Anna

And there’s a hesitation. Bill hesitates because he’s looking, he’s just suddenly seeing how handsome this man is, standing there in the light.  And that’s something that Frank’s brain is incredibly attuned to.  It’s that fast.  There’s a moment there, if you watch that scene again, where he kind of smiles. And he smiles because in his mind, he’s like: I got you, I know you. And from that point forward, it was about, in my mind, about Frank thinking to himself: look, maybe I get lunch and I move on, I don’t know, but let’s just see where this goes.

Wednesday: I don’t know, pass me my cello and we’ll find out.

Wednesday: *Plays the cello loudly and extremely out of tune*

Xavier: WHO THE FUCK IS PLAYING THE CELLO AT TWO IN THE MORNING?!

WEDNESDAY & XAVIER

“I think when the day comes that you have a big detective show where the first half hour was this man at work and he’s a maverick and all the usual things and then we went home and his boyfriend says, ‘Are you alright?’ it was just a thing, then something would have genuinely changed.”

- Mark Gatiss for Gay Magazine, February 2012 (x)