The Tambourine Girl, Arthur Hill

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The Tambourine Girl, Arthur Hill

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The Princess out of school
by Edward Robert Hughes (1901)
SUDELEY CASTLE by chris .p on Flickr.
Detail from The Funeral of Shelley, Louis Édouard Fournier, 1889.
The painting depicts Edward John Trelawney, Leigh Hunt and Lord Byron present at the cremation, when in reality, according to Trelawney, Leigh Hunt never got out of the carriage and Byron was so shocked by the circumstances and the high temperatures that he retreated and went swimming instead.
Expansion: Edward Trelawney is a proven liar.
Byron did go swimming, but this was not an uncaring act. He is often characterised as indifferent to Percy's death due to recounting the funeral dispassionately in a letter to Hobhouse, but this was his characteristic mode when he wished to distance himself from something he had found distressing. Additionally, Hobhouse hated Shelley and would not have had much sympathy for him going out in bad weather against the advice of seasoned italian sailors. Byron's later reflections were much more harrowing, and his actions spoke volumes.
In actual fact, he had poured a lot of resources into both finding the bodies, paying Italian authorities for the treatment of their remains, and helping and funding Trelawney planning the funerals. He had also helped him to source frankincense and other aromatics to stifle the smell of burning flesh, and he was very upset by how Shelley and the others no longer resembled their living selves at all. He acted the stoic after the fact, but at the time of the cremations, he stripped off his clothes and waded into the water to escape the visuals and the literal smell of his friend burning. Leigh Hunt and Edward Trelawney fought over claiming Shelley's heart (or a lump of organ meat that refused to burn), and Byron literally had to embarrass Hunt into giving it to Mary later.
This "swim" actually turned into a four hour fete of physical endurance that made him seriously ill. Byron was suffering from intense sunburn and also heat stroke after the exertion in the summer sun, something that took such a toll on him that he remarked several times in letters to friends that he had never physically recovered from it. Through today's lens we can conjecture that this could even have been the start of the delicate state of health that caused him to succumb to the illness that killed him some months later in Greece.
Immediately after Percy's death, Byron funded Mary Shelley and her child both staying in Pisa with the Hunts and, when she decided to return to England, shipping hers and Percy's things home with her. Some weeks later he also sent her the money to travel home in comfort, but Leigh Hunt stole this money and lied to her that Byron had never sent it (by this time he was on his way to Greece), casting a pall over their very close friendship.
TLDR: Edward Trelawney and Leigh Hunt wrote their own fictional accounts of what happened after Percy's death to make themselves look more central to the plot. Byron did not need to boast of this - his financial accounts and subsequent actions do all the talking, records of which still exist today and are verified by Mary Shelley's own words. Byron was not always a good man, but in this instance he was as decent as anyone could hope a friend to be, even despite the fact that Leigh Hunt, Trelawney, and even Percy formerly had tried hard to paint him as a cruel, distant poser, likely due to their own petty jealousy of his celebrity. Leigh Hunt was a grubbing little slug that literally stole money from a widow. Do with that what you will.
The Lovers by Joseph Marie Thomas Lambeaux

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Max Nonnenbruch (German, 1857–1922) Evening at the lake, ca. 1900 Galerie Der Panther, Freising
[ID: Photo of the stacks of a library overlaid with text: This is the only data center I want funded. End ID]
<33
Cat with a fish bowl Brooch - 1900s
“Triumph of Death”, c. 1460
panel from the series“Triumphs” attributed to Girolamo da Cremona (15th century)
tempera and oil on panel
source

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The Dew (La Rosée), (Detail), (19th century), by Fritz Zuber-Bühler (Swiss, 1822 - 1896)
Nymphs Bathing, 1924 by Antonio Muñoz Degrain
2000 year old Roman Mosaic on the bank of the river Euphrates, Turkey.
Getting Lost, Annie Ernaux (tr. Alison L. Strayer)

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Portrait of a Young Italian Woman (also documented as Bildnis Einer Jungen Italienerin or Junge Italienerin), (Detail), (19th century), by Leonardo Gasser (Italian, 1831 – 1892), oil on canvas, 56 x 45 cm (approximately 22.05 x 17.72 inches, Private Collection
Isabella and the Pot of Basil (1919) by George Henry Grenville Manton (English, 1855 – 1932), oil on canvas, 107 × 82.2 cm, Wycombe Museum, England