he owed the crowd his head

Hede BÜHL (*1940) - Wächter, 1975

Cezary Poniatowski 

Friend, 2015

From the exhibition Adiós Utopia: Dreams and Deceptions in Cuban Art Since 1950, currently on view here at the Walker Art Center: José Bedia Al límite posible (To the Possible Limit) 1996 Acrylic and conte crayon on canvas, with found objects 95.75 x 171.5 inches Photo: Dylan Nelson, ©Walker Art Center

“Gee, I don’t think I feel angry at art really. I was mystified by the minimalism thing. I couldn’t figure out why anybody would want less to look at until finally, maybe eight years ago, when it was all over with, it occurred to me that less to look at means more attention is on the viewer.” Peter Saul

Kristina Lovaas, The Party’s Over, 2021

Paul Hardy

Ryan Estep, Scale 6, 2017, Canvas, Fiberglass and Pigment, 125 × 145 × 18.5 cm

2021, oil on linen, 47x60 in.

Vaccarès, Camargue, 1963

Morocco⁣

Sam Durant - What’s Underneath Must Be Released and Examined to Be Understood, 1998, mirrors, earth, fog machine, and mixed media, 32" x 44.5" x 64.5"

Nicholas Riis

Loney Abrams & Johnny Stanish at 315 Gallery in New York City

Leontios Toumpouris at Thkio Ppalies in Nicosia