Natalie DĆaz, from "American Arithmetic", Postcolonial Love Poem
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Natalie DĆaz, from "American Arithmetic", Postcolonial Love Poem

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Dogfish
by Mary Oliver
Some kind of relaxed and beautiful thing kept flickering in with the tide and looking around. Black as a fishermanās boot, with a white belly.
If you asked for a picture I would have to draw a smile under the perfectly round eyes and above the chin, which was rough as a thousand sharpened nails.
And you know what a smile means, donāt you?
I wanted the past to go away, I wanted to leave it, like another country; I wanted my life to close, and open like a hinge, like a wing, like the part of the song Ā where it falls down over the rocks: an explosion, a discovery; Ā I wanted to hurry into the work of my life; I wanted to know, whoever I was, I was
alive for a little while.
It was evening, and no longer summer. Three small fish, I donāt know what they were, huddled in the highest ripples as it came swimming in again, effortless, the whole body one gesture, one black sleeve that could fit easily around the bodies of three small fish.
Also I wanted to be able to love. And we all know how that one goes, donāt we?
Slowly
the dogfish tore open the soft basins of water.
You donāt want to hear the story of my life, and anyway I donāt want to tell it, I want to listen
to the enormous waterfalls of the sun.
And anyway itās the same old storyā a few people just trying, one way or another, to survive.
Mostly, I want to be kind. And nobody, of course, is kind, or mean, for a simple reason.
And nobody gets out of it, having to swim through the fires to stay in this world.
And look! look! look! I think those little fish better wake up and dash themselves away from the hopeless future that is bulging toward them.
And probably, if they donāt waste time looking for an easier world,
they can do it.
me after watching pride and prejudice (2005)
itās been two days and iām still obsessed with this answer from cĆ©line sciamma about portrait of a lady on fire
studio ghibli storyboards ofĀ howlās moving castle (2004)

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when kafka said āall the love in the world is useless when there is total lack of understandingā and when richard siken said āif you love me, you donāt love me in a way I understand.ā
anne carson
when anaĆÆs nin said āi dont want worship. i want understandingā
Mitski for Pitchfork // Richard Siken for TinHouse
- extract from a christine and the queens interview that I saved in my journal
Jeanette Winterson, from Why Be Happy When You Could Be Normal?
Josh Alex Baker, āDeath Wishā
Vintage Moschino Fall 1989 Leather Jacket with Floral AppliquƩ Details

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Natalie Wee, from āLeast of Allā, Our Bodies & Other Fine Machines
I love the song āScarborough Fairā because it follows my favorite poetic structure:
Nosy question
Grocery list
Haunting personal information
Found craigslist image John Baldessariās painting - EVERYTHING IS PURGED FROM THIS PAINTING BUT ART, NO IDEAS HAVE ENTERED THIS WORK (1966)
āIn 1404, King Taejong fell from his horse during a hunting expedition. Embarrassed, looking to his left and right, he commanded, āDo not let the historian find out about this.ā To his disappointment, the historian accompanying the hunting party included these words in the annals, in addition to a description of the kingās fall.ā
LMFAOOOOOO rip to that guy
i thought maybe this was fake, but thereās even a citation!
Taejong Sillok Book 7. 5th year of King Taejongās Reign (1404), February 8.
Happy 618th anniversary of the day King Taejong fell from his horse!
Apparently the recorders were really intense about this. We have a record of King Taejong complaining about a recorder who followed him on a hunt in disguise and another who eavesdropped on him behind a screen. No one was allowed to see the records, even the king (one king did and killed five men based on what was written there, after which they took greater care to ensure it would never happen again), and changing the content or disclosing it was a capital punishment. Even when there were rival political factions trying to influence the writers, they wrote down what was a revision and what wasnāt and kept an original version with no revisions in it.
They also made sure to back up their data. They made four copies of it, then when three copies were lost in the Imrim Wars they decided to make five more copies just in case. One copy was destroyed in a rebellion, another was partially damaged in an invasion, and Japan stole one copy during their occupation and moved it to Tokyo University, where it was mostly destroyed in the Kanto Earthquake (47 books remained and were returned to South Korea in 2006). Now the whole thing is digitized, free on the internet, and translated into modern Korean for all to see.
It took centuries of meticulous recorders, justifiably paranoid copiers, absolutely determined historians, and painstaking infrastructure for this joke to be possible. Happy 618th anniversary to the day King Taejong fell from his horse.
āYou canāt tell me as commander of police I canāt stop some little tiā some idiot from writing down anything he likes?ā āOh, no, sir. Of course you can. But Iām not sure you can stop him from writing down that you stopped him writing things down,ā
- Terry Pratchett, The Truth
ā Billy-Ray Belcourt, A History of My Brief Body
[TEXT ID: "To love someone is firstly to confess: I'm prepared to be devastated by you."]

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love the pure barefaced desperation in take a chance on me by abba like itās just lyric after lyric thatās like iām a great second choice i know u donāt like me but just give me a go why not iām an option iāll hang around and wait for you feel free to change your mind whenever iāll be around if you have no other options iām right here waiting patiently btw :). everyoneās too scared to make music thatās that desperate these days. whereās the music for pathetic desperate people
jeanette winterson, referenced by victoria chang, says, āthe best work speaks intimately to you, even though it has been consciously made to speak intimately to thousands of others.ā
jorge luis borges, addressing a large audience in the butler library at columbia university, said, āa crowd is an illusion. no such thing exists. i am talking to you personally.ā
āI could pretend Iām speaking to everyoneāassume a middle distance and transcend myselfābut Iām talking to you and you know it.ā
Richard Siken, āThe Long & Short of Itā