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Atonement cinematographer Seamus McGarvey famously streched Christian Dior stockings over the camera lens to give the film its soft, dream-like focus.

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Joe Strummer photographed by Bob Gruen

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The Filth and the Fury|Sex Pistols documentary|2000

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[cr.]

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“Basically a scene of a guy going to a house to pick up a date and like you know he’s just waiting for her. Alright and there’s all like this tension, he’s heard a lot about her but he hasn’t met her yet and she’s talking all on this intercom and there’s a note on the door saying just let yourself in so you’re like waiting for her first appearance and he’s kind of like apprehensive about it. That whole idea for a story I’ve had in my head for like you know 6 or 7 years, that sequence, and it always was scored to Son of a Preacher Man.”

-Quentin Tarantino on the first meeting of Vince and Mia sequence in Tarantino Talks!

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“We’re in love. We just want to be together. What’s wrong with that?”

Moonrise Kingdom (2012) dir. Wes Anderson

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Interstellar (2014) dir. Christopher Nolan Cinematography by Hoyte van Hoytema

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On the set of Pulp Fiction (1994)

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Uma Thurman and Robert De Niro at the screening of Mad Dog and Glory during the Cannes Film Festival, 1993

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