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Sil'kie and Goobra for @catcubus !

Hi, thanks for the question!

From 1368, after seizing power from the Mongolian-ruled Yuan dynasty, the Ming dynasty adjusted the rituals that did not conform to the customs of the Han people, adopting and restoring the systems and customs of the Tang and Song dynasties. The hairstyles of Ming women were not as rich as those of the Tang and Song, but nevertheless had their own unique characteristics. Below - Common Ming hairstyles:

The early Ming inherited the hairstyles of the Song and Yuan. After the Jiajing period (1522–66), women’s hairstyles changed significantly. The Taoxinji/桃心髻 was a fashionable hairstyle at that time. The hair was combed into an oblate shape, and the top decorated with flowers. Later, it evolved into a filigree knot, with the hair combed high & the dome decorated with precious jewels. The hairstyle had many variations as well. Below - Taoxinji in the Chinese TV series Dream of the Red Chamber:

Another popular Ming hairstyle was the Diji/狄髻, a small wig-hat in the shape of a pyramid & decorated with ornaments:

The Diji developed from the special hairstyles and crowns of the Song, and was worn by married women for formal occasions during the Ming. It was often made of silver wire, gold wire, horsetail, silk, hair, paper, fabric, etc. The outside was usually covered with black yarn, which was shaped like a cone and covered the hair on top of the head. A large variety of jewelry could be attached to the hat, the number depending on occasion and preference. For more examples, please see my Diji tag.

Mo’e/抹额 were forehead/hair bands that originated from the Spring and Autumn/Warring States periods, and were most popular during the Ming dynasty. Women wrapped the bands around their forehead, and the fabric in front was usually decorated with embroideries and/or jewels. Below - Mo’e in Dream of the Red Chamber:

Finally, we can’t discuss Ming dynasty hairstyles without mentioning the gorgeous Fengguan/凤冠 (phoenix crown) worn by Ming noblewomen for ceremonies and formal occasions. It was also the traditional headwear for Ming brides (including common-folk):

Fengguan were adorned with a variety of ornaments: phoenixes made of inlaid kingfisher feathers, as well as gold dragons, beaded pheasants, pearls, and other gemstones. The numbers of phoenixes, dragons, and precious gems on each crown was different, depending on rank. For more examples, please see my Fengguan tag.

Of course, there are a lot more Ming women’s hairstyles that I haven’t covered, but this does describe some of the most popular and iconic Ming styles. For more references, please check out my Ming Dynasty tag.

Hope this helps! (Illustration Via)

Hairstyles of Tang Dynasty Women

“In early Tang, hair ornaments were rather simple, but during the reign of Emperor Taizong the buns got higher and higher and the number of styles grew.” (5000 Years of Chinese Costume, 77)

“During the earlier years of Emperor Xuanzong’s rule, the Tartar hat was fashionable, but in the later years…many women opted for switch buns (also called ‘false buns’). In late Tang and the Five Dynasties, the high buns were often decorated with different kinds of flowers.” (5000 Years of Chinese Costume, 77)

“Ponytails were also quite popular among a small number of aristocratic ladies during the years of Tian Bao (Xuangzong’s reign). (5000 Years of Chinese Costume, pg. 84)

“Common women…preferred the 'tossing-up bun’, with the hair at the temples embracing the buns were made higher and higher, and were decorated with flowers, which heralded the popularity of the flowery hats of the early Song Dynasty.” (5000 Years of Chinese Costume, pg. 84 )

  Makeup

“Women of the Tang Dynasty paid particular attention to facial appearance, and the application of powder or even rouge was common practice. Some women’s foreheads were painted dark yellow and the dai (a kind of dark blue pigment) was used to paint their eyebrows into different shapes that were called dai mei(painted eyebrows) in general.” (5000 Years of Chinese Costume, 77)

“…between the brows there was a colourful decoration called hua dian, which was made of specks of gold, silver and emerald feather. Some women painted their cheeks with motifs such as a moon or a coin, and their lips were also rouged.” (5000 Years of Chinese Costume, 77)