the spirit of the dead keeps watch, 1892 paul gauguin 72cm x 92cm

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the spirit of the dead keeps watch, 1892 paul gauguin 72cm x 92cm

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ISA GENZKEN Untitled, 2015
Isabel Yellin
Sad to hear that Ellsworth Kelly, one of America’s great 20th-century abstract artists, who in the years after World War II shaped a distinctive style of American painting by combining the solid shapes and brilliant colors of European abstraction with forms distilled from everyday life, died on Sunday at his home in Spencertown, N.Y. He was 92.
Read more at nytimes.com
Here are some materials in our collection on Ellsworth Kelly’s important work.
ida tursic & wilfried mille

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Sam Gilliam (30 November 1933 - 25 June 2022)
Henri Matisse
Chapelle du Rosaire de Vence, France
1951
Ron Gorchov
Urs Fischer Exhibition at Chapelle de L’Ecole Des Beaux-Arts, Paris. Via Purple Diary.

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Scott Anderson
Scott Anderson
Easter and the Totem, Jackson Pollock, 1953, MoMA: Painting and Sculpture
Gift of Lee Krasner in memory of Jackson Pollock Size: 6’ 10 1/8" x 58" (208.6 x 147.3 cm) Medium: Oil on canvas
http://www.moma.org/collection/works/79678

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picasso
Seated Girl (Fränzi Fehrmann), Ernst Ludwig Kirchner, 1910 (altered 1920), Minneapolis Institute of Art: Paintings
Seated girl. Franzi Fehrmann. German Expressionism. Figure shown nearly full length, filling almost all of the picture space, seated on vivid blue divan dressed in bright red dress with yellow trim and black polka dots on green sleeves. Small nude figure at left a frequent motif in Kirchner’s art. Strong color utilized, applied in broad areas with an eye to contrast and balance. Harsh contour lines add a decorative element to the composition. These strong contour lines reveal the influence of the woodcutting technique which Kirchner also practiced to great effect. Composition is simplified and economy of line and form reveal influence of Japanese art and primitive African sculpture. No signature - checked 8-21-96. In the early decades of twentieth-century Germany, a group of avant-garde artists known as Die Brücke (The Bridge, 1905-13), emerged. Hoping their work would serve as a bridge to the art of the future, they developed a radical new style of painting called Expressionism. This composition, with its deliberate brushstrokes and forceful use of outline, articulates both Ernst Ludwig Kirchner’s and Die Brücke’s intent to reveal raw emotion without apologies. Lina Franziska “Franzi” Fehrmann (1900-1950), the adolescent model for Seated Girl, met Kirchner in 1910. She and her siblings regularly posed for artists in the Die Brücke group. Size: 31 ¾ x 35 7/8 in. (80.6 x 91.1 cm) (canvas) 40 ¾ x 45 x 2 3/16 in. (103.51 x 114.3 x 5.56 cm) (outer frame) Medium: Oil on canvas
https://collections.artsmia.org/art/1224/