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Celtic Tales: Fairy Tales and Stories of Enchantment from Ireland, Scotland, Brittany, and Wales
Kate Forrester
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Stunning Celtic box by Helge LaLand
The Anatomy of Viking Art: Broa Style
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Sometimes a Wild God
Sometimes a wild god comes to the table. He is awkward and does not know the ways Of porcelain, of fork and mustard and silver. His voice makes vinegar from wine.
When the wild god arrives at the door, You will probably fear him. He reminds you of something dark That you might have dreamt, Or the secret you do not wish to be shared.
He will not ring the doorbell; Instead he scrapes with his fingers Leaving blood on the paintwork, Though primroses grow In circles round his feet.
You do not want to let him in. You are very busy. It is late, or early, and besides… You cannot look at him straight Because he makes you want to cry.
The dog barks. The wild god smiles, Holds out his hand. The dog licks his wounds And leads him inside.
The wild god stands in your kitchen. Ivy is taking over your sideboard; Mistletoe has moved into the lampshades And wrens have begun to sing An old song in the mouth of your kettle.
‘I haven’t much,’ you say And give him the worst of your food. He sits at the table, bleeding. He coughs up foxes. There are otters in his eyes.
When your wife calls down, You close the door and Tell her it’s fine. You will not let her see The strange guest at your table.
The wild god asks for whiskey And you pour a glass for him, Then a glass for yourself. Three snakes are beginning to nest In your voicebox. You cough.
Oh, limitless space. Oh, eternal mystery. Oh, endless cycles of death and birth. Oh, miracle of life. Oh, the wondrous dance of it all.
You cough again, Expectorate the snakes and Water down the whiskey, Wondering how you got so old And where your passion went.
The wild god reaches into a bag Made of moles and nightingale-skin. He pulls out a two-reeded pipe, Raises an eyebrow And all the birds begin to sing.
The fox leaps into your eyes. Otters rush from the darkness. The snakes pour through your body. Your dog howls and upstairs Your wife both exults and weeps at once.
The wild god dances with your dog. You dance with the sparrows. A white stag pulls up a stool And bellows hymns to enchantments. A pelican leaps from chair to chair.
In the distance, warriors pour from their tombs. Ancient gold grows like grass in the fields. Everyone dreams the words to long-forgotten songs. The hills echo and the grey stones ring With laughter and madness and pain.
In the middle of the dance, The house takes off from the ground. Clouds climb through the windows; Lightning pounds its fists on the table. The moon leans in through the window.
The wild god points to your side. You are bleeding heavily. You have been bleeding for a long time, Possibly since you were born. There is a bear in the wound.
‘Why did you leave me to die?’ Asks the wild god and you say: ‘I was busy surviving. The shops were all closed; I didn’t know how. I’m sorry.’
Listen to them:
The fox in your neck and The snakes in your arms and The wren and the sparrow and the deer… The great un-nameable beasts In your liver and your kidneys and your heart…
There is a symphony of howling. A cacophony of dissent. The wild god nods his head and You wake on the floor holding a knife, A bottle and a handful of black fur.
Your dog is asleep on the table. Your wife is stirring, far above. Your cheeks are wet with tears; Your mouth aches from laughter or shouting. A black bear is sitting by the fire.
Sometimes a wild god comes to the table. He is awkward and does not know the ways Of porcelain, of fork and mustard and silver. His voice makes vinegar from wine And brings the dead to life.
Tom Hirons http://tomhirons.com/poetry/sometimes-a-wild-god
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The Anatomy of Viking Art: Timeline
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The Anatomy of Viking Art: Broa Style
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One of the most famous events in the lore is the death of Baldr. Baldr is killed by Hoth (Hodr). Vali is birthed to avenge Baldr by killing Hodr.
As a the aspect of vengeance it seemed right to me that Vali would be masked. The horns of his helm are twisted because vengeance is always a twisted act, no matter how just. His oath is to not wash his hands or cut his hair until the target of his vengeance is dead, I know this was a common oath of vengeance, and yet is seems so fitting that the act of vengeance is unclean.
Druidism … 🌲🍃🌲
Nature forms such an important focus of their reverence, that whatever beliefs they hold about Deity, all Druids sense Nature as divine or sacred. Every part of nature is sensed as part of the great web of life, with no one creature or aspect of it having supremacy over any other.
Druidry’s reverence for Nature encourages us to love the land, the Earth, the stars and the wild. It also encourages a love of peace: Druids were traditionally peace-makers, and still are. Often Druid ceremonies begin with offering peace to each cardinal direction, there is a Druid’s Peace Prayer, and Druids plant Peace Groves. The Druid path also encourages the love of beauty because it cultivates the Bard, the Artist Within, and fosters creativity.
In addition to all these types of love that Druidism fosters, it also recognizes the forming power of the past, and in doing this encourages a love of history and a reverence for the ancestors. The love of trees is fundamental in Druidism too, and as well as studying treelore, Druids today plant trees and sacred groves, and support reforestation programmes. Druids love stones too and build stone circles, collect stones and work with crystals. They love the truth, and seek this in their quest for wisdom and understanding. They love animals, seeing them as sacred, and they study animal lore. They love the body and sexuality believing both to be sacred
This attitude of reverence and respect extends to all creatures, and so many Druids will either be vegetarian or will eat meat, but support compassionate farming and be opposed to factory farming methods. Again, the belief that we should love all creatures is likely to be tempered with a robust realism.
The Otherworld
Although Druids love Nature, and draw inspiration and spiritual nourishment from it, they also believe that the world we see is not the only one that exists. A cornerstone of Druid belief is in the existence of the Otherworld – a realm or realms which exist beyond the reach of the physical senses, but which are nevertheless real.
This Otherworld is seen as the place we travel to when we die. But we can also visit it during our lifetime in dreams, in meditation, under hypnosis, or in ‘journeying’, when in a shamanic trance.
Different Druids will have different views on the nature of this Otherworld, but it is a universally held belief for three reasons. Firstly, all religions or spiritualities hold the view that another reality exists beyond the physical world, rather than agreeing with Materialism, that holds that only matter exists and is real. Secondly, Celtic mythology, which inspires so much of Druidism, is replete with descriptions of this Otherworld. Thirdly, the existence of the Otherworld is implicit in ‘the greatest belief’ of the ancient Druids, since classical writers stated that the Druids believed in a process that has been described as reincarnation or metempsychosis (in which a soul lives in a succession of forms, including both human and animal). In between each life in human or animal form the soul rests in the Otherworld.
For many Druids today the primary position of love and respect towards all creatures extends to include a belief in the idea of causing no harm to any sentient being. This idea is known in eastern traditions as the doctrine of ‘Ahimsa’, or Non-Violence.

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Dragon kuksa Nordic style. Hand carved using three primary bushcraft tools. Axe, Straight knife and hook knife. You can find techniques for this type of carving at www.spooncarvingfirststeps.com.
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The Anatomy of Viking Art: Borre Style
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The Anatomy of Viking Art: Jelling Style
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Polymer clay pendant with tiger’s eye and green aventurine
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