Trent Reznor and Vernon Reid at Lollapalooza (1991)
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Trent Reznor and Vernon Reid at Lollapalooza (1991)

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OMDÂ Orchestral Manoeuvres in the Dark
Depeche Mode, 101.
A Concert for the Masses.Â
1988.

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Electricity - Orchestral Manoeuvres in the Dark
Enjoy The Silence by Depeche Mode is the ultimate song to play anywhere at anytime without it ever being out of place. In the club at 11pm, in the club at 5 am, on a rainy day, on a day at the beach, to celebrate a young love, to welcome a new life, to mourn a loved one. Itâs always comforting.Â
based on @vierundachzigâs depeche mode post
if you ever want to get into OMD, hereâs a quick easy guide (all very biased by my own opinions)Â
greasewitherspoon:
OMD - Genetic Engineering
greasewitherspoon:
OMD - Genetic Engineering

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âSo yes, we were consciously trying to ask questions about the world, ourselves, music, the future of music. One of the songs is called âThe Future Will Be Silentâ. We looked at how we had constructed some of our more unusual songs, and a lot of them were made from concrete music, found sounds, and we looked at what we had explored in the past and we were trying not to repeat ourselves, and, well, weâve done trains; weâve done machinery. And then I actually said to myself âI realise now that everything that weâve sampled from the real world â trains, machines, computers, guns, typewriters â they were actually accidentalâ. The audio that we had sampled was a waste product from the specific design function of whatever it was that we had recorded. Let me clarify that: a typewriter is designed to type things onto a page, not make a clicking noise when you hit the key. A steam engine is not designed to go âchuff chuffâ. Thatâs an audio waste product of the inefficiency of its engine. And as the world has modernised, the accidental audio by-products, waste products, of the things that have become concrete music are going to be less and less because the designers have designed out the waste so that the machinery of the modern world has actually become more silent. So âThe Future Will Be Silentâ is actually a reference to that concept. Thatâs the sort of thing that OMD should be writing songs about. (LAUGHS)â
â OMDâs Andy McCluskey, The Quietus interview (via rocketsandrayguns)
Orchestral Manoeuvres in the Dark - Walking on the Milky Way
Man, you shouldâve seen us On the way to Venus Walking on the Milky Way It was quite a day
Walking on the big stuff Acting like weâre tough Baby, we were on our way So what do you say?
Orchestral Manoeuvres in the Dark - Red Frame/White Light

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Peter Saville, artwork for album cover Orchestral Manoeuvres In The Dark, 1979. DinDisc Ltd. Source