but we stay silly

we need a lying on the ground dead emoji now more than ever

of course, the best part of any character's corruption arc is their cool new outfit

Reblog and put in the tags your favorite father-daughter and mother-son duos in fiction.

Holy moly they're GOOD. The music is fucking FIRE, and the outfits??? They're all so PRETTY???

Does anybody know who these are??? Do they have albums!! 🤩🤩🤩

it is honestly amazing how much of writing and editing is just. logistics. like... do i use a name here or a pronoun? if i move this dialogue tag to the middle of this line and break it in half, does the end of the line hit harder that way? what if i move the tag to the front? what if i remove it entirely? ...wait, whose point of view am i in; can i reasonably say this character is appalled, or must i say they look or seem or sound appalled? is this a deliberate action or a step-removed one; is her hand closing on his shoulder, or is she closing her hand on his shoulder? environment environment environment, we need to break all this dialogue up with some narration, the scene is coming untethered. what! are! they doing! with! the rest of their bodies that are not hands! fuck fuck fuck FUCK i forgot we covered this two chapters ago and now i either need to cut this whole chunk or find a reason to reprise the conversation from earlier. name or pronoun? name or pronoun? name or pronoun? move this clause around in this sentence? oh i'll add this phrase-- nope, never mind, past!me added the same phrase two lines down. okay, if i add too much environmental narration it's going to take away from this bit, but not enough and it won't feel grounded. what if i move this to its own line? where the FUCK are their hands?

Do it scared but please don't do it hungry. Please don't do it dehydrated. It's gonna make it so much scarier. Please.