you’re jerking off and suddenly my leitmotif starts playing

gracie abrams

let's talk about Bridgerton tea, my ask is open
cherry valley forever
Lint Roller? I Barely Know Her
occasionally subtle

ellievsbear
𓃗
untitled
"I'm Dorothy Gale from Kansas"

Kiana Khansmith
Fai_Ryy
ojovivo

Origami Around
Phantogram Three
d e v o n
tumblr dot com
Claire Keane

seen from United Kingdom
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seen from United States
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seen from United States
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seen from United States

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seen from United States
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@brainedstew
you’re jerking off and suddenly my leitmotif starts playing

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WIMO = world is my oyster
the situation with harry potter is kind of unprecedented in some ways imo because it is maybe the largest media franchise in history to be created & owned by a single person who still has direct creative control over it. who is also a billionaire with significant cultural/political influence. like the usual "no ethical consumption under capitalism" type excuses shatter on impact when the bigoted author in question is logging onto twitter every day saying explicitly that when you buy the tim hortons ravenclaw donut she is using your donut money to fund the genocide of trans people. like with big franchises usually there's at least a little more diffusion of responsibility than this
lol i hate today’s era of absolutely zero nuance takes. a friend didn’t behave exactly as you’d wanted them to? cut them off. a guy didn’t text you back instantly bc he has his own life? he’s just giving you breadcrumbs. doing something makes you uncomfortable? don’t do it anymore. someone isn’t instantly available for you? disinterest. just absolutist statements that often don’t apply to the multilayer situations of everyday life. like. stop. literally just stop it
It's incredible how much pop psychology and therapyspeak boils down to treating individualism as the phenomenological norm for human beings and any form of human communication or relationship based on negotiation, compromise, self-sacrifice and trust as an act of violence against the individual
in the age of ozempic, take my hands...its okay to gain weight and to want to be fatter. Normalize talking about gaining weight for no reason other than you want to. Heal your relationship with your body and with food. Its okay to want to be fatter.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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fool me once shame on you. fool me twice shame on me. fool me three times this has gotta be a sex thing for at least one of us
"IMG_0015" (2005), STARRYNIGHT7171
Queer Dyke Cruising, Del LaGrace Volcano
I am the surgeon & I am the patient & I am the technician handing over the scalpel & I am the scalpel & I am the pervert touching themselves in the corner
hey did you know that uhh
i. the monster's body is a cultural body
ii. the monster always escapes
iii. the monster is the harbinger of category crisis
iv. the monster dwells at the gates of difference
v. the monster polices the borders of the possible
vi. fear of the monster is really a kind of desire
vii. the monster stands at the threshold… of becoming
oh shit i didn't expect this to actually get notes lmao
these are all direct quotes from jeffrey jerome cohen's "monster culture (seven theses)" (full pdf linked) i highly encourage you to read it yourself!
that said, while i think cohen's writing is evocative, it can be a little dense, so while i'm here, here's my capsule summary (you can also hear me talk about this in the first episode of my podcast) (listen to @ghostswerepeopletoo)
i. the monster's body is a cultural body - The monster is a work of fiction to be analyzed through tools of literary and sociological theory.
ii. the monster always escapes - As long as the cultural fear from which the monster stems persists, the monster will reappear in retellings, reimaginings, and sequels.
iii. the monster is the harbinger of category crisis - Monsters defy binaries and challenge easy comprehension or categorization.
iv. the monster dwells at the gates of difference - The monster represents the Other.
v. the monster polices the borders of the possible - Tales of the monster exist to discourage unacceptable or taboo behaviors.
vi. fear of the monster is really a kind of desire - Subjects can vicariously participate in the disruption of the social order through the monster.
vii. the monster stands at the threshold… of becoming - Within the monster we find information about the self.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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the unstoppable force is tonguing the immovable object and it seems to be enjoying the experience
Old building next to my studio
“Butch/fem Picnic,” Morgan Gwenwald, 1984.
sadomasochism? no, i'm actually quite happyomasochism ^_^

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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love it when a location is evil. when a location fucking sucks. when intrinsically it is so bad and evil that it literally is in the air . this kinda works if its only something special can you imagine a parking lot being evil oooooh every time you park into me i subtly adjust my lines so that you're always slightly tilted