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@bookstomark
Alan Bennett, The History Boys

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vintage
Every kid deserves to grow up alongside a good book series.
Everybody tells you that to be a writer, you have to read and write a lot. Thatâs true. But itâs not all of it. Thatâll get you to understand the technical side. Itâll help you grasp the way a story is built. But that doesnât put meat on the bones you arrange. For that, you need everything but reading and writing. Go live. Travel. Ride a bike. Eat weird food. Experience things. Otherwise, what the fuck are you going to talk about?
Chuck Wendig (via writingquotes)
âItâs not much, but itâs home.â
âI think itâs brilliant.â
The Weasleysâ clock says âDentist,â but when Hermione tells people her parents are dentists no one knows what that is

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I know so many last words. But I will never know hers.
John Green, Looking for Alaska (via bookmania)
He pretended it was the only thing that kept him from it. But, far back in his mind, he wondered if he could write anything. Often the question threw itself at him when he was least expecting it. You have four hours every morning, the statement would rise like a menacing wraith. You have time to write many thousands of words. Why donât you? And the answer was always lost in a tangle of becauses and wells and endless reasons that he clung to like a drowning man at straws.
Richard Matheson (via writingquotes)
Shout out to any bibliophile out there who is currently having trouble reading, for any reason.
Youâre still a bibliophile. Never worry about that.
When a writer first begins to write, he or she feels the same first thrill of achievement that the young gambler or oboe player feels: winning a little, losing some, the gambler sees the glorious possibilities, exactly as the young oboist feels an indescribable thrill when he gets a few phrases to sound like real music, phrases implying an infinite possibility for satisfaction and self-expression. As long as the gambler or oboist is only playing at being a gambler or oboist, everything seems possible. But when the day comes that he sets his mind on becoming a professional, suddenly he realizes how much there is to learn, how little he knows.
John Gardner (via writingquotes)

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i will be forever grateful that of all the deaths in Harry Potter, Professor McGonagall was not one of them.
The beauty of things must beâŚthat they end.
Jack Kerouac,Tristessa (via booksandahotbeverage)
The difference between wanting to write and having written is one year of hard, relentless labour. Itâs a bridge you have to build all by yourself, all alone, all through the night, while the world goes about its business without giving a damn. The only way of making this perilous passage is by looking at it as a pilgrimage.
Shatrujeet Nath (via writingquotes)
I want to do good in the world not just by sitting at my desk writingâŚ. I devoutly believe old men should be explorers. I want to see different geographies, meet different people and who knows what effect that might have on my own poetry. If I were to stay here in an unchanging lifestyle⌠I might have nothing to write about.
Sir Andrew Motion, quoting Four Quartets: âOld men ought to be explorers Here or there does not matter / We must be still and still moving / Into another intensityâ (via robertogreco)

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Realistically there is no chance I will have time to read, Imma still bring a book though
23 Emotions people feel, but canât explain
Sonder: The realization that each passerby has a life as vivid and complex as your own.
Opia:Â The ambiguous intensity of Looking someone in the eye, which can feel simultaneously invasive and vulnerable.
Monachopsis:Â The subtle but persistent feeling of being out of place.
Ănouement:Â The bittersweetness of having arrived in the future, seeing how things turn out, but not being able to tell your past self.
Vellichor:Â The strange wistfulness of used bookshops.
Rubatosis:Â The unsettling awareness of your own heartbeat.
Kenopsia:Â The eerie, forlorn atmosphere of a place that is usually bustling with people but is now abandoned and quiet.
Mauerbauertraurigkeit:Â The inexplicable urge to push people away, even close friends who you really like.
Jouska:Â A hypothetical conversation that you compulsively play out in your head.
Chrysalism: The amniotic tranquility of being indoors during a thunderstorm.
VemĂśdalen:Â The frustration of photographic something amazing when thousands of identical photos already exist.
Anecdoche:Â A conversation in which everyone is talking, but nobody is listening
Ellipsism:Â A sadness that youâll never be able to know how history will turn out.
Kuebiko:Â A state of exhaustion inspired by acts of senseless violence.
Lachesism:Â The desire to be struck by disaster â to survive a plane crash, or to lose everything in a fire.
Exulansis:Â The tendency to give up trying to talk about an experience because people are unable to relate to it.
Adronitis:Â Frustration with how long it takes to get to know someone.
RĂźckkehrunruhe:Â The feeling of returning home after an immersive trip only to find it fading rapidly from your awareness.
Nodus Tollens:Â The realization that the plot of your life doesnât make sense to you anymore.
Onism:Â The frustration of being stuck in just one body, that inhabits only one place at a time.
Liberosis:Â The desire to care less about things.
Altschmerz:Â Weariness with the same old issues that youâve always had â the same boring flaws and anxieties that youâve been gnawing on for years.
Occhiolism:Â The awareness of the smallness of your perspective.
Iâm pretty sure these are all taken from The Dictionary of Obscure Sorrows, a blog that creates beautiful new words that we need but do not yet have.