oozey mess
blake kathryn
hello vonnie
macklin celebrini has autism
â
cherry valley forever
Lint Roller? I Barely Know Her
JBB: An Artblog!
JVL
⣠Chile in a Photography âŁ
let's talk about Bridgerton tea, my ask is open
if i look back, i am lost
Kaledo Art
taylor price
h
Sade Olutola
AnasAbdin
romaâ
ojovivo
seen from Russia
seen from Finland
seen from TĂźrkiye
seen from Germany
seen from Netherlands
seen from TĂźrkiye
seen from Argentina
seen from United States
seen from Austria
seen from United States
seen from Belgium
seen from Singapore
seen from United States
seen from Malaysia
seen from Malaysia
seen from United Kingdom
seen from United States
seen from TĂźrkiye
seen from United Kingdom
seen from Spain
@cerebralknots
Rebirth implies the death of something.
Something that is not useful anymore.
I thought I was here to protect you from yourself.
But this idea was only created to protect me from your own living shadow.
Iâm sorry this is not true anymore. Iâm sorry that I canât give the strength you need.
It hurts that I canât help you. I can only hold the light until you dare to see it.
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no one is forever
never really gone
â Lâenfance croit ce quâon lui raconte et ne le met pas en doute. Elle croit quâune rose quâon cueille peut attirer des drames dans une famille. Elle croit que les mains dâune bĂŞte humaine qui tue se mettent Ă fumer et que cette bĂŞte en a honte lorsquâune jeune fille habite sa maison. â Jean Cocteau
Ce n'est pas que j'ĂŠtais tout pour toi, c'est que je devais ĂŞtre tout pour toi
âThe road to Hell is paved with good intentionsâŚâ
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he made MAD relevant again
tonight we fall
Post Punk Jacket !
Itâs 4:30 in the morning in Montreal, and we have a video appointment with Blixa Bargeld at his Berlin home. No way to get a more accommodating time slot. Thatâs what his assistant tells us, Blixa prefers to do his interviews in the morning. Always a bit overdressed, in a black suit, the man, in [âŚ]
wer sich am kommerzieilen musikgeschmack orientiert dient der reaktion those who orientate themselves on commercial musical taste serve the reaction ceux qui s'orientent sur des goĂťts musicaux commerciaux servent la rĂŠaction ĺśĺŠăçŽçă¨ăăč ăŻăăăŽĺĺăĺŠç¨ăăŚăă ŃĐľ, ĐşŃĐž ĐžŃионŃиŃŃĐľŃŃŃ Đ˝Đ° кОППоŃŃĐľŃкио ĐźŃСŃкаНŃĐ˝ŃĐľ вкŃŃŃ, ŃĐťŃĐśĐ°Ń ŃоакŃиоК
Ilitch
Like Periodikmindtrouble, 10 Suicides, originally a single LP from 1980, was reissued as a double CD with plenty of bonus tracks. On this second effort, Ilitch's main man, Thierry Muller, uses more musicians and even throws in vocals and song structures on a few of the tracks, though 10 Suicides is only marginally more accessible than the earlier effort. As the original album offered ten different soundtracks on suicide, this is as dark as ever, though more varied than its predecessor, going everywhere from the gentle but haunting piano interlude of "Symphonynachevee" to the harshly aggressive cyberpunk track "Periphikredcommando." On this latter track and the other songs, the voices are heavily processing and distorted, sounding something like the Residents, to match the bleak electronics and distorted guitar textures. "Waiting for Mabelle" is a strange piece of avant pop, with a catchy melody and bouncy but choppy rhythm, while "No Answer" is a nihilistic chant with industrial backdrop mixed with distorted psychedelic guitar pyrotechnics. The second disc has three live recordings, and actually comes closer to the more minimal material on Ilitch's first disc, Periodikmindtrouble, though the second track, "Comma Programma," is the complete recording from which the first disc's "Coma Programma I and II" were extracted. The tracks are quite drone-oriented, and the long third track is quite effective. It starts off like the others as droning and ambient, and then slowly builds up with intensity to a squalling noise. AllMusic review by Rolf Semprebon
1974 proto-punk band
â âAll the punks listened to reggae,â says Boles. âIt was about all rebel music.â Gordon adds that âpeople, incorrectly, view punk as this angry, white, urban, male genre. Black culture is really the source of punk, and a lot of people donât recognise it â or donât want to recognise it.â  â
â Pure Hellâs story beckons essential questions about the integrity of our cultural memory, reminding us that âhistoryâ is written within the constructs of unjust society. âItâs just so important to me that history be correct,â says Parker-Lawton. âTaking the risks that they took, daring to be so different, they were outlaws and true pioneers. When people are that true to their art and that brave, it has to be recognised.â Although their musical careers didnât necessarily bring wealth or fame, Boles and Gordon describe their years in Pure Hell as paramount. âI had so much fun, it doesnât matter that I never saw a penny for it,â he says. âFor us, it wasnât about making money. It was about following our hearts and doing exactly what we wanted to do.â  â
to learn more : Dazed article
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Ăcouter / acheter: The Unfinished Fight Against Humanity LP de SNTS
THE UNFINISHED FIGHT AGAISNT HUMANITY
Ăcouter / acheter: Hell On Paradise de Vendex
Vengeur masquĂŠ oh lĂŠ oh lĂŠ
Accès libre // par Jerome Karabel (dÊcembre 2020)
HERE COMES THE STORMÂ
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new Viagra Boys album is out
Ăcouter / acheter: Blood On Your Boots de Oh Sees
