my heart is black ink my sex is a dead sun [III 87].
Georges Bataille. Oeuvres Complètes. via Nick Land in The Thirst for Annihilation. (via ysmnsns)

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my heart is black ink my sex is a dead sun [III 87].
Georges Bataille. Oeuvres Complètes. via Nick Land in The Thirst for Annihilation. (via ysmnsns)

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Follow ruinsmami for a good content
Remember in 1993 when Jurassic Park was like…the end all, be all of special effects?
not gonna lie that still looks intimately real
I’m still somewhat convinced that someone sold their soul to create the special effects in Jurassic Park because that shit is over 20 years old and it still really, really holds up, better than the stuff in a lot of current movies, even.
Fucking witchcraft, man.
fucking look at this shit though
Literally see this post flying around with a few different responses added to the bottom each time so I’ll say it for this one myself:
THEY ACTUALLY BUILT A GIANT MASSIVELY DETAILED FUCKING ANIMATRONIC T-REX FOR ALL OF THIS THAT’S WHY THE EFFECTS ARE SO GOOD. CAUSE IT AIN’T CGI. AND IT AIN’T GUY IN A COSTUME. IT’S A BIG FUCKING ROBOT DINOSAUR. AND EVERY PART IS DESIGNED TO MOVE. IT COST LIKE HALF THE BUDGET OF THE FILM.
amazing
And they had the film it in small increments, especially in the outdoor scenes, because the rain fall kept soaking into the ‘skin’ of the rex and would slow down and mess up its movements. So they would stop filming and have a crew out there drying off this massive, fake dinosaur, and then they’d start filming again until it was too wet. Repeat until the end of the scene.
They used animatronics and detailed costumes for most if not all of the dinosaurs in the first movie.
The triceratops for instance, was also animatronic.
And the raptors were dudes in suits. I shit you not.
One of my favorite anecdotes I’ve read on tumblr is how the t-rex robot from Jurassic park would malfunction while it was drying out. How did it malfunction, you might wonder?
Motherfucker randomly started moving.
So apparently if you were on the jp set you would sometimes hear people screaming bloody murder even though they were all well aware that it was a giant animatronic puppet and wouldn’t actually, you know, eat them.
(link to said post about malfunctioning t-rex)
Did not know this, had to reblog for awesome movie history insights.
So, I knew about the animatronics bit but I did not know the raptors were guys in suits and the malfunctioning t-rex sounds terrifying.
And i just googled malfunctioning t-rex and was not disappointed. Apparently in order to put the skin on over the steel frame a guy had to crawl inside the t-rex while it was turned on and glue the skin down. And if somebody turned the t-rex off or the power went out the guy in the t-rex stood a very real chance of getting mangled and killed by the hydraulics.
So of course, the power goes out.
And this guy is still in there gluing the skin down.
Apparently the way to survive getting sheered to death by huge sheets of metal while you’re inside a giant t-rex robot is to curl into a ball and hope for the best.
And this guy hoped for the best and got it.
Some other people on stage pried open the t-rex jaws and glue guy crawled out of its mouth and was totally okay.
This is getting better and better.
I think they only had like 6 minutes of CGI
I’m just waiting for the T-Rex to come to life and leave its stand.
@spinosaurus-the-fisher is this the kind of content you love?
Realism comes at a cost, it seems.
i mean ok but why has nobody posted this:
It’s a three piece raptor suit.
Old movies had the best special effects
The thing about this that gets my special effects nerd going is the fact that EVERY single dinosaur was sculpted by artists based on the current existent archeological evidence of the time.
@jurassicparkandrecreation
@shepfax
Even better than that, this movie ADVANCED our best understanding of dinosaurs at the time. They were blowing out a budget bigger than anything Hollywood had ever seen, and along with employing almost the last hurrah of incredible physical FX, they had a bank of those newfangled digital SFX computers. Nobody’d ever really created convincing dinosaurs in a movie before. It’d all been stop-motion animation, and even when the models were exquisitely crafted, you could just tell there was something OFF about them. Spielberg wanted THE BEST DINOSAURS EVER, and he figured on using the cutting edge of digital modeling and animation technology to build them for him.
So they got hold of some of the best paleontologists they could find and said, “We want you guys to take this tech that your labs could pretty much never afford and use it to build us the most realistic, accurate dinosaur models the world has ever seen.”
The paleontologists knew an opportunity when it bit them in the ass. They plugged in everything they knew about dinosaurs, all the skeletons and their best guesses about soft tissue and all that. And when they’d created those dinosaur models, they had the computer start moving them as they realistically would with anatomy like that. One guy took a look at those walking t-rexes and velociraptors (really utahraptors, but whatevs, fam), and he said, “Wait a minute, I’ve seen movement like that before.”
He called up film of a chicken walking. Everyone in the room said, “Holy shit.”
Prior to 1989, the idea that birds were descended from dinosaurs existed–we knew about archaeopteryx, we knew there was some minor connection there–but the idea that DINOSAURS LIVE IN THE MODERN WORLD AND THEY ARE CALLED BIRDS was not pre-eminent. Jurassic Park changed our scientific understanding of dinosaurs.
That paleontologists’d be Kevin Padian. Who is awesome.
https://en.wikipedia.org/wiki/Kevin_Padian
This post just gets better and better with time

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10 pieces of advice to give yourself at the age of 20
At the age of 11, you learned that perfection does not always mean a flat tummy and a thigh gap. Go on and eat that second piece of cookie that you crave so much.
At the age of 12, you learned that just because you call her “mom” and him as “dad,” it doesn’t mean they inherently know how to be that. Also, suicide poison is not the cure for everything, it’s not a cure at all.
At the age of 13, you learned the difference between giving up and taking a rest. You might have given it your all but not make it. Remember to disregard everything that comes after but.
At the age of 14, you learned that standing up for everyone else does not mean that all of them will stand up for you when you need someone. Not one of them would be the first one to defend you, that spot is reserved for your name.
At the age of 15, you learned that people rarely mean what they say even if as a writer, you deem each and every word important. Learn to know the voices that speak sincerity and the voices that are just trying to get into your pants.
At the age of 16, you learned that letting go of people that only brings toxicity in your life is never a crime. Thinking about your own peace of mind does not make you selfish. Neither does placing yourself above that last number on your priority list.
At the age of 17, you learned that giving yourself to everyone willing could only lead to one thing: your own’s deterioration. Dear, you are more precious than someone who can’t even look into your eyes in the morning.
At the age of 18, you learned that loving and accepting yourself are two different things. Placing yourself in situations you are well aware of your self distraction is never loving yourself.
At the age of 19, you learned that lovers are not the only ones that can break your heart. People stay and go for a reason. Remember to treasure the rightful ones that life allowed to stay.
You’re 20 now and life has never been what you expected and planned it to be and that’s possibly the greatest thing that can happen into your life. You’re a writer but life writes with you, know when to let it leave significant marks and know when your own pen should be the one doing so.
written by bleakfantasies, writing prompt #62: list 10 pieces of advice you’d give yourself
(via wnq-writers)

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