Alberto Regueira (Cuban, 1994) - Reborn (2022)

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Monterey Bay Aquarium
almost home

Love Begins
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@theartofmadeline
2025 on Tumblr: Trends That Defined the Year
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occasionally subtle
KIROKAZE
Keni

bliss lane

Origami Around
I'd rather be in outer space 🛸

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noise dept.
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TVSTRANGERTHINGS

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Alberto Regueira (Cuban, 1994) - Reborn (2022)

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“Moon’s shadow on the earth, as seen from the moon.” A study of the sky. 1896.
Yayoi Kusama
Lingering Dream, 1949
Pigment on paper
53 ¾ x 59 ¾ inches (136.5 x 151.7 cm)

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yuko takada
m3ch4n1c41 4n931 · "blame! and so on" by tsutomu nihei, 2003
m3ch4n1c41 4n931 · "blame! and so on" by tsutomu nihei, 2003
Thylacine mandible pincushion, made by Emily Ferrar ca. 1900.
Eclipse by Hiroshi Nonami

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“I feel the science-fictional enterprise is richer than the enterprise of mundane fiction. It is richer through its extended repertoire of sentences, its consequent greater range of possible incident, and through its more varied field of rhetorical and syntagmic organization.”
—Samuel R. Delany, “From the Triton Journal: Work Notes and Omitted Pages,” 1976
Heeyoung Noh (Korean, 1995) - Be Quiet! I Won't! (2025)
“And I add that I am foolish to let myself be frightened by another’s thoughts, lacerating my sky with harmless fires and assailing me with noises signifying nothing.”
— Samuel Beckett, The Unnamable
Liu Yin (Chinese, 1984) - This Green Onion (2025)
Liu Yin (Chinese, 1984), This Green Onion, 2025. Acrylic on canvas 200 x 230 cm.
Shanghai ⌘ Stuart Franklin ~ Red spheres suspended between glass towers

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Yasmeen Ghauri @ Jil Sander Fall/Wint 1999
tormenta sobre saavedra