Introductions
You can call me Brianna Gamble, or Bri, or just BG if you'd like.
I'm a published poet. I'm an aspiring novelist. Pronouns She/Her
A big fan of vampires, fantasy, old pulp stories & comics, and Ursula K Le Guin.
we're not kids anymore.

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PUT YOUR BEARD IN MY MOUTH
"I'm Dorothy Gale from Kansas"

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@briannagamble
Introductions
You can call me Brianna Gamble, or Bri, or just BG if you'd like.
I'm a published poet. I'm an aspiring novelist. Pronouns She/Her
A big fan of vampires, fantasy, old pulp stories & comics, and Ursula K Le Guin.

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Something very nice about gaining confidence in the quality of my work is that I no longer balk at the idea of editing or rewriting. The fear of being unable to capture what made the previous draft good is gone; I've done it before, lots of times, and I can do it again. This good line is not the last good line I'll ever write. In fact, the next one I write will likely be even better.
a novel is really fascinating because its the collective work of a million moments on the part of the author. ceaselessly returning to the draft, building and rebuilding the structure, prodding at the lines, encouraging the growth of elements that surprise and astound
now that ive workshopped many developing writers stories, ive got a much better sense of a writer's voice and sensibilities, and how that voice plays out clause to clause.
i'm not trying to say that it's a raw expression of personality. skill is as much part of the prosaic expression as sensibility. but there's something that is totally the person expressed in the prose. (Assuming they've given the work enough time and thought, etc etc). It's almost like dancing? Each movement in a routine is composed of the precise expression of countless muscles, working in harmony towards a single intentional expression.
The problem with giving yourself a challenge of writing a bunch of short stories is having to figure out names for every one of these fuckers
"maybe for short stories that direct style was something necessary when [hemingway] was writing but i think that we have lost a great deal because of that. i think that we need language to come back in its full richness. maybe it's time for [the pendulum] to swing back, so we get back to the prose of stylists. it used to be that writers were able to write better than the average person, and after people like hemingway we're all writing in the same way" okay get his ass
labatut saying this 🤝 ursula k le guin saying "i want to state that I think ernest hemingway was unjust and full of shit"

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Rereading a friend's writing this morning that's just absolutely electric. I want to hold on this feeling of delight in a friend's work forever
Poetry often works by deforming and shaping language into novel ways to achieve a defamiliarizing effect. In this way the mundane, the normal, and the unseen can all take on new dimensions in a reader's eye thanks to the work of the poem.
I argue that worldbuilding - as in all the stuff of setting that fantasy, scifi, and gothic stories change from the world we know to tell their stories - brings similar defamiliarizing effect to narratives. A reader is forced to grapple with what the artist is saying about our world and culture by showing how people might react to something different.
i love in fiction when a chapter or section ends with an ominous one-sentence paragraph. prosaic form of both a cliffhanger and a mic-drop
writing allusion is such an interesting experience. Finding the balance between “meaningfully intertextual” and “indulgent cheese” is difficult. Like there’s something really valuable in wearing your influences on your sleeve because it helps an audience see what previous works youre in conversation with. At the same time your work absolutely has to stand on its own merit, and it feels like over-committing to allusion can weaken the story youre actively trying to tell
obviously take every bit of online writing advice ever with not just a grain but a whole fucking loaf of salt
however
emerald and amethyst both feel like empty descriptors at this point. If a writer wants to actually evoke jewel tones for me they'll have to be more specific

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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one of the terrifying and delightful things about writing is the way a piece becomes its own and explodes in meaning once it’s left the writer’s hands. Many years ago i had a friend wax poetic about a specific word choice in a poem of mine, telling me how interesting and evocative it made the piece, how that specific diction made the poem for them. That one word had a typo and the typo made it a different word.
many such cases. We cannot control the meaning and value others gain from our work. We can just hope to make the work worthy of it
really the one rule of writing is that it should fuck nasty. It should have swagger. It should schmove. If it's not doing these things then go back to your draft