Life!!!!!!!!
almost home
let's talk about Bridgerton tea, my ask is open
One Nice Bug Per Day
Game of Thrones Daily

Three Goblin Art

romaâ
we're not kids anymore.

if i look back, i am lost
Jules of Nature
YOU ARE THE REASON
Monterey Bay Aquarium

Kaledo Art

oozey mess
đ
Not today Justin


Kiana Khansmith
wallacepolsom

izzy's playlists!
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@bornonjupiter
Life!!!!!!!!

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i have never heard anyone not sing that one line in little lion man by mumford and sons with absolute relish like everyone really enjoys just shouting you really fucked it up this time and i dont blame them
There is no actual, tangible reason why we allow people to starve, to be homeless, to suffer and die needlessly. Food is plentiful. Empty homes are plentiful. Medicine is plentiful. Itâs hidden away behind constructs and we pretend those constructs mean something. There is an empty home and a homeless family, give them it. There is a sick child and common medicine to treat it, give it to them. There is a starving person and so much food wasted by corporations or hidden behind a dollar sign, feed them.
ugh mood
Animal snaps

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neglect often looks like parents who just refuse to actually Parent like they provide shelter/food but do none of the emotional work of parentingÂ
if you do not actively desire sex but still have sex that may be self-harm. iâve done this. it sucks and in the long run will fuck you up when or if you actually desire sex.
having sex for the sole purpose of âpleasing a partnerâ is sex that may traumatize you. sex should be enjoyable and it shouldnât place any burdens on you and if you donât want sex then donât force yourself to have sex
Depression: No do thing. Tired.
Me: Okay well. Maybe if I go to sleep super duper early, Iâll get a decent amount of sleep.
Insomnia: You Fool. You absolute goddamn idiot
Insomnia: You Are Awake.
Me: Okay well. Maybe now I can get some stuff done.
Depression: You fool. You absolute goddamn idiot
FUCK silverfish
if those are the little bug things that look like centipedes yeah fuck em omfg
I HATE THEM SO MUCH
OH IN MINECRAFT I THOUGHT YOU MEANT. REAL ONES SLDKJFLSKDJLFSDF
wait
WHAT DO YOU MEAN REAL ONES
where do you think the name came from
i donât know, tumblr user plump9000. i sort of thought they werenât real, like endermen. or creepers.
>implying endermen arenât real
really not liking what youâre implying buddy
When you like ice cream but also hate birds

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Mr. Rogers had an intentional manner of speaking to children, which his writers called âFreddishâ. There were nine steps for translating into Freddish:Â
âState the idea you wish to express as clearly as possible, and in terms preschoolers can understand.â Example: It is dangerous to play in the street. ââââââ
âRephrase in a positive manner,â as in It is good to play where it is safe.
âRephrase the idea, bearing in mind that preschoolers cannot yet make subtle distinctions and need to be redirected to authorities they trust.â As in, âAsk your parents where it is safe to play.â
âRephrase your idea to eliminate all elements that could be considered prescriptive, directive, or instructive.â In the example, thatâd mean getting rid of âaskâ: Your parents will tell you where it is safe to play.
âRephrase any element that suggests certainty.â Thatâd be âwillâ: Your parents can tell you where it is safe to play.
âRephrase your idea to eliminate any element that may not apply to all children.â Not all children know their parents, so: Your favorite grown-ups can tell you where it is safe to play.
âAdd a simple motivational idea that gives preschoolers a reason to follow your advice.â Perhaps: Your favorite grown-ups can tell you where it is safe to play. It is good to listen to them.
âRephrase your new statement, repeating the first step.â âGoodâ represents a value judgment, so: Your favorite grown-ups can tell you where it is safe to play. It is important to try to listen to them.
âRephrase your idea a ďŹnal time, relating it to some phase of development a preschooler can understand.â Maybe: Your favorite grown-ups can tell you where it is safe to play. It is important to try to listen to them, and listening is an important part of growing.
Mr. Rogers Had a Simple Set of Rules for Talking to Children - The Atlantic
Rogers brought this level of care and attention not just to granular details and phrasings, but the bigger messages his show would send. Hedda Sharapan, one of the staff members at Fred Rogersâs production company, Family Communications, Inc., recalls Rogers once halted taping of a show when a cast member told the puppet Henrietta Pussycat not to cry; he interrupted shooting to make it clear that his show would never suggest to children that they not cry.
In working on the show, Rogers interacted extensively with academic researchers. Daniel R. Anderson, a psychologist formerly at the University of Massachusetts who worked as an advisor for the show, remembered a speaking trip to Germany at which some members of an academic audience raised questions about Rogersâs direct approach on television. They were concerned that it could lead to false expectations from children of personal support from a televised figure. Anderson was impressed with the depth of Rogersâs reaction, and with the fact that he went back to production carefully screening scripts for any hint of language that could confuse children in that way.
In fact, Freddish and Rogersâs philosophy of child development is actually derived from some of the leading 20th-century scholars of the subject. In the 1950s, Rogers, already well known for a previous childrenâs TV program, was pursuing a graduate degree at The Pittsburgh Theological Seminary when a teacher there recommended he also study under the child-development expert Margaret McFarland at the University of Pittsburgh. There he was exposed to the theories of legendary faculty, including McFarland, Benjamin Spock, Erik Erikson, and T. Berry Brazelton. Rogers learned the highest standards in this emerging academic field, and he applied them to his program for almost half a century.
This is one of the reasons Rogers was so particular about the writing on his show. âI spent hours talking with Fred and taking notes,â says Greenwald, âthen hours talking with Margaret McFarland before I went off and wrote the scripts. Then Fred made them better.â As simple as Mister Rogersâ Neighborhood looked and sounded, every detail in it was the product of a tremendously careful, academically-informed process.
That idea is REALLY worth learning to talk to the kiddos. Mr. Rogers still has a lot to teach usâespecially for our own kids.
A FUCKING FUNKO GAME??? WHAT THE FUCK
Iâm rotting inside my head and no one is noticing.
never in my gay life have i witnessed something so iconic
In case you didnât know itâs law you have to watch this every time it appears on your dash or your queer card is revoked

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wild animals donât have âmutuals.â you know what they have? predators and prey. and to me, the blue site is nothing but the serengeti on a hot afternoon
The unforgiving serengeti claims another individualist.
When youâre a grumpy ass, troll-like person by nature but still really want to maintain a soft and feminine aesthetic.
Photos by Kiera Elise