Britney Britney

Love 2 Love U - Natural tone along with efortless belts and high falsettos, it also has some harmonized mixed belts and low notes.  Not to mention her agile runs even in the 5th octave. Her best vocal performance in my opinion.

Everybody - So underrated as a vocal showcase but she has quite some runs, a phrased E5 along with a belted D5, harmonized lows to C3 also fast phrasing.

Everytime - Well, we all know this is one of the first songs if not THE first song that comes to our minds when the words “Britney” and “Vocal” show up. It has quite the agility in falsetto register which is pretty good. Also her haunting tone makes it even better.

Mona Lisa - Very good supported and sustained high falsetto notes, vocal runs in FRY REGISTER (hello people who have agility in that register are REALLY rare) and a very good scaling falsetto riff.

Where Are You Now - Incredible breakdown… seriously it is so impressive… she phrases in the 5th octave sometimes, it has her best techical belt EVER and her vibrato is breath takingly good.

Hold On Tight - Very pleasant notes with vibratory, harmonized high mixed belts and some runs. It’s very good.

Perfume - The song that simply proves that she still has the voice she had when she was younger. Mid belts are very pleasant to hear with vibratory and she has some runs in it as well.

Luv The Hurt Away - Lowered larnyx, yes… but it’s still a flawless vocal slayage with a harmonized high falsetto that nobody notices for some reason…

Lonely - Some phrased high notes and incerdibly low harmonized notes (One whooping octave lower than Ariana Grande’s lowest note)

(You Drive Me) Crazy [The STOP! Remix] - The breakdown is one of her best vocal movements… very high prasing along with an incredible C5…

Cindrella - It has lots of runs (one being very agile before the final belt) and lots of mid-belts as well. The phrasing is also high.

Oops!… I Did It Again - It has so much vocal showcases… C#3 at “wishing that heroes they truly exist” also a harmonized B2 at that same part. A perfectly mixed C#5 at the breakdown… and some high phrasings.

The Hook up - Well I’m sure this actually suprises most of the people but it has fast and high phrasing, vocal tone changes, and the main reason I inculded this song in the list, very low and phrased fried notes with RUNS!

Shadow - Heady mixed and therefore healty notes phrased C5’s and C#5’s falsetto slayages at the background, and some low notes “leaving too soon… leaving too soon…”

Toxic - Her most underrated vocals EVER (along with the last song on this list) she phrases and does runs in falsetto register and hits 4 (FOUR) back to back mixed G5’s which is a Mariah level vocal slayage!

Sometimes - Harmonized lows, phased high notes, belts, runs it has everything! expect the natural tone sadly…

You Got It All - Very good mid belts (she has like 20 A4’s) and a very good chesty and impressive C5 (decending to Bb4)

From The Bottom Of My Broken Heart - You know what a “B4” sounds like? well, the best examples are : Stronger’s belt, I Will Always Love You’s belt, Lift Me Up’s belt… well she has 15-25 of them phrased in this song. It also has tone changes which are very good.

Stronger - Very good belting technique with vibratory, lows to C#3 along with a harmonized and phrased E5, very impressive.

He About To Lose Me - I know the main vocals in chours isn’t her… BUT! the rest is an incerdible vocal showcase with 3 incedible belts which 2 being runs and one of those runs have 7 notes in a second! She also has very good fried notes. And her vocals (the ones in the background) on chours are pretty low (down to C#3)

Criminal - Downwards runs, phrased and harmonized E5’s, lows to E3 a pretty good showcase.

To Love Let Go - Tone changes, efforless belt, low notes, fry phrasing.

E-mail My Heart - Natural tone, effortless belting.

Don’t Go Knocking On My Door - Very good mid belts, high phrasing, some runs.

What U See (Is What U Get) - Exact same vocal showcases with Don’t Go Knocking On My Door being : Very good mid belts, high prasing, some runs.

I Run Away - Low pharings, tone changes and her longest held studio note (10 seconds)

Autumn Goodbye - Harmonized high belts, register transitions, pleasant falsettos (that are also high) it is a pretty good showcase.

I Will Be There - Phrased AND betled high notes, very good.

Thinkin’ About You - Dark tone, lows to C3, very good belting technique like an earth shattering C5, aglile runs even in the 5th octave and a 5th octave phrasing up to Eb5 “With you baby”

Soda Pop - Lowered larnyx causing a pleasant tone, belted and phrased high notes, so many low notes and harmonized D3’s.

Kill The Lights - 41 high notes, that’s quite some right?

Do Somethin’ - Phrased B5 falsettos and Eb6 falsettos. Hit a F#6, harmonized C#3’s and tone changes. Do Somethin’ is the song with the widest range btw. C#3 - F#6 being 3.5 octaves. (along with the last song on the list)

Out From Under - Tone chanes, amazing harmonizing methods, low harmonized notes and a very pleasant tone.

Inside Out - Her agility in fry register is very good in this song too, just like the ones in Mona Lisa, I also adore the harmonizing methods she used and those “so c'moonnn” D5’s are life.

Dramatic - Oh, my GOD! I don’t know HOW I forgot to mention this on my first post but this is deffinetly her hardest song to sing EVER she has a harmonized C6 head voice which is pretty good but… this time the main showcase is not her high notes. Her lower register in this song is just unbelivable… considering this song was problaby recorded in 2004 - 2005 which means she sang in that baby voice for over 5 years. She has an incredible, supported, sustained B2, harmonized G2 and a G#1 fry… That is mind-blowingly low for a female or… even for a male to be honest! This is her most underrated vocal showcase EVER. Her tone is pretty natural in this song as well and it has a little to no studio effects! showcasing 3.5 octaves. This is seriously a song that Xtina, Ariana or to be honest not even Céline or Whitney could sing because it is SO low for their voice (I’m not saying they are bad singers or worse than Brit but their ranges are just not enough to sing this song) only female I can think about that can sing this is MC tbh.

‘To Love Let Go’