yes
h
"I'm Dorothy Gale from Kansas"

Love Begins
Aqua Utopia๏ฝๆตทใฎๅบใง่จๆถใ็ดกใ

ellievsbear
Alisa U Zemlji Chuda
noise dept.
I'd rather be in outer space ๐ธ

#extradirty
ojovivo
will byers stan first human second
Jules of Nature
RMH
Misplaced Lens Cap
TVSTRANGERTHINGS
sheepfilms
Keni
YOU ARE THE REASON
PUT YOUR BEARD IN MY MOUTH
seen from Nepal

seen from Nepal
seen from Nepal

seen from Brunei

seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from Germany
seen from Bangladesh
seen from Tรผrkiye
seen from United States
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seen from United States
@bunnydracula
yes

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Your too late mr bond I alreasy peed out all my pee from my penis
William Teason - book cover for "We Have Always Lived in the Castle"
by Shirley Jackson
vertigo
step son saw my candy

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Phillip Seymour Hoffman (Esquire Magazine)
Pesto
correct me if i'm wrong, but i don't see any good reason for institutions to hoard thousands of photos taken by people who are no longer alive, keep them hidden, and then make money from access and from people wanting to use them for their own projects or any other purpose. these images are part of our shared history, not commodities. they should be seen, not stay hidden.
the asala collection (spanning 130 years, 355 albums/items, and more than 30.000 images) is a perfect example
the collection has been exhibited and promoted, & it is clearly an important historical archive. but who gets meaningful access?
a single rare photo album like those in collections such as this can cost thousands, putting them mainly within reach of wealthy collectors, universities, or museums.
these images are records of human history. when our shared visual heritage is locked behind ownership, price, and restricted access, most people lose the chance to see and learn from it.
they should be preserved, digitised & made accessible.
there is a pdf giving a glimpse into this huge collection; here. and this is only one collection; focused on the middle east & arabian peninsula. there are countless others.
Star Wars: ย Episode 3 - Revenge of the Sith (2005)
is that the correct gif?
cat and baby cat

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Melody Maker - May 17, 1997
CHRISTOPHER MOLTISANTI-ISMS
THE SOPRANOS (1999 โ 2007)
ใใใใใใใใซใผใใใใฎๅญฃ็ฏใฏ็ตใใใชใใจใ็ฅใใชใใณใธใญใผ
The binturong of ennui

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it's not enough to say "IP law doesn't prevent theft" (<- true) we must also stress that IP law enables and causes theft and then legally bars the original creators from using their creations, until corporations are mass producing the IP for immense profit while the original creators die in poverty (<- also very extremely true!!!)
like I could not care even a little bit about "IP theft". you can not steal a concept the way you can steal a car just by copying someone. that isn't a real thing you can do. I don't care about this.
but what I do care about is comic book writers dying broke and hungry while disney pumps out another $1billion military propaganda MCU film using their characters (labor they were payed comparatively nothing for).
what I care about is Gary Bowser paying nintendo 30% of his income for the rest of his life, just because he was pirating games.
IP law is not just some kind of hypothetical ideal. IP law is a law, and it hurts people in real material ways, while helping corporations further stuff their pockets.. if you support IP law, if you're some kind of pro-IP activist, you are perpetuating real harm that hurts real people while helping corporations gain more and more power. your motivations do not negate this. and if anything your motivations just make you look like a useful idiot.
having a body made of meat sucks ass
we're not made of meat! and we'll always be with you
kill dorothy fuck the lion marry the tin man and i dont care about the other one