The Grand Canal, 1875, Édouar Manet
Medium: oil,canvas
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The Grand Canal, 1875, Édouar Manet
Medium: oil,canvas

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Garden with woodland, 1933, Cuno Amiet
Australian Aboriginal Cave Painting Kimberley Rock Art
Je suis un volcan sur le point d'entrer en éruption. Il y a trop de lave en moi.
© Allvaro Ancône
Ph. Pierre Boucher, Le plongeon, 1976

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Woman with Doves, William Etty
William Edward Frost, 1810-1877
Melpomene, n/d, oil on panel, 13x8.5 cm
Private Collection
A pupil of William Etty, RA (1787-1849), Frost is thought to have been his only follower. Through this association he was also one of the few British artists of the mid-late 19th Century to have explored the subject of the nude in his paintings. The changing tastes and increasingly austere attitudes in the Victorian period meant that nudity wasn't largely well received, and Frost's more chaste compositions were generally more sought after. His later career explored themes around mythology and indeed Terpsichore (the protector of dance) and Melpomene (the protector of Tragedy) were two of the nine muses in Greek mythology, whilst Ariadne was a Greek Princess, mostly associated with mazes and labyrinths because of her involvement in the myths of the Minotaur and Theseu. (Roseberys, London)
Follower of William Etty, 1787-1849
Wooded landscape with a Nymph holding a phiale, 1910, oil on board, 38.8x21.6 cm
Private Collection
A bather, William Etty 1835? [870x1200]
“Welcome the Unknown”
Artist -> Naudline Pierre

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Suzanne Valadon (French, 1865–1938) Paysage à Saint-Bernard (Ain) 1932
-The Boat-
William James Glackens (American, 1870-1938), Café Lafayette (Portrait of Kay Laurell) [1914]

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Uncredited 1980 cover art to ‘A Wind in the Door,’ by Madeleine L'Engle
Lilac Irises (1917) by Claude Monet