, we are so edgy for talking about it" while the person who builds the bombs gets to chuckle and order another drink. It is not satire, it is a team-building exercise for the empire.
Then there is the YouTuber talking about Transformers, casually dropping the "Iraq war aesthetic" like it's a color palette. Desert punk. Military core. A vibe. This is what happens when your country hasn't had a war on its own soil in living memory; the violence becomes media, a backdrop for childhood toys. The explosions are no longer the sound of mothers screaming; they are cool action sequences. They are digesting the visual debris of massacre as a nostalgic fashion choice, scraping the trauma off and compressing it into a genre for their retro-futurist fantasies. The apocalypse becomes a mood board.
And finally, the girl recounting celebrity love triangles from her childhood, flippantly mentioning how the U.S. was "busy with the Iraq war or whatever." Or whatever. That single phrase is the thesis statement of American innocence. Over a million dead, a region destabilized for a century, an endless river of grief; and for her, it was the commercial break between pop culture segments. It didn't raise her rent. It didn't stop her Wi-Fi. The violence is geo-locked to brown skin and distant deserts, just background noise like a refrigerator humming. She has the luxury of forgetting because the machine doesn't eat her children, it eats yours.
Americans don't hate the machine; they love the output. They hate the mess of it. So they turn it into jokes, into aesthetic, into "whatever." Because if they stopped laughing, if they stopped scrolling, if they actually looked at the 4K drone footage of the aftermath instead of the cool explosion CGI in their movies, they would have to realize that the lithium in their phones, the gas in their tanks, and the comfort of their suburban cul-de-sacs are all greased with the fat of foreign children. And they can't handle that. So they laugh. They turn it into a vibe. They call it "the Iraq war or whatever." You can't deconstruct the master's house with the master's jokes, especially when the punchline is the corpses holding up the floorboards.
you could just hit other people as a kid
*tumblr person voice* i wish that this story about horrors of war didn't depict how war affects women because it makes me uncomfortable
the poem literally starts with "so this guy we are going to talk about is Not a good person and he brought unimaginable suffering to countless people in a meaningless war" and the people are surprised when the suffering he brought IN A WAR includes rape. because women famously aren't raped in war. i am sorry, i love achilles, he is one of the most interesting characters of ancient literature to me, but it is a very important part of the narrative that he is cruel, ego-driven, rageful and violent, and it's THE THING that makes iliad interesting. like genuinely, if you're not interested in ancient reflections on what the realities of warfare are, what are you even reading it for
Quick someone write a feminist retelling of the illiad featuring no women at all within the story
Street scene in Ferney-Voltaire, Gex region of France
French vintage postcard, mailed in 1902

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it’s so hard for me to not doxx myself every single day btw. my oversharer’s spirit is being stifled by internet safety
the world is my cuck chair
nothing but the highest quality ocposting
playing stupid games but im really bad at them so im not even winning the stupid prizes
This is one of my new drawings, it's 11x14, mostly HB, called "GET SOME!"

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