Sorcerers are too common; cunning men, wizards, and white witches, as they call them, in every village, which, if they be sought unto, will help almost all infirmities of body and mind.
Robert Burton, Anatomy of Melancholy (1621) II, i, 1

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Sorcerers are too common; cunning men, wizards, and white witches, as they call them, in every village, which, if they be sought unto, will help almost all infirmities of body and mind.
Robert Burton, Anatomy of Melancholy (1621) II, i, 1

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In the nineteenth century the English countryside periodically threw up village Messiahs as bizarre as any to be found during the Interregnum, and the calculation of the number of the Beast long remained an indoor sport for eccentric clergymen.
Keith Thomas, Religion and The Decline of Magic
St Swithun, Benedictional of Æthelwold
British Library, London
Swithun (or Swithin) was Bishop of Winchester from his consecration on 30 October 852 until his death on 2 July 863
He is also known for the proverb:
St Swithun's day if thou dost rain
For forty days it will remain
St Swithun's day if thou be fair
For forty days 'twill rain nae mare
St Swithin’s Day being the 15th July.
St John's Gate, Clerkenwell, 1842
John Wykeham Archer
Watercolour
British Museum
24th June - Feast Day of the Birth of John the Baptist. The Knights Hospitaller — whose English headquarters at Clerkenwell in London gave its name to St John’s Gate, which is still standing today — were formally the Knights of the Order of St John of Jerusalem, taking him as their patron. Its modern-day role is as museum of the order of St John through to St John Ambulance, the international first aid charity.
“I have heard how a man at Weobley Marsh saw a strange creature come into his room one night, " something like a bat." His daughter told me he knew it was one of the witches then living on the Marsh. " But how did he know ?" I asked. " He knocked the thing down with a handkerchief, and if it had been a bat he would have killed it for certain. But he lighted a candle after, and there was nothing there at all. You can't harm them folks."”
From The Folklore And Witchcraft of Herefordshire by Ella Mary Leather,
English folklorist (1874-1928)

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Now Etheldreda shines upon our days,
Shedding the light of grace on all our ways.
Born of a noble and a royal line,
She brings to Christ her King a life more fine.
-- The Venerable Bede
St. Etheldreda, Queen of Northumbria, Abbess of Ely's Double Monastery aka Audrey, Athelthryth, Ethelreda, Edilthride, Ediltrudis, Edeltrude
Feast Day: 23 June
Saint Aethelthryth of Ely from the Benedictional of St. Æthelwold depicted in an illuminated manuscript
British Library, London
RIP David Hockney (1937-2026)
Sea Form (Porthmeor), 1958
Barbara Hepworth
Bronze
Seen at Barbara Hepworth in Colour at The Courtauld Gallery, London
Working in bronze marked a turning point in Hepworth's sculptural practice.
It allowed her to immerse herself in colour after a gap of about eight years. Her close collaboration with the Morris Singer Foundry led to the development of a variety of innovative patinas encompassing a wide range of colours, especially greens, and her favourite, a blue-green close to the colour of oxidised copper.
Sea Form (Porthmeor), named after a beach in St Ives, in Cornwall, has a mottled green patina with flecks of white. Its surface has been described as though 'salted from long immersion in seawater'.
Tate: Presented by the artist 1967
Dented beaker, 300/400
England
Ceramics
Stadthuis, Brugge
The shrine of Walburga
This reliquary contains the skulls of the English nun St. Walburga (ca. 710-779, Crediton, Wessex ) and her two brothers, Willibald and Winibald.
Seen at BRUSK, Brugge, Belgium

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Jug, 13th century
English red earthenware
Seen at WIDESCREEN, Interwoven worlds of Bruges 900-1550 exhibition at BRUSK, Brugge
Detail of a decorated jug from Scarborough, end of 13th century-early 14th century
terracotta
Dudzele, collectie Jan Tilleman, seen at WIDESCREEN
Interwoven worlds of Bruges 900-1550 exhibition at BRUSK, Brugge
St Dunstan Medal
The large medal on a chain is inscribed with an image of St Dunstan himself (born in 909 and died in 988), an Abbot of Glastonbury Abbey, a Bishop of Worcester, a Bishop of London, and an Archbishop of Canterbury.
An accomplished musician, jeweler, painter, blacksmith and statesman, he was canonised as a saint in 1029 and is amongst England's most popular saints.
The image shows the devil peeping over his shoulder, a reference to one of the legends about him. The story goes that one day at Glastonbury, he was in his forge working on some metalwork and the devil came up behind him and began to tempt him into evil ways.
Dunstan whipped around and caught the devil's nose with the blacksmithing tongs and held him tightly as he roared and raged. Eventually Dunstan got the devil to promise that he would never come to tempt him or any other monks again.
Another version of the legend is that Dunstan shod the devil in iron so that he would always be heard creeping up behind people. Because of these stories, the smithing tongs are St Dunstan's symbol.
All Hallows By The Tower Museum, London
Portrait of a Young Woman, c. 1740
William Hogarth
Oil on canvas
Collectie MSK Gent
excerpt from The Old Vicarage Grantchester
(Cafe des Westens Berlin May 1912)
by Rupert Brooke
Just now the lilac is in bloom,
All before my little room;
And in my flower-beds, I think,
Smile the carnation and the pink;
And down the borders, well I know.
The poppy and the pansy blow. . .
Oh! there the chestnuts, summer through,
Beside the river make for you
Atunnel of green gloom, and sleep
Deeply above; and green and deep
The stream mysterious glides beneath.
Green as a dream and deep as death.
—
Oh, damn! I know it ! And I know
How the May fields all golden show.
And when the day is young and sweet,
Gild gloriously the bare feet
That run to bathe…
Woodcuts by Noel Rooke

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Peter Cushing
English actor
Born 26th May 1913
Still from The Revenge of Frankenstein (1957)
The Glassblower 1944
Mervyn Peake 1911-68
Oil on canvas
City Art Gallery, Manchester
In the Second World War, Peake was commissioned by the War Artists Advisory Committee to record the making of cathode ray tubes, used in radar. He went to Chance Brothers' glassworks, in Smethwick, near Birmingham.
Peake was entranced by the glassblowers' grace but saw how hard they worked. He wrote, in his poem The Glassblowers:
It is the ballet of gold sweat. It is
The hidden ballet of the heavy feet
And flickering hands: the dance of men unconscious
Of dancing and the golden wizardries.
Rough clothed, rough headed, drenched with sweat, they are
As poised as floodlit acrobats in air